Pirates of the Caribbean: At World’s End

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2000's, Adventure, Bill Nighy, Chow Yun-Fat, Disney, Fantasy, Geoffrey Rush, Gore Verbinski, Jack Davenport, Johnny Depp, Jonathan Pryce, Keira Knightley, Keith Richards, Kevin McNally, Lee Arenberg, Mackenzie Crook, Naomie Harris, Orlando Bloom, Pirates of the Caribbean, Pirates of the Caribbean: At World’s End, Stellan Skarsgård, Tom Hollander

The concluding part to the original trilogy of fantasy/adventure films( though two other sequels would inevitably follow), Pirates of the Caribbean: At World’s End is rousing but at times a very mixed bag. It’s very fun and has sublime action, it just gets a tad sidetracked with wrapping up many plot points. Still, it boasts quite an entertaining spectacle from Disney and I love it for that and how epic it feels.

The very existence of pirates is under attack from the evil and power mad Lord Cutler Beckett( Tom Hollander) . He has begun executing anyone associated with piracy, in the hope it’ll bring out the prominent members of pirate world out into full view for him. As his power grows, mainly due to him having control over the fearsome Davy Jones( Bill Nighy) after coming into possession of his cut out heart, pirates must form unlikely alliances to survive. In Singapore, Elizabeth Swann(Keira Knightley), the resurrected Barbossa(Geoffrey Rush) , Will Turner(Orlando Bloom), Tia Dalma(Naomie Harris) and others loyal to Jack Sparrow(Johnny Depp), arrive to meet with the famed yet shifty pirate lord named Sao Feng (Chow Yun-Fat). He possesses a navigational chart to the Locker, but being a crafty pirate he isn’t just going to give it over that easily. After their meeting is ambushed by The East India Trading Company and Navy, Sao Feng sends his crew along with the rescue group for Jack as he is prone to going with whoever benefits him and going whichever way the wind blows. The group need Jack in order to have someone who is part of the Pirate Brethren and can make a decision regarding the next course of action against Beckett and the fleet he owns. Each has a motive for wanting Jack’s return, particularly Elizabeth who feels guilty for her part in his imprisonment and Will who has plans that are personal to him . Will saw Elizabeth kissing Jack before his demise and didn’t understand that is was her distracting him. This is put a wedge between the lovebirds that both hope to overcome. Along the way, backstabbing occurs as loyalties shift and people attempt to survive the oncoming fight for their very lives. Journeying from Singapore to literally off the edge of the world, the real tag crew finally find Jack in Davy Jones Locker.  After much tribulation in an attempt to return to the normal world , now with a reluctant Jack, things seem to be on an even keel . But it’s not going to be plain sailing for them all, far from it. Elizabeth discovers her father Governor Swann( Jonathan Pryce) was murdered by and this ignites more action inside of her, we witness how she’s more than happy to go against the grain now and take charge in fierce fashion when it gets personal. Will wants to rescue his cursed father Bootstrap Bill(Stellan Skarsgård) from damned life on the Flying Dutchman . The only catch is that he must stab the heart but then become the captain of the vessel. This would mean he would be parted from his beloved Elizabeth and only every ten years for one day would he be allowed to see her is still mourning the goddess Calypso, who he loved and when she didn’t return to him, he became the monster he is at present . We learn that Calypso was bound to human form and that form is the ever enigmatic Tia Dalma , who has an axe to grind with the Brethren . Will has to align himself with the slimy Beckett to enable some of his plan to work while Elizabeth ends up with more responsibility than ever. Upon reaching where they need to be , opinions are raised about the future. It’s up to the to fight back against its enemies and though many present have differing motives and ideals, uneasy but needed unions are made as the time for fighting grows closer. Soon battle lines are drawn and it’s a battle that no one is going to forget.

Gore Verbinski still knows how to create a swashbuckler and succeeds in the stakes of action, adventure and fantasy. He has the right gusto to keep things spinning, even if the multitude of plot points is a chore. From doing my research, I saw that At World’s End was filmed back to back with its predecessor and you get the feeling more effort was lavished on Dead Man’s Chest than here . Which isn’t to say that the film is bad, it just can lack focus with all the varying strands it has to contend with and exposition runs heavily throughout. In the last two movies, I have mentioned the run times being a bit long. But here it really does feel overlong and sometimes needs an injection of something to get it going. It’s not hard to feel a bit confused with all the subterfuge at play and the plot points that need tying up getting drawn out. These areas tie the movie up in knots that derail some of the good that it has to offer. Mercifully, when the action and spectacle hit in At World’s Enf, they knock it out of the park in powerful fashion. The last hour or so is an onslaught of breathless action between ships in a stormy sea as the final battle takes place in grandiose style, following a rallying speech from the now fully fledged pirate Elizabeth . Water soaks, sails break and swords clash as the fight for freedom. And it’s pretty spectacularly mounted and executing from near every angle. It’s what the audience has been waiting for and it doesn’t disappoint. Earlier standout moments include the rousing rendition of a call to arms from those about to be put to death, the trippy purgatory of Davy Jones Locker , the rag tag crew slipping a boat over to escape the land of the dead and an extended battle in Singapore on wooden bridges over waterways. And that’s not forgetting the visual front of sweeping camerawork that captures many a cinematic moment, like the as two faction walk towards the other with equal intensity in their eyes that feels like a tribute to an old Western in the best possible way. The sets are gorgeously rendered and we have Hans Zimmer on music duties once more; crafting a suitably epic score that continues to build as the action explodes.

Johnny Depp headlines this end to the original trilogy with usual blend of outrageous comedy styling and moments of occasional seriousness. Jack is wily and up to his usual tricks but we see that he can loyal in his own roundabout way. Knockabout humour and action go hand in hand for Depp in his finely energetic performance that once more makes it mark as memorable. Orlando Bloom has come a longboard way  from the start and it’s great to see him play the ruthless and cunning yet still charming Will. Gone are the overly saintly antics of the first chapters of the character, and we have Bloom playing Will as someone who engages in piracy with efficiency and verve but still has shreds of integrity and selflessness to him. Keira Knightley impresses once more as Elizabeth becomes a fully fledged pirate once she realises that she has nothing left to lose following the murder of her father . She’s vengeful, spirited and knows how to cut anyone down with either words or sword. Knightley is a winner once more in how she’s portrayed Elizabeth throughout the trilogy; her emergence from well brought up lady to skilled, respected pirate is one hell of a journey thanks to the delightful young actress. And who else could look so fetching in pirate garb and command such deep respect from those around her like Knightley? Say what you will about some of the plotting in the trilogy, but the development of Will and Elizabeth has been a shining factor and hugely positive in the course of the three movies. Geoffrey Rush is back and as wickedly entertaining as ever, playing Barbossa with a glint in his eyes and spitting out amusing one liners whenever the occasion calls for it. Stellan Skarsgård, who I’ve aways found to be a really underrated actor, wrings out the sadness from his part of doomed father and damned man. There’s something in his eyes that just really evokes a feeling of pity. Nighy makes for both a terrifying prospect and a tormented man, ably supporting Naomie Harris as the enigmatic long lost love. Once we become privy to the knowledge of the history between these two, their story takes on more pathos that is thankfully a good plot thread that interests. Tom Hollander continues to grease it up as the skippering Beckett, a little man with big ideas who is quite the loathsome cockroach that many characters wish to kill. A wasted opportunity comes in the form of Chow Yun-Fat. He’s a commanding actor and has an elegance to him, but its not put to good enough use here which is most unfortunate. More successful is the stalwart Kevin McNally as the noble friend to all and the one who is the most approachable amid all the larger than life characters. They aren’t the favourite characters of everyone, Pintel and Ragetti(Lee Arenberg and Mackenzie Crook) that is, and but their buffoonery and blunders of quite entertaining when I see them. Some of it wears thin but they are clearly having a blast. Jack Davenport appears again as the Commodore who switches loyalties, and he successfully plays someone who grows a spine a little too late. Jonathan Pryce is sadly sidelined for his part, though the unexpected death of his character certainly sets in motion something within Elizabeth. Watch out for the much publicised cameo by Keith Richards as Jack’s pirate father( with added tongue in cheek humour as Depp based the part he plays on Richards himself)

So if it goes on too long and feels just a bit too convoluted, Pirates of the Caribbean: At World’s End can at least be praised for its acting, action and pure sense of escapism. After all, it’s a fun filled time for most of it that can prove worthy of your patience and viewership. And it caps off the trilogy in style so I can’t begrudge it that.

Pirates of the Caribbean: Dead Man’s Chest

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2000's, Adventure, Bill Nighy, Disney, Fantasy, Gore Verbinski, Jack Davenport, Johnny Depp, Jonathan Pryce, Keira Knightley, Kevin McNally, Lee Arenberg, Mackenzie Crook, Naomie Harris, Orlando Bloom, Pirates of the Caribbean, Pirates of the Caribbean: Dead Man’s Chest, Stellan Skarsgård, Tom Hollander

The sequel to the highly successful first film, Pirates of the Caribbean ups the ante and continues on a darker but still entertaining path. My heart may belong to The Curse of the Black Pearl because of nostalgia, but this Disney swashbuckler is definitely a very close second with glorious set pieces and pure escapism galore.

Jack Sparrow(Johnny Depp) is on the run from the Navy after his escape in the last movie. But the Navy is the least of his worries when he is given an ominous piece of news by Bootstrap Bill(Stellan Skarsgård), who is Will Turner’s damned father. Jack owes a debt to the infamous Davy Jones(Bill Nighy); the chilling captain of the Flying Dutchman who has a lot of mystical forces on his side. If he doesn’t pay his debt and become a member of the doomed crew, he’ll be dragged to Davy Jones Locker by the beast known as the Kraken. Meanwhile, lovebirds Elizabeth Swann and Will Turner are set to marry buy on the blessed day, their nuptials are interrupted by the East India Trading Company and they are arrested for helping Jack escape. A warrant is also issued for Commodore Norrington( Jack Davenport), though he is now far from the Navy and a very different person now. The East India Trading Company is headed by the arrogant and conniving Lord Cutler Beckett(Tom Hollander) . This contemptible  weasel tries to strike a deal with Will. If Will can retrieve the magic compass that Jack owns that points to what the use desires, Beckett will pardon him and Elizabeth. The compass would lead to the whereabouts of the Dead Man’s Chest; the heart of Davy Jones that if anyone owns can rule the sea and make others fall under command. Along the way, Will meets his father and after bonding attempts to save him from eternal damnation. Elizabeth is freed by her father(Jonathan Pryce) and she begins to join the hunt for the Dead Man’s Chest after striking something of a bargain with for information on the whereabouts of her man and what he’s seeking. This is also so she can be reunited with her beloved Will and insure his safety. But this time, something begins to creep up on Elizabeth. A frisson with Jack leads to complex emotions becoming known, which troubles Elizabeth. In between loyalties shifting, an islands of cannibals that captures the main crew at one point, an encounter with swamp dwelling clairvoyant Tia Dalma(Naomie Harris)and meeting with the fearsome Jones, it’s going to be anything but plain sailing for the characters. Soon everyone has their sights on the Dead Man’s Chest for their own personal reasons. Just who will emerge with it?

Gore Verbinski is directing again with great flair for skullduggery and action of the highest order . He isn’t afraid to raise the seriousness as well, while still retaining some of the knockabout charm the audience knows and loves. Dead Man’s Chest feels darker than it’s predecessor The stakes are higher here and it shows in feelings of being epic. There’s quite a bit of brutality and darkness in this film(particularly some of the opening shots of prisoners and their fates), but nothing too grisly as it knows just went to push things and when to leave it up to the viewer’s imagination. As I’ve mentioned, is my favourite of the series, yet Dead Man’s Chest is a very enjoyable sequel with plenty to thrill an audience and that’s why I do hold it in high regard. The length of the film is a smidgeon too long but the sheer amount of action and adventure more than makes up for the long running time. The action set pieces come thick and fast, especially in the last half of Dead Man’s Chest. Of particular note is the extended fight for the eponymous chest as all manner of people get their hands on it and lose it in elaborate fashion, Combining humour with breathless action when we see Jack, Will and on a severed wheel from water mill duelling for their lives as it careens through jungle , it’s one hell of a ride on my book. The visuals are of high quality too, crafting many a fine moment of magic. Particularly deserving of the praise is the computer generated design of Davy Jones, who is an amalgamation of sea creatures, most notably having a squid face of innumerable tentacles. The effects make him come to life in very creepy fashion and seem so real, as if he could leap out of the screen in full villainous form. Hans Zimmer takes over score duties and builds on the already impressive atmosphere and then sum. His score thunders along with an epic sweep that pulls you in and is more than a match for the stunning visuals on show.

A game cast is on hand to flesh out this fantasy adventure. Johnny Depp is at head of it as the one and only Jack Sparrow. Depp embodies the sneaky and shifting loyalties of someone used to playing the game. Sparrow is a flawed character as he’s more than happy to sell his friends down the river with a cheeky grin on his face, but Depp evinces the hidden decency that catches up with him. Only Depp can play Jack Sparrow this way and make it truly work, which is one of the highest compliments I can give him. Orlando Bloom is definitely stepping it up as Will, finally throwing off the shackles of being a holier than thou hero. He’s definitely still got some honour, but it’s fun to see him embrace pirate instinct and action, feeling more dynamic than ever before. Keira Knightley excels once more as the ever evolving Elizabeth, who really shows off her flinty and cunning side on this adventure. Knightley, clearly relishing the chance to partake in more action,  possesses the right balance of determination and confusion when her romantic inclinations begin to go in a way she never imagined. The whole triangle is played out excellently as both have things Elizabeth wants, adding further fuel to the fire in the process. A combination of great animation effects and a fine actor in the form of Bill Nighy craft a ruthless character in Davey Jones. Created via motion capture and then with the computer generated design overplayed onto the face of Nighy, Jones is a chilling villain with Bill Nighy lending a great deal of presence and impact to it. The effects are very convincing and worthy of praise but it’s the inhabiting of the part that makes it so impressive on the part of Bill Nighy. His distinctive eyes are noticeable through the CGI and the voice he adopts has a real spine-tingling quality; while a certain pathos and glimmers of someone who isn’t all that bad emerges from this. We are also introduced to the mysterious voodoo priestess Tia Dalma, who provides much in the way of intrigue surrounding her knowledge of Davy Jones. Naomie Harris plays the part with an enigmatic grace and knowing playfulness that is most intriguing as the part is a peach. Jack Davenport reappears as the now dissolute and fallen from grace Commodore, who ruined his image and promise by chasing Sparrow. Stellan Skarsgård makes for a welcome addition to the party as the tragic Bootstrap Bill. Hidden behind layers of crustacean make up, his melancholy delivery is surprisingly touching in the long run. Villainy of the human kind is found within Tom Hollander and his portrayal of a ruthless chairman for the East India Trading Company. Constantly belittling others and acting superior, you really start to despise the character. Which in my book shows how good an actor Hollander is to elicit such strong feelings. Lee Arenberg and Mackenzie Crook provide more knockabout humour as the idiotic pirate duo never far from a scrape, while the stalwart abilities of Kevin McNally are on show as the ever faithful Gibbs. Jonathan Pryce, though only in a supporting part, works his talents to make sure that his character isn’t merely throwaway.  

With plenty of action, darkness and an upping of stakes, Dead Man’s Chest makes for a compelling sequel of fantasy and adventure on the high seas.

Pirates of the Caribbean: The Curse of the Black Pearl

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2000's, Adventure, Disney, Fantasy, Geoffrey Rush, Gore Verbinski, Jack Davenport, Johnny Depp, Jonathan Pryce, Keira Knightley, Kevin McNally, Lee Arenberg, Mackenzie Crook, Orlando Bloom, Pirates of the Caribbean, Pirates of the Caribbean: The Curse of the Black Pearl

A swashbuckling fantasy adventure inspired by of all things a famous ride at Disneyland, Pirates of the Caribbean: The Curse of the Black Pearl is rousing, high spirited fun full of action and derring do. I’m sure many were doubtful about a film based on a theme park and how it would go were very surprised by how effective and throughly entertaining it turned out to be.

It’s the 18th Century in the Caribbean and in Port Royal, things are about to get very interesting. The arrival of the infamous Jack Sparrow( Johnny Depp), he of the keen wits, outrageous antics and swagger, is picked up on by the admiralty after he arrives in port minus a ship. Meanwhile, the beautiful Elizabeth Swann( Keira Knightley) is being prepped for marriage to the newly promoted strait-laced Commodore Norrington(Jack Davenport). But this is not as simple as it seems as Elizabeth is chafing at society and there is someone else who carries a flame for her. That someone is dashing blacksmith Will Turner( Orlando Bloom), who admires her from afar but doesn’t act on it because of how rigid society is. Elizabeth helped rescue Will as a boy when he was found floating in the sea when she was making the journey to Port Royal as a little girl. She took the necklace that was around his neck as it identified him as being related to pirates. Years later she has the necklace and is still intrigued by pirates. However society and her protective father Governor Swann( Jonathan Pryce)have subdued these ideas of a life on the high seas. The gold piece soon brings danger to Port Royal when a menacing ship by the name of The Black Pearl attacks. The vicious pirates aboard kidnap Elizabeth, though through her pirate knowledge she manages to stay alive. She is taken to the cursed ship and here she meets the wily Captain Barbossa( Geoffrey Rush) and she gives a false name(Will’s last name) that intrigues the crew. Barbossa is in search of  the last piece of gold from a cursed treasure chest, which currently hangs around the neck of Elizabeth. The curse renders anyone who touches it to become one of the living dead, which Barbossa and his crew are. Only by the spilling of blood from one of pirate lineage can break the curse, which the crew mistakenly believe is Elizabeth. Though Commodore Norrington wants to go about things in the proper way befitting his training, the determined Will has other plans to get Elizabeth back. Will can’t stand pirates, as he is unaware of his own historical link with the sea faring scoundrels, but decides to implore Jack Sparrow for help. Springing Jack from jail and still distrustful, he begins to work with the rapscallion that is Jack. After all, The Black Pearl was Jack’s ship before Barbossa proposed a mutiny against him, thus leaving the crafty cursed pirate as captain. Elizabeth emerges as a stronger person along the way, with much in the way of being resourceful and surviving among buccaneers. Jack Sparrow and Will still have a bit of animosity but work some of it out in their quest to rescue Will’s beloved from the hands of Barbossa . Jack always has something up his sleeve that allows for many turns and twists in what is an epic journey. Much adventure, double crossing and events across the high seas follow for the characters in this adventure.

Gore Verbinski fashions a rollicking adventure yarn with a flair for humour and a really good time of excitement for almost everyone. He clearly knows what he’s doing and provides us with a film that is thoroughly sweeping and action packed. There’s something delightfully old fashioned about The Curse of the Black Pearl, which is mixed with a contemporary and irreverent sense of humour. The two aspects melding make the film very appealing to a pretty wide audience with old school feeling of swashbuckling and off the wall humour and modern cinema techniques proving rather good bedfellows. Pirates become fun and the genre of the swashbuckler is resurrected in style. As I said earlier, I’m sure many expected The Curse of the Black pearl to fail because of its origins. These naysayers were obviously thrown for a loop when it turned out to be a rip-roaring fantasy adventure that both critics, audiences and this reviewer loved. You’d have to be Scrooge to not find something to tickle your funny bone or make you feel swept along on a great voyage in The Curse of the Black Pearl. Set pieces and action are what allows the film to flow on a well tuned ocean of entertainment and swordplay. The effects are rather excellent too, especially when it comes to the undead crew. They are rendered gloriously creepy in the moonlight and make many a good sequence, particularly the first reveal of them to a startled Elizabeth. One little flaw is that the film is a bit overlong and could have used some trimming. Though you can forgive it as the ride is a fantastically enjoyable and enthralling voyage into a time of swashbuckling action and spectacle. The score from Klaus Badelt is a splendid accompaniment to the events on screen, while mixed with a slightly jaunty air that permeates through with brio.

One of the biggest things that stands out in The Curse of the Black Pearl is obviously the cast, headed by a wonderfully creative and attention grabbing Johnny Depp. Portraying the flamboyant and witty Jack Sparrow who always seems to be able to get out of a scrape, Depp is obviously having a ball putting all manner of eccentric traits into the part with superb comic timing and suitable panache. From the drunken walk, ability to confuse those in his way with riddle like language and a daring glint in his eye, Jack Sparrow comes alive thanks to the reliable and unique talents of Johnny Depp. He’s the definitive scene stealer in this adventure and make no mistake about it. The Curse of the Black Pearl would not be the same without him. Then we have Orlando Bloom as the main hero of the piece. Bloom, while not being the finest actor around, has the right physicality and noble presence to compensate for some niggles in his range. Plus he makes for an attractive partner for Keira Knightley as the two characters begin to find themselves acting on their feelings after keeping them under wraps. It’s Keira Knightley, who was rocketed to stardom with her performance here, that really goes through the biggest journey over the course of the movie. Knightley moves from well-mannered but curious lady of upper society/damsel in distress to a strong fighter and smart player of the pirate game. While being a striking presence and mature in demeanour with a tall figure, alert eyes and enviable cheekbones, it’s the spirited energy of a woman not wanting to be apart of a stifling status quo that Keira Knightley brings which sells the part of Elizabeth successfully here. On stellar form as well is the reliable Geoffrey Rush, who is delightfully tongue in cheek yet bristling with a creepy menace. His scenes with Depp are delightful as sworn enemies sparring with both swords and wits. Jack Davenport nails the duty bound honour of a man married to his job and enjoying being the bus, but not quite succeeding on the romance department. Jonathan Pryce has the right elder statesman presence as Elizabeth’s elderly father whose biggest concern is the fate of his daughter in all of this. Kevin McNally embodies the person with the most sense of loyalty, first mate Gibbs. He’s both a hoot and a source of calm among all the chaos around him. The devious pairing of Lee Arenberg and Mackenzie Crook as two of the cursed pirates by the names of Pintel and Ragetti, who are prone to all sorts of trouble is also a source of humour, particularly Ragetti. He has an eye that never seems to stay in place and is found often popping out at the most inappropriate times, causing much in the way of slapstick that both actors play too. 

Rip-roaring, gloriously riotous and a whole barrel of delightful action, Pirates of the Caribbean: The Curse of the Black Pearl is the definition of a fun time at the movies. For adventure and thrills, look no further.

The Hobbit: The Battle of the Five Armies

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2010's, Aidan Turner, Benedict Cumberbatch, Billy Connolly, Cate Blanchett, Christopher Lee, Dean O'Gorman, Evangeline Lilly, Fantasy, Hugo Weaving, Ian Holm, Ian McKellen, Ken Stott, Lee Pace, Luke Evans, Martin Freeman, Orlando Bloom, Peter Jackson, Richard Armitage, The Hobbit: The Battle of the Five Armies

Film Title

The Hobbit: The Battle of the Five Armies

Director

Peter Jackson

Starring

• Martin Freeman as Bilbo Baggins
• Richard Armitage as Thorin Oakenshield
• Ian McKellen as Gandalf
• Orlando Bloom as Legolas
• Evangeline Lilly as Tauriel
• Lee Pace as Thranduil
• Luke Evans as Bard
• Aidan Turner as Kíli
• Dean O’Gorman as Fíli
• Ken Stott as Balin
• Benedict Cumberbatch as Smaug
• Billy Connolly as Dáin
• Hugo Weaving as Elrond
• Christopher Lee as Saruman
• Ian Holm as Old Bilbo
• Cate Blanchett as Galadriel

As the concluding part of The Hobbit trilogy, The Battle of the Five Armies is a successful last chapter and in my view the best of the Hobbit movies. Exciting, tense yet human in many ways, it’s a rousing finale that definitely captures the attention.

We begin this final slice of Middle Earth adventure were the last one left off. Having reaching the Lonely Mountain, Bilbo and the dwarf crew accidentally woke the vicious dragon Smaug from slumber. The fire-breathing creature leafs the confines of the kingdom and angrily heads to the adjoining Laketown, which he sets about destroying. What is left of the people flee the desolated town, but Bard sets about ridding the place of Smaug and succeeds by firing a makeshift arrow that ultimately kills the dragon. Yet even though Smaug is gone, there is still unrest and panic as the people look to the dwarves for help because of a promise made by Thorin to share in some of the gold within the mountain. The Woodland Elves, lead by the ruthless Thranduil, also have business with the dwarves as there is a collection of jewels he wishes to acquire. But Thorin is in no mind to listen Ashe slowly succumbs to dragon sickness, which clouds his judgement and eats himself up with greed. Bilbo begins to see how this is going to be a tough time as Thranduil declares war along with men on the dwarves for going back on their promise. Plans for war among them are quickly questioned when Gandalf returns after discovering that the spirit of the dark lord Sauron has returned and that an Orc army is heading their way. It is then left to the elves, dwarves and men to decide whether to unite or be divided. They’ll have to make a choice soon as word, thanks to elves Legolas and Tauriel filters through that it isn’t just one army of orcs, but two that are heading to spread darkness across Middle Earth. For Bilbo and the others, it is time to face the ultimate battle of their lives.

What is immediately striking about The Battle of the Five Armies is the efficient running time. Often with last parts of trilogies or Film series, there is a temptation to make things very long-winded and drawn out. Thankfully, Peter Jackson and his stunning direction keep events ticking over nicely and wrap things up with style, not allowing any loose ends or flab to drag the movie down into boredom. On a visual level and an excitement one, The Battle of the Five Armies is the best of the Hobbit movies. The battles are orchestrated with such precision and depth that gives it something else that the other two movies lack, which is a heart. Emotions run very high and the movie alternates between fun, tense and tragic in the space of mere minutes, which is excellent. And thank goodness for the decision to use CGI wisely and not overindulge in it. Set pieces are of a particularly high standard, with special mention to Smaug destroying Laketown and the two battles that form the backbone of the movie. It’s fantasy with a sense of emotion and passion that comes off remarkably well thanks to the wonderful direction and imagery. I liked how the films wrapped up the saga of Middle Earth and helped events come full circle in the end. A thundering Howard Shore score is the perfect sonic companion to the film, peaking with epic scope and emotional heights.

Martin Freeman has really grown into the role of Bilbo and is once again excellent in an understated way. He never overplays his scenes, instead relying on subtlety to show us the brave heart and occasional wrestling with conscience that he must endure. As good as Freeman is, this movie belongs to Richard Armitage. Portraying Thorin as blinded by his sickness and full of tragic greed, he brings out the fact that he is a good king underneath it all and it is really good when he snaps out of his sickness and leads his crew into battle with inspiration. Ian McKellen is reliably wonderful as the powerful and sagacious Gandalf, who knows of the dark tide beginning to turn. Orlando Bloom imbues Legolas with a gracefulness that belies his capacity for battle and stands him in good stead when he takes part. Evangeline Lilly is tough yet very luminous Tauriel, whose heart belongs to Kíli and who can more than handle herself when confronted with the violence unleashed on Middle Earth. I liked how Lee Pace as Thranduil, remote king of the elves expanded upon his character to show why he is so cold and unfeeling towards others. Luke Evans has that every man quality about him that makes him the voice of the people portraying the proud Bard, while Aidan Turner is touching as the stout-hearted dwarf Kíli. Dean O’Gorman and Ken Stott flesh out the parts of two of the more prominent members of Thorin’s company. Benedict Cumberbatch utilizes his commanding voice to give life to the fierce and very dangerous Smaug, whose opening attack on Laketown is a killer set piece. Some comic relief comes from Billy Connolly as Dáin,Thorin’s irascible cousin who comes to his aid in the epic battle sweeping the lands. Cameos come from Hugo Weaving, Christopher Lee, Ian Holm and Cate Blanchett and suffice to say, they’re all very good as characters we are familiar with within the landscapes of the movies. Plus they all take part in an exhilarating conflict with the forces of Sauron which is a very good part of the movie.

With emotional heft and magical prowess, The Battle of the Five Armies is a well crafted last entry to the saga that is wholly satisfying from beginning to end.

The Hobbit: The Desolation of Smaug

Tags

2010's, Aidan Turner, Benedict Cumberbatch, Dean O'Gorman, Evangeline Lilly, Fantasy, Ian McKellen, James Nesbitt, Ken Stott, Lee Pace, Luke Evans, Martin Freeman, Orlando Bloom, Peter Jackson, Richard Armitage, The Hobbit: The Desolation of Smaug

Film Title

The Hobbit: The Desolation of Smaug

Director

Peter Jackson

Starring

• Martin Freeman as Bilbo Baggins
• Ian McKellen as Gandalf
• Richard Armitage as Thorin Oakenshield
• Benedict Cumberbatch as Smaug
• Evangeline Lilly as Tauriel
• Luke Evans as Bard
• James Nesbitt as Bofur
• Ken Stott as Balin
• Aidan Turner as Kíli
• Dean O’Gorman as Fíli
• Lee Pace as Thranduil
• Orlando Bloom as Legolas

The Desolation of Smaug presents the second entry into the Hobbit trilogy and it emerges as a much more confident and enjoyable film than An Unexpected Journey thanks to some cracking visuals, good cast and a genuine sense of tense excitement running through it. If it is fantasy and adventure you crave, The Desolation of Smaug is the answer.

We catch up with Bilbo, Thorin, Gandalf and the band of dwarves as they flee from by the vicious orcs. They find refuge in the home of a skin changer Beorn, before moving on in their journey to reclaim The Lonely Mountain from fire-breathing dragon Smaug. Gandalf for a while leaves the group as he tries to find out more about a brewing sense of evil elsewhere in Middle Earth. Continuing on, the more confident Bilbo comes to see that the ring he found in the goblin cave may be able to help in some ways but also corrupt in others that he can’t possibly imagine. Coming across the woodland elves, headed by the cold Thranduil and also consisting of his son Legolas and Tauriel, a she elf with a fierce sense of defiance, they are captured and questioned on the nature of their quest. Thranduil offers Thorin a deal, but the vengeful and headstrong dwarf king who resents the elves refuses it. After escaping the woods, the company travel far and wide, encountering various creatures such as enormous spiders, before eventually being smuggled into Lake Town by the mysterious Bard. A growing sense of immense danger begins to linger as they get ever closer to the mountain and the task at hand becomes perilous in every single way as war starts to brew. When they reach the mountain, it is no simple task of reclaiming the kingdom and there is no way that the cunning Smaug is going to let his iron grip of the place go to anyone. Can Bilbo and the dwarves reclaim what is theirs before all hell breaks loose?

Straight off the bat, The Desolation of Smaug has an immediacy that thrusts you into the adventure at hand and flows very well, unlike the predecessor that took a while to get going. Peter Jackson wonderfully constructs this tale of dangerous peril and determined quests to spectacular fashion and meticulous skill. Nervous tension is generated in some thrilling set pieces that really make you jump at times and wonder how the group is going to hack their way out of oncoming trouble. Arresting locations are a plenty, filled with beauty and The pace is well-handled and only drags on the rare occasion, making the film all the more enjoyable as we are swept into a world of fantasy. And thankfully there isn’t an overuse of CGI, which seemed to be the case during the first installment. Out of the effects used to create the creatures of Middle Earth, Smaug is one of the most majestic and technically well designed ones that really lingers in the memory for its visual power. Swathed in gold treasures, massive in movements and enormous in size, he is a dragon you won’t forget. A stirring score from Howard Shore further propels the film into magical enchantment and otherworldly brilliance.

Martin Freeman impresses once more as Bilbo, who has grown into a stronger character than before. I liked the way he portrayed Bilbo’s fascination with the ring and the way he sees that it does have a side to it that is very dark and powerful. He also nails the curiosity and humour of Bilbo very well. Ian McKellen may have had less scree time in this movie, but he still owns the part of Gandalf through his clear professionalism and dedication to the character. Richard Armitage gives Thorin a hotheaded temper, somewhat self-centered goal but also a certain desperation to take back his home that really fleshes out the character of Thorin. Making a huge impact on the film is Benedict Cumberbatch, who supplies the voice for the almighty Smaug. Letting his voice boom and echo, he lends the creature a fear-inducing quality and sense of dark things to come. The beautiful Evangeline Lilly makes her mark on the series portraying the elf Tauriel, who is a dab hand at doing battle with enemies and not one for following the rules of her king. I liked her character and thought that the attraction between her and Kíli was a nice touch, adding depth to both characters and making Aidan Turner’s Kíli even more likable. Luke Evans made for great casting as the mysterious Bard, who knows a lot more about the quest and the history of it that he lets on to the travelling adventurers. James Nesbitt, Ken Stott and Luke O’Gorman continue to shine as the dwarves that stand out of the group. Lee Pace, with his fixed gaze and authoritative demeanor, is excellent as the elf king Thranduil who isn’t really interested in helping anyone and just wants to sit in his ivory tower away from trouble. It was a good touch bringing skilled archer Legolas back and Orlando Bloom is great as he was in the Lord of the Rings movies.

The Desolation of Smaug is a definite step up from An Unexpected Journey and leaves us wanting more and excited for the final chapter.

The Lord of the Rings: The Return of the King

Tags

2000's, Andy Serkis, Bernard Hill, Billy Boyd, Cate Blanchett, David Wenham, Dominic Monaghan, Elijah Wood, Epic, Fantasy, Hugo Weaving, Ian McKellen, John Noble, John Rhys-Davies, Karl Urban, Liv Tyler, Miranda Otto, Orlando Bloom, Peter Jackson, Sean Astin, The Lord of the Rings: The Return of the King, Viggo Mortensen

Film Title

The Lord of the Rings: The Return of the King

Director

Peter Jackson

Starring

• Elijah Wood as Frodo Baggins
• Ian McKellen as Gandalf
• Viggo Mortensen as Aragorn
• Sean Astin as Samwise “Sam” Gamgee
• Andy Serkis as Gollum
• John Rhys-Davies as Gimli
• Orlando Bloom as Legolas
• Liv Tyler as Arwen
• Miranda Otto as Éowyn
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Bernard Hill as Théoden
• Cate Blanchett as Galadriel
• Hugo Weaving as Elrond
• David Wenham as Faramir
• John Noble as Denethor
• Karl Urban as Éomer

Rounding out my marathon of the Lord of the Rings trilogy is the grand and unbeatable Return of the King. It has been great reviewing these outstanding films and I hope that the other bloggers have enjoyed it as well. Winner of a staggering 11 Oscars, including Best Picture, Peter Jackson once again creates a film of such beautiful and emotional scope. Focusing on Frodo as he reaches Mount Doom, Aragorn’s taking of kingship and earth shattering battles, Return of the King is a fantasy epic of the highest order that is certain to blow you away.

Frodo continues his quest to destroy the ring with Sam and the ever changeable Gollum, whose desire for the ring is growing more dangerous by the day. Day by day, Gollum conspires to drive the two friends apart in order to gain access to the ring. Meanwhile Aragorn claims the throne of Gondor and begins to raise an army of the dead to fight against the forces of Sauron that are quickly taking control over Middle Earth. Aided by friends, the time has come for Aragorn to fight and Frodo to prosper as he nears the end of his quest. Prepare for the epic spectacle of Return of the King, it will most certainly take your breath away.

If I could describe The Return of the King in one word it would be spellbinding. From absolutely stunning locations to fierce battles and the perils of various creatures, Peter Jackson never loses out attention for a single minute. He deservedly won the Best Director Oscar for his awe-inspiring and deft direction. By the end of the film, you feel so close to these characters and feel as if you’ve been on the epic journey with them right until the end. The smart screenplay is mainly the reason for this as the film nears its end, we get to see the impact the ring has on each of the characters within the narrative. As in the other films, the score is an evocative and dramatic listen that soars with emotional dexterity. While watching the film, I really didn’t want it end as it was just so involving for me. Moments in this film will forever be indelible in my mind. Some of these are Arwen’s vision of the future that persuades her to wait for Aragorn and armies rising just before battle as Aragorn, tears in his eyes utters “For Frodo”. As he says these words you understand the loyalty and friendship that is shared and the power of it.

The ensemble cast is a richly talented who have created indelible characters. Elijah Wood continues to impress as the stout-hearted Frodo, who is nearing the end of the journey whilst overcoming many obstacles. Ian McKellen is another highlight as Gandalf, while Viggo Mortensen gives one of the strongest performances as the returned king Aragorn. Sean Astin is still impressive as the good friend Sam, who has helped bring Frodo this far with his own will and determination. The scene of Frodo and Sam comforting one another, their faces dirty, their eyes red from crying but their spirits still strong, is an undeniably moving moment in a trilogy of memorable scenes. Andy Serkis is amazing as the demented Gollum, now almost completely consumed with the power of the ring and poisoning Frodo against those closest. With the power of CGI and Serkis embodying Gollum’s wiry movements to unnatural fashion, Gollum is a memorable masterwork.

Fleshing out the other members fighting with Aragorn are the reliable John Rhys-Davies and Orlando Bloom as Gimli and Legolas. Liv Tyler is moving as Arwen, who has renounced her immortality as a means of staying with her one true love Aragorn. Miranda Otto has an expanded role as Éowyn, here showing the mental and physical strength to fight in battle. Billy Boyd and Dominic Monaghan are still as plucky as ever as Pippin and Merry. Bernard Hill is very good as the brave King Théoden, while Cate Blanchett radiates ethereal beauty and deep wisdom as the elf Galadriel. Hugo Weaving and David Wenham reappear successfully as Elrond and Faramir. John Noble provides the interesting character of Denethor, a stand in ruler who is weak-willed and snake-like. Karl Urban rounds out the cast as the knight Éomer.

Stunningly mounted, emotionally gripping and all round magical, The Return of the King is all you could ask for in a fantasy movie and more.

The Lord of the Rings: The Two Towers

Tags

2000's, Andy Serkis, Bernard Hill, Billy Boyd, Brad Dourif, Cate Blanchett, Christopher Lee, David Wenham, Dominic Monaghan, Elijah Wood, Epic, Fantasy, Hugo Weaving, Ian McKellen, John Rhys-Davies, Karl Urban, Liv Tyler, Miranda Otto, Orlando Bloom, Peter Jackson, Sean Astin, The Lord of the Rings: The Two Towers, Viggo Mortensen

Film Title

The Lord of the Rings: The Two Towers

Director

Peter Jackson

Starring

• Elijah Wood as Frodo
• Ian McKellen as Gandalf
• Sean Astin as Samwise “Sam” Gamgee
• Viggo Mortensen as Aragorn
• Andy Serkis as Gollum
• Liv Tyler as Arwen
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Miranda Otto as Éowyn
• Orlando Bloom as Legolas
• David Wenham as Faramir
• John Rhys-Davies as Gimli
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Bernard Hill as Théoden
• Cate Blanchett as Galadriel
• Christopher Lee as Saruman
• Hugo Weaving as Elrond
• Karl Urban as Éomer
• Brad Dourif as Gríma Wormtongue

Now for the second entry into my Lord of the Rings marathon. Picking up where Fellowship of the Ring left off, The Two Towers is a superb continuation to this engaging trilogy that balances great characters, mythology and some of the best battle scenes ever put on film. Darker than its predecessor, Two Towers is just as good as the first and introduces us to more engaging characters who populate the lands of Middle Earth. If this doesn’t get you excited for the final concluding entry in the trilogy, I don’t know what will.

With the Fellowship now fractured and Gandalf sacrificing himself in the mines, the various factions that remain continue travelling. In one segment, Frodo and Sam continue the perilous journey to destroy the evil ring and are joined by Gollum, the ring’s former owner whose life was tortured by his desire to the ring and the inability to resist taking it. Gollum knows the way to Mordor, but Sam distrusts him and warns Frodo about what Gollum may do. In another strand; Aragorn, Gimli and Legolas travel to Rohan which is about to come under attack from the forces of Sauron. Along the way, they encounter an old ally. A now reborn and stronger Gandalf who aids them in bringing the king of Rohan,  Théoden out from under the spell cast by Gríma Wormtongue, one of Saruman the dark wizard’s workers. And in the other segment, Merry and Pippin flee after being captured by orcs into the forest where Treebeard, an ent who listens to them and journey’s on. Busting apart the common idea that the middle film of a series is the weakest, The Two Towers contains gorgeous locations, breathtaking scope and the all round magical feeling of a fantasy quest you will never want to leave.

Peter Jackson again fashions a fantasy epic of staggering proportions with this entry. Having three separate story strands could have been a risky move, but in this case it pays off handsomely as we watch not just one journey, but three. This entry also focuses more on Aragorn as a character and his emergence as a skilled warrior who may finally have to reclaim his right to the throne in the future. As is to be expected from an epic like this, the locations are spectacularly captured in long panning shots as mountains, dales and volcanos come into view.You watch scenes like this and really understand the unparalleled power and splendour that Jackson has brought to the screen. Peter Jackson handsomely combines action with an emotionally involving hero’s journey to overcome the forces of evil whilst battling against the many foes along the way. The Battle at Helm’s Deep is in my book one of the best battle sequences recorded on film, the sheer scope and meticulous craft on display is so mesmerizing as Aragorn leads men against the orcs and other forces of darkness.

Once again, the vast ensemble cast delivers, with newer additions adding impact along the way. Elijah Wood successfully continues his role as Frodo, here showing the burden that has been put on him and how he attempts to remain resilient to the dominating force of the ring. Ian McKellen shines as the resurrected Gandalf, who is as wise and powerful as he ever was. The scene when he appears to Aragorn, Gimli and Legolas in a vast array of light is a stunning sight to behold. Sam Astin continues to impress as loyal Sam, in this film it is Sam who really anchors it and functions as the narrative’s heart as we watch his friendship tested but never loses faith in his friend. Viggo Mortensen  is given more of a fleshed out character here, this further adds to the interesting dimensions of his character of Aragorn. He is strong, hopeful and above all a brave character, embodied by Mortensen with outstanding skill.

It is Andy Serkis who makes the biggest impact in the film. His fluid and strange movements combined with amazing CGI create the character of Gollum, the one who once owned the ring that has poisoned his mind forever. Gollum is an interesting character in that sometimes you feel utter revulsion for him, whereas on the other hand he is sympathetic as you see how the powerful ring of the title has shattered his sanity. Liv Tyler continues her luminous portrayal of Arwen, Aragorn’s elf lover who has now left her immortality much to the chagrin of her father. There is a beautiful scene in which Elrond predicts a melancholy for her and Arwen begins to cry. Instead of giving up on her love she replies “There is still hope” in a sincere and emotion filled voice, as the tears run down her pale face. Miranda Otto is beautiful and strong as the king’s niece Éowyn, who falls for Aragorn along the way. David Wenham plays Faramir, brother of the late Boromir, whose path crosses with Frodo’s. Orlando Bloom and John Rhys-Davies are on form as Legolas and Gimli, their characters adding a certain amount of banter to the proceedings.  Billy Boyd and Dominic Monaghan are as good as before as Pippin and Merry, who evade capture by hiding in the woods. Bernard Hill is suitably imperial as Théoden, the king given his life back by Gandalf after being a zombie for Sauron. In a small but memorable role, Cate Blanchett reappears as the wise Galadriel, who predicts what may happen if the war comes into fruition. Christopher Lee is villainy personified as the fallen Saruman, now heading a war against mankind. Hugo Weaving is stately and wise as the elf lord Elrond, while Karl Urban is a success as the exiled heir and Brad Dourif a slimy presence as a force of evil.

A stunningly mounted second entry into an exciting and emotionally involving saga, The Two Towers is not to be missed by anyone.

The Lord of the Rings: The Fellowship of the Ring

Tags

2000's, Billy Boyd, Cate Blanchett, Christopher Lee, Dominic Monaghan, Elijah Wood, Epic, Fantasy, Hugo Weaving, Ian Holm, Ian McKellen, John Rhys-Davies, Liv Tyler, Orlando Bloom, Peter Jackson, Sean Astin, Sean Bean, The Lord of the Rings: The Fellowship of the Ring, Viggo Mortensen

Film Title

The Lord of the Rings: The Fellowship of the Ring

Director

Peter Jackson

Starring

• Elijah Wood as Frodo Baggins
• Ian McKellen as Gandalf
• Sean Astin as Samwise “Sam” Gamgee
• Viggo Mortensen as Aragorn
• Liv Tyler as Arwen
• Cate Blanchett as Galadriel
• John Rhys-Davies as Gimli
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Christopher Lee as Saruman
• Orlando Bloom as Legolas
• Hugo Weaving as Elrond
• Sean Bean as Boromir
• Ian Holm as Bilbo Baggins

The other day, I was rooting through my DVD collection when I came across The Lord of the Rings Trilogy. It has been an age since I last saw the films and so along with my brother I sat down and watched the films in one go. To say the experience was epic is an understatement. To start my reviews of the trilogy is The Fellowship of the Ring.

Many said it was unfilmable but Peter Jackson sure proved them wrong. The Lord of the Rings: The Fellowship of the Rings is the absorbing, stunningly executed and all round epic first entry into the trilogy. Fantasy has rarely looked this amazing and majestic onscreen and I may just run out of adjectives to describe the sheer scope and beauty of the film. Anyway enough of my rambling, onto the review.

Set in the vast lands of Middle Earth, Fellowship follows the tale of Frodo Baggins, a young hobbit living peacefully in the Shire who is entrusted with a dangerous task. His uncle Bilbo is leaving the Shire to live with the elves of Rivendell. He leaves Frodo a ring, yet this is no ordinary ring. It is the ring of power, forged centuries ago by the dark lord Sauron. There were originally other rings forged given to the different races of Middle Earth. Bound in the ring is the power to dominate the other bearers of rings and succumb to the rings dark trappings. Sauron was believed dead but his presence has survived and is now intent on retrieving the ring. Upon hearing of the ring, Bilbo’s old friend, the wise wizard Gandalf instructs Frodo to flee the Shire as the forces of darkness will soon come looking for him. Aiding Frodo is his loyal best friend Sam and two others hobbits named Merry and Pippin. Later he is joined by a mysterious ranger Aragorn who has a claim to a throne, archer and elf Legolas, dwarf Gimli and warrior Boromir. The future of Middle Earth is at peril because of the ring and only by destroying it can the danger it brings be erased. And so Frodo sets off with the others, known as the Fellowship, on a perilous journey to destroy the evil ring before it falls into the wrong hands. Prepare for a handsomely mounted fantasy tale of bravery, kinship and a dangerous quest filled with uncertainty directed with dedication and visual splendour by Peter Jackson.

The first thing to praise in Fellowship is the New Zealand locations that make up the vast lands of Middle Earth. Mountains, woodlands and vast fields appear breathtaking and we as an audience are sucked into the arduous journey that Frodo must take. The intelligent screenplay gives us a thrilling fantasy adventure with characters we can root for and features some amazing fight scenes against the dark forces that terrorise Middle Earth. We become immersed in the various legends that abound and the various people who make up the lands. Also, we get see the friendships of the main characters, embodied by the loyal and sincere Sam who would do anything for his best friend Frodo.

Sonically, Fellowship is a marvel. From the high-pitched screech of the Nazgul, wraith like beings attempting to return the ring to the dark lord to the evocative and splendid score by Howard Shore, it really is amazing to say the least. Special effects are of the highest order, creating menacing beings such as the vicious orcs and a particularly memorable cave troll. The many fight scenes are executed to excellent standards, especially when the Fellowship face the orcs. Fellowship of the Ring is a film of many memorable moments it really is hard to choose just a few to mention. Highlights for me are the chase of Arwen, a beautiful she elf who risks her life to save Frodo from death, by the evil Nazgul through woodlands, the Fellowship battling orcs in a catacomb and the kissing of Frodo’s forehead for good luck by Galadriel, a wise elf of immense power and wisdom.

But the biggest impact on the film is made by the supremely talented cast assembled to flesh out the various beings of this fantasy tale. Heading this is the ideal casting of Elijah Wood as Frodo, the one who the task weighs heavily upon. Wood embodies the initially frightened realisation of his task and later his bravery that will lead him on his way. Ian McKellen is excellent as the wizard Gandalf, showing us the wise man with immense power who is an invaluable ally on the quest. As the loyal, stout-hearted Sam, Sean Astin is perfectly cast as he is one of the driving forces behind Frodo. Without Sam’s wisdom and pluck, Frodo’s journey would not have been as interesting. Viggo Mortensen is suitably heroic as the skilled ranger Aragorn, while Liv Tyler is earnest and beautiful as Arwen, the elf who he has fallen in love with. Their relationship is beautifully observed as we watch the conflicted desires of both as Arwen questions whether to give up her immortality for love, her line ” I would rather share one lifetime with you than face all the Ages of this world alone” is haunting. Cate Blanchett is suitably ethereal and full of intelligence as Galadriel, the presence of her engaging voice in the prologue of the ring’s journey is a stroke of genius.  John Rhys-Davies provides some comic relief as the belligerent dwarf Gimli, further adding to this humour is Billy Boyd and Dominic Monaghan as the mischievous Pippin and Merry.  Christopher Lee is gleefully evil as the wizard who has turned to the dark side. Orlando Bloom makes for a skilled ally of Legolas, an elf with a talent for archery. Hugo Weaving exudes respectability as Elrond, lord of the elves while Sean Bean makes a deep impression as Boromir. In the small but pivotal role of Bilbo, the one who found the ring, Ian Holm shines.

Crafted with meticulous and faithful detail by Peter Jackson, Fellowship of the Ring is a fantasy film to treasure for its engaging storyline, glorious scenery and its ability to transport us into a world of magic, danger and hope.