Tags
1980's, Assumpta Serna, Bruce Greenwood, Carré Otis, Erotic Drama, Jacqueline Bisset, Mickey Rourke, Wild Orchid, Zalman King
Film Title
Wild Orchid
Director
Zalman King
Starring
- Carré Otis as Emily Reed
- Mickey Rourke as James Wheeler
- Jacqueline Bisset as Claudia Dennis
- Assumpta Serna as Hanna
- Bruce Greenwood as Jerome
It doesn’t capture the attention in the guilty pleasure way that Two Moon Junction did, but Wild Orchid is still an erotic film from Zalman King, although hamstrung by attempts to give depth to what is frankly a ludicrous story that needed no attempts to be serious.
Emily Reed is a young and impressionable lawyer who gets a job at a prestigious law firm. Her first assignment is to travel to Rio de Janeiro to finalize the purchase of a hotel. She works under the guidance of the quick-witted and decisive Claudia Dennis, who is a lot more experienced than the novice Emily and knows exactly how to do business. Arriving in Rio, the two set about looking over the run down hotel, that could have a promising future if they manage to save a deal that hangs in the balance. A disgruntled Claudia must go to Argentina for a few days to consult the hotel’s manager who was unaware of them coming, so proceedings are put on Emily, including attending a date with a wealthy man by the name of Frank Wheeler. The self-made millionaire is a strange man who asks personal questions to Emily and hints at a depraved mind. He further introduces her to a world of sexual decadence and carnal pleasure, which disturbs the virginal Emily. The other strange thing is that while Wheeler’s surroundings are sexual, he himself is cold and does not like to be touched even as naive Emily makes plans to get closer; instead getting his kicks from manipulating Emily into strange scenarios that get more exotic as time goes on.
Emily finds herself becoming ever more bewitched by the cold and mysterious Wheeler, and can’t quite choose whether to be repulsed or aroused by the world he introduces her too, where he pulls the strings. Add to the fact that Claudia has been infatuated with him for a long time and has in many ways pushed Emily onto him to see if he rebukes her as he had done to her, and events are going to get heavy.
Zalman King with all his directing prowess does fashion a sweltering climate of sexual interaction and carnal desire that knows how to catch the eye. It’s a shame that he also attempts to conjure up some seriousness as Wild Orchid is really about the heat and sensual games being played against the backdrop of steamy Brazil. That isn’t to say that his direction is bad( far from it if truth be told) yet some parts could have done with a fixer upper and just a general sense of wild abandon to suit the story. The atmosphere is there and that’s what people want from a film like this, on that score it delivers. So I can’t for the life of me fathom why anyone on the production or writing team tried to give Wild Orchid any complexity( a movie such as Wild Orchid should really be anything but serious). All attempts at it are really lost and drag the film out for longer than needed. Also, the script is littered with corny lines and the whole exploration of Emily’s awakening does feel a bit slow, which is detriment to Wild Orchid. What people expect and want from movies like this is a sensual emanation of overripe sex and in that department Wild Orchid is very adept. Bodies are shown laced in sweat as a couple makes animalistic love under water, masks are adorned for a voyeuristic ball and Emily is initiated into a strange but tantalizing world that she never knew there was. A heady carnival score that dabbles with sexy percussion and brass lifts some languor in Wild Orchid and at least suits the erotic atmosphere of it.
Carré Otis, while being very beautiful and someone the camera loves, is unfortunately very stilted in her performance as the naive novice Emily. With stunning bright eyes, tousled hair and full lips, Otis is gorgeous and it is easy to see why she was cast in the part of the sexually unaware Emily. It must be said that she does nail the fragile innocence of the part, but her line delivery is problematically bland and needed more expression for it to be at least interesting and lift the weakness of the script. I think if another actress played the part it may have had a bit more about it instead of making the character into something of a blank cypher. Mickey Rourke fares a lot better as the manipulative, sleazy and intriguing Wheeler, who casts a spell on both women present. The role isn’t much of a stretch but Rourke plays it well nonetheless. The most fun seems to be had from Jacqueline Bisset as the silver-tongued and wild Claudia. Bisset brings energy and vigor to her and when she isn’t on screen the movie lags quite a bit. Assumpta Serna and Bruce Greenwood have roles that amount to cameos as two people caught in Wheeler’s web of sexual games.
Filled with taut flesh in various erotic positions, sensuous ambiance and the beautiful locations of Rio, Wild Orchid gets by on these three things, yet suffers from corny dialogue and not surrendering to the sheer implausibility of the story that could have made it at least a very guilty pleasure of sex. It’s safe for me to say that Wild Orchid left me with decidedly mixed feelings.
I saw this when it came out, and almost immediately forgot it. I remember thinking it looked good, but was little more than erotic soft-porn posing as a serious study of manipulation and control. In that respect, it was not unlike the first ‘Emmanuelle’ film. Might be worth a watch on telly one night, to re-visit this one.
Cheers, Pete.
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You hit the nail on the head with your description there. The attempts for it to be considered serious just fell very flat for me. I mean was anyone really watching the film for the story line?
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I always compare this movie to “Nine and a half weeks” and always come to the conclusion that “Wild Orchid” is way worse than”Nine and a half weeks”. Although both Basinger and Otis are pretty terrible actresses in their respective films, it is Adrian Lyne who eventually saves the day in “Nine and a half weeks”.
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You know I haven’t seen 9 1/2 weeks yet, but I’ve heard discussions of it and it sounds worth watching.
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Omg, you must watch it. The director there had forbidden the actors (Rourke and Basinger) from interacting off the set at all – you can plainly see their “tense fascination with each other” in the movie, and the soundtrack is just great.
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That sounds like an unusual tactic to get a sense of distance but attraction between them.
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I remember this movie and it being pretty bad but then we were just watching it for the sex, back then! Haha
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Sex is the name of the game with this movie.
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We didn’t get cable TV in my little town until I was 15 or 16, and when it arrived we got the movie channel. That’s where I saw this one. Pretty good age to be watching that one, eh? Hahaha.
I don’t know what I’d think of it now. Not sure if it’ll happen, though. We don’t tend to have much time to watch things these days. By the time the kids are in bed at the end of our busy days, we’re usually too knackered to focus on anything…
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Haha, from what I’ve read about the director he helmed a television series entitled Red Shoe Diaries. Ever heard of it?
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Nope, never heard of Red Shoe Diaries. Have you seen it?
Another thing against us seeing things is that we don’t have a TV in the house (haven’t since 1998). Everything we watch is on the computer. Without cable, I assume, we miss a lot.
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Ive never seen it, just read about it being from the same man behind this film.
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Haven’t seen this, but I’m now thinking we all know where 50 shades of Grey began its journey. 9 1/2 weeks has a great scene where Kim Basinger strips off to the gravelly tones of Joe Cocker singing ‘You can leave your hat on” and he sings it steamy.
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It’s interesting that you should mention 9 1/2 Weeks as it is the next film I’m going to review.
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Watched this several times on late night cable way back in the day. Nope, I didn’t watch it for that ridiculous story. I also watched a number of episodes of The Red Shoe Diaries. They were mostly about lonely and/or naive women who found themselves in a sexual misadventure, so not terribly different from this.
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I keep hearing about the Red Shoe Diaries, can’t seem to find it on any streaming services.
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You can find them on YouTube…and yes, that really is David Duchovny of X-Files fame.
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I’ll be certain go check YouTube then.
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Hmm. Definitely not for me.
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It is a pretty abysmal movie Kim, I wouldn’t waste my time on it.
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You always give such great advice Vinnie! Happy Monday!🙋🏻
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You think so? I do try my best. I mean the movie was sexy in parts but it just fell apart. Happy Monday to you too Kim.
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Of course! I’m such a novice at movies. Where would I be without you?!
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You flatter me so. I just really like watching as many different things as I can and writing about. The amusing thing is that I seem to do well at writing about erotic movies. I’m not quite sure why that is.
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Hmm.🤔 Satrap’s influence perhaps?
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Perhaps it is.
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I do like this film. Then again, I’m all for erotic cinema when it’s good (unlike Fifty Shades of Shit despite a naked Dakota Johnson). It has to be about the story and how can sex be integral to the story. It is a flawed film but I like it.
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I don’t mind erotic cinema when it’s done well. Like you, I prefer it to have a story to go with the sensuality.
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Hmm how ’bout they.. I’ve never seen this one, and here i thought I’d seen every movie Mickie’s ‘ been in 😉 , thanks Vin
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It’s not the best movie he’s in, but he’s pretty good himself.
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Oh yes. I watched this when I was younger. Again not one of my favorite movies. I liked Carrie Otis sensuality. But I really didn’t like Mickey Rourke.
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Otis was very sensual, I’m not surprised she was a model.
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She was a very popular model but when she did this movie, she fell in love with Rourke. He was abusive towards her. She then lost her career because of addiction and the injuries he gave her. But she became a plus size model.
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I never heard of any of this.
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Oh. They did a special on her on TV sometime ago. On how she became successful. What happened to her, etc
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Ah…but the painfully young Mickey Rourke. He was in his prime here 🙂
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I will admit that Mickey Rourke was indeed a handsome guy.
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Remember Angel Heart?
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That is a stellar movie. And as you like Rourke, https://vinnieh.wordpress.com/2016/05/02/9-12-weeks/
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