Tags
1940's, Charles Waldron, Crime, Dorothy Malone, Elisha Cook Jr, Film Noir, Howard Hawks, Humphrey Bogart, John Ridgely, Lauren Bacall, Martha Vickers, The Big Sleep, Thriller
Film Title
The Big Sleep
Director
Howard Hawks
Starring
- Humphrey Bogart as Philip Marlowe
- Lauren Bacall as Vivian Rutledge
- John Ridgely as Eddie Mars
- Martha Vickers as Carmen Sternwood
- Charles Waldron as General Sternwood
- Dorothy Malone as Book Shop Girl
- Elisha Cook Jr. as Harry Jones
A film noir thriller at its most complex and convoluted, The Big Sleep is cryptic but endlessly entertaining stuff. With a real feel for the dark material shown by director Howard Hawks and the sultry chemistry between Humphrey Bogart and Lauren Bacall, The Big Sleep keeps you glued.
World weary and intelligent private detective Philip Marlowe is summoned to the home of the old General Sternwood. The elderly and frail man is concerned about his youngest daughter Carmen, who has a reputation for being loose. She has had compromising photos taken of herself and someone is using the sordid images to blackmail Sternwood. The person that appears to be behind the blackmailing is a man named Geiger, whose book store doubles as a crime racket. The General also wants Marlowe to locate Shawn Regan, a confidante close to the family who has disappeared strangely. While at the house, Marlowe also encounters older sister Vivian, a more cool and collected lady who knows how to flirt with him, yet keep something of a distance. Investigating further into muddy waters, he finds that the blackmailing crime racket ties with the missing Shawn Regan, though Marlowe is bewildered by how they could possibly do so.
Just as he gets close, Geiger is murdered, complicating matters even more. Yet it also transpires that Vivian may also have some involvement in the sinister activities as nearby shady casino owner Eddie Mars appears to have a strange hold on her that she desperately attempts to remain hidden. Quickly, Marlowe is sucked into a seedy world of corruption and double crosses where he is desperate to find answers, as everything is spun in a web of underhand tricks and cloak and dagger activities.
Howard Hawks majestically gets the hard-boiled aura of this Raymond Chandler adaptation, coating everything in a shadowy and seedy vibe as Marlowe journeys into a corrupt underworld of suspicion and classic noir. The black and white cinematography is employed in a pretty amazing way with chiaroscuro taking precedent here and making the atmosphere tangible to the audience from the smoky opening titles. Now I must talk about the plot of The Big Sleep, as it is one mystifying and at times very confusing puzzle. This is actually far from a criticism of this film noir thriller, because it grasps the attention, gets you to pay attention and often moves at such a blistering pace, you won’t realise certain things that don’t add up. Sure everything is pretty cryptic and has you scratching your head, but oh what fun there is to be gained from this movie because of its pace and sexual tension, that are kept on high from start to end. What really brings a film like The Big Sleep to life is the scintillating screenplay, that practically bursts with repartee and innuendo that is some of the most sexual dialogue to be found in a movie from the 40’s, when the censors where usually on full patrol to eliminate anything suggestive . The script takes full advantage of the Bogart/Bacall relationship on and off-screen and serves up some double entendre laden exchanges that push the boat out on risqué (be sure to check the scene between Marlowe and Vivian in which she uses horse-riding and saddles as a reference to another physical activity.) As dark and mysterious as the film is, heck it brings new meaning to the word confounding, there is a playful spirit tone gleaned among all the dodgy dealings, blackmail and sleazy events that are usually hinted at rather than shown. Max Steiner is on score duties and transfers every ounce of tension and stunning sexiness to the viewer, matching the dark yet enticing underbelly The Big Sleep has to offer.
Humphrey Bogart heads up things with a fine performance as the iconic detective Philip Marlowe. Bogart impressively injects the part with cynicism, a quick talking attitude and weariness from all the years on the job. You couldn’t have asked for anyone better than Bogart to essay this part, which he plays with charm, dashes of dry humour and smarts that tell him to keep looking for the outcome of a most baffling case. He is simply on point during the whole run of this movie and makes it look effortless. Lauren Bacall practically oozes confidence and enigmatic sexuality as Vivian, whose feisty encounters and suspicious behaviour form a lot of the proceedings, particularly as Marlowe finds himself falling for her. Bacall was only in her early 20’s in this film, yet she has the innate ability to project the impression of a young woman who has seen a lot, seems to be in control and is adept at being secretive. Having already showed their undeniable chemistry in To Have and Have Not, Bogart and Bacall pretty much set the screen ablaze here, as they once more trade innuendos and tantalizing dialogue that flows from their lips like vintage whiskey. You simply couldn’t have asked for a better pairing than Bogart and Bacall, as they where exceptional together, both on film and in reality. John Ridgely has enough slimy energy and enigmatic ways to keep the shady Eddie Mars memorable in the long run. Martha Vickers features as the childlike and coy sister whose extracurricular activities are the start of Marlowe’s investigation into the unknown. A stately presence is to be found in the work of Charles Waldron as the old General calling upon the skills of Marlowe to eliminate the scandal surrounding his daughter. Popping up in small but still memorable parts, there is Dorothy Malone as a coquettish book shop worker and Elisha Cook Jr. as a very tragic fall guy who comes off badly within the darkness in doomed fashion.
As mystifying and mysterious as it all is, The Big Sleep earns its status as a classic noir due to the hard-boiled style and the iconic partnership of Humphrey Bogart and Lauren Bacall.
This is admittedly a very unusual example of Noir, as much a screwball romance as a mystery if you compare it with, say, THE MALTESE FALCON. It doesn’t cope all that well with Chandler’s episodic plot, but then this was largely a decision made in post-production. if you watch the 1945 pre-release version there is a long scene with the DA that pretty much explains everything very clearly up to that point. But it does slow the pace down, so they cuit it completely and acceded more scenes with bacall, which was probably a very wise movie from a commercial standpoint 🙂
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Yes unusual is the word for it. While there is obvious dark deeds at hand, there is a scintillating romance brewing too. And with Bogart and Bacall it is hot stuff.
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Some delightful reviews here!
Here’s hoping you’ll check out my blog too maybe? Best wishes.
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Why thank you very much for the heartwarming words. I just checked out your blog and followed it.
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The pleasure is mine. :’)
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I’m happy to be the recipient of your niceness.
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Classic stuff indeed, V. And Bacall was just perfect.
Best wishes, Pete.
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I can see why this film is regarded so highly. And who isn’t bewitched by Lauren Bacall? Those eyes and that voice are seductive.
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One of my favorite movies of all time. Bogey and Bacall at their best! 🙂
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Their chemistry is incendiary. Some of the best in movie history.
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Despite the foggy plot, this is a great film. “You know how to whistle, don’t you? You just put your lips together and blow…”
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That quote is actually from To Have and Have Not Meg, but it is a classic. Bogie and Bacall where scintillating.
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It is? Huh… I’d have sworn! Lol!
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Hope you didn’t think I was trying to be a know it all there Meg. It wasn’t my intention.
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No! Not at all! Don’t worry 😉
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Thank God, anyway back to the point. Bogart and Bacall were sensational, some of that sexual banter was very well done.
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Absolutely! They sizzle on screen!
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They had a real chemistry, and they kept it classy. Movies back then where like that. They had to suggest things rather than throw them in your face.
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It was classy. Leaving it to the imagination.
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So classy and sophisticated. You didn’t need to see nudity or anything to feel the heat.
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Yes, exactly!
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Not that nudity can’t be sexy, but suggestion is the real thing that lets the imagination become a bit steamy.
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And it’s more personal that way. Everyone imagines it a little bit differently.
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Exactly right Meg. Passion is a great thing.
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I was hoping to do this film this year but missed my chance as I hope to do it again next year along with more films of Howard Hawks.
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Oh this is a film that I think you’ll enjoy if you like noir and mystery.
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You really captured the essence of this classic Vinnie!💁🏻
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I was sucked in by the smoky story and scintillating chemistry of it all. Yes some parts didn’t add up, but when the story is so intriguing, who cares?
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So true.😊
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Old Hollywood chemistry is the best!
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I agree!
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Not that chemistry in the movies of today isn’t good, old Hollywood just had that something else.
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I know what you mean Vinnie.😊
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Glad someone does.
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Always bothered me that lack of the chauffeur death not being explained. There aren’t many films where there’s so much chemistry between the two main leads. In many ways, the definitive noir.
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The chemistry practically burns across the screen.
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Ah, I’m supposed to watch this in 2016 for one of my Blind Spot films that I’ve abandoned for lack of time. I still am excited to see it though, certainly for the chemistry of Bogey and Bacall that transcends the big screen.
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Oh I just know you’ll have a good time with this movie. Bogart and Bacall sizzle.
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I love Lauren Bacall she’s amazing and her chemistry with Bogart light up the screens.
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She was a very beautiful and classy lady. Her and Bogart where a match made in heaven.
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Such a great movie. The two, Bogart and Bacall command the screen. It is on my to-do list to buy and read the book this movie is based on, but I always postpone doing it.
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If you ever want an example of sexy chemistry between two stars, Bacall and Bogart are who you should examine. They had a spark that radiated warmly off screen.
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That’s true. I actually watched this movie last night after reading this post and a biography of Chandler. This is a classic Bogart masterpiece…
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Yes, it’s a really compelling mystery with some sizzling dialogue.
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How did I miss this review? I love Bogart and Bacall in all four of their films and I’ve read the book this is based on. I really should watch The Big Sleep again, with a new perspective.
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It happens Paul. But thanks for checking it out. Bogart and Bacall were a sizzling duo, no doubt about it.
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