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Tag Archives: Queen Latifah

The Bone Collector

15 Monday Aug 2022

Posted by vinnieh in Movie Reviews

≈ 8 Comments

Tags

1990's, Angelina Jolie, Denzel Washington, Ed O'Neill, Luis Guzman, Michael Rooker, Phillip Noyce, Queen Latifah, The Bone Collector, Thriller

It may follow familiar beats and is more than a tad formulaic, but two compelling leads and some crackling suspense raise The Bone Collector to a good level of suspense to watch.

Lincoln Rhyme(Denzel Washington) was once a prominent forensics detective/expert who was highly respected in his field. That is until a tragic accident rendered him mostly paralysed. Only his face, brain and two fingers work and he has all but given up on life. Though he is looked after by live in nurse Thelma(Queen Latifah), Rhyme finds his existence exhausting because he can’t do what he once did .Owing to progressively worse seizures that he believes will render him in a vegetative state, he plans to end thing sin order to avoid that fate. Meanwhile, tough patrol cop Amelia Donaghy(Angelina Jolie) is going to be transferred to a desk job. But on her last day as a cop, she uncovers a mutilated body on the train tracks . Alongside the body is old fashioned items that are most puzzling at first. Thinking fast, stops the evidence being destroyed by halting an oncoming train by stopping it in the nick of time. Rhyme’s detective friend Paulie Sellitto (Ed O’Neill) enlists him on the case in question. Rhyme isn’t keen on taking the case, until he sees the clues and can’t help but get involved. After seeing Amelia’s skill at collecting evidence and seeing, asks for her to assist him in the case .  Not wanting to put in jeopardy her soon to be desk job, Amelia is apprehensive of taking on such a case. She reluctantly accepts and though they are not the most obvious partners in solving crime, after initial animosity , the two begin to work on this unusual case. The tough Amelia becomes Lincoln’s eyes and ears on the crime scene to track down the sadistic serial killer before he strikes again. The particularly nasty killer enjoys toying with the detectives with his clues and taunting them if they are too late. Hindering the investigation is the interference of Captain Howard Cheney(Michael Rooker) , who is jealous of Rhyme and wants to laud over everyone that he’s the boss but is pretty inept at what he does. The case intensifies when another person is kidnapped by the taxi cab killer. It’s now up to the mismatched duo to stop the madman before it’s too late.

Phillip Noyce is a very good director who plays the film as a fast moving yet largely engaging thriller with creepy undertones. Though The Bone Collector is not going to go down as a truly masterful and iconic thriller, it does the job of keeping us involved with a level of skill that’s quite good and it’s certainly watchable thanks to a fast moving pace and some real jolts of horror . This film isn’t afraid to be grisly( one victim is brutally scalded to death with steam ), but gladly doesn’t get to a level of truly outrageous gratuitousness . The most common thing that is said about is that it is a poor man’s Seven . While I can understand this point of view as both feature ritualistic ,viciously methodical killers and an urban setting , I think  The Bone Collector also has differences. Plus, I don’t think many films in the thriller genre can replicate Seven and it’s spellbinding command over visuals and ambience. Saying that, The Bone Collector does have its share of good visual moments throughout, especially in the zooming aerial shots of New York and the creepy, unnerving darkness of the underground . The Bone Collector can often feel a bit run of the mill and near the end logic begins to strain , but the quick pace and jolts of suspense help raise it higher than what it is. Craig Armstrong contributes a mournful and atmospheric score that raises the hair on the back of your neck when it needs to. 

Where The Bone Collector gains a lot of its good points is in the casting. The compelling presence of Denzel Washington is front and centre here. Washington exudes a commanding, intelligent and subtly emotional presence; displaying the frustration of man who has a mind that still works, but a body that doesn’t . All of this conveyed convincingly by the forever gifted Washington through often just body language and facial expression . Which really says a lot considering he is bed ridden for practically the whole film. Aiding him with an equally fine performance is the striking Angelina Jolie. Portraying the outwardly tough and streetwise cop with buried trauma, Jolie is very effective at mingling the two sides of this to make a very watchable character. Jolie projects a haunted yet brave front here which is appealing and solid. The chemistry Jolie shares with Washington is very believable as they go from people who are seemingly opposites who then end up complimenting the other. A no nonsense Queen Latifah is appropriately warm yet steely in her performance as the live in nurse determined to make Rhyme see that life is worth living. Ed O’Neill is on likeable form as a good support to Rhyme and you buy into the fact that they trust each other implicitly. Michael Rooker, of intense stare and eyes, slimes his way across the screen as the police captain with a massive chip on his shoulder with anyone who crosses him . If it werent for the main killer of the film, Rooker and his character could easily be cited as the chief antagonist of the piece. Luis Guzman brings a little bit of humour as a fellow forensic who often lightens the often intense and foreboding mood. 

So while it’s not a truly top tier thriller , The Bone Collector is still a creepy movie that takes a standard story and raises it up a few notches to entertaining and fast moving stuff. Plus, when you have stars like Denzel Washington and Angelina Jolie in the film and doing a commendable job, it’s definitely worth watching in my book

Valentine’s Day

21 Thursday Jul 2016

Posted by vinnieh in Movie Reviews

≈ 36 Comments

Tags

2010's, Anne Hathaway, Ashton Kutcher, Bradley Cooper, Bryce Robinson, Carter Jenkins, Emma Roberts, Eric Dane, Garry Marshall, George Lopez, Hector Elizondo, Jamie Foxx, Jennifer Garner, Jessica Alba, Jessica Biel, Julia Roberts, Kathy Bates, Patrick Dempsey, Queen Latifah, Romantic Comedy, Shirley MacLaine, Taylor Lautner, Taylor Swift, Topher Grace, Valentine's Day

Film Title

Valentine’s Day

Director

Garry Marshall

Starring

  • Jessica Alba as Morley Clarkson
  • Kathy Bates as Susan Moralez
  • Jessica Biel as Kara Monahan
  • Bradley Cooper as Holden Wilson
  • Eric Dane as Sean Jackson
  • Patrick Dempsey as Dr. Harrison Copeland
  • Hector Elizondo as Edgar Paddington
  • Jamie Foxx as Kelvin Moore
  • Jennifer Garner as Julia Fitzpatrick
  • Topher Grace as Jason Morris
  • Anne Hathaway as Liz Curran
  • Carter Jenkins as Alex
  • Ashton Kutcher as Reed Bennett
  • Queen Latifah as Paula Thomas
  • Taylor Lautner as Willy Harrington
  • George Lopez as Alphonso Rodriguez
  • Shirley MacLaine as Estelle Paddington
  • Emma Roberts as Grace Smart
  • Julia Roberts as Capt. Kate Hazeltine
  • Bryce Robinson as Edison
  • Taylor Swift as Felicia

I was saddened yesterday to read of Garry Marshall’s death. He was a prolific director, producer and writer, who had a long and interesting career. One area he really succeeded in was directing romantic comedies and that is why I am going to review the all-star Valentine’s Day. I was planning to review this film anyway, but I will dedicate it to Garry Marshall now due to his passing. Anyway, back to the review.

Over the course of Valentine’s Day, the love lives of many residents is explored. Varying from newfound attraction to older couples, blinded love and pining, love seems to be everywhere in this set of interlocking stories. Valentine's Day Movie PosterGood-hearted florist Reed Bennett proposes to his pretty girlfriend Morley, who accepts. The day seems to be going amazing for him, yet he soon sees that Morley is having doubts about marriage. His friends Alphonso and schoolteacher Julia stay quiet but aren’t surprised when Morley calls it off as they saw that the couple wasn’t ideally suited. Julia is having a relationship with the dashing Dr. Harrison Copeland, yet he is stringing her along because he is already married which Julia is unaware of. Reed discovers this and wants to help Julia, making him acknowledge that he has harboured feelings for his good friend for a while. Then we have Julia’s other friend publicist Kara, who despises the romantic day due to an unlucky history in love. Yet this could be changed by the equally cynical sports reporter Kelvin Moore, who has been coerced into doing a special on the importance of the day. Older couple Estelle and Edgar Paddington have been married for a long time, but something from the past is bothering Estelle as they contemplate renewing their vows. Julia Roberts and Bradley CooperKate Hazeltine, an army captain shares a flight with affable Holden and the two become friendly as she tells him that she is returning for one day to see someone special. And there are many more stories that are too many to document because this review would become extremely long-winded otherwise.

Garry Marshall brings his expertise to this sweet and fluffy film. This kind of movie was his bread and butter and his considerable love for the genre is very much apparent. I can’t really fault his direction here as it is well done, though other parts of the film aren’t as assured as Marshall’s direction. Ashton Kutcher and Jennifer GarnerEach of these stories links to the next one in some strange way or another, some turning out not like you’d expect. Like with any movie containing an ensemble cast and multiple tales, certain stories are going to rise above others in terms of enjoyment. The best way to describe Valentine’s Day is as a big box of ribbon wrapped chocolates that is full to the brim with sweetness and delight, yet you remember some of the flavours more than others. The Taylor Swift/Taylor Lautner story could have been cut as it contributes nothing whatsoever to the story and the little boy trying to impress his sweetheart feels a bit too similar to one of the links in Love Actually. Then we have a nice story with Julia Roberts and Bradley Cooper talking on a flight back to Los Angeles that isn’t as clichéd as one would originally think. Anyone going into Valentine’s Day thinking it’s going to be something new will be mistaken because the formula of the film is familiar. Yet this isn’t to do the film down, it’s just how many romantic comedies have a story that is generic and been done before? It’s a genre that thrives on stories you’ve seen before and Valentine’s Day is no different in that respect. It’s a surprisingly sweet and funny experience actually and not as bad as many people have made the film out to be. I will admit I can be a sucker for romantic comedies sometimes so my opinion could be biased, but I enjoyed this film, even if the film is guilty of being over busy.

And following on about the film being busy, you have to say that the cast is one attractive bunch of stars. Be prepared readers, it may take some time talking about his massive cast. Ashton Kutcher is probably the person seen the most in Valentine’s Day and he has a real exuberance that shines through in an endearing way. A natural and sweet performance from Jennifer Garner is a nicely cast part, with plenty of humour and heart. Jessica Biel and Jamie FoxxJessica Biel is particularly funny as a woman who holds a I hate Valentine’s Party, but secretly wants some romance in her life that has been elusive so far. Alongside Biel in the humour department there is an amusing Jamie Foxx. Old pros Shirley MacLaine and Hector Elizondo bring warmth and experience to their roles as an older couple having to deal with feelings they weren’t sure of. Anne Hathaway and Topher Grace have good chemistry as a new couple with a hitch, she moonlights as a phone sex operator to pay off bills. Leading to much confusion, the two stars have fun and spark off each other well as they navigate the challenges of love.

Julia Roberts, who is already adept at romantic comedy, is luminous along with Bradley Cooper, in an amiable and funny vignette. Eric Dane and George Lopez fare pretty well with the material they are given. Carter Jenkins Valentine's DayEmma Roberts and Carter Jenkins make their tale funny and a little relatable as they play two students planning to have sex for the first time. Trouble is, it doesn’t go to plan leading to an amusing scene of Jenkins preparing to serenade his beloved wearing nothing but a guitar and being caught by her mother. Kathy Bates is unfortunately reduced to nothing but a cameo which is annoying considering how good Bates is as an actress. The same goes for Queen Latifah who is wasted and not given any opportunity to shine. On the negative side of casting we have Jessica Alba, who despite her beauty, is more than a little bland in her delivery. Young Bruce Robinson is endearing enough as the enamoured young boy wanting to impress a girl he has a crush on. The problem is the story is pretty much a non-starter that never comes to life. Patrick Dempsey plays a love rat with some smoothness that starts to vanish once he’s found out. Taylor Swift and Taylor Lautner are pretty poor as a love struck young couple and their story feels like it could have been left on the cutting room floor.

It’s not the best romantic comedy but it’s far from the worst, and Valentine’s Day displays the flair and entertainment value that Garry Marshall had for this sort of thing that will be missed within the genre. Rest in Peace Garry Marshall, may your great spirit live on through your wonderful work.

 

Chicago

26 Sunday Jul 2015

Posted by vinnieh in Movie Reviews

≈ 60 Comments

Tags

2000's, Catherine Zeta-Jones, Chicago, Christine Baranski, Drama, John C. Reilly, Musical, Queen Latifah, Renée Zellweger, Richard Gere, Rob Marshall, Taye Diggs

Film Title

Chicago

Director

Rob Marshall

Starring

  • Renée Zellweger as Roxie Hart
  • Catherine Zeta-Jones as Velma Kelly
  • Richard Gere as Billy Flynn
  • Queen Latifah as Matron Mama Morton
  • John C. Reilly as Amos Hart
  • Christine Baranski as Mary Sunshine
  • Taye Diggs as The Bandleader

A flashy, well-mounted musical based on the stage show, Chicago smolders with dark sensuality, exuberant, sensational music numbers and tons of smoky atmosphere. This jazzy film is a feast for the eyes and ears and full of scandal, sex and corruption to entertain all.

1920’s Chicago: meek housewife Roxie Hart desperately wants to be a vaudeville star. Although married, she is having an affair with a sleazeball who has been promising her a path to stardom, but has been stringing her along. When she finds this out, she flies into a passionate rage and shoots him dead. Chicago Movie PosterAt first, a panicked Roxie tries to get her lovingly devoted husband Amos to confess to the crime, but the police see through the story as Amos becomes aware that his wife was having an affair behind his back. Subsequently arrested for her crime of passion, she is sent to the Cook County Jail to await trial. While there, she meets her idol Velma Kelly, an established star who has been imprisoned for shooting dead her husband and her sister/stage partner after discovering their affair. Velma is the queen bee of the spotlight and has no intention of giving it up. Meanwhile, Roxie is prompted by the corrupt but caring Matron Mama Morton to enlist smooth talking lawyer Billy Flynn to represent her in trial. Roxie accepts and soon becomes something of a sensation under the ruthless and manipulative tutelage of Flynn, and proves herself as equally cold-hearted and deceptive in her rise to the top. The media pounces on the story and it seems that murder and ensuing trials are just as much a form of entertainment as vaudeville. Chicago VelmaThis sudden turning of the tables doesn’t sit well with Velma, who wants her stardom back. And with there only being room for one person at the top in the cut throat show business industry, it’s a fight for the spotlight indeed as music, celebrity and murder meet in glamorous fashion.

Rob Marshall invests Chicago with a dark heart and glamorous allure of stardom, complete with a stunning rendering of the scandalous 20’s and the decadent calling of the time. A whole lot of panache is thrown into Chicago that adds to the enjoyment, especially in the musical numbers. Crafted from Roxie’s point of view and filtered through a dreamlike gaze, these are stunning achievements that hark back to the classic musicals from Hollywood’s Golden Era. The opening number ‘All that Jazz’ is sexy and vibrant as sung by the brash diva Velma.  ‘Cell Block Tango’, in which female inmates narrate their crimes while dancing up a darkly seductive storm is a feverish delight. ‘Mister Cellophane’ sung by Roxie’s good-hearted but used husband Amos, dressed as a melancholy clown and reflecting on how he is looked over by everyone because he is unimportant. And my personal favourite ‘When Mama MortonYou’re Good to Mama’ where Mama Morton explains the process by which she works known as reciprocity, all while performing a burlesque number with an ostrich feather. Everything comes together in the musical numbers and they really help expand the story and move it on. I couldn’t possibly talk about every musical number without going into extreme detail, so I’ll just say that they are knockouts. I was especially impressed with the portrayal of stardom in this film. A corrupt, dark but very entertaining business that can make you a star and then forget about you the next. There’s something amusingly cynical about this portrayal but also truth to it. And while some musicals rely too much on the numbers to carry them, Chicago has a witty script of catty one-liners and waspish remarks to boast.

In the lead role of fame-seeking Roxie, Renée Zellweger is very convincing, showing off excellent vocal skills and dance moves. Chicago RoxieShe encapsulates Roxie’s naive attitude in the beginning and her rise to stardom which makes her a manipulative woman who cradles every ounce of that spotlight. Considering Zellweger had no prior training in either dance or singing, you really couldn’t tell from watching her fine work here. Yet while Zellweger is excellent in the lead, it’s Catherine Zeta-Jones who steals the show in an Oscar-winning performance. Sexy, bitchy and diva like, she is a marvel to watch whenever she is on the screen. And her sensational dancing skills and beautiful singing voice complete this impressive turn that deservedly won her many awards. Richard Gere is a natural fit for the role of the greasy, silver-tongued lawyer who turns his clients into stars. Queen Latifah is funny, sneaky and fabulous as the matron who will help you out if you provide money. John C. Reilly makes the most of his role of Amos, the neglected husband who is walked over by everyone. Reilly just has this knack for really wringing out deep emotion in this part as we witness how he is used by everyone around him simply because he is a decent person in a time of lies and schemes. Christine Baranski is impressive as the sensational journalist jumping on the scandal, while a mysterious cameo from Taye Diggs as a bandleader who introduces the musical numbers completes the impressive acting on show.

Flamboyant and exuberant, Chicago is a triumph of the musical genre that entertains throughout.

 

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