Tags
2000's, Bill Murray, Drama, Giovanni Ribisi, Lost in Translation, Scarlett Johansson, Sofia Coppola
Film Title
Lost in Translation
Director
Sofia Coppola
Starring
- Bill Murray as Bob Harris
- Scarlett Johansson as Charlotte
- Giovanni Ribisi as John
A bittersweet and moving drama, etched with comedy and pathos from Sofia Coppola, Lost in Translation makes for a beautifully crafted and thought-provoking movie of alienation and connection. Featuring two beautifully subtle and captivating performances from Bill Murray and Scarlett Johansson, Lost in Translation is a movie to treasure for its quiet and engaging impact.
Bob Harris is a middle-aged, washed-up actor who has journeyed to Tokyo, Japan to shoot a whiskey commercial. Completely alienated as he doesn’t understand the language and blue because of his directionless existence( that includes estrangement from his wife and kids), Bob is lost in a sea of uncertainty and slowly drowning. Meanwhile, a young woman named Charlotte, fresh out of Yale and newly married, is also in Tokyo and the same hotel. She too feels ignored and questioning of herself, as her inattentive photographer husband John seems to care more about his career than her. Charlotte is left to her own devices, yet can’t shake the instability and indecision of her life. Both jet lagged and struggling with insomnia, Bob and Charlotte meet one night in the hotel bar. Despite them being different in more ways than one, they begin to forge a friendship that opens their eyes to something more positive and worthwhile. Through their encounters, both of the humorous and heartfelt variety, and the deep bond that they form, Bob and Charlotte are able to face the challenges of life and consider that it actually be something wonderful if they look closer.
Sofia Coppola strikingly yet subtly directs and writes this wonderful movie, capturing an honesty and heartfelt story of two unlikely soul mates finding solace in each other’s company. Her rendering of their existences as troubled and searching is nicely complimented by a good dose of humour. It straddles the line between comedy and drama, without sacrificing any of the poignant or bittersweet angles of the tale. Coppola displays a quiet confidence and her measured approach with both her directing and script is notably transfixing. Loneliness and a feeling of not belonging are heightened by the culture shock of the Japanese setting and the visuals of large buildings that dwarf Bob and Charlotte. And talking of visuals, they are simply sublime and have real substance in framing the central duo as isolated and fish out of water. The lighting scheme, gold hues and often a certain blue, highlights both the melancholia of their situations and the often nighttime confessions that each shares along the way of their bond. A certain shimmer is found in the cinematography too, hinting at their may be a chance of hope for both the listless souls in Lost in Translation. And the way that Japan is used is gorgeous, utilizing the beauty and scope of the country to its advantage.
Crucially and one of the instruments that really made me appreciate Lost in Translation, was that although an emotional feeling is generated between Bob and Charlotte, it doesn’t lead to a love affair. So many Hollywood films go for the obvious and expected when you have a film about two people unintentionally connecting, thankfully Lost in Translation doesn’t fall into that trap. An atmospheric and ambient soundtrack is the ideal companion to the film, soaking it in a layer of hope, escape and pathos.
The acting in Lost in Translation is a definite high point of an already impressive movie. Bill Murray turns in a restrained yet subtly expressive portrayal of tired loneliness and the want to experience something. Moving from deadpan comedy to sensitive depth, Murray is at some of his best as the sympathetic Bob, searching for something hopeful to come along. All it takes is just the slightest movement of his eyes and face, and you know all there is to know about the character, down to the fact that Murray plays him so stunningly. Equally as good is Scarlett Johansson, who despite only being 17 at the time of filming, contributed a mature and exquisitely subtle performance. Finding nuance, humour and melancholy in Charlotte, Johansson holds her own and is mesmerising to watch. What makes their portrayals so beautiful is the little moments of quietly suggesting thoughts and dreams, achieved with the most simple yet meaningful ways. The two boast a believable rapport with each other, discovering a platonic yet still caring need for the companionship to combat the alienation of their respective lives. Giovanni Ribisi, who previously narrated The Virgin Suicides, appears as Charlotte’s busy husband, whose hipster attitude and blatant lack of concern have you seeing why she wants to find something close to connection.
Evocative, soulful and charming, Lost in Translation is a triumph for both Sofia Coppola and main actors, Bill Murray and Scarlett Johansson. Together, they create a touching film about unexpectedly finding someone to relate too and escaping from the pressures of life while facing up to some of them.
Pretty good movie. Hard to believe she was only 17.
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It really touches you with its humour and subtle honesty. And I can’t believe she was so young, because of how mature she came across.
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Was that her first big role? I don’t recall.
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I think she had been in a few films, but this was the one that got the real notice for her. Don’t quote me, but I think that’s right.
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Well, she was almost eighteen, since the movie was shot in October and her birthday is in November.
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Ghost World got some good recognition, although Johansson was outplayed easily there by Steve Buscemi and Thora Birch.
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Loved this film. Scarlett looks great, and I love the opening scene, where she is just lying on a bed. Murray finally wound his neck in, after too many years of going way over the top, and it all came together nicely. As for Sofia’s direction, well we have already had that discussion. 🙂
Best wishes, Pete.
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I enjoyed the dynamic between Bill and Scarlett, they really convinced in how they explored the friendship between the characters. I liked seeing Murray doing things with subtlety, it really worked.
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I’m so glad you liked this Vinnie. Bill and Scarlett really were stellar in this.
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They really were. Didn’t you say in my last post that they made the film for you?
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The cast was really the only thing I liked about it. I’m sorry. I know I’m very much in the minority here.
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Never apologise for having an opinion, Kim. It’s what makes us unique.
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Thanks Vinnie. I may try it again some time. I watched it when it first came out on DVD, and maybe I just wasn’t in the right mood.💁🏻
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I often find your mood can impact on how you watch a film. There have been countless times I’ve written off movies and then watched them in a different mindset, and finding that they are actually rather great.
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Indeed. It can happen with books as well.
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That’s exactly it. Mood is key to enjoyment.
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Great film. Beautifully acted. A very moving film about two lonely souls connecting.
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A simply beautiful movie. It’s subtlety and genuine emotion is very heartfelt. And the cinematography was gorgeous.
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This might come as a complete shock to you, but I actually haven’t seen this movie. It’s one of those films that’s been on my list for ages, but that I haven’t gotten around to. But after reading this review…I might have to movie this film up a few spaces. And wow, Scarlett being 17…how fast time flies. Honestly could hardly believe it 😊 This was a great and well written review, (but then again, which one of yours isn’t) thanks for sharing 😀
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It’s worth it as it is really moving and deeply felt. Bill and Scarlett work beautifully together, forging a friendly and compatible bond. You should also check out more of Sofia Coppola’s work.
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Here are two of my reviews of her other movies.
https://vinnieh.wordpress.com/2013/05/01/the-virgin-suicides/
https://vinnieh.wordpress.com/2013/06/25/marie-antoinette/
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Thanks, will check these out later today 😀
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Hope you enjoy them.
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I watched this a few years ago as it has a “classic film” status, but when I watched it I felt as if it didn’t live up to my expectations. I suppose it is just one of those films that everyone enjoys it but me. It doesn’t bother me much, I’m sure everyone has a classic which they didn’t enjoy (Idea for a post!) 🙂
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It happens to us all, Richard. We can’t enjoy every movie we watch. It’s not possible.
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Very true mate. Get thinking of popular films that you hate, I might actually do a post on it next week haha!
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Haha, I’ll get thinking and I promise to check your recent stuff out. Had a bit of a comment problem recently with my ones ending up in spam. Be sure to check.
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BEST FILM EVER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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I knew you loved it. Hope I did it justice with my review.
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I remember seeing her as a girl in Robert Redford’s “The Horse Whisperer”. She was great in that. Then came this film and she was a knock-out. Easily Coppola’s best film. Unless you come from Japan, the setting reflects the alienation and lonely feelings of the cast. It’s the best thing she does as a director. All her films use the setting to the maximum effect. The setting becomes a character in the movie. Not an easy feat!
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Oh yes, I remember her being very young in that film. Coppola really uses the setting for something extraordinary, making Bob and Charlotte stand out and feel so small among everything else. She has a knack of framing characters in windows or structures that resemble cages.
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Not my kind of movie but you made me want to see it.
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Well that’s the highest compliment there is.
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Very good and deep review. Meaningful insights. I loved your remarks about Murray.
I’d like to point out one thing though. For this movie, Johansson was perfect and she fitted amazingly. But she’s not a great actress. Her greatness here comes through right director’s vision, but she is not very versatile. Her later career choices confirm that she wasn’t interested a lot in the acting itself as she mostly preferred the action-based roles that lacked psychological depth and complexity. In Ghost World, like I mentioned before in a comment, she was in the shadow of Thora Birch (who’s just 2 years older) and Buscemi.
She selects her movies carefully though, almost never taking roled that require minimal and subtle acting – her two Woody Allen’s movies were very good. Same for Don Jon, Under the Skin, Lucy, Ghost in the Shell. In all these 6 movies here roles very a good character match, but…she almost played the same character. I’m not even mentioning the Avengers series.
That said, in Lost In Translation she was perfect.
I only wish she wouldn’t have turned to what she is now after such a touching and sincere role in “Lost In Translation” that helped to launch her career.
Have you seen Broken Flowers? It was another low-key tragicomedy from another great director with Murray.
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Thank you for commenting. I think her strong suit is subtle emotion as opposed to overt histrionics. No I haven’t seen Broken Flowers yet.
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I don’t know, because she’s been doing action/sci-fi movies for almost a decade now… Carey Mulligan is a good example of subtle emotions expressed in a perfect way.
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I adore Carey Mulligan. She’s got a beautifully expressive face.
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Me too! What are you favourite movies with her? I remember you mentioned her performance in Never Let Me Go that you nejoyed a lot.
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Well Never Let Me Go is a great example. Have to say An Education too.
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Yeah! I think her performance in Drive, Shame & Inside Llewyn Davis were a highlights too.
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I can’t say I’ve seen her give a bad performance. That’s how good she is!
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You’re absolutely right!
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One of my favourite flicks, this one. Thought it was beautifully acted (and directed).
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Yes, it is a work of real beauty. Can’t get it out of my mind.
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Loved your review but I could never gel with this film. Tried it once, tried again, tried it three times and it failed to register with me. Not a fan but you’ve written a good review nonetheless.
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I don’t think her movies are for everyone. Many find them too overt in the style department. But the whole point of cinema is to provoke debate and it would be pretty boring if everyone agreed.
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You are absolutely correct. I could not put it any better than that.
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That’s why I love blogging, the sheer diversity in opinion.
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After seeing this reviewed on Siskel & Ebert (or maybe Ebert & Roper as I cannot remember anymore), I still have not watched this even though I made a mental note to do so all those years ago. A good review Vin, that makes me want to try and get to it sooner rather than later.
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It took me a while to finally see it, but eventually did a few years back. Revisiting it, it was still a beautifully nuanced movie.
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Good to read your take on this.
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It’s a lovely movie that stirs the soul.
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I loved it too, its perfectly cast. Bill Murray is fantastic as always.
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I enjoyed seeing a more subtle and melancholy side to him. It was a real change of pace.
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Pingback: Unpopular Opinion Tag (Films) |
One of those films I meant to see and didn’t and keep meaning to.
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I say make some time for it.
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👍
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I haven’t seen this film yet but I love Sofia’s other work so I’m really tempted, your writing style is excellent too!
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I highly advise you to see it if you like her other work. And appreciate your nice words.
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