Tags
1990's, Drama, James Woods, Josh Hartnett, Kathleen Turner, Kirsten Dunst, Sofia Coppola, The Virgin Suicides
Film Title
The Virgin Suicides
Director
Sofia Coppola
Cast
- James Woods as Ronald Lisbon
- Kathleen Turner as Sara Lisbon
- Kirsten Dunst as Lux Lisbon
- Josh Hartnett as Trip Fontaine
- A.J. Cook as Mary Lisbon
- Hanna R. Hall as Cecilia Lisbon
- Leslie Hayman as Therese Lisbon
- Chelse Swain as Bonnie Lisbon
- Jonathan Tucker as Tim Winer
- Noah Shebib as Parkie Denton
- Anthony DeSimone as Chase Buell
- Lee Kagan as David Barker
- Giovanni Ribisi as Narrator
The Virgin Suicides marks the directorial debut of Sofia Coppola. Based on the acclaimed novel, it is a poignant, lyrical and mysterious tale of teenage awkwardness and the effects that mystery has on the mind for years. Featuring a haunting score by Air and evocative cinematography, it perfectly captures the conflicted feelings of blossoming sexual attraction and the alienation of teenage years.
Set in a 1970’s Michigan suburb, the plot focuses on a group of boys who are entranced by the five beautiful Lisbon sisters; Cecilia, Lux, Bonnie, Therese and Mary . Although they don’t physically know any of them, the boys dream up fantasies about them because of the mystery surrounding them. Presided over by strict, suffocating parents, the girls are the intangible desire of the boys who can’t seem to fathom them. The film is narrated in flashback by one of the boys who is still plagued by memories of the sisters and still looking for answers as to why each of them took their own lives. After the youngest daughter, Cecilia finally succeeds in killing herself by impaling herself on the railings outside, the mother and father of the girls begin to shelter their daughters from the outside world, further enhancing the enigmatic air that hangs over them. Complications arise when the school heart-throb Trip Fontaine falls for the sexually precocious Lux and the girls are allowed to attend the usually forbidden homecoming dance. The actions of their over-protective parents leads the girls into isolation and desperation, yet they still are in the thoughts of the boys who the spell has been cast on. What emerges is a bittersweet examination of girls growing up into women and the mystique surrounding the seemingly untouchable.
Sofia Coppola perfectly conjures up the mystical tale, showing how much the tragic, flaxen-haired beauties had an effect on the boys. As the narrator tells us, they are still looking for an answer after almost 20 years. Through the use of dream sequences, stunningly shot and evocatively scored, the sisters become ethereal beings presiding over the burgeoning attraction of these boys. Coppola’s script pierces to the heart of teenage angst with a reflective eye and also manages to examine the difficult theme of suicide in an effective way, rather than sugar-coating it. Music plays an integral part in the film, especially adding to the emotional impact is a stunning score by Air. The scene in which the isolated sisters communicate with the boys by playing records over the phone is moving in its look at the power of unspoken words and how music is an almost universal language. Out of the sisters, Lux is the most interesting, mainly because of Kirsten Dunst’s portrayal of a young sexually precocious girl who rebels against her overbearing parents, She excellently conveys the pained expression of a pressured girl approaching womanhood, yet trapped in a cage intent on preserving her innocence. Turner and Woods turn in great performances as the parents who take strict to a
whole new level. Josh Hartnett also stars as the popular guy who in adulthood regrets his treatment of the beautiful Lux.
Interestingly, we are never told the reason as to why the girls took their own lives, Coppola lets the audience decide this outcome. A reflective melancholy hangs over the film, heightened by the narrator’s voice that combines a wide-eyed youthful quality but a pensive and mature sadness. Because of these ambiguities, The Virgin Suicides makes for a starting but dreamlike watch as we watch the sister’s influence on the boys and how to the day they still haunt them like muses from myth.
Evocative, intense and profound, The Virgin Suicides is a true testament to Coppola’s sensitive direction that lets the audience follow the lives of these mysterious girls and the boys forever plagued by their memory with a childlike wonder but a certain amount of time for rumination.
Nice review man. I enjoyed this, thought it was pretty good. I don’t think Coppola has really moved up the ranks though in terms of directors. A lot was expected of her but she’s not really made that huge breakthrough yet I don’t reckon.
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Thanks for the comment, I think she did well with Lost in Translation, but her best film may still be ahead.
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Great review 😀 I’ve been wanting to watch this for ages because I loved the book, but have never got round to it. Think I’ll try and watch it soon 😀
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Thanks for the comment, much appreciated.
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Such a haunting movie that I still think about to this day. Not Coppola’s best, but still a great way to start it all of and show the world that you got what it takes to be more consistent than her daddy. Hasn’t fully been proven yet, but it could just happen. Good review Vinnie.
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Thanks for the comment, totally agree it is a haunting film. I think that Coppola’s best film may be yet to come.
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Nice review. I liked this film…but the mood seemed much more important than the story.
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Thanks for the comment, many people have mentioned about the mood.
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Good review – I’m yet to watch this film (I think I caught 20 minutes on TV once, but that’s not quite the same!), but the review definitely has me intrigued; will have to check it out.
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Thanks for the comment, let me know what you think when you’ve seen it.
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Have you read the book?
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No I haven’t but I have heard very good things about it.
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Sofia has captured the book quite beautifully in the movie but Jeffrey Eugenides, the author, takes it to ineffable levels. 🙂
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Glad to hear that, I’d like to read the book.
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Good review. Been a long time since I saw this but it was a very good adaptation of the book. And I loved the Air soundtrack. You have me wanting to re-watch this. 🙂
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Thanks, glad I made you want to see it again. That Air soundtrack is just amazing.
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I like this movie and I do think that Sofia Coppola is brilliant and that “Lost in Translation” was the best one.
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Thanks for the comment, she really is a talented director.
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I adore this film. Coppola’s use of music is always top notch.
As far as the plot and themes go, I think the reason Lux is the “most interesting” is because the story is told from the vantage point of the boys. They are most interested in her because of her sexuality. Notice how the other girls kind of blend together, but Lux stands out. It is simply because the boys see the girls not as real people, but as sexual objects to be understood. Naturally, they choose the most sexual of the group to focus on.
The reason the motivations behind the suicides are ambiguous is because the boys do not understand the suicides, and we are limited to their perspectives. That may be one of the reasons for the suicides, because the girls’ parents were terrified of their sexuality, and the only thing the boys cared about was their sexuality. Thus, they felt as if they were mere sexual objects. Also, the party at the end of the film provides a hint as to why they took their lives: asphyxiation. The isolation, created by not being treated as a human being, was too stifling to endure.
Well, that was quite the paragraph. I apologize for being so long winded; I love discussing this movie. I hope Coppola surprises us with another excellent film in the future.
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Don’t apologise for the long comment, it’s always interesting to hear someone else’s point of view on a film. You raise some really interesting points about the film.
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I only watched this once when I was younger and it actually shocked me seeing James Woods in the credits!! Did not think he was in this lol.
Nice review Vinnie, I think I should do this movie credit and watch it again.
I’ve read the book (more than once) and it doesn’t specify why they commit suicide in the book either, it’s all very strange. There’s no signs of abuse, though obviously their life at home isn’t the easiest. Weird.
I love Kirsten Dunst!! LOOOOOOOOOVE HER!
GREAT review!
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Thanks Emma, I’m still questioning bits of this movie now. It’s just so haunting, ambiguous and mysterious. Glad you love Dunst.
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I do! I’ve been a fan of her since she was a kid and never seen her in a movie I don’t like.
I like her because she bucks the Hollywood trends more than a lot of people too 🙂
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I pretty much agree with everything you just said there Emma. If you go through this blog, you’ll find a lot of reviews of her movies.
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Hurrah! 🙂
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Feel free to go through them Emma.
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I will do saucy!
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A girl I was really into was obsessed with this movie. Her favourite song was Alone Again, Naturally by Gilbert O’Sullivan. She asked me to download it for her. She said it was almost autobiographical. I should have taken that as my warning!
As such I’ll never really enjoy Virgin Suicides, it brings back too many sour memories, but I did enjoy this review.
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Interesting story there Mike. Now I’m going to have that song in my head for ages now.
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She lived about 30 minutes outside of town, and only had crappy dial up internet in her area. She asked me to download some stuff, and make a mix CD so I did. I have a habit of adding funny movie and TV clips between songs, she didn’t know that. She was playing her CD at work, a Blockbuster Video. All of a sudden on comes Samuel L Jackson. “Say what again! Say what again, I dare you motherfucker!”
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Haha, that really made me laugh. Especially the Jackson part, classic.
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Hey she didn’t tell me she was going to listen to it at work! LOL! She should have told me!
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I bet she had a real shock when that came blasting out.
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That’s when you do one of those dives for the stop button!
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Yep, definitely one of those moments.
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I saw this a long time ago, and was very impressed by Kirsten Dunst. And I still like everything she does now.
Cheers, Pete.
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Kirsten Dunst is one of my favourite actresses. This is one of her best roles as we feel the pain and isolation of a girl wanting to experience something, but unable to.
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She was great in the second series of ‘Fargo’ on TV. One to binge-watch mate!
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I have that recorded somewhere I think.
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Great review Vinnie. Would you believe I still haven’t seen this? I know! I know! I really liked the book, so this is on my list.💁🏻
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The air of melancholy tragedy hangs over this film with assurance and mystery. Which is probably why I really love the film.
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Great review. It’s another film, that I have heard a lot about, but haven’t seen myself yet. At times my to watch list (or encyclopedia might be a better term for it lol 😂), is just way too big. This is truly sounding like a very melancholy but powerful movie nonetheless 😊
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It has a really evocative mood. And it lays out themes of alienation and loneliness that pervade Coppola’s work. If you want atmosphere and mystery, this is your movie.
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