What are Your Favourite Sexy Movies and Television Shows?

Sexy CoupleI noticed that as of late I have reviewed some steamy movies and it got me thinking about what people consider sexy in a movie or TV show. So today I ask, what for you is the sexiest movie or TV show you’ve watched? Is it smoldering and subtle? Or in your face and brash? Whatever your preference, please give it as this could be a very interesting discussion.

Husbands and Wives

Film Title

Husbands and Wives


Woody Allen


  • Woody Allen as Gabe Roth
  • Mia Farrow as Judy Roth
  • Sydney Pollack as Jack
  • Judy Davis as Sally
  • Juliette Lewis as Rain
  • Liam Neeson as Michael

One of Woody Allen’s most lacerating and stark movies, which centres on the dissolving of marriages and infidelity, Husbands and Wives is far from his standard stuff. If you are used to seeing Woody Allen’s movies as light-hearted and sweet, then prepare for something at the other end of the spectrum with this unforgettable entry into his canon.

Gabe and Judy Roth are a seemingly solid couple who have been married for ten years. Husbands and Wives Movie PosterGabe is a writer and professor while Judy works at a publisher’s. The main crux of the film begins when the close friends of the couple, Jack and Sally come around to their house on a night when they are all supposed to go out for dinner. They announce that they are separating from each other and both seem none too fussed, later we will see that both are putting on a brave face. The announcement of their separation bemuses Gabe, who is cynical to say the least but has a more lasting impact of shock on Judy. The news seems to hit a nerve with her and after this she too begins questioning how ideal her marriage is and what flaws may very well lie in it. Meanwhile, Jack(who has a history of philandering with women he finds less demanding than the tightly wound Sally) has moved in with an attractive but none too bright aerobics teacher, while Sally tentatively begins to see nice editor Michael, who she is introduced to via Judy. Judy though harbours secret feelings for Michael that she tries to suppress, yet having been put in a tailspin, she is now questioning her own marriage. Gabe as well has begun to be infatuated by one of his writing the students, the effervescent Rain who has a thing for older men. Gabe and Judy Husbands and WivesThroughout the film, scenes of each character are interspersed talking to an unseen interviewer, baring their secrets and emotions on love and the state of affairs each has encountered. With all the upheaval of emotions, which unions can be saved and which will ultimately drift apart?

Woody Allen paints a dark and unrelenting picture of marital disharmony, that shows that his movies can be as unromantic as they are sweepingly romantic. You can’t help but feel ounces of cynicism and bitterness towards the institution of marriage and it really bleeds into the film. And those expecting a lot of humour will be in for a shock, because even when there is moments of humour it is on the brooding and subdued end of the spectrum. Also of note is the fact that Husbands and Wives strangely parallels the real life drama of Allen and Mia Farrow’s breakdown in relationship and scandal that engulfed it. Husbands and WivesBecause of this, there is something of a realistic tone that comes close being almost autobiographical throughout the movie that can’t be ignored, whether it was intentional or not. The hand-held camerawork of the piece is just splendid in projecting the fragile relationships on display and the instability of love in general. I’m not usually a big lover of hand-held camerawork, but when employed successfully here by Woody Allen and filled with expressive and almost intrusive close-ups, it throws us straight into the maelstrom of emotional fallout and questions regarding marriage. The interviews with the characters that forms part of the movie may put some off, but for me it was a real gamble that payed off. We gain a genuine insight into these character’s thoughts and feelings on themselves and each other that at many times they won’t share face to face with each other. A subdued colour scheme further highlights the uncertainty of all the romantic parties involved with mauve and dark browns acting as the primary components.

Woody Allen as an actor seems to be on familiar ground with the befuddled character of Gabe, but he injects the role with a deep cynicism that marks an edge to the character and makes him somewhat different from what he could have been. Mia Farrow is extremely evocative as the fragile and shaken Judy, who comes to question her own marriage in the shock of seeing Jack and Sally’s end. Farrow has that ability to portray a large amount of melancholy and it is ideally suited to the part here. Though with everything that occurred off-screen, it does make me wonder how much of Farrow’s performance is acting and how much could be the real thing. Either way, it’s an excellent performance surrounded by sadness and desolation. Sydney Pollack, best known for being a director, makes his mark as the philandering jerk Jack who says he wants a change but can’t let go of the past. Sally Husbands and WivesThe two main standout performances to be found in Husbands and Wives belong to Judy Davis and Juliette Lewis. Judy Davis is exceptional as the difficult and neurotic Sally, who can spit venom when needed and find flaws in just about anything you put in front of her. Davis burrows into the character finding sadness, humour and unusual tics that the character possesses and how despite her separation, she can’t live without her husband. It is a truly dazzling performance from a hugely talented actress, who clearly understands the role of Sally as a bubbling cauldron of anger that is going to boil over. Juliette Lewis has a deep vibrancy, strange sort of sensuality and opinionated tendency that she adds to the role of Rain, who has a real passion for writing and a tendency to attract older men. Liam Neeson provides some excellent support as the editor taken with Sally, yet secretly suspecting that Judy has feelings for him too.

Bruising, dark and more than a little bitter on the subject of marriage, Husbands and Wives gains power and wounding impact due to the choice to shoot events with an up close and personal camera style, excellent writing and smashing performances from the cast.

Some Sexy Magazine Covers to Brighten the Day

If you’ve had a bad day and want something to brighten it, let me do that for you. Following in this post will be some sexy magazine covers that will certainly blow those cobwebs away and bring smiles to you, and even a shock or nice giggle. The sexiness will be balanced out to include men and women as I agree with equal opportunities.

Ronaldo Vogue

Monica Bellucci Magazine

Rolling Stone X Files

Olivier Giroud Magazine

Helena Christensen



Two Songs Guaranteed To Get Me Dancing

Shakira is one of my favourite artists. With her seductive voice, charisma and melding of genres and languages, she is definitely someone different from a lot of the stuff out there. Below are two songs of hers that always get me dancing, even if my dancing is pretty abysmal and not exactly challenging anyone on the dance moves front. Enjoy having a boogie to these songs.


The Pillow Book

Film Title

The Pillow Book


Peter Greenaway


  • Vivian Wu as Nagiko
  • Ewan McGregor as Jerome
  • Yoshi Oida as The Publisher

A highly unusual movie that adheres to the genre of film known as not for everyone, The Pillow Book is still a visually arresting and intoxicating experience; covering dark eroticism, obsession and revenge into an intriguing film that is hard to forget once you’ve viewed it.

As a young girl, Nagiko delighted in calligraphy as her father every year on her birthday, wrote characters on her face, while her mother read aloud from The Pillow Book. The Pillow Book Movie PosterThe eponymous book concerns a lady in waiting’s observations, primarily on the nature of love and desire. This ritual left a huge impact on Nagiko who grows up to be a beautiful young woman with a passion for literature and scripture. Yet, Nagiko also remembers her father being blackmailed and degraded by a publisher that she can’t forget. This is more prominent because she is forced to marry his boorish son, who refuses her love of writing and mocks her. Fleeing from him, Nagiko relocates to Hong Kong, where she encounters some success as a fashion model. Yet while she still derives joy from calligraphy, as an adult she now finds it to be sexually stimulating too. The problem is she can’t find a lover who can indulge her unusual passions and connect with her. That is until she comes across British translator Jerome. She soon begins a relationship with him in which they often make love and write on each other’s bodies, even though Nagiko knows that Jerome is bisexual and is intimate with a publisher. Nagiko continues to write and sends her work to a publisher, who rejects it. she is shocked to discover it is the same publisher who ruined her father and is the man in the relationship with Jerome. Yet Jerome sees this as an opportunity to help Nagiko; he asks her to use his body like pages and send him to the publisher so he can see the work and because he likes Jerome, reconsider refusing the work Nagiko sent him. But Jerome’s refusal to break off his relationship with the publisher spells dire and tragic consequences for all as Nagiko feels eventually betrayed.

Now as I mentioned earlier, The Pillow Book is a polarizing movie, much like a lot of the movies directed by Peter Greenaway. Depending on your viewpoint, you can see it as overly arty and pretentious or strikingly adult and challenging. I feel I fall into the latter category. I must give props to Peter Greenaway for his directing prowess, that lets his imagination run wild and employ arresting visual techniques. I will try to list the many visual tricks he employs that really make the movie an experience. There is switches between black and white and colour, overlapping images combining past and present and words that float across the screen. The way these nifty tricks are used is phenomenal and the melding of all of them imprints itself on the mind from the start to the finish. Greenaway is a filmmaker who really understands the concept of cinema as art and The Pillow Book is a very good example of this. Jerome and NagikoSubtlety isn’t his strong suit, but his overblown style compensates for that and the fact that the characters often take a back stand to the imagery. Sexuality and pleasures of the flesh play an important part in the film and this may have a reason for people either liking it or not. There is nudity and sex to be seen, with a lot of nudity from both sexes for a change. But anyone expecting it to be erotic and steamy will be surprised at the unusual nature of it and the practices shown. The scattershot soundtrack combines songs of different languages and genres to a bizarre yet very intriguing effect. It’s safe to say that this film will really divide opinions and while I did find there were some flaws to be found, I was really immersed in the film for the most part.

While the characters present within The Pillow Book often play second fiddle to the style, the actors in the parts are all very credible it must be said. NagikoVivian Wu portrays the very extreme emotions and pleasures of Nagiko without resorting to melodrama. In turn, the character becomes a lot of things and Wu handles them all very capably. Her well-spoken voice is heard through narration which adds another layer of dimension to the character of Nagiko. Ewan McGregor is suitably great as the insincere Jerome, imbuing him with a charm and tragedy yet an inability to compromise that provides the film with drama. In the role of the odious publisher who Nagiko plots revenge against, Yoshi Oida is very good at putting forth his careless nature and disregard for others.

Dark, painterly and experimental to say the least, The Pillow Book will either have you scratching your head or in total awe. Whichever way you see it, one can’t deny the impression it makes.