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vinnieh

Monthly Archives: April 2018

My Bucket List

30 Monday Apr 2018

Posted by vinnieh in Announcements, Blogging Community

≈ 48 Comments

Tags

Bucket List

Now before anyone asks, no I’m not dying or seriously ill. When I say bucket list, it’s all the things I want to do. It was inspired by a conversation I had with a friend the other day that had nothing to do with death. Anyway, I think we all have those things that we want to do in life. My list hopefully is fun for you:

  • I want to visit Brazil for the carnival
  • I want to get a body piercing
  • I want to purchase an Aston Martin
  • I want to meet someone famous
  • I want to meet at least one of my followers in person

So what do you think?

I want to be James Bond

27 Friday Apr 2018

Posted by vinnieh in 007 thoughts and reviews, Humour

≈ 36 Comments

Tags

007, James Bond

This may not be a surprise to many, but I still want to be James Bond. As a kid, I wanted this intensely and that passion hasn’t died. I mean, what a life the cinematic spy has had. So how about it, could you see me as 007?

Great Motivation

25 Wednesday Apr 2018

Posted by vinnieh in Announcements, Blogging Community

≈ 11 Comments

Tags

Motivation

I’m not the most easy person to motivate. But lately, I’ve really been feeling a lot more positive about things. And I’ve also been following The Kilted Coaches on YouTube. They’ve been really good in getting me motivated and into some form of shape. These guys are witty, down to Earth and very informative and I know you’ll love them. Their enthusiasm and positivity are infectious.

 

 

6 Year Blog Anniversary

20 Friday Apr 2018

Posted by vinnieh in Announcements, Awards and Achievements

≈ 72 Comments

Tags

6 Year Blog Anniversary

Today my blog turns six years old. Time has gone so quickly and I’m still letting it sink in that my blog has been going this long. I have to thank each and every follower and supporter of my blog. You are truly the very best and I couldn’t do it without you all. So join me in the celebration of this anniversary, you all deserve praise. I’m forever in your debt because you’ve been so magnificent.

My other site

19 Thursday Apr 2018

Posted by vinnieh in Announcements

≈ 14 Comments

Tags

New Site

I’ve set up a second site and I hope you all enjoy it. Be warned, it’s saucy. https://bunsareallthatyourequirehere.wordpress.com

I’m Thinking of Starting Another Site

19 Thursday Apr 2018

Posted by vinnieh in Announcements

≈ 8 Comments

Tags

New Site

My other naughty site got suspended because of the images used. Since then I’ve been considering getting back into the erotica game, but as it’s been so long, I’ve forgotten how to set up a second site. Can anyone be of help? And what do you think of the idea?

The Key

16 Monday Apr 2018

Posted by vinnieh in Movie Reviews

≈ 18 Comments

Tags

1950's, Bernard Lee, Carol Reed, Drama, Romance, Sophia Loren, The Key, Trevor Howard, War, William Holden

I was recently asked to take part in a blogathon set up by the trio of Virginie, Michaela and Emily. To honour the star that was William Holden, I decided to review war romance-drama The Key.

Film Title

The Key

Director

Carol Reed

Starring

  • William Holden as David Ross
  • Sophia Loren as Stella
  • Trevor Howard as Chris Ford
  • Bernard Lee as Wadlow

A wartime drama with romance and something of a gloomy aura, The Key at least holds the attention thanks to the stars and direction. No masterpiece, but compelling enough and filled with good parts.

It’s the Second World War and Canadian tug boat captain David Ross arrives in Plymouth, England. He is assigned to salvage missions that entail picking up ships that have been attacked in conflict with the enemy. It’s an extremely dangerous job as the tug boats are ill-equipped to combat any form of onslaught, leaving them open to death every time they venture out. David meets with old friend Chris Ford who is a captain. Later after a number of missions, Chris takes David back to his lodgings, drawing particular attention to the key. It is here that David meets the beautiful Stella; an Italian-Swiss woman who rarely leaves the apartment. We learn that the key to the apartment is seen as an omen as many men have lived there and perished at sea. This has left Stella lonely(especially since the death of her first love), even though she constantly has company. With the life expectancy of these men low, Chris gives David the key to the apartment in case anything should happen to him. When Chris dies, David moves into the flat. At first, he and Stella are distant with each other as he is skeptical about the seemingly cursed nature of the key. But over time, the two fall in love. But the overreaching feeling of darkness from David’s job and Stella’s past experience with men threatens to ruin what is growing between them.

Carol Reed’s direction manages to balance drama and the scenes of war very well. It’s not Oscar-winning direction but it is passable and generates interest in what will happen next. A certain ghostly quality hangs over The Key. Something quite haunting and melancholy is in the air, especially when it comes to Stella who occupies a haunting presence throughout the story. The black and white cinematography aids the dark areas of the story and the possible love that may happen. The Key is good but far from high calibre movie making, marred by the long running time and occasional dreariness that undoes many of the fine things the movie does. At least it still retains attention thanks to the evolving relationship between Stella and David. The second section raises the film up as more momentum is introduced into the narrative. We see Stella emerge from her gloom and discover that love could be on the cards for her and David become less resistant to the idea that their union could be cursed. A highly dramatic score, with a certain haunting aura heard in many instances.

William Holden excellently conveys the tired and uncertainty of a man who has experience in battle, but is still secretly terrified of the prospect. Blended with movie star charm that is never far from view, Holden is endlessly watchable in his part. Sophia Loren is quietly melancholy and haunted as the woman at the centre of things. There’s real sadness and pathos to her work that comes through in her face, which craves love and companionship but knows of the bleak realities of life that have befallen her. Loren plays this lonely character who just wants some form of togetherness with real clarity and acting opposite the great William Holden is wonderfully convincing. They share a tentative chemistry that matures along with the movie. Trevor Howard makes the most of his role with a scene stealing turn as David’s friend and the one who sets in motion the relationship with Stella. He works well with both Holden and Loren when he appears. Also watch out for Bernard Lee in a supporting part of the head of the salvage unit.

Far from flawless but filled with something unusual and with a great cast, The Key is an entertaining way to spend your time.

A Quiet Place

12 Thursday Apr 2018

Posted by vinnieh in Movie Reviews

≈ 32 Comments

Tags

2010's, A Quiet Place, Emily Blunt, Horror, John Krasinski, Millicent Simmonds, Noah Jupe, Thriller

Film Title

A Quiet Place

Director

John Krasinski

Starring

  • John Krasinski as Lee Abbott
  • Emily Blunt as Evelyn Abbott
  • Millicent Simmonds as Regan Abbott
  • Noah Jupe as Marcus Abbott

A horror thriller that taps into many fears and is ruthlessly tense throughout, A Quiet Place is terrifying and at times quite moving in how it examines people surviving in near silence from director/star John Krasinski.

The year is 2020 and blind creatures have overtaken most of the world. Despite having no sight, they hunt via hearing which is exceptionally advanced. Any significant noise can attract these beings to potential prey. The Abbott family( mother Evelyn, father Lee and three children, Regan, Marcus and Beau )are surviving the best they can in times of darkness and crippling fear. They communicate using sign language, which they know anyway because Regan is deaf. It appears that they are some of the last remaining humans given how abandoned and desolate everywhere around them is. Though they have survived for a long time, a tragic incident robs them of one of their children. When we pick up with the family again, they are living in a farmhouse and Evelyn is pregnant. As heads of the family, while terrified of day-to-day life, they are determined to protect their family by remaining as quiet as humanly possible. They have forged an existence for themselves, with many areas of the house insulated and cameras to observe outside. Lee is the main provider for them, going out to forage for food and attempting to fix Regan’s hearing aid. Evelyn is preparing for the birth of a child while raising her other two children, plus mourning the loss of one. Anxiety hangs in the air as Evelyn’s due date is approaching and the prospect of a baby terrifies all as it spells potential horror for all if they can’t remain quiet. And ever since the loss of one child, uncertainty has grown within the right family unit. But in this time of panic, can the family survive for much longer without becoming victims of the creatures?

Director and star John Krasinski crafts suspense and an uneasy atmosphere right from the beginning and keeps the nerves frazzled with efficiency. His direction is confident and skilled at scaring us and cranking up the tension as events continue. The pacing is just on the mark, building and building to a chilling and relentless last act that will have you gasping for breath with nervousness. I dare anyone to not feel panicked as the family are menaced by the scary creatures and they are separated. Sound and the ability to use it, which we can so often take for granted is crucial to this film as noises are both amplified and subdued. This gives the creepy effect of not being able to express things and the difficulties involved when we are robbed of this essential thing. Jolts of terror and As the family has to live in almost always silence, a lot of the story is told visually. We gain information from facial expressions, symbols and sign language, which gets us involved and has the attention from the start. The life these characters have crafted offers much in the way of intrigue, helping us realise just how precious sound and especially silence are in making sure you don’t become victims to the creatures that terrorise the characters. What surprises in A Quiet Place is that as well as being frightening, it has you emotionally invested too. If anything, the main theme is parental anxiety. It’s amplified here but nonetheless shines in presenting two parents doing whatever they can to shelter their brood from harm. Especially in the case of the mother being pregnant and the collective worry of what will happen when the child is born into this startling world. The creatures are fleetingly glimpsed at the start, but when revealed are truly alarming and well designed to be etched into the memory. Marco Beltrami is on score duty, ratcheting up the scares and overriding eeriness of the piece. And speaking of sound, the effects and design are sublime in dialing up creepiness and oodles of ambience. Every sound could possibly be the last for these characters so it’s imperative that noise is well used and the often deafening silence matters. Just like the characters, we become scared of sudden sound.

The relatively small cast all convince in this merciless horror film. John Krasinski and Emily Blunt, who are a married couple in real life, excel as the protective and resourceful parents. Using body language and facial expression, they get across the terror and will power of this mother and father who are doing whatever they can to ensure the safety of their children. The fact that they are married in real life adds to the closeness of the two and how they complement one another. Krasinski’s survivalist and Blunt’s warm, nurturing matriarch are fully realised and performed admirably. The two children in the film, Noah and Millicent Simmonds exceptionally convey the uncertainty and horror that’s thrust upon their young shoulders. Millicent Simmonds is especially marvellous as the daughter who is dealing with feelings of guilt and loss . The fact that Simmonds is also deaf in real life brings a lot of authenticity to her performance as well as her expressive face.

A nerve jangling exercise in tension, A Quiet Place sustains the interest and induces terror with its story and atmosphere. This is strong stuff from John Krasinski and marks him as a director to watch.

Watch on the Rhine

06 Friday Apr 2018

Posted by vinnieh in Movie Reviews

≈ 13 Comments

Tags

1940's, Bette Davis, Drama, George Coulouris, Geraldine Fitzgerald, Herman Shumlin, Lucile Watson, Paul Lukas, Watch on the Rhine, World War II

Bette Davis is one of my favourite actresses so to be asked to take part in a blogathon honouring her was a sure bet. Crystal is paying tribute to the great lady with a mighty fine blogathon. My choice is Watch on the Rhine.

Film Title

Watch on the Rhine

Director

Herman Shumlin

Starring

  • Paul Lukas as Kurt Muller
  • Bette Davis as Sara Muller
  • Lucile Watson as Fanny Farrelly
  • George Coulouris as Teck de Brancovis
  • Geraldine Fitzgerald as Marthe de Brancovis

Taken from a Lillian Hellman play, Watch on the Rhine provides much in the way of drama as it focuses on a member of resistance to the impending Nazi threat and what he must do to fight.

In the year after the beginning of World War II, German engineer Kurt Muller, his wife Sara and their three children enter the United States. Kurt has been involved with fighting the Nazi’s with underground work for the past seventeen years. The family resides in Sara’s mothers house in Washington, D.C. Her mother, Fanny Farrelly  is a society maven who welcomes them back but is unaware about why they are there. The resolute Kurt largely keeps his underground work secret as can be. But there is someone amid all of this who grows suspicious of him. That person is the conniving Teck de Brancovis; a Romanian Count who is also stays and has with Nazi sympathies. He immediately distrusts Kurt on sight and takes it upon himself to weasel what he can out of him. He attempts to blackmail Kurt and expose him, leading to dramatic consequences for everyone involved.

Herman Shumlin allows the story to flow well and doesn’t resort to any visuals tricks, so as to draw more attention to the events on screen. The script is rich with meaningful speeches and impassioned dialogue that allow the actors to shine. Now Watch on the Rhine is not flawless by any means. I’m sure many will see this movie as a propaganda piece and very much of its time. But that ignores the message of fighting for what’s right and standing by your beliefs, which can still be timely even now. Sometimes that message is heavy-handed but it’s mostly depicted handsomely. Occasionally the running time feels stretched and I for one believe some trimming may have benefited Watch on the Rhine. But these flaws aside and the fact that I wanted just a bit more from it, it’s still a great movie with a message that is conveyed throughout. And once the tension rises in the situation, the film gets better and filled with immediacy. A driving score from Max Steiner is a string in the film’s bow too.

Paul Lukas is rightly dignified and quietly strong in a performance that garnered him an Oscar. His greatest asset is his passion and dedication, showing Lukas as a fine actor in tune with the part of a crusading man fighting against fascism and Nazism. It’s a very subtle and natural performance that it often feels like he isn’t acting at all, so exact is his work. And complimenting that nuance is a finely tuned portrayal by Bette Davis. She was often known for her full force delivery but toning it down as the supportive wife here reveals a loving and softer side to her. I liked watching these two work together with a lovely chemistry and dramatic power. Lucile Watson is fine playing the part of the oblivious wealthy mother who is more concerned with her rich life than mere politics. Stealing some of the show is George Coulouris, who is excellently devious and fully warranting of villainy. It is he who kicks events into place with his plots to expose Muller. And there’s Geraldine Fitzgerald making an impression as the wife of the opportunistic Teck.

Bolstered by excellent dialogue and performances, the plight of the individual and the fight for freedom are well dramatised in Watch on the Rhine.

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