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Tag Archives: Vincent D’Onofrio

Mystic Pizza

25 Monday Jul 2016

Posted by vinnieh in Movie Reviews

≈ 34 Comments

Tags

1980's, Adam Storke, Annabeth Gish, Coming-of-Age, Conchata Ferrell, Donald Petrie, Julia Roberts, Lili Taylor, Mystic Pizza, Vincent D'Onofrio, William R. Moses

Film Title

Mystic Pizza

Director

Donald Petrie

Starring

  • Annabeth Gish as Kat Arujo
  • Julia Roberts as Daisy Arujo
  • Lili Taylor as Jojo Barbosa
  • Vincent D’Onofrio as Bill Montijo
  • William R. Moses as Tim Travers
  • Adam Storke as Charlie Gordon Windsor, Jr.
  • Conchata Ferrell as Leona

An enchanting slice of coming of age drama, Mystic Pizza is delightfully directed and acted, crafting an entertaining and quite moving story of three girls growing up and learning about the unpredictability of life.

In the seaside town of Mystic, Connecticut that has a largely Portuguese-American population, three working-class young ladies are fresh out of high school. Mystic Pizza CastThese girls are sisters Kat and Daisy Arujo and best friend Jojo Barbosa. All three of them work as waitresses at the eponymous pizza parlor that is run by Leona, who watches over the girls with a sagacious eye. Kat is the studious one, who has been accepted to Yale but is saving the money up to pay for it. She is seen by many as the sensible girl of the three. To help pay for university, the bright Kat(whose main passion is astrology) takes another job babysitting for Tim Travers and his young daughter. Annabeth Gish Mystic PizzaSoon enough, Kat falls hard for her employer as they bond over subjects and each other’s company, despite knowing that he has a wife and he is significantly older. Kat’s sister Daisy is the complete opposite; brassy, loose and wild. As much as the sisters are close, there is rivalry between them as Kat is held in high regard by her mother for her drive, while the feisty Daisy is chided for her lack of direction and immoral behaviour. Daisy catches the attentions of preppy Charlie Gordon Windsor, Jr, a recent law school dropout who is something of the black sheep in his affluent family.  Yet Daisy begins to wonder whether Charlie is really into their union or is just trying to rebel against his family by dating her. Completing the troika is Jojo, who is the wise-cracking kooky one. She was supposed to marry rugged and big-hearted fisherman Bill at the beginning of the film but couldn’t go through with it. She’s still seeing Bill, though he now doesn’t want to have sex until the two are married. This poses a problem for Jojo as she wants adventure, sex and to live life before settling down. Over the course of the film, the three girls will learn about life, love and friendship as each contemplates the future.

Donald Petrie directs with a real flavour for the material, bestowing Mystic Pizza with amusing anecdotes and sensitively observed lessons in love and growth. He knows when to use humour and when to imbue the film with poignancy as each of the three girls navigates changes and feelings that affect them deeply. Daisy Kat and JojoIt’s the keen insight into their journeys that makes Mystic Pizza a heartening experience as we grow to like these three ladies just on the cusp of womanhood. We relate to them and share their hopes, dreams and fears of what could lie ahead, both for their lives and their hearts. It helps that the script defines these characters as individuals and brings out all their idiosyncrasies in delightfully warm fashion, making them very well-defined. Sure some of it gets a bit mawkish on occasion, but Mystic Pizza is so heartwarming and arresting that this can be seen as a really minor flaw in what is a very well made and excellent story. A lilting score, infused with a Portuguese tint to establish the atmosphere of the town is beautifully rendered.

Annabeth Gish is engaging and subtle as Kat, a girl with a clear set of goals but not immune to the longings of the heart which she comes to realise. Gish imbues the part with a straight arrow intelligence and slight naivety as her character unexpectedly develops feelings for her much older employer. Julia Roberts Mystic PizzaAs the feisty and sassy Daisy, who wants to do anything to get out of Mystic and finds her love life changing and being challenged, Julia Roberts showcases star charisma, sensitivity and big personality which would all help her to become of the biggest stars on the planet in the ensuing years after the release of this film. Lili Taylor rounds out the female circle of leads with an eccentric performance as the free-spirited and slightly oddball Jojo, who is caught between settling down on experimenting with life before it. A real feeling of camaraderie can be seen in the work of the three main actresses and this chemistry is what makes the film work so well as we believe their bonds of friendship that they share deeply with one another. And while it’s the ladies that dominate the film, the men do well too, albeit in less interesting roles. Vincent D’Onofrio stars as the amusingly good-hearted gentle giant who wants to marry Jojo because he is so in love with her and continues to pursue her. William R. Moses plays the object of Kat’s affections good enough while Adam Storke portrays the blue-blooded guy attracted to Daisy, but constantly at the behest of his family who he tries to impress. In a sharp supporting turn, Conchata Ferrell is motherly and firm as the owner of the pizza place, who guards her secret recipe tightly, much to the girl’s annoyance as they attempt various ways to get her to spill.

Well played by the cast and observed with emotional clarity, Mystic Pizza is a feel-good movie that touches the heart, yet never forgets to shed light on the often difficult lessons we all must learn as we grow up and must make important decisions.

The Cell

22 Monday Jun 2015

Posted by vinnieh in Movie Reviews

≈ 37 Comments

Tags

2000's, Dylan Baker, Horror, Jennifer Lopez, Marianne Jean-Baptiste, Tarsem Singh, The Cell, Thriller, Vince Vaughn, Vincent D'Onofrio

Film Title

The Cell

Director

Tarsem Singh

Starring

  • Jennifer Lopez as Catherine Deane
  • Vince Vaughn as Agent Peter Novak
  • Vincent D’Onofrio as Carl Stargher
  • Dylan Baker as Henry West
  • Marianne Jean-Baptiste as Dr. Miriam Kent

A visually disturbing and unique film, but also hollow and poorly plotted, The Cell is sometimes its own worst enemy in terms of what it wants to be. It may boast the occasional moment of understanding, but you just get the feeling it could have been so much more if differences were made to it.

Catherine Deane is a psychologist who deals with cases of comatose patients. The Cell PosterThrough an unusual and high-tech treatment, she can place herself in the mind of the patient and try to connect with them, in the hoped of coaxing them out of their coma. The FBI enlists her services when Carl Stargher, a serial killer falls into a coma after kidnapping his latest victim. Carl keeps his victims in a confined cell in an unknown location that eventually fills with water to slowly drown them. Carl after killing them commits atrocities to their bodies and crafts the women into human dolls. With Carl now in a comatose state, the whereabouts of his latest victim are not known and Agent Peter Novak wants to save the woman before it is too late. Catherine agrees to enter Carl’s mind in order to discover where the latest victim is. Yet she is not prepared for what greets her when she enters his mind. It manifests as disturbing images from his childhood in which his father routinely abused him and strange visions of the adult Carl who delights in graphic and sadistic murder. The Cell Catherine and CarlWhile trying to stop herself getting too involved with the increasingly bizarre visions and discerning herself that it is all not a reality, Catherine becomes lost in this dangerous dreamscape believing it to be real. Now caged in his mind along with Peter who ventures in to help her, she must find a way out before her time runs out.

If The Cell was purely judged from a visual standpoint, it would be a masterpiece. Director Tarsem Singh knows how to shoot these vivid and very disturbing journeys into Carl’s warped mind with style and verve. The Cell CatherineStriking and unusual images abound: a horse is cut in half and its still beating heart is shown, the walls of a palace become the cloak of Carl as a king, Catherine imprisoned in a gravity defying cage and also being dressed in unusually restrictive clothing as a fantasy figure. The list could go on about how amazing the film looks, it’s a shame that the plotting, pacing and writing could have been much better. Singh has a craft when it comes to the fantasy and horror aspects, but his grasp of pace and other things isn’t as deft. In the beginning, The Cell just meanders along for big stretches and only really comes alive when Catherine enters into Carl’s twisted psyche. Character development among the supporting cast and Vince Vaughn’s character is almost non-existent and none of them are really that interesting.  The Cell SceneAs I mentioned earlier, The Cell doesn’t quite know what it wants to be. It feels like a three-way cross between a thriller, horror and dashes of fantasy. And while I have nothing against the melding of genres together, The Cell lurches from one to the other without a care and it just makes the film feel messy. At least there’s a Middle Eastern infused score from Howard Shore that compliments the haunting cornucopia of imagery and keeps the plot going despite the flaws of it.

Jennifer Lopez, while not being the first person to spring to mind in playing a psychologist, actually brings warmth and sympathy to her underwritten character. Lopez must also get credit for the amount of convincing fear she portrays when she is entangled in the dreams and memories of Carl. Vince Vaughn tries his best but is saddled with such an uninteresting character, that he can’t really register anything of memory. The real acting highlight of The Cell is Vincent D’Onofrio. The Cell CarlBringing his considerable hulking and physical presence to the role, he delves into the disturbed mind of Carl and gives us the child in a man’s body who has no idea of right and wrong due to the horrendous abuse he suffered at the hands of his father. When you finish this film, it will be D’Onofrio that you will remember. Dylan Baker and Marianne Jean-Baptiste are given absolutely nothing to do as fellow psychologists and their inclusion adds up to nothing.

So for all the audacity and visual impact, The Cell doesn’t add up to an excellent movie.

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