The Conjuring 2

Tags

2010's, Frances O’Connor, Franka Potente, Horror, James Wan, Madison Wolfe, Patrick Wilson, Simon McBurney, Supernatural Horror, The Conjuring 2, Vera Farmiga

A successful spine chilling sequel to the first hit film, The Conjuring 2 continues with genuine scares, atmospheric events, inspired by the investigations of paranormal investigators Ed and Lorraine Warren. This time it’s the Enfield Haunting that is explored and it delivers on both the scare front and having a depth that can often be missing in horror movies.

It’s 1977 and in a council house in Enfield, London, the Hodgson family lives hand to mouth. There is harried single mother Peggy(Frances O’Connor) , who tries to do her best and her four children. When not contending with poverty or ridicule at the hands of either school kids or others, something strange begins for them. Following Janet( Madison Wolfe) playing with a makeshift ouija board, seemingly supernatural things begin to happen. She begins sleepwalking and communicating with something angry that claims to be a former occupant of the house. This is followed by objects being thrown about the house and terrorising the family in an abundance of ways. Terrified, the family flees to their neighbours and away from were the haunting originates. Meanwhile, paranormal investigators Ed and Lorraine Warren( Patrick Wilson and Vera Farmiga) are taking a break from their jobs, following their encounters in The Amityville house a year before. Lorraine was put through the mill when conducting a seance and terrorised by a demonic nun figure who predicted the death of Ed. Still reeling, Lorraine has taken time away to spend it with her husband and young daughter. Yet it’s not long before news of unexplainable events in Enfield reach across the pond thanks to a media circus in England. The Warrens being experts in the field of the supernatural and haunting are asked to assist in investigating the unusual phenomena. After her experience a year prior, Lorraine is very reluctant to get involved in another case. Eventually, she and Ed travel to Enfield to act as observers and possibly help. Though they said they’d just observe, it becomes clear that Ed and Lorraine will have to really take on this force of evil as it gets more menacing. Upon entrance into the residence, Lorraine senses something deep and dark. The second oldest child Janet,seems to be the one most affected by the supernatural occurrences out of the family, leading to Ed and Lorraine investigating why the entity is using her as a conduit. The Warrens realise that they are up against an immensely evil being that seems to take pleasure in torment and may in fact be something relating directly to both of them. It’s up to Ed and Lorraine to fight this malevolent spirit that threatens to terrorise all in its path with no end.

Horror maestro James Wan is directing once more and his imaginative flourishes and ability to really generate fear in an audience is in huge supply once more. Wan is gifted in how he blends real feeling for characters and putting them through all manner of terror. An attention to characters and suspense building is what I really dig about this movie. Among all the scares, there is depth to be gleaned and relatable moments, especially pertaining to Ed and Lorraine. They are a fantastic couple whose open minds and devotion to each other is really amazing to watch as they compliment each other so well. The Conjuring 2 ups the stakes by making the main form of terror feel more personal towards the Warrens. There is the dual threat of a figure that takes the form of a nun that predicts bad things and the seemingly evil spirit of an old man who once lived in the Hodgson house. Both are the stuff of nightmares and really get under the skin whenever they appear. The nun especially has one very goosebump inducing scene in which she toys with Lorraine and it’s a doozy of a moment as it gradually begins to really unnerve the dedicated medium. Plus some sequences really stand out, in particular Janet sick at home and experiencing the full force of the ghost and Ed conferring with a possessed Janet in a one shot that obscures her. This visual trick is a nifty one as even though our view is blurred, you can see little differences as the demonic possession carries on and begins taunting Ed with inhuman glee. It doesn’t show us everything, but knows the trick of showing us enough to keep you on edge. It’s old school horror style at its finest. And speaking of style, the cinematography of moody blues and unusual camerawork really help us feel unsettled yet fascinated as we join this investigation. The colour scheme really highlights the period and setting, with the Warren’s providing the light that is unwavering through the darkness of their discoveries. And people may being skeptical about how true these events are, which is interestingly portrayed here as if it knows they’ll be naysayers. Amusingly, there are areas of the film that actually examine this in the form of investigator Maurice Grosse( Simon McBurney) and skeptic Anita Gregory( Franka Potente) but regardless of your belief or disbelief in the supernatural , you can’t deny that it isn’t one eerie and chilling film. The main flaw with The Conjuring 2 is that it does feel a bit overlong. Mind you, with that being the only real niggle with the film, I can’t find much fault with anything else on display. The score is appropriately nerve shredding in the best way there is, with low sounds and sudden jolts the order of the day. Plus, you get great periods of silence that truly maximise the tension and force you to keep your ears peeled for anything changing. 

Patrick Wilson and Vera Farmiga head proceedings with commendable and believable performances. Wilson is dependable, amiable yet equally as adept in bringing home the serious nature of the job, while Farmiga is graceful, quietly forceful and tenderly beautiful as the gifted Lorraine. The chemistry is a big highlight and what makes us truly care for these people who are clearly devoted to each other and stalwart in their belief to do the right thing. Frances O’Connor is subtly devastating as the vulnerable single mother going through hell with her children; she truly comes alive with fear and terror as events spiral against her thanks to the great acting from O’Connor. Madison Wolfe really gives it her all as the besieged Janet and it’s amazing to watch such a young performer really hold the attention with a performance. She manages to be both very sympathetic and very alarming depending on whether she’s herself or possessed. Whichever side she’s portraying , Wolfe truly delivers fine work that is very memorable. Simon McBurney and Franka Potente, although assigned more supporting roles, at least get great moments as people on opposite ends of the believer spectrum.

Mixing creepy horror and human drama, The Conjuring 2 is an excellent sequel that features fine acting, eerie scares and a classy sense of horror that doesn’t go for hack and slash( instead opting for psychological terror). You won’t be having sweet dreams following this chiller.

The Conjuring

Tags

2010's, Based on a true story, Horror, James Wan, Lili Taylor, Patrick Wilson, Ron Livingston, Supernatural Horror, The Conjuring, Vera Farmiga

Film Title

The Conjuring

Director

James Wan

• Vera Farmiga as Lorraine Warren
• Patrick Wilson as Ed Warren
• Lili Taylor as Carolyn Perron
• Ron Livingston as Roger Perron

Inspired by the case of Ed and Lorraine Warren; paranormal investigators who came to the aid of  the Perron family, who were experiencing disturbing events in their home, The Conjuring is a spooky exercise in genuine terror in the old-school vein. You won’t be sitting or sleeping soundly once you’ve seen this movie.

In 1971, Carolyn and Roger Perron move into an old farmhouse in Rhode Island with their five daughters. Yet within days of arrival, unexplainable phenomena beyond any explanation occur. All of the clocks in the house stop at the exact same time, Carolyn is trapped in the basement after hearing noises, she also develops strange bruises with no apparent cause, and one of the girls claims that a force is disturbing her sleep before threatening the family with a warning of death. Terrified, Carolyn and Roger seek out the help of Ed and Lorraine Warren. The couple are paranormal investigators with Ed having studied demonology and Lorraine being a powerful clairvoyant. Ed and Lorraine come to the house and set apart unearthing what the cause of this haunting and evil presence may be. Sure enough, more creepy events ensue for everyone and the evil within the walls refuses to leave. Ed with his knowledge of such things is worried though about Lorraine as while she is a clairvoyant whose senses are immensely powerful, each time she encounters something paranormal and supernatural, it weakens her little by little. Lorraine meanwhile is not the type to just sit around and with steadfast curiosity, she refuses to give up even at the expense of her own well-being. Ed and Lorraine have found some strange things in the past, but this could be the one to top them all. With determination they venture deeper into the history of the old farmhouse in an attempt to bring whatever resides there out. Yet coming up against the shocking evil that is located in the Perron home proves to be the Warren’s hardest and most personal case, that pushes them way beyond anything they have encountered before.

James Wan successful direction takes its cues from the horror movies of old that were all about the terror of the unexplainable and the unexpected. He is excellent at steadily layering on the horror and suspense with admirable restraint, before unleashing full-on terror when you least expect it. Believe me when I say, the last half of The Conjuring is frightening and so very intense that you won’t have any nails left by the end. Wan is adept at the old phrase that what you don’t see or think you see is a lot more scary than just revealing itself to you. The events depicted are inspired by the findings of Ed and Lorraine, but whether or not you believe the true story angle of The Conjuring is beside the point. The ensuing occurrences of creepiness and spiritual horror are presented without a CGI fanfare that weakens other films of the genre. This approach to the display of events that befall everyone makes the discoveries all the more realistic and even tangible. While the story has one foot in fact, the possibility of the supernatural is also there. This offers a good insight into how the two could overlap with the other, most embodied by the Warren’s themselves who are Catholic yet still believe in the paranormal. There is nary a drop of blood to be found in The Conjuring, which is admirable as it knows the meaning of restraint and how eeriness can be much more effective for scares. I wouldn’t say there is anything shiny or brand new to be found in The Conjuring, yet refreshingly this does not detract from the haunting ambience that the whole piece emits from beginning to end. If I had to choose an area in this film that I was probably most impressed by, it would be the overall visual style and sound effects in The Conjuring, as they neatly balance with the rest of the unnerving movie. The faded visual style gives a worn out feel to the house and events and while being effectively used for ambience, it also constructs a convincing recreation of the 70’s setting to a very high standard. The uneasy score, mixed with the jolts of things that go bump in the night, make sure this film is as haunting as anything in recent horror memory.

Vera Farmiga is the heart of The Conjuring as the sensitive clairvoyant Lorraine Warren. A softly spoken character whose abilities are extraordinary, Farmiga exhibits a resilience of strength but an underlying vulnerability in the part that is extremely well-acted. She registers concern and hopefulness without a drop of sentimentality with relative ease that all adds up to a strong performance of resolute emotion and significant clout. Backing her up is the sagacious presence of Patrick Wilson as her notable husband Ed. He gives off a well-worn charm and quiet depth in the most subtle of ways that perfectly compliments the work of Farmiga. And I must say, that the two share a very good chemistry and working relationship with the other that is very much in evidence throughout The Conjuring. Lili Taylor is extremely convincing as the terrified mother, who is the worst affected by the haunting of her house and whose emotional frailties become more noticeable as the film progresses. Ron Livingston provides understatement and stifled horror as the husband of the haunted property, who is trying to hold it together to protect his family from whatever it is that wishes them malice and harm.

Marvelously rendered with style and suspense, The Conjuring is a refreshingly old-fashioned horror that jangles the nerves from start to finish and never resorts to cheap tricks to get the scares.