Tags
1970's, Alan J. Pakula, Charles Cioffi, Donald Sutherland, Jane Fonda, Klute, Roy Scheider, Thriller
Film Title
Klute
Director
Alan J. Pakula
Starring
- Jane Fonda as Bree Daniels
- Donald Sutherland as John Klute
- Charles Cioffi as Peter Cable
- Roy Scheider as Frank
An atmospheric thriller built on prowling paranoia through the direction of Alan J. Pakula, Klute also succeeds at being an unconventional urban drama with two fascinating characters, embodied spectacularly by Donald Sutherland and an Oscar-winning Jane Fonda.
Tom Gruneman; a family man mysteriously goes missing for no apparent reason. After the police have searched and turned up nothing, friend and private eye John Klute steps in and takes the investigation. He is a small town detective with not much experience in big cities, but he still dutifully takes on this case. The only clue as to what might have happened to Gruneman comes courtesy of an obscene letter he sent to a New York call girl. The girl in question is Bree Daniels, who seems to be not bothered about her lifestyle, but inwardly wants to break out from being a hooker and become an actress. In the area she lives in though, this dream is pretty slim which accounts for why she would need to turn tricks. The dependable and committed Klute travels to New York to see what he can uncover with regards to his friend’s disappearance. For a while, he watches Bree before making his presence known and questioning her of what she may know. Naturally defensive, Bree still manages to tell him about a client a few years back who brutally beat her up, but she can’t remember his name. Add to this the fact that she’s been getting cold calls frequently and Klute suspicions are raised. As he investigates and attempts to decipher what may have happened to Gruneman, he starts developing feelings for Bree, who has trouble reciprocating because of how distrustful and complex she is. Yet when a nearby prostitute is murdered and Bree begins to feel isolated, it appears that the crazed psycho may well have her in his sights. Bree is forced to trust Klute, which is something usually out of her remit as the steadfast Klute closes in on the stalker.
Alan J Pakula’s probing direction is a perfect match for the unconventional film that while ostensibly a thriller, reveals a personal drama in a place of seeming hopelessness. He is most adept at constructing paranoia in the viewer, achieved by placing the camera behind an assortment of obscuring surfaces. Surveillance is almost ever-present in Klute; which brings out a voyeuristic deconstruction of a seedy underbelly that the characters here occupy. The way that the camera stalks and tails Bree is both compelling and alarming, as it places us in the position of the crazed former client stalking the slowly more desperate Bree. While the spine tingling thriller aspects are plentiful and impressively drawn, the real crux and unique point of Klute comes in the characters and the attention it makes for them. The exploration of John and Bree are impeccably rendered and allow them to be characters that fascinate as well as challenge us. This is mostly seen in Bree, who is the focal point and key to the story. What is most enthralling about Bree is that she isn’t really like either of type of prostitute that is often seen in film; neither the hooker with the heart of gold or an emotionless broad. Instead, she occupies the middle ground and that , coupled with her complex relationship with Klute, is the lifeblood of this movie. John is also intriguing for how he manages to stay above corruption with his smarts and common sense, while still attempting to connect with Bree and solve the case. Special mention must go to the cinematography from the masterful Gordon Willis. He already stands as one of my favourite cinematographers and Klute displays his sublime gift for crafting darkness and shadowy intent. Combined with the piercing and perceptive direction of Pakula, the visual elements place is right in the middle of the strange and ever so unnerving story. Even when there is a spot of brightness in the film, something usually shocking or dark is occurring to offset any relief. A tremulous and minimal score that often echoes with eerie intent is employed to supply sufficient atmospheric impact, which it does it droves.
Klute may be the title of the film, but the main story belongs to Bree and how stunningly Jane Fonda essays the role. She garnered a well-deserved Oscar for playing the brittle prostitute and it’s not hard to see why. The character is one of so many angles and contradictions; tough and hard-edged yet achingly vulnerable, openly sexual and yet never really knowing the pleasure of love and seemingly fulfilled but crushed by failed opportunities. For any actress this role would be a high wire act that could have gone wrong, but Jane Fonda’s simply astonishing depth and ability to exhibit all of these traits is really something to behold. I can’t wax lyrical enough about how exceptional her work is here, she just never misses a beat and inhabits the role with a whole bunch of committed emotions, sometimes within a matter of seconds. Donald Sutherland’s wisely understated and stolid playing of the titular private eye is an exemplary counterbalance to Fonda, as he is the one who is doing the digging and managing to somehow remain from getting his hands dirty. In supporting parts, Charles Cioffi as the man Klute reports back to and Roy Scheider as a vicious pimp, do commendable work.
Filled with a piercing and voyeuristic insight into a place of urban and moral decay and exuding some nail-biting suspense, Klute makes a big impact and striking effect as we are invited into this world and behold the fantastic work from the two main actors, particularly a knockout Jane Fonda.
beetleypete said:
I loved this film. Fonda absolutely steals this film with a tremendous performance as Bree. It is still just as good to watch today, and a superb example of how to make a compelling thriller.
Good one, V.
Cheers, Pete.
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vinnieh said:
It was the deep focus on the characters that really drew me in. Fonda was amazing, so many different angles and sides to her personality where on show. You couldn’t have asked for a better performance!
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sonofabeach96 said:
I love Donald Sutherland. Haven’t seen this one before though.
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vinnieh said:
I highly recommend it man. Him and especially Jane Fonda are superb in this thriller.
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sonofabeach96 said:
I’ll have to check it out. 😊
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vinnieh said:
Probably a good one to watch when the kids have gone to sleep.
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Meg Sorick said:
Its been years since I saw this film. I’ll have to watch it again as I can’t remember much about it. Thanks Vinnie!
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vinnieh said:
This was my first viewing of it and I love it. Loved how complex the Jane Fonda character was.
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Laura Beth said:
I haven’t seen this one, but Pakula also directed one of my favorite films – The Pelican Brief (1993).
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vinnieh said:
Man, I haven’t seen that movie in years! I do have it on DVD though.
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Laura Beth said:
So good! Most of the Grisham book-to-movie adaptations are decent.
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vinnieh said:
That is very true.
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alexsigsworth said:
I should start a list of every fictional detective named John.
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vinnieh said:
Haha, that list would be never ending. I wonder why the name is so popular for detectives?
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Rincewind said:
Have not seen at all so a new to do watch movie…
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vinnieh said:
I think you’ll find much to enjoy with this film.
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fragglerocking said:
I don’t remember much about this either, if it pops up on the box I’ll give it another go.
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vinnieh said:
I found the whole dark exploration of a seedy underbelly most intriguing, along with the characters. What a performance Jane Fonda gave, fully merited that Oscar!
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Eddy Winko said:
I like the sound of this one, I’ll be adding it to the list to watch when I stay up past 9 o’clock 🙂
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vinnieh said:
That’s the best time to watch it, as a late night thriller.
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By Hook Or By Book ~ Book Reviews, News, & Other Stuff said:
I remember this being one of my dads favorite movies, but I don’t believe I ever watched it. Well, I’m off to look in my library system’s database to see if anyone owns it. This sounds like the perfect Saturday night flick and I think it’s one my husband would like too!💁🏻
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vinnieh said:
Well your dad has good taste. A late night flick is the perfect description of this movie.
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By Hook Or By Book ~ Book Reviews, News, & Other Stuff said:
He definitely did have good taste!
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vinnieh said:
Good taste definitely transfers to others.
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By Hook Or By Book ~ Book Reviews, News, & Other Stuff said:
😊
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vinnieh said:
Well it was obviously passed on to you.
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By Hook Or By Book ~ Book Reviews, News, & Other Stuff said:
☺️
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Cameron D Hamilton said:
I’ve heard this title thrown about for years but I’ve never looked into the story. It sounds like a damn good watch. I’ll have to go find it, I need a good movie for the weekend!
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vinnieh said:
That was the same with me, I’d heard people discussing it but never saw it. Glad I rectified that. If you can find it, definitely watch it.
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Cameron D Hamilton said:
Oh I’ll def be looking!! Thanks for doing the review. it’s always great to have someone guide the way!
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vinnieh said:
I’m happy to be a cinematic guide.
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Lloyd Marken said:
G’day Vinnie just nominating you for The Mystery Blogger Award. Keep up the good work. https://lloydmarken.wordpress.com/2017/02/22/the-mystery-blogger-award-nomination/
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vinnieh said:
Thank you so much Lloyd, will be over to your blog to take a look at this.
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Lloyd Marken said:
Excellent.
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vinnieh said:
You’re a truly great friend Lloyd.
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