One of the best parts of blogging is talking to the people I encounter and discussing movies and other things with them. I did a post like this a while back that I found very interesting and well received. And as I do like to promote talk between everyone, I wanted to do another one of these posts. So ask away fellow bloggers. All your questions will be answered. Just make sure no questions are offensive or nasty. Anything else is fine and I look forward to your questions as I am sure you guys have some cool questions.
Do you guys ever come across a song that seems to be ubiquitous and very catchy? I recently had this with the song ‘Fire’ by Barns Courtney. It appeared on an advert for something that I saw and ever since it has remained in my head. See what you make of the song.
The Lost Boys
- Jason Patric as Michael Emerson
- Corey Haim as Sam Emerson
- Kiefer Sutherland as David
- Corey Feldman as Edgar Frog
- Jamison Newlander as Alan Frog
- Jami Gertz as Star
- Dianne Wiest as Lucy Emerson
- Edward Herrmann as Max
- Barnard Hughes as Grandpa
A film that manages to bridge the gap between horror and comedy and a successful one at that, The Lost Boys is an inventive and irreverent movie that has a good few twists and outrageous moments to add to the vampire mix.
Teenager Michael and his younger brother Sam relocate from Phoenix to the beach side Californian town of Santa Carla with their mother Lucy, following her divorce. They move in with Lucy’s father, whose an eccentric man living on the outskirts of town. Exploring the Boardwalk, which is where everyone seems to go, (while their mother gets a job at the video store working for a quiet guy named Max), Michael and Sam both discover different things. Michael becomes curious and drawn to Star; a seductive young woman. She runs with a local gang of leather glad troublemakers headed by the charismatic David. David beckons Michael to join his and taunts him into an initiation that soon proves very dark for him. Meanwhile, Sam meets Edgar and Alan Frog, brothers who work in a comic store and speak of the town being overrun by vampires, which Sam sniggers at as being impossible. It soon becomes very apparent that David’s gang are not just teenagers but in fact savage vampires, who are probably behind all the cases of missing people around the town. Michael, who went through the initiation process without really knowing what it was, soon begins exhibiting strange powers and abilities that slowly take over. Sam notices this change within his brother and . Star is in fact in the same position of Michael as she isn’t a full vampire yet and wants to be rid of it. Worrying for his brother, Sam enlists the Frog Brothers in a fight to eradicate the vampires and save Michael and Star from the clutches eternal, blood-sucking life.
Joel Schumacher directs The Lost Boys with a clear control over it and a sense of fun that emerges throughout it. He wisely gets the humour and horror to both be effective, instead of a seesaw of up and down switches. His flourishes of style are apparent yet don’t swallow the story. The best instance is the shots from the vampire’s perspective as they fly over the town, which is both creepy and exciting. As far as humour goes, The Lost Boys has it in abundance and forms a marvellous balance with tense horror within the tale. It captures both horror and laughs in quick succession, making sure you’re scared one minute and then laughing the next. The pace is very impressive as it introduces us to the characters and hints of weirdness, letting the darkness sink in as the presence of David and his gang becomes more known. I particularly enjoy the presentation of vampirism here as it has traditional elements, but boasts quite a few surprises in it. The vampires here are shown as seemingly cool and dangerous, the type of popular gang it would be easy to fall into. Yet once the vicious truth of them is known, they take on a different meaning altogether. This is twinned with a theme of peer pressure as Michael is shown to want to be one of the, but comes to see that it’s a living hell from which he needs to escape. David and his gang become the dark forces taking away the innocence of Michael with their powerful and unusual ways. The Lost Boys can also be seen as a teen movie due to this examination of adolescence, but thankfully it’s one of the better ones due to the main touches of horror and humour. And I must gives kudos to The Lost Boys for its absolute blast of a final act. The extended climax in which Sam and The Frog Brothers face off against the vampires is as creepy as it is exhilarating. And you have to love a horror movie that has inventive deaths aplenty, including death by stereo. In terms of visual style, one can view the movie as a great time capsule back to the 1980’s. The slick and glossy nature is still there, with the vampire lair a cool retreat that looks like something made for MTV. There is fun to be had in looking at the setting and style on show, in between the outrageous comedy and creepy shenanigans. A quintessential soundtrack of mostly 80’s songs does a great job by cutting the action to these grooves, including a great version of ‘People are Strange’ that opens the film and sets the foreboding tone.
A cool cast excellently does a good job in this horror flick. Jason Patrick has the required attitude and cool factor to play Michael, who soon becomes a victim of the vampires. Corey Haim hits the right notes of youthful enthusiasm and brotherly concern as Sam fights to stop his brother becoming a full-on vampire. Kiefer Sutherland is one of the best things in the film. His performance as leader of the vampire pack David, is unnerving yet darkly charismatic. David is a character who embodies darkness from every angle but who you can’t help but feel intrigued by. A lot of this comes down to Sutherland’s good work that makes creatures of the night seem very cool. The duo of Corey Feldman and Jamison Newlander as The Frog Brothers is inspired. These characters are geeky and amusing in their pursuit of vampires, you just have to here some of the one-liners between the two. It’s impossible not to have fun when these two are on screen doing their thing. Displaying a sensuality that is tempered by a deep-seated terror, Jami Gertz makes an impression as the beautiful half-vampire Star who is tired of the life she leads. Showing maternal anxiety and warmth is Dianne Wiest in the part of the boy’s mother, who doesn’t really know the kind of town she has moved them all into. Edward Herrmann excellently takes the role of the seemingly ordinary Max, who becomes interested in Lucy yet comes under suspicion from Sam and the Frog Brothers. And finally there is Barnard Hughes as the unusual but lovable Grandpa.
A gloriously enjoyable marriage of horror and dark comedy, The Lost Boys is deservedly a cult movie and it’s not at all difficult to decipher why.
I’m not ashamed to admit to being a fan of Girls Aloud. What can I say? I am a sucker for catchy pop tunes. Inspiration for this post came about when one of their songs was played in the radio and I remembered when it first was released. It had me thinking, I really miss Girls Aloud. They had such infectious songs, slightly zany lyrics and sex appeal. They boasted the fun factor that was hard to resist and there is no denying that their music wasn’t catchy as hell. I know they split up a few years back, but their music still remains evergreen. To bathe in the glory of the good days, here are some of their best songs.
- Sean Connery as Captain John Connor
- Wesley Snipes as Lt. Web Smith
- Harvey Keitel as Lt. Tom Graham
- Cary-Hiroyuki Tagawa as Eddie Sakamura
- Tia Carrere as Jingo Asakuma
- Kevin Anderson as Bob Richmond
- Ray Wise as Senator John Morton
A compelling but provocative thriller, Rising Sun functions as something of a commentary on the corruption of big business and less than warm relations between East and West. It gets pretty confounding and confusing in stretches, but it retains interest thanks to visuals and good playing from leads Sean Connery and Wesley Snipes.
The setting is Los Angeles, primarily a large, sprawling building that is the place of business for a largely Japanese conglomerate. A party is underway as the company attempts to get a lucrative deal to go through, yet unexpected things will soon take precedence. A blonde escort by the name of Cheryl Austin is found strangled to death in the boardroom, which threatens to cause a scandal for the company. Assigned to the murder case is police detective Web Smith, who is a good enough guy with a few flaws in his past. Also assigned to assist is retired Captain John Connor, whose knowledge of all things Japanese will be beneficial when dealing with suspects within the company. Overseeing things is Smith’s former police partner Tom Graham, who has a vendetta against the Japanese and makes sure everyone knows it. Evidence seems to point towards Eddie Sakamura, a tempestuous playboy who Connor knows the businessman father of. But wise, old Connor suspects that there is a lot more complexity to the case than anyone expected and with his sharp and scrupulous mind, it’s not hard to see why. He is proven right as this turns out to be no open shut case. Both Connor and Smith, though completely opposite in approach, discover it may reach very high up the business ladder and threaten to expose people at the top. Yet just when they think they know what’s going on, something new puts a dangerous spin on things. Chief among these is a tape that could implicate the guilty party, if it wasn’t for tampering with the visuals that are discovered to be altered. The mismatched duo learns to work with each other and used their respective smarts to crack a most bewildering and twisting case.
Philip Kaufman, always a director with a keen eye for visuals, displays that here with stylish atmosphere apparent from the very beginning. He paints a world tinged with noir that is insidious and corrupt from almost every angle( complete with almost constant rain and darkness) One of the biggest criticisms aimed at both the film and the book on which it is based is that it bashes Japan and paints a harsh portrait of business. I can’t vouch for either of those accusations as my knowledge of both is pretty limited. But people who say that the Japanese are portrayed badly here, should look at some of the American characters too. Plenty of them are corrupt and nasty as some of those in the company so I can’t see much of a basis for negative slander here. I can see some parts that could be deemed offensive, but I think Kaufman manages to keep most of these at bay. There is a technological side to Rising Sun that looks a bit dated now, but is nonetheless quite intriguing to watch and observe. In this edgy take, images can be distorted and the blame game soon follows, much like old-fashioned movies with a contemporary twist. An atmospheric score provides the strange backdrop for the murder investigation that proves anything but straightforward due to the sense of culture clash at the heart of the matter. It is the attention to details, much like the character of Connor, that impressed me the most in Rising Sun. It does have moments of action, but like a good thriller the investigative parts are what holds the interest as layer upon layer of complexity builds higher. Now after some time Rising Sun does get just a little bit convoluted and confusing to follow, yet it doesn’t bore you as it keeps you watching despite the often overly complex plot. The relationship of Connor and Smith keeps you rooted in the film and is one of the best parts, thanks to the respect and level footing each find eventually with the other.
Sean Connery is one of Rising Sun’s biggest draws. Exuding an almost stately manner through the character’s knowledge of Japanese customs and a twinkling grin that suggest a wily personality, Connery imprints his stamp on the part of an intelligent man whose attention to detail is what drives the shocking case in front of him. He exudes an avuncular tendency towards his younger charge, close to that of master and apprentice. Connery shares a good working relationship with Wesley Snipes, with the two bouncing off each other with their differing approaches to the murder case. Wesley Snipes more than holds his own against the illustrious Connery; generating dedication and wise ass responses as he becomes more bewildered by the shifting investigation in front of him. Harvey Keitel is reliably on hand to play the vicious and intolerant detective who is more than willing to prosecute the wrong man purely out of hatred. A standout part comes courtesy of Cary-Hiroyuki Tagawa. Playing the dissolute playboy who may have been taken for a ride and framed, he shows off both a charisma and fear that grows as the case tangles. As one of the only women in the movie, Tia Carrere provides sexiness and smarts as the computer expert who deduces that the tape that could reveal the criminal has been tampered with. Slimy tactics are the name of the game for both Kevin Anderson and Ray Wise as two men caught up in the corruption.
It may boggle the mind on occasion and some of it can become rather in your face, yet due to the good direction of Kaufman and acting from the lead, Rising Sun has its values as a serpentine thriller that is pretty slick.
As of late, I’ve seen a lot of articles and talk of nudism. It seems to be something that divides a lot of people. I myself am curious about it, as I do sometimes practice it. But I want to know what everyone else out there makes of it. So I ask, what are your thoughts on nudism? And why do you have those opinions? I think this post will be a good one to listen and read what everyone thinks about it.
I did a post a while back encouraging guys to check themselves for testicular cancer. The response I got to it was overwhelming and I felt good about promoting checking for lumps and bumps. Today I thought I’d do something like it again, but include talking about women checking for breast cancer. As a lot of my followers are ladies, I thought it only fair to promote checking themselves just as much as men. It is important for everyone to check themselves thoroughly whenever they can. Below are two videos that I hope speak to everyone and inspires them to examine themselves. If I can help at least one person, I’ll be happy.