31 Thursday Dec 2015
Posted in Announcements
Tags
First of all, Happy New Year to all of my followers. I hope you are all having a wonderful time celebrating the beginning of 2016. With it being a new year, I thought it was the perfect time to revamp my blog a bit. I’ve tinkered with the look and am happy with the result. The question is what do you all think of it? Whatever your thoughts on feel free to comment. And once again, Happy New Year to all you amazing people and I will get back to your comments after I’ve finished celebrating.
30 Wednesday Dec 2015
Posted in Announcements, Awards and Achievements
Tags
The WordPress.com stats helper monkeys prepared a 2015 annual report for this blog.
Here’s an excerpt:
The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 56,000 times in 2015. If it were a concert at Sydney Opera House, it would take about 21 sold-out performances for that many people to see it.
26 Saturday Dec 2015
Posted in Movie and Television Trivia
This is the start of a new feature in which I list and discuss pieces of trivia from the interesting, unusual and even sexy. I hope this feature goes off well. The subject today is on set incidents that occurred to actors. The two people highlighted are Channing Tatum and Henry Cavill.
Incident One:
Channing Tatum spoke not so long ago about an unusual injury he sustained while on the set of The Eagle. In short, it was freezing conditions and a member of the crew was charged with bringing hot water to the cast so they could warm up. Somehow this boiling hot water scalded a certain part of Tatum’s body and caused him a lot of pain, although he later laughed it off and assured fans he was fine. Below is an audio clip from an interview were he explains what happened.
Incident Two:
The dashing Henry Cavill suffered an embarrassing experience while performing in a raunchy scene from The Tudors. It seems he got a little too excited. Below is some of what he had to say about the experience when interviewed.
“It’s only happened to me once, and it was very embarrassing,” he shared. “A girl had to be on top of me, she had spectacular breasts, and I hadn’t rearranged my—stuff into a harmless position. She’s basically rubbing herself all over me and, um, it got a bit hard.” ” I had to apologize profusely afterward.” It’s not great when you’re in a professional acting environment and somebody gets a boner, is it? No, not acceptable. ” At least it seems he can make a joke out of the experience.
So is there any other ideas any one has out there for trivia? If so, please leave them in the comment section as I plan to expand these posts in the New Year.
26 Saturday Dec 2015
Posted in Movie Reviews
Tags
1950's, Audrey Hepburn, Eddie Albert, Gregory Peck, Roman Holiday, Romantic Comedy, William Wyler
Film Title
Roman Holiday
Director
William Wyler
Starring
A beautifully charming, amusing yet bittersweet romantic comedy, Roman Holiday is a glorious and magical movie that weaves its charm on you from start to finish. With a career making role for the wonderful Audrey Hepburn and lovely chemistry with co-star Gregory Peck, this is a romantic comedy of a golden standard that they just don’t make like this anymore.
The plot revolves around the young Princess Ann, who is heir to the throne of an unspecified European country. 
She is on a tour of Europe and the latest exhausting trip has taken her to Rome. But beneath the courteous bows and wide smile, the young Ann desires freedom from stifling regulations and wants to live a life where she isn’t told what to do or where to go. One night and on the spur of the moment, she sneaks away from her royal life and ventures into the Eternal City. Unfortunately she become dazed due to being given a sedative by her doctor earlier in the night to calm her stress, and she falls asleep on a bench. She is found by American reporter Joe Bradley, who not recognizing who she is, takes her back to his apartment so she can rest as he believes that she is merely drunk. The next morning, Joe discovers thanks to his friends at the newspaper that the woman in his apartment is in fact the Princess, whose chaperons have said that she has been taken ill in order to avoid a scandal as they search for the runaway princess. Joe sees the opportunity to get a story from Ann that could fetch in a lot of money. With the help of photographer friend Irving, he charms Ann by concealing his job and takes her on a days long adventure around the wonderful city. Yet while in the beginning he intended to just get a story from the yearning princess, his heart stops him in his tracks as he falls for the beautiful Ann and reconsiders his actions. The incognito Ann also questions herself as she herself grows enamored with Joe, despite knowing that her adventure can only last for a day.
The masterful William Wyler directs Roman Holiday with a sublime elegance and a certain magic that captures the beauty of the city and the sweet but very touching romance. The way he shoots the Rome locations as a graceful attraction unfolds is a marvel to behold and features some stunning shots of the iconic city. 
He keeps the humorous escapades in check as well as highlighting a bittersweet undertone due to the fact that Ann and Joe are from different backgrounds and the chance of accepted romance( despite the obvious attraction that slowly grows )coming into fruition is unlikely. There is romance here, but it’s more subtle and tender rather than going overboard on overblown tragedy. It’s all superbly handled and makes the relationship between the two engaging and sublime and it certainly adds to the magical impact of the film that Hepburn and Peck work so beautifully together. In essence, Roman Holiday is a reversal of the Cinderella formula, with the luminous Ann wanting to escape her rich lifestyle and find the freedom that she craves. This subversion is a welcome change and adds to the smart script that rings true with its message of wanting to be free from constraints and wanting to live ones life as one chooses. A delightfully wistful and sweeping score gives voice to the burgeoning romance and freedom that is so yearned for as the magical 24 hours shared by Ann and Joe pass.
This was the movie that launched the young Audrey Hepburn into cinematic royalty, won her a well-deserved Oscar and it’s not hard to see why. 
Hepburn is beguiling, graceful and moving in her delivery as Princess Ann, imbuing her with a sympathy and charm to spare as she escapes protocol and lives life to her heart’s content for a day. You can’t take your eyes off Hepburn when she’s on screen because of how radiant and graceful she is. This is a true star making role of captivating beauty if ever there was one. She is ably supported by Gregory Peck as the opportunistic journalist Joe whose desire to get a story soon withers as he grows to understand and love the sheltered princess. In the hands of a lesser actor, the role of Joe could have become a real slime ball. But with Gregory Peck in the part, there is a decency there and he exudes more emotion with a glance than some actors can with huge lines of dialogue. Hepburn and Peck have a sterling amount of tender chemistry with one another and it shows so much on the screen. Eddie Albert is very funny as the photographer Irving, who is embroiled in events a little befuddled by what is going on.
Funny yet very touching, Roman Holiday is one of those movies that has not lost any of its nostalgic or romantic impact over the years and remains thoroughly beguiling and sublime.
24 Thursday Dec 2015
Posted in Movie Reviews
Tags
2010's, Aidan Turner, Benedict Cumberbatch, Billy Connolly, Cate Blanchett, Christopher Lee, Dean O'Gorman, Evangeline Lilly, Fantasy, Hugo Weaving, Ian Holm, Ian McKellen, Ken Stott, Lee Pace, Luke Evans, Martin Freeman, Orlando Bloom, Peter Jackson, Richard Armitage, The Hobbit: The Battle of the Five Armies
Film Title
The Hobbit: The Battle of the Five Armies
Director
Peter Jackson
Starring
As the concluding part of The Hobbit trilogy, The Battle of the Five Armies is a successful last chapter and in my view the best of the Hobbit movies. Exciting, tense yet human in many ways, it’s a rousing finale that definitely captures the attention.
We begin this final slice of Middle Earth adventure were the last one left off. Having reaching the Lonely Mountain, Bilbo and the dwarf crew accidentally woke the vicious dragon Smaug from slumber. 
The fire-breathing creature leafs the confines of the kingdom and angrily heads to the adjoining Laketown, which he sets about destroying. What is left of the people flee the desolated town, but Bard sets about ridding the place of Smaug and succeeds by firing a makeshift arrow that ultimately kills the dragon. Yet even though Smaug is gone, there is still unrest and panic as the people look to the dwarves for help because of a promise made by Thorin to share in some of the gold within the mountain. The Woodland Elves, lead by the ruthless Thranduil, also have business with the dwarves as there is a collection of jewels he wishes to acquire. But Thorin is in no mind to listen Ashe slowly succumbs to dragon sickness, which clouds his judgement and eats himself up with greed. 
Bilbo begins to see how this is going to be a tough time as Thranduil declares war along with men on the dwarves for going back on their promise. Plans for war among them are quickly questioned when Gandalf returns after discovering that the spirit of the dark lord Sauron has returned and that an Orc army is heading their way. It is then left to the elves, dwarves and men to decide whether to unite or be divided. They’ll have to make a choice soon as word, thanks to elves Legolas and Tauriel filters through that it isn’t just one army of orcs, but two that are heading to spread darkness across Middle Earth. For Bilbo and the others, it is time to face the ultimate battle of their lives.
What is immediately striking about The Battle of the Five Armies is the efficient running time. Often with last parts of trilogies or Film series, there is a temptation to make things very long-winded and drawn out. Thankfully, Peter Jackson and his stunning direction keep events ticking over nicely and wrap things up with style, not allowing any loose ends or flab to drag the movie down into boredom. On a visual level and an excitement one, The Battle of the Five Armies is the best of the Hobbit movies. 
The battles are orchestrated with such precision and depth that gives it something else that the other two movies lack, which is a heart. Emotions run very high and the movie alternates between fun, tense and tragic in the space of mere minutes, which is excellent. And thank goodness for the decision to use CGI wisely and not overindulge in it. Set pieces are of a particularly high standard, with special mention to Smaug destroying Laketown and the two battles that form the backbone of the movie. It’s fantasy with a sense of emotion and passion that comes off remarkably well thanks to the wonderful direction and imagery. I liked how the films wrapped up the saga of Middle Earth and helped events come full circle in the end. A thundering Howard Shore score is the perfect sonic companion to the film, peaking with epic scope and emotional heights.
Martin Freeman has really grown into the role of Bilbo and is once again excellent in an understated way. He never overplays his scenes, instead relying on subtlety to show us the brave heart and occasional wrestling with conscience that he must endure. As good as Freeman is, this movie belongs to Richard Armitage. 
Portraying Thorin as blinded by his sickness and full of tragic greed, he brings out the fact that he is a good king underneath it all and it is really good when he snaps out of his sickness and leads his crew into battle with inspiration. Ian McKellen is reliably wonderful as the powerful and sagacious Gandalf, who knows of the dark tide beginning to turn. Orlando Bloom imbues Legolas with a gracefulness that belies his capacity for battle and stands him in good stead when he takes part. 
Evangeline Lilly is tough yet very luminous Tauriel, whose heart belongs to Kíli and who can more than handle herself when confronted with the violence unleashed on Middle Earth. I liked how Lee Pace as Thranduil, remote king of the elves expanded upon his character to show why he is so cold and unfeeling towards others. Luke Evans has that every man quality about him that makes him the voice of the people portraying the proud Bard, while Aidan Turner is touching as the stout-hearted dwarf Kíli. Dean O’Gorman and Ken Stott flesh out the parts of two of the more prominent members of Thorin’s company. Benedict Cumberbatch utilizes his commanding voice to give life to the fierce and very dangerous Smaug, whose opening attack on Laketown is a killer set piece. Some comic relief comes from Billy Connolly as Dáin,Thorin’s irascible cousin who comes to his aid in the epic battle sweeping the lands. Cameos come from Hugo Weaving, Christopher Lee, Ian Holm and Cate Blanchett and suffice to say, they’re all very good as characters we are familiar with within the landscapes of the movies. Plus they all take part in an exhilarating conflict with the forces of Sauron which is a very good part of the movie.
With emotional heft and magical prowess, The Battle of the Five Armies is a well crafted last entry to the saga that is wholly satisfying from beginning to end.
24 Thursday Dec 2015
Posted in Announcements, Blogging Community
Tags
It’s now Christmas Eve and I’m ridiculously excited for Christmas. As it is nearing the end of the year, I want to take this opportunity to thank all of my wonderful followers. Your constructive comments, love and support is what keeps me going on my blog and I’m forever in debt to you all. This is my Christmas message to all of you; may you all have the best time tomorrow and may all your wishes come true. Merry Christmas everyone and here’s to a magical 2016.
21 Monday Dec 2015
Posted in Movie Reviews
Tags
2010's, Aidan Turner, Benedict Cumberbatch, Dean O'Gorman, Evangeline Lilly, Fantasy, Ian McKellen, James Nesbitt, Ken Stott, Lee Pace, Luke Evans, Martin Freeman, Orlando Bloom, Peter Jackson, Richard Armitage, The Hobbit: The Desolation of Smaug
Film Title
The Hobbit: The Desolation of Smaug
Director
Peter Jackson
Starring
The Desolation of Smaug presents the second entry into the Hobbit trilogy and it emerges as a much more confident and enjoyable film than An Unexpected Journey thanks to some cracking visuals, good cast and a genuine sense of tense excitement running through it. If it is fantasy and adventure you crave, The Desolation of Smaug is the answer.
We catch up with Bilbo, Thorin, Gandalf and the band of dwarves as they flee from by the vicious orcs. 
They find refuge in the home of a skin changer Beorn, before moving on in their journey to reclaim The Lonely Mountain from fire-breathing dragon Smaug. Gandalf for a while leaves the group as he tries to find out more about a brewing sense of evil elsewhere in Middle Earth. Continuing on, the more confident Bilbo comes to see that the ring he found in the goblin cave may be able to help in some ways but also corrupt in others that he can’t possibly imagine. Coming across the woodland elves, headed by the cold Thranduil and also consisting of his son Legolas and Tauriel, a she elf with a fierce sense of defiance, they are captured and questioned on the nature of their quest. Thranduil offers Thorin a deal, but the vengeful and headstrong dwarf king who resents the elves refuses it. 
After escaping the woods, the company travel far and wide, encountering various creatures such as enormous spiders, before eventually being smuggled into Lake Town by the mysterious Bard. A growing sense of immense danger begins to linger as they get ever closer to the mountain and the task at hand becomes perilous in every single way as war starts to brew. When they reach the mountain, it is no simple task of reclaiming the kingdom and there is no way that the cunning Smaug is going to let his iron grip of the place go to anyone. Can Bilbo and the dwarves reclaim what is theirs before all hell breaks loose?
Straight off the bat, The Desolation of Smaug has an immediacy that thrusts you into the adventure at hand and flows very well, unlike the predecessor that took a while to get going. Peter Jackson wonderfully constructs this tale of dangerous peril and determined quests to spectacular fashion and meticulous skill. Nervous tension is generated in some thrilling set pieces that really make you jump at times and wonder how the group is going to hack their way out of oncoming trouble. Arresting locations are a plenty, filled with beauty and The pace is well-handled and only drags on the rare occasion, making the film all the more enjoyable as we are swept into a world of fantasy. And thankfully there isn’t an overuse of CGI, which seemed to be the case during the first installment. 
Out of the effects used to create the creatures of Middle Earth, Smaug is one of the most majestic and technically well designed ones that really lingers in the memory for its visual power. Swathed in gold treasures, massive in movements and enormous in size, he is a dragon you won’t forget. A stirring score from Howard Shore further propels the film into magical enchantment and otherworldly brilliance.
Martin Freeman impresses once more as Bilbo, who has grown into a stronger character than before. I liked the way he portrayed Bilbo’s fascination with the ring and the way he sees that it does have a side to it that is very dark and powerful. He also nails the curiosity and humour of Bilbo very well. Ian McKellen may have had less scree time in this movie, but he still owns the part of Gandalf through his clear professionalism and dedication to the character. 
Richard Armitage gives Thorin a hotheaded temper, somewhat self-centered goal but also a certain desperation to take back his home that really fleshes out the character of Thorin. Making a huge impact on the film is Benedict Cumberbatch, who supplies the voice for the almighty Smaug. Letting his voice boom and echo, he lends the creature a fear-inducing quality and sense of dark things to come. The beautiful Evangeline Lilly makes her mark on the series portraying the elf Tauriel, who is a dab hand at doing battle with enemies and not one for following the rules of her king. 
I liked her character and thought that the attraction between her and Kíli was a nice touch, adding depth to both characters and making Aidan Turner’s Kíli even more likable. Luke Evans made for great casting as the mysterious Bard, who knows a lot more about the quest and the history of it that he lets on to the travelling adventurers. James Nesbitt, Ken Stott and Luke O’Gorman continue to shine as the dwarves that stand out of the group. Lee Pace, with his fixed gaze and authoritative demeanor, is excellent as the elf king Thranduil who isn’t really interested in helping anyone and just wants to sit in his ivory tower away from trouble. It was a good touch bringing skilled archer Legolas back and Orlando Bloom is great as he was in the Lord of the Rings movies.
The Desolation of Smaug is a definite step up from An Unexpected Journey and leaves us wanting more and excited for the final chapter.
20 Sunday Dec 2015
Posted in Movie Reviews
Tags
2010's, Aidan Turner, Andy Serkis, Cate Blanchett, Christopher Lee, Dean O'Gorman, Elijah Wood, Fantasy, Hugo Weaving, Ian Holm, Ian McKellen, James Nesbitt, Ken Stott, Martin Freeman, Peter Jackson, Richard Armitage, Sylvester McCoy, The Hobbit: An Unexpected Journey
Film Title
The Hobbit: An Unexpected Journey
Director
Peter Jackson
Starring
Peter Jackson takes us back to Middle Earth after directing the hugely successful and critically praised Lord of the Rings trilogy for another adventure. And while it doesn’t quite live up to the sheer majesty of the Lord of the Rings, An Unexpected Journey is still a welcome return to the magical world of fantasy and adventure that takes us back to the beginning to bring the other stories full circle.
Returning to the bucolic Shire region of the vast lands of Middle Earth, we are introduced to a young Bilbo Baggins. 
He is an organised Hobbit who never wants any trouble to speak of and goes about his life as peacefully as he can. This doesn’t go exactly to plan when the wise wizard Gandalf turns up on his doorstep with an offer of adventure and peril. Gandalf tries to convince Bilbo to help Thorin Oakenshield, a king of the dwarves whose homeland, mainly the Lonely Mountain is inhabited by the fierce dragon Smaug, that closely guards their gold. Along with twelve dwarves for company as well as Gandalf, Thorin plans to reclaim what is his by birth. Bilbo is very reluctant to join this dangerous quest even though Gandalf believes in him, but ultimately changes his mind and travels with the company over Middle Earth. 
Yet this journey is going to be far from easy with the likes of orcs, wargs, goblins, shadowy figures and the creature Gollum haunting every step of the way as caves, dales and kingdoms come into view. As the journey continues and the band of heroes are further aided by elves(much to the chagrin of Thorin, who resents them for leaving his kingdom to fall when he believes they could have been of aid), Bilbo begins to discover a courage and strength within himself that he never knew was there as the group travels through peril and turmoil.
I’ll start this analysis of the movie with what didn’t work for me as it was in some parts a flawed movie. I’ll be sure to move on to the numerous positives once I’ve spoken of the negatives. Firstly, I found the pace of the film to be an issue, especially with the first half that really took a while to get going. I get that it is an epic film, but for the beginning it felt like a long slog. Thankfully, once the quest was underway, the pace picked up and it started to flow smoothly again. I think this issue of the movie taking a while to get going stems from the decision to split one book into three adaptations and this one being the first. Hopefully, with the next two the story can run smoother. 
As much as I don’t mind CGI(I mean it’s a fantasy film so it’s got to have some in it), An Unexpected Journey overuses it and it sometimes takes you out of the film, unlike with Lord of the Rings which did use CGI, but made it seamless and not excessive. That’s not to say some of the effects aren’t good,it just feels a bit too much for my liking. And the final negative is that while the ensemble cast is great, when it comes to the dwarves their personalities seem to merge because there is so many of them. Only Thorin and a few others are really given distinct characteristics and things to do.
Moving on, we have the positives of An Unexpected Journey of which there are many. Peter Jackson is back and knows exactly how to capture the attention with his eye for stunning detail. Once more, the locations are out of this world in their glorious splendour, capturing a sense of adventure and expansive mythology that is hard to shake. 
There’s something very thrilling and comforting about returning to some of the locations and also reinstating many well-known characters that Rings fans will be familiar with, as well as introducing other ones that take on significance as the story goes on. And when An Unexpected Journey hits its stride in terms of the pace, the results are stunning to behold as Bilbo joins the band of dwarves on their dangerous quest. Some astounding set pieces are shown throughout this movie, from the cave of Goblins to the chase from the wargs which are both highlights. Howard Shore, who is one of my favourite composers, contributes a wonderfully exciting and dynamic score that brings a brimming sense of fun and danger.
As the hobbit of the title, Martin Freeman is a joy to watch as Bilbo. Starting out as rigid and not in the least bit interested in adventure, he amusingly and professionally charts Bilbo’s transformation into a spirited member of the team and one with depths he didn’t know were there. 
The ever impressive Ian McKellen is also on fine form as the extremely wise and mighty wizard Gandalf, returning to the Middle Earth movies. Exuding sagacious behaviour, inspiring confidence and a little twinkle in his eye, McKellen is nothing short of wonderful. I was really pleased with the performance from Richard Armitage as the vengeful dwarf king Thorin. He plays him exceedingly well with the right mix of stubborn pride, anger and ferocity all needed for the character. 
From the many dwarves involved in the film, James Nesbitt, Ken Stott, Aidan Turner and Dean O’Gorman stand out with their quirky idiosyncrasies and abundance of charm. Sylvester McCoy plays the part of the unusual wizard Radagast, who is at one with nature and takes care of it whenever it is under threat. McCoy imbues the part with a strange sense of humour and eccentric tics that allow him to steal many scenes along the way. Returning once more are Cate Blanchett and Hugo Weaving as the elves Galadriel and Elrond. These two once again bring effortless poise, grace and stunning wisdom to these ethereal beings. The highly talented Andy Serkis also returns as the demented and suffering creature Gollum. With the right blend of believable CGI and the unusual delivery from Serkis, Gollum comes alive once more with frightening intensity and a sense of sheer torment that everyone knows the cause of. Christopher Lee is imperious as ever playing Saruman, who feels that the journey could well be in vain and that it is a foolish undertaking. The two cameos from Ian Holm as older Bilbo and Elijah Wood as Frodo are a very nice touch.
There are flaws along the way, mainly from the slow beginning that stretches the plot a bit thin and an overload of CGI, but The Hobbit: An Unexpected Journey is a more the welcome return back to a world of magic and wonder. I mean any journey back to the immersive lands of Middle Earth is better than no journey at all, isn’t it?
15 Tuesday Dec 2015
Posted in Movie Reviews
Tags
2000's, Bryan Bertino, Gemma Ward, Horror, Liv Tyler, Psychological Horror, Scott Speedman, The Strangers
Film Title
The Strangers
Director
Bryan Bertino
Starring
Low on gore yet full of creeping suspense and terror, The Strangers is unnerving and genuinely terrifying psychological horror that will leave you sleepless.
A young couple, Kristen McKay and James Hoyt are staying at remote summer-house for a getaway before heading on a road trip. 
James proposes to Kristen, but she refuses and doesn’t want to rush things. With a wedge between them, they try to salvage a relationship which is already on shaky ground. Their attempts to rekindle their relationship are however put on hold by a knock at the door. Answering, a young girl whose face is obscured by a broken light, asks if Tamara is there. The couple send her away after telling her that no one of that name lives there. Everything seems fine, until another knock at the door which then escalates into torment from the girl, who is wearing a china doll mask along with two other masked assailants for back up. The trio begins to systematically terrorise Kristen and James with loud banging, violence and methodical ways of emotional torture as they trap them inside the house. 
Kristen and James are soon caught in a fight to survive the night as the assailants step up their campaign of terror by cutting off all contact or chance of escape. The terrified couple is forced beyond what they thought they were capable of in order to live through this twisted game orchestrated by the intruders for what seems to be their own sick enjoyment.
Bryan Bertino skillfully creates an atmosphere of dread without resorting to showy gore and carnage. Yes there is violence, but where the true scares of The Strangers lies is in the slow-burning build up that turns extremely frightening as events unfold. There may be nothing original or groundbreaking in The Strangers, but it isn’t trying to be something else and that’s why it is very effective. It understands the creeping power of excruciating silences interrupted by jump scares and the power of burnt orange lighting which sets the mood and harks back to the 70’s. 
The lighting in particular gives the movie extra scares because of the fact that at any moment one of the intruders may just spring from the dimly lit corner of the house to menace Kristen and James. This film exploits the fear of intrusion of where we consider to be safe and does a very good job at winding up suspense as Kristen and James have to evade capture if they have any chance of survival. And yes some people may say that the movie is unrealistic and at times you have to suspend your belief, but you have to admit that there is a plausibility to it that is hard to shake. 
I admired the way that the pace occasionally comes up for air and lets us sympathise with the two main characters(who are thankfully not two screaming teenagers but adults and well-played ones too) before plunging them, as well as us, into a living nightmare. A minimalist score keeps the piece laced with an unpredictable nature, that rises when the terror hits and then nestles into suspense.
Liv Tyler and Scott Speedman are both well cast as the victims in the twisted taunting game set up by the eponymous strangers. 
Both of them convincingly convey fear, uncertainty and desperation as they fight to survive ensuing horror. Tyler in particular rivets the attention with her expressive blue eyes and the way she exudes terrified vulnerability is really something. The three strangers sort of blend into together in their terrifying way, Gemma Ward is the only one who speaks and makes the most of the creepy lines she has to deliver.
So what The Strangers lacks in originality it more than makes up for in terrifying horror and effective performances.
15 Tuesday Dec 2015
Posted in Announcements
Tags
Well I’ll tell you. With the end of the year coming up, I wanted to talk about changing up a few things here, with some newer features coming your way next year.
If anyone has any more ideas, please send them my way.
