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Tag Archives: Philip Seymour Hoffman

Doubt

21 Friday Apr 2017

Posted by vinnieh in Movie Reviews

≈ 27 Comments

Tags

2000's, Amy Adams, Doubt, Drama, John Patrick Shanley, Meryl Streep, Philip Seymour Hoffman, Viola Davis

Film Title

Doubt

Director

John Patrick Shanley

Starring

  • Meryl Streep as Sister Aloysius Beauvier
  • Philip Seymour Hoffman as Father Flynn
  • Amy Adams as Sister James
  • Viola Davis as Mrs. Miller

John Patrick Shanley directs this adaptation of his own play which powerfully and ambiguously questions the nature of truth, certainty and religion. Doubt really dives into the conundrum and mystery of suspicion, bolstered by one exceptional cast doing fine work with deep material.

In 1964 , austere school principal and nun Sister Aloysius Beauvier runs a Catholic school in The Bronx, where she watches each and every move to keep others in line. She is a woman who strikes fear into the hearts of everyone and believes in discipline where her students are involved. Her ideas are of an old-fashioned mindset, which puts her at odds with popular priest Father Flynn. He is a seemingly kindly man who the children like and whose ideas are progressive in bringing the Church forward. Sister Aloysius has a deep dislike of him and after hearing a sermon that he delivers on the feelings of doubt, she asks young and naive Sister James to keep an eye on him. Shortly after this, Sister James reluctantly reveals that Donald Miller, the school’s first black student, returned from seeing Father Flynn in the rectory, crying and with the smell of alcohol on his breath. This convinces Sister Aloysius that there is something sinister about Father Flynn and she is certain that he has sexually abused the boy. Father Flynn denies any wrongdoing and tells her to leave it alone. But Sister Aloysius is not backing down and takes it upon herself, despite a lack of proof, to bring down Father for what she believes he has done. So begins a battle of wills between the relentless Sister Aloysius and Father Flynn , where the truth is the thing that lies at the complex centre of events but is hidden and speculated with unexpected results.

John Patrick Shanley successfully transports his play from the stage to screen with a subtle building in uneasiness and moral questioning. There is a high level of tense atmosphere at work in Doubt, generated through the way that the dialogue takes on multiple meanings and the tight surroundings that enclose the characters. canted angles and close-ups further enhance the engulfing intensity of the piece. The dark tones of the cinematography, supplied by the great , cement us in the dark and complex time and setting, rarely venturing further than the school for a feeling of deep claustrophobia. The limited setting hints at the movies origins as a play, yet help keep that very aura of intimate drama. Some of Doubt gets stagey from time to time, yet this niggle is quickly rectified by the provocative drama and time for rumination that it ultimately achieves. The amount of tension that fills the frames if the movie took me by surprise in a good way. I really was finding myself questioning who was right and wrong, plus whether personal vendettas and emotions were clouding the judgement of characters. There are those who watch Doubt and find its ambiguity distracting, but for most of us, this added level of intrigue gets you to really deliberate what you make of the combustible situation playing out. What people need to consider is that Doubt is as much a mystery about guilt, possible abuse of power and morality, as it is a drama. A quiet yet well suited score knows exactly when to appear and when to let scenes play out devoid of interference.

Meryl Streep heads the cast with another sterling performance. Burying herself in the self-righteous and stern head nun who is the chief accuser, Streep exudes a no-nonsense attitude( spoken in a harsh and convincing Bronx accent), tempered by a dry wit and occasional time for revelation. Yet the biggest accomplishment of her acting is in the balance of Sister Aloysius, in various subtle and expressive ways that hint at her being something different underneath her austere appearance . She is a fearsome person to say the least who may just be doing this to get rid of Father Flynn , but on the other hand, she seems to want to protect her student from what she believes is inappropriate and disturbing contact. There is a real complexity to this woman that Meryl Streep understands; Aloysius may believe that certainty is on her side, but she may in fact be feeling the strains of time pushing her further away from authority and clear judgement. Playing off her and facing off against her in very intense scenes is the excellent Philip Seymour Hoffman. He manages to make Father Flynn both amiable and somewhat questionable, lending a big dose of ambiguity to everything. With force and skill, Hoffman represents the accused as a man trying to bring the church up to date, and sparring with the pointed finger of Sister Aloysius for something he may or not have done. His scenes with Streep are filled with power and rising suspicion, culminating in an arresting coin which both stars really let loose. Amy Adams beautifully and with considerable nuance plays the sympathetic and good-hearted novice Sister James, who is essentially the audiences guide to being caught between two ends of the spectrum. A sweetness is present in the work that never becomes cloying because of how well Adams imbues the part with a questioning and conflicted heart. Stuck in the middle of both Father Flynn and Sister Aloysius, Sister James is forced to contend with both sets of possibilities, a challenge that Amy Adams more than rises to with a sensitive piece of acting. Rounding out the cast is the brief but superbly played performance from the wonderful Viola Davis. She stars as the mother of the boy who may have been abused and her screen time is mainly confined to one specific scene. But what a powerful and indelible scene it is! Filled with a sadness, conviction and acting in a way that may seem different from what you’d expect from a mother being informed of potentially horrifying treatment of her son, Viola Davis dramatically provides the catalyst of the story, that enables us to see things in a very different way. This is a performance that proves that you don’t need hours on screen to be memorable. The four main actors were all Oscar nominated for their work, and it isn’t any surprise why because of how convincingly they bring to life this thorny drama.

A thought-provoking and building triumph of unbearable tension and questions, Doubt succeeds at getting the audience to really consider the validity of supposedly benevolent actions and just how damaging things can become when there is lack of proof but plenty of speculation. It’s a testament to the acting and directing that Doubt never feels too stagey, instead mounted with a mystery and probing yet subtle approach. What we get is a powerful and intense film that leaves you really contemplating events long after the curtain has been drawn.

Twister

28 Thursday Jul 2016

Posted by vinnieh in Movie Reviews

≈ 31 Comments

Tags

1990's, Action, Adventure, Bill Paxton, Cary Elwes, Disaster Film, Helen Hunt, Jami Gertz, Jan de Bont, Philip Seymour Hoffman, Twister

Film Title

Twister

Director

Jan de Bont

Starring

  • Bill Paxton as Bill Harding
  • Helen Hunt as Jo Harding
  • Jami Gertz as Melissa Reeves
  • Cary Elwes as Dr. Jonas Miller
  • Philip Seymour Hoffman as Dusty

A tense, special effects laden disaster flick, Twister is big on the thrills that never let up and make it an extremely entertaining wild and windy flick. Simple in plot and characterizations it may be, but no one is going to watch this film for outstanding characters so just surrender to the white knuckle ride.

Bill Harding is a former storm chaser and weather researcher who has decided to settle down as he plans to marry his girlfriend Melissa and has recently become a television weather man. Twister Movie PosterThe problem is Bill’s estranged wife Jo(herself a meteorologist and fellow storm chaser) hasn’t signed the divorce papers yet after they separated some time before. Travelling with Melissa, he seeks out Jo, who is with a group of scientists in Oklahoma. The exceedingly driven Jo has managed to perfect a series of devices by the name of DOROTHY, which Bill had worked on when they were together. The devices function by releasing thousands of sensors into a tornado and getting important information( the catch being that you have to be very close to a tornado to enable it). With this knowledge they could glean from the device, they may be able to help create a more advanced storm warning system, resulting in less damage if people are informed much earlier. Yet his timing is just as a series of very destructive tornadoes are headed their way which Jo plans to tackle so that she can put the creation to good use. Soon, Bill’s wild desire to be a storm chaser again returns and he joins Jo on her mission to execute DOROTHY, much to the opposition of Melissa. Twister MovieThe group also has to contend with and race against Dr. Jonas Miller, a slimy guy who ripped off their ideas and has created a similar device, though he’s had all the corporate sponsors and funding and is only in it for the money. Yet with each tornado becoming more destructive than the last, just how far are Jo and Bill willing to venture in the name of both science and adventure?

Jan de Bont is an exceptional director of action and his skill set can be viewed in various exciting ways during Twister. Utilizing swirling cameras and a lightning pace, de Bont never stops for breath once the tornadoes getting going. We are quite literally thrust into the terrifying but exhilarating path of the destructive tornadoes and what a blast it is. Twister TorandoThrough the use of special effects that still hold up remarkably well, the spectacle of each intense twister is marvellously executed. Standout scenes abound, especially the big finale tornado that finds Jo and Bill ducking for cover in a barn as it is ripped from around them until there’s nothing left. As I previously stated, character development and seriousness is not the order of the day here. Yet this doesn’t do detriment to Twister’s impact as it never sets up to be character driven or literate, instead opting for an extravaganza of action and danger. Sound design and effects are equally as excellent when it comes to simulating the intensity of Mother Nature and the destructive forces she can conjure up on an unsuspecting people. By far the biggest stars of this film are the tornadoes themselves, as they make for very memorable visions of destruction and terror. A rousing musical score from Mark Mancina mixed in with rock songs from Van Halen is very effective and furthers the feeling of action and tension that the team encounters along the dangerous journey.

While the characters are somewhat thinly drawn, the cast is mostly impressive. Bill Paxton and Helen HuntPlaying the estranged couple and fellow storm chasers, Bill Paxton and Helen Hunt are very good; bringing out more character than was probably written on the page. Both get across the collective desires and obsession to put their device into use and how these aspirations are what leads them both into the harmful path of near death in the cross-hairs of oncoming storms. A weak spot in the generally good acting is Jami Gertz as Bill’s terrified and annoying fiancée. She is only required in the film to berate and shriek as loud as she can and the sole purpose of her is so that Bill will visit Jo. Cary Elwes does the slime ball shtick very well as the villainous opposition who wants to use the storms as a way to make money. The rest of the science team have roles that generally all blend together, which lets the excellent Philip Seymour Hoffman stand out as the hyperactive Dusty, who lives for the thrill like no other.

So while character development is clearly on the back burner, Twister is all about the danger and destruction and in both aspects it succeeds with sensational results. Don’t look for any logic here, just sit back, fetch some popcorn and enjoy this roller coaster of a film.

The Hunger Games: Mockingjay Part 1

20 Monday Jul 2015

Posted by vinnieh in Movie Reviews

≈ 46 Comments

Tags

2010's, Action, Donald Sutherland, Elizabeth Banks, Francis Lawrence, Jeffrey Wright, Jennifer Lawrence, Josh Hutcherson, Julianne Moore, Liam Hemsworth, Natalie Dormer, Philip Seymour Hoffman, Sam Claflin, Science Fiction, The Hunger Games: Mockingjay Part 1, Woody Harrelson

Film Title

The Hunger Games: Mockingjay Part 1

Director

Francis Lawrence

Starring

  • Jennifer Lawrence as Katniss Everdeen
  • Josh Hutcherson as Peeta Mellark
  • Liam Hemsworth as Gale Hawthorne
  • Woody Harrelson as Haymitch Abernathy
  • Elizabeth Banks as Effie Trinket
  • Julianne Moore as President Alma Coin
  • Philip Seymour Hoffman as Plutarch Heavensbee
  • Donald Sutherland as President Snow
  • Jeffrey Wright as Beetee
  • Sam Claflin as Finnick Odair
  • Natalie Dormer as Cressida

The third film of the franchise, Mockingjay Part 1 emerges as a more subdued sister than its previous installments. At times it does feel a bit slow and devoid of action, but at the same time it’s interesting to watch this gathering calm before the storm as it explores political upheaval and the growing sense of rebellion.

Katniss has been saved after destroying the Games in the last movie. Scared and wracked with nightmares, she is taken underground to District 13. Mockingjay Part 1 PosterAfter her act of defiance, her district was destroyed and acts of protest against the corrupt Capitol have been ever-present. The enigmatic Alma Coin and political propaganda expert Plutarch Heavensbee sees Katniss as the poster girl for a full-scale attack on President Snow and his barbaric forces. The wounded Katniss is very reluctant at first to strike back as she worries about what happened to Peeta. But after seeing the destruction of her district and the sheer cruelty of Snow which includes having a brainwashed Peeta as the spokesman to talk down rebellion, that inner fire inside of her begins to burn and she becomes the face of resistance in this time of political strife and corruption. Yet with Snow using his choke hold of tyranny against the districts, it is going to be dangerous for all involved. But the newly resurfacing of Katniss is returning and she will spearhead this campaign to bring down the corrupt powers that be, aided by good friend Gale and bands of rebels wanting to be free from oppression.

As I previously mentioned, Mockingjay Part 1 is the slow build up kind of movie. For times in the film, it works very well in capturing the machinations of political rebellion and the waiting to strike. I did however find parts of it a bit dull and craved a bit more action than what was shown. Plutarch and President Alma CoinYet this doesn’t make it any less effective as a movie, it’s just slightly different from the last two entries. Francis Lawrence crafts this engaging story with a certain topicality in the politics and propaganda used featuring Katniss as the face of resistance. Even though this film is set in the future, many of the issues it deals with are very present in our current climate which adds a further dimension to this series. Mockingjay may be the slow burner, but it has a personal and more intimate feeling to it. It may be risky to have a sci-fi/action movie that only has sporadic moments of action, but I liked the way in which Mockingjay showcases how wars can be waged with the power of words and imagery rather than just violence. An effectively bleak visual style gives voice to the darkness and terror felt by the people under the rule of President Snow. An evocative and building score helps give tension and personal feeling to Katniss as she regains her steel and prepares to fight for the people. The scene of Katniss singing ‘The Hanging Tree’ and it acting as inspiration and a call to arms is an excellent example of this as the melody flows through with urgency.

Jennifer Lawrence rivets the attention from beginning to end as the emotionally tormented heroine Katniss. 2014, THE HUNGER GAMES -  MOCKINGJAYEmbodying rage, pain and steel, she is a strong-willed character who can make a difference in a world of barbarity. With deep clarity, selflessness and toughness, Lawrence is a marvel to watch as the resilient and purposeful warrior due to her mature performance and sheer amount of talent. Josh Hutcherson, although seen quite sporadically this time, is strangely different as the Peeta who has been tortured and brainwashed. Liam Hemsworth contributes the mix of caring emotion and earnestness, while Woody Harrelson continues to be a hoot as mentor Haymitch. I liked seeing Elizabeth Banks as the now dressed down Effie, once the glory of the Capitol and now an ally with freedom. Julianne Moore encompasses the cold, detached persona of President Coin, while the late Philip Seymour Hoffman brings a considerable presence to his part as the propagandist. Hoffman is still missed now and this movie is a reminder of his talent and skill even in a small role. Donald Sutherland is still as menacing and commanding as ever as the despicable President Snow, who is not tolerating rebellion against his tyranny. Jeffrey Wright, Sam Claflin and Natalie Dormer in supporting roles at least make an impact, despite somewhat limited screen time.

Mockingjay Part 1 emerges as a thought-provoker rather than an action blockbuster which may disappoint some, but is still very effective in the way it is gearing up for the next part.

 

Philip Seymour Hoffman in Along Came Polly

28 Sunday Jun 2015

Posted by vinnieh in Movie opinions and thoughts

≈ 43 Comments

Tags

Along Came Polly, Blogathon, Philip Seymour Hoffman

This post is part of a blogathon orchestrated by the amazing Jordan Dodd. It is to showcase the outstanding work of the late Philip Seymour Hoffman. For me, he was an acting chameleon who could shift into any genre or any character no matter what.  The performance of his that I’ve chosen to highlight is in Along Came Polly.

Along Came Polly is a film I really don’t like, it just isn’t my kind of movie at all. The focus is meant to be on Ben Stiller overcoming his wife cheating on him by beginning to date kooky Jennifer Aniston. As a film, it is weak and unconvincing but the one good thing in it is Philip Seymour Hoffman. He portrays Stiller’s best friend Sandy Lyle, a former child star who is past it but still holding onto the glory of his youth.Sandy Lyle Hoffman just brings so much enjoyable energy, geeky charm and one-liners to the part. His basketball scene in which he showcases his inability to score a single shot is hysterically funny to watch and his call for timeout is a hoot. His impassioned speech to Stiller’s colleagues after he has to step in is filled with deep humour and gift. He tries to make a comeback in Jesus Christ Superstar and still thinks the whole play is featured on him. Even though the part is supposed to just be the witty sidekick to Stiller, Hoffman makes it much more than that with hysterical results. I really can’t fault Hoffman in this film as he takes what is a really bad movie and gives it something memorable. I think I still quote certain phrases from his character here, such as “Let it rain”.

Thanks for this opportunity to do this Jordan. I really enjoyed highlighting the great work of Hoffman and this blogathon is really neat. Everyone please check out Jordan’s amazing and insightful blog as you will not regret it.

The Hunger Games: Catching Fire

03 Tuesday Dec 2013

Posted by vinnieh in Movie Reviews

≈ 24 Comments

Tags

2010's, Action, Amanda Plummer, Donald Sutherland, Elizabeth Banks, Francis Lawrence, Jeffrey Wright, Jena Malone, Jennifer Lawrence, Josh Hutcherson, Lenny Kravitz, Liam Hemsworth, Philip Seymour Hoffman, Sam Claflin, Science Fiction, Stanley Tucci, The Hunger Games: Catching Fire, Woody Harrelson

Film Title

The Hunger Games: Catching Fire

Director

Francis Lawrence

Starring

  • Jennifer Lawrence as Katniss Everdeen
  • Josh Hutcherson as Peeta Mellark
  • Liam Hemsworth as Gale Hawthorne
  • Woody Harrelson as Haymitch Abernathy
  • Elizabeth Banks as Effie Trinket
  • Sam Claflin as Finnick Odair
  • Jena Malone as Johanna Mason
  • Donald Sutherland as President Snow
  • Philip Seymour Hoffman as Plutarch Heavensbee
  • Jeffrey Wright as Beetee
  • Amanda Plummer as Wiress
  • Lenny Kravitz as Cinna
  • Stanley Tucci as Caesar Flickerman

The Hunger Games: Catching Fire is the second film of The Hunger Games series. Following on from the groundwork set by the predecessor, it emerges as a smart, darker and more thought-provoking film. Featuring an excellent cast, a relatable heroine in the form of Katniss Everdeen as played by Jennifer Lawrence and some amazing visuals, Catching Fire is an sci-fi/action movie with brains that still delivers the goods.

Hunger Games Catching Fire Jennifer LawrenceAfter surviving the 74th Hunger Games by threatening to kill themselves, Katniss and Peeta return to District 12. They are paraded around as victors, but Katniss is having trouble adjusting to life again. Although seen as a beacon of hope by many, she is plagued by horrific nightmares of what she had to do in order to survive. The corrupt President Snow senses rebellion is brewing as a result of Katniss’ defiance. He blackmails Katniss into saying that the reason she survived was her ‘love’ for Peeta, when in actual fact she did it to enable their safety. He threatens to kill those most dear to Katniss if she doesn’t comply with his actions, including her good friend Gale, who has feelings for her. Although he wants Katniss dead, he employs the help of the enigmatic Plutarch, a man working on the Games. Plutarch suggests using a special version of The Hunger Games in order to relinquish rebellion. In this version of the games past victors can be chosen and sure enough Katniss and Peeta are both selected for the brutal games. As the games begin, Katniss must ally herself with some of the other skilled competitors in order to emerge alive from the carnage that will follow.

Taking over the reins from Gary Ross, Francis Lawrence crafts a darker, smoother movie than the first. Whereas Ross favoured use of kinetic shaky cam, Francis Lawrence utilises more fluid shots to create a sense of journey and the uphill battle to stay alive. The special effects employed in Catching Fire are marvellous in execution, especially the various obstacles that are thrown the way of Katniss. These include tidal waves, birds that mimic the screams of a loved one and some seriously vicious and brutal baboons. The score provided accentuates the struggles, pain and horror that befalls those competing. One flaw could be the length of the film as it does drag in places, but overall the running time is appropriate.

What gives Catching Fire its thought-provoking edge is the cast of it. Jennifer Lawrence once again is phenomenal as the heroine Katniss Everdeen. Lawrence lets us glimpse the emotional scars she suffered that she hides behind her strong, armour like demeanor. As a result, Katniss emerges a multi-dimensional character, alternately strong and capable but also caring and vulnerable. It is Lawrence’s performance that gives the film its heart. Josh Hutcherson rises to the challenge by being given more to do as Peeta than in the last movie. Liam Hemsworth follows suit with a more expanded role. Woody Harrelson and Elizabeth Banks are both on fine form as the returning mentors to Katniss and Peeta. Newcomer Sam Claflin is charming as the capable contestant Finnick and Jena Malone is a stubborn, sullen but moving presence as Johanna. Donald Sutherland is gleefully nasty as the corrupt President Snow, while Philip Seymour Hoffman works well with his enigmatic role . The ever-reliable Jeffrey Wright provides the brains as the techno wizard and Amanda Plummer is delightfully kooky as his wife. Lenny Kravitz is touching as the sympathetic stylist to Katniss and Stanley Tucci is a hoot throughout.

Combining thrilling action, interesting parallels with the subtext of media manipulation and well-drawn characters, Catching Fire proves itself as a successful sequel  and great movie in its own right, spearheaded by the evocative and strong performance of Jennifer Lawrence.

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