House on Haunted Hill

Tags

1950's, Alan Marshal, Carol Ohmart, Carolyn Craig, Elisha Cook Jr, Horror, House on Haunted Hill, Julie Mitchum, Richard Long, Vincent Price, William Castle

The delightful Gill and Barry asked me to take part in a blogathon celebrating the career of Vincent Price. I naturally obliged and decided to write about the devilish horror with a mischief loving edge, House on Haunted Hill.

A campy and creepy horror movie from William Castle that may show its age but is still rightfully entertaining due to some clever sleight of hand trickery and scintillating script, House on Haunted comes highly recommended from me.

Eccentric millionaire Frederick Loren(Vincent Price) invites five people to a haunted house party and promises to pay each $10,000 if they can stay the night there. The doors will be locked from midnight with no discernible way out. The house has been the sight of many a grisly event since it was built centuries before.None of the people invited really know one another, the only thing that links them is a need for money. They are rugged test pilot Lance Schroeder(Richard Long), ageing newspaper columnist with a gambling problem, Ruth Bridges(Julie Mitchum), psychiatrist who specialises in hysteria Dr. David Trent(Alan Marshal), the worried worker at one of Loren’s companies, Nora Manning(Carolyn Craig) and the owner of the property Watson Pritchard(Elisha Cook Jr.), who is scared stiff of the place and drops ominous warnings about ghosts. Loren’s wife, a mysterious and beautiful woman named Annabelle(Carol Ohmart)  is supposed to be the one who wanted the party, but we see that her union with Loren is toxic and constantly involved in a game of oneupmanship that once turned near fatal with a poisoning. With the guests assembled and a little confused as to why they would all be invited, the night starts. Soon enough, creepy things start to happen around the spooky dwelling; there’s a nasty surprise in the cellar , Loren’s seductive wife drops hints that her life is in mortal danger from her jealous husband but could be up to something and  with everyone locked in, deception stats to set in. But just who will make it through to morning and is there really a haunting going on?

William Castle was adept at churning films like this out with great success. He even used a gimmick of a floating skeleton in the cinema screenings for mimic one of the ghosts in skeleton form for novelty value. The effect is pretty neat here( obviously it doesn’t come off the screen), if a little showing it’s age in terms of effects and retains a somewhat kitsch appeal. Still there are genuinely creepy and twisty moments that reveal that House on Haunted Hill is rather clever at fooling us beneath the slightly goofy and campy surface. It’s akin to a dangerous cat and music game of Cluedo, just infused with a good deal of menace. Creepiness and campiness abound here with neither winning out as overruling the other; rather settling for a compromise that’s at times tongue in cheek and others atmospherically fun to watch. There’s a certain sense of impishness and skullduggery to events here that more than compensates for dated areas. The script is the main source of greatness here, playing events out as tongue in cheek and loaded with suspense. Vincent Price sinks his teeth into many a darkly amusing one liner and has a great moment of speaking directly to the audience. The score is pretty impressive, with the repeating sounds of a haunting and distorted voice signifying something very sinister bubbling away.

Now we come to the man of the hour, the one and only Vincent Price. Using his well cultured and spine chilling voice yo great effect as well as darkness and devilish charm , Price is the cherry on top of this film. You can sense he’s having a lot of fun being so devious, naughty and slithering in sinister nature and it shows in a very entertaining performance from the horror icon. Vincent Price is at some of his most charming and yet chilling here. Carol Ohmart makes an impression as the vampy wife of Loren; her deep voice and dazzling eyes suggesting someone passionate and scheming but maybe afraid. Elisha Cook Jr seems born to play the timid owner of the house who is as twitchy as a mouse in a room full of hungry cats. His character is the main introduction to their possibly being ghosts afoot, though its left ambiguous as is his integral character. The rest of the cast are serviceable enough, but the film ultimately belongs to Vincent Price.

So while creaky in places, House on Haunted Hill is still a good old-fashioned horror mystery laced with dark humour and Vincent Price on sinister and urbane form.

The Big Sleep

Tags

1940's, Charles Waldron, Crime, Dorothy Malone, Elisha Cook Jr, Film Noir, Howard Hawks, Humphrey Bogart, John Ridgely, Lauren Bacall, Martha Vickers, The Big Sleep, Thriller

Film Title

The Big Sleep

Director

Howard Hawks

Starring

• Humphrey Bogart as Philip Marlowe
• Lauren Bacall as Vivian Rutledge
• John Ridgely as Eddie Mars
• Martha Vickers as Carmen Sternwood
• Charles Waldron as General Sternwood
• Dorothy Malone as Book Shop Girl
• Elisha Cook Jr. as Harry Jones

A film noir thriller at its most complex and convoluted, The Big Sleep is cryptic but endlessly entertaining stuff. With a real feel for the dark material shown by director Howard Hawks and the sultry chemistry between Humphrey Bogart and Lauren Bacall, The Big Sleep keeps you glued.

World weary and intelligent private detective Philip Marlowe is summoned to the home of the old General Sternwood. The elderly and frail man is concerned about his youngest daughter Carmen, who has a reputation for being loose. She has had compromising photos taken of herself and someone is using the sordid images to blackmail Sternwood. The person that appears to be behind the blackmailing is a man named Geiger, whose book store doubles as a crime racket. The General also wants Marlowe to locate Shawn Regan, a confidante close to the family who has disappeared strangely. While at the house, Marlowe also encounters older sister Vivian, a more cool and collected lady who knows how to flirt with him, yet keep something of a distance. Investigating further into muddy waters, he finds that the blackmailing crime racket ties with the missing Shawn Regan, though Marlowe is bewildered by how they could possibly do so. Just as he gets close, Geiger is murdered, complicating matters even more. Yet it also transpires that Vivian may also have some involvement in the sinister activities as nearby shady casino owner Eddie Mars appears to have a strange hold on her that she desperately attempts to remain hidden. Quickly, Marlowe is sucked into a seedy world of corruption and double crosses where he is desperate to find answers, as everything is spun in a web of underhand tricks and cloak and dagger activities.

Howard Hawks majestically gets the hard-boiled aura of this Raymond Chandler adaptation, coating everything in a shadowy and seedy vibe as Marlowe journeys into a corrupt underworld of suspicion and classic noir. The black and white cinematography is employed in a pretty amazing way with chiaroscuro taking precedent here and making the atmosphere tangible to the audience from the smoky opening titles. Now I must talk about the plot of The Big Sleep, as it is one mystifying and at times very confusing puzzle. This is actually far from a criticism of this film noir thriller, because it grasps the attention, gets you to pay attention and often moves at such a blistering pace, you won’t realise certain things that don’t add up. Sure everything is pretty cryptic and has you scratching your head, but oh what fun there is to be gained from this movie because of its pace and sexual tension, that are kept on high from start to end. What really brings a film like The Big Sleep to life is the scintillating screenplay, that practically bursts with repartee and innuendo that is some of the most sexual dialogue to be found in a movie from the 40’s, when the censors where usually on full patrol to eliminate anything suggestive . The script takes full advantage of the Bogart/Bacall relationship on and off-screen and serves up some double entendre laden exchanges that push the boat out on risqué (be sure to check the scene between Marlowe and Vivian in which she uses horse-riding and saddles as a reference to another physical activity.) As dark and mysterious as the film is, heck it brings new meaning to the word confounding, there is a playful spirit tone gleaned among all the dodgy dealings, blackmail and sleazy events that are usually hinted at rather than shown. Max Steiner is on score duties and transfers every ounce of tension and stunning sexiness to the viewer, matching the dark yet enticing underbelly The Big Sleep has to offer.

Humphrey Bogart heads up things with a fine performance as the iconic detective Philip Marlowe. Bogart impressively injects the part with cynicism, a quick talking attitude and weariness from all the years on the job. You couldn’t have asked for anyone better than Bogart to essay this part, which he plays with charm, dashes of dry humour and smarts that tell him to keep looking for the outcome of a most baffling case. He is simply on point during the whole run of this movie and makes it look effortless. Lauren Bacall practically oozes confidence and enigmatic sexuality as Vivian, whose feisty encounters and suspicious behaviour form a lot of the proceedings, particularly as Marlowe finds himself falling for her. Bacall was only in her early 20’s in this film, yet she has the innate ability to project the impression of a young woman who has seen a lot, seems to be in control and is adept at being secretive. Having already showed their undeniable chemistry in To Have and Have Not, Bogart and Bacall pretty much set the screen ablaze here, as they once more trade innuendos and tantalizing dialogue that flows from their lips like vintage whiskey. You simply couldn’t have asked for a better pairing than Bogart and Bacall, as they where exceptional together, both on film and in reality. John Ridgely has enough slimy energy and enigmatic ways to keep the shady Eddie Mars memorable in the long run. Martha Vickers features as the childlike and coy sister whose extracurricular activities are the start of Marlowe’s investigation into the unknown. A stately presence is to be found in the work of Charles Waldron as the old General calling upon the skills of Marlowe to eliminate the scandal surrounding his daughter. Popping up in small but still memorable parts, there is Dorothy Malone as a coquettish book shop worker and Elisha Cook Jr. as a very tragic fall guy who comes off badly within the darkness in doomed fashion.

As mystifying and mysterious as it all is, The Big Sleep earns its status as a classic noir due to the hard-boiled style and the iconic partnership of Humphrey Bogart and Lauren Bacall.