Courage Under Fire

Tags

1990's, Courage Under Fire, Denzel Washington, Drama, Edward Zwick, Lou Diamond Phillips, Matt Damon, Meg Ryan, Michael Moriarty, Scott Glenn, Seth Gilliam, Tim Guinee, War

Film Title

Courage Under Fire

Director

Edward Zwick

Starring

• Denzel Washington as Lieutenant Colonel Nat Serling
• Meg Ryan as Captain Karen Walden
• Lou Diamond Phillips as Staff Sergeant John Monfriez
• Matt Damon as Specialist Ilario
• Michael Moriarty as Brigadier General Hershberg
• Scott Glenn as Tony Gartner
• Tim Guinee as Warrant Officer Rady
• Seth Gilliam as Sergeant Altameyer

A gripping drama, with the Gulf War as the main backdrop, Courage Under Fire examines how elusive it can be to get to the bottom of the truth and the haunting spectre of war. With intelligence and effective performances, Courage Under Fire becomes a story driven by emotion rather than just a generic war drama.

Dedicated Lieutenant Colonel Nat Serling served during the Gulf War were he experienced something that will haunt him forever. While engaged in combat, he gave an order to shoot what he thought was an enemy tank. It turned out that the tank was in fact one of his own and in effect he killed one of his closest friends. Reeling from this, Nat struggles to cope with this burden, while the army covered up the knowledge of friendly fire. Nat falls into sorrow and can barely hold it together when he is then given a new assignment. He is to evaluate the posthumous candidacy of Captain Karen Walden, a pilot who helped save the lives of many men whose helicopter was shot down, for the Medal of Honor. Although she saved the lives of many, Karen in turn died during later events that crumbling Serling attempts to piece together. He goes about this assignment by talking with members of her team. But Nat soon learns that no two stories are the same. The traumatised medic on the mission Ilario paints Karen as a heroic woman who wouldn’t give up, whereas the Staff Sergeant Monfriez bitterly denounces her as a coward who endangered those around her. The other two people who were there, Warrant Officer Rady who was brutally injured and Sergeant Altameyer both are in no fit state to talk as Rady was unconscious for most of the time and Altameyer is slowly dying. With all these discrepancies and inconsistencies surrounding this, it isn’t going to be easy getting to the bottom of this case. Matters aren’t helped by Tony Gartner, a journalist who is skulking around and Nat’s superior General Hershberg putting pressure on him to finish the job. Nat must now piece together the final moments of Karen’s life to determine if she deserves the award and also confront the possibility of a cover up surrounding her untimely death.

A lot of the gripping power that is derived from Courage Under Fire comes courtesy of director Edward Zwick. Through his deft direction, he presents many plausible angles to the unraveling case that Nat must contend with in order to get to the truth. Zwick brings the intelligently written screenplay to life, capturing the destructive effects the war can have on people’s minds and themes such as self-honour, bravery and deception. And I must commend the film for managing to balance intense scenes of war with drama, and keeping it all together. Courage Under Fire has a lot of power going for it and the structure of it, which allows us to see differing perspectives that could be lies or the truth. It’s only in the last half of the movie that the emotional parts begin to get a bit out of hand, but throughout the majority of it, Courage Under Fires manages to keep you invested and not go overboard on things. The overdoing of emotions in the last half is the only real flaw in a film that is done with clarity and control. The cinematography provided by Roger Deakins is exemplary in its use of colours, from the orange hues of the desert to the grey that suggests the emotional fracturing of minds and the damaging fallout from war, the visuals are a highlight of style here. A slowly building score from James Horner underpins the search for the truth and Nat’s personal demons that he can’t let go of.

Courage Under Fire is given a whole lot of power and heft due to the strongly assembled cast. In the lead role of the troubled Nat, Denzel Washington excels. He never overplays his emotions but lets us glimpse the way that his experience in war has torn him apart and how being assigned this case is a way for him to do something good. Washington exudes a sympathetic decency that is hard to deny and the need to bring the long-buried truth to the surface. In a particular difficult role, Meg Ryan is excellent as the deceased Karen who is portrayed through the eyes of others as many things. Ryan delves into the part and shows us the sides to this tough woman that others witnessed, that could be the truth or lies. Thankfully, instead of over complicating the part, Meg Ryan lends each side of what the character may be plausibility that rings true. Lou Diamond Phillips makes his mark as the arrogant, macho Monfriez who often thinks of himself as higher than his rank. It is Matt Damon who really caught my eye in this movie as the traumatised and drug-addicted Ilario. It has been well-documented the physical transformation that Damon made for the part that lead to health problems for him at the time. But as physically convincing as Damon is, with his gaunt face and emaciated physique, it’s the emotion that he puts into the part that really stands out. In supporting roles, Michael Moriarty and Scott Glenn are well served as Serling’s superior and an opportunistic journalist. Tim Guinee and Seth Gilliam are less well served as two of the men who were in rescue with Karen, but both of them still give credibility to their parts.

An intriguing war drama that is well-paced and acted with power by the cast, Courage Under Fire is filled with a deep sense of urgency to compliment the deep themes it covers and grips you with.

Ocean’s Thirteen

Tags

2000's, Al Pacino, Andy Garcia, Bernie Mac, Brad Pitt, Caper, Carl Reiner, Casey Affleck, Comedy, Crime, Don Cheadle, Eddie Jemison, Ellen Barkin, Elliott Gould, George Clooney, Matt Damon, Ocean's Thirteen, Scott Caan, Shaobo Qin, Steven Soderbergh

Film Title

Ocean’s Thirteen

Director

Steven Soderbergh

Starring

• George Clooney as Danny Ocean
• Brad Pitt as Rusty Ryan
• Matt Damon as Linus Caldwell
• Al Pacino as Willy Bank
• Ellen Barkin as Abigail Sponder
• Andy Garcia as Terry Benedict
• Don Cheadle as Basher Tarr
• Elliott Gould as Reuben Tishkoff
• Casey Affleck as Virgil Malloy
• Scott Caan as Turk Malloy
• Eddie Jemison as Livingston Dell
• Carl Reiner as Saul Bloom
• Shaobo Qin as Yen
• Bernie Mac as Frank Catton

The concluding movie in the classy and cool caper series, Ocean’s Thirteen thankfully returns to the vein of the first movie after going off the boil with Ocean’s Twelve. And thank goodness Thirteen delivers the goods as I was a bit apprehensive of which way this movie could go. I’m happy to report it went in a very slick direction and was an enjoyably breezy affair.

Thirteen begins with flamboyant but lovable businessman Reuben Tishkoff being tricked into signing over his share of a new casino to egotistical Willy Bank. Reeling from the shock, Reuben suffers a heart attack and remains bedridden from the experience. Angered, suave Danny Ocean reconnects the old team; slick Rusty, thief Linus, outrageous Basher, the amusingly feuding Malloy brothers Virgil and Turk, witty Frank, technology guy Livingston, old con man Saul and acrobatic Yen. As revenge on the traitorous Bank, Danny wants to humiliate him on the opening night of his new casino. Formulating a plan to rig the games by infiltrating suppliers so that Bank will be cleared out of money, tarnish his sterling reputation and just about anything else to ruin him, the gang knows that if it is successful justice for Reuben will be done. Yet one part of the plan requires a powerful underground drill to simulate an earthquake and after one attempt, the drill breaks forcing them to rethink. Eventually, though they’re all reluctant to do so, they acquire the service of former enemy Terry Benedict, who can finance them with a new drill and get his own back on old rival Bank. Benedict also wants to steal an extensive diamond collection belonging to Bank which adds even more danger to the complex plan. It’s getting this elaborate plan to flow smoothly that poses the biggest problem, as well as Bank’s eager to please PA Abigail and whether or not Terry will double cross anyone. So will Danny and his merry band of thieves be able to pull of this vengeance fueled plan?

Once more, Steven Soderbergh shows of his flair for panache with inspired direction that utilizes many of the snappy visual tricks he so often likes to use. His use of split screen and overlapping images creates a jazzy and snazzy effect as the revenge plan playfully begins. Las Vegas looks a million dollars and the characters do too, in a film that thanks to Soderbergh’s great devilish eye flows along nicely as mischievous plans and justice is served to Bank for misdeeds. Whereas Ocean’s Twelve went completely overboard with its twists, Thirteen keeps it a bit more simple and largely benefits from not indulging in show off tactics. The plan that Danny and the crew formulate is essentially a complex revenge game, but for the audience it never becomes too complicated to understand as we’re rooting for their plan to work on the dastardly Bank. A wonderful script, filled with wit and hilarity, brings out the fact that the crew isn’t doing this job for a thrill. The job is for something more personal than just money or wealth, proving that there may in fact be honor among thieves after all. There is the added bonus of the chemistry with the cast again and the fact that almost everyone is given something to do, something which Twelve didn’t do so well. You do get a sense of glee watching the guys wreak havoc on Bank, via tricks and disguises, and hit him where is hurts, his money.  All of this fun and amusing antics are backed up by a sizzling score that reverberates with old-school swing and silky jazz riffs. The only real flaw in Thirteen is that it isn’t as good as Eleven, but has oodles of style and wit that put it very close to it and acres above Twelve.

The ensemble cast are clearly having a blast that radiates off the screen with energy and verve. George Clooney is on fine form as the urbane Danny, doing his own brand of justice and revenge with panache and humour. Backing him up is the charms of Brad Pitt as Rusty, who is one of the main brains in the plan to humiliate Bank for crossing the line with Reuben. Matt Damon shows a flair for comedic antics as Linus, who is finally given some credit that he’s fought for so long to get. Watching as he is disguised with a bulbous nose and Bond villain hair and having to woo the efficient Abigail is a real hoot and Damon sells it all the way with hilarious enthusiasm. Sporting a dodgy spray tan and larger than life ego, Al Pacino is at home essaying the persona of the arrogant and morally corrupt Willy Bank, who is going to be hit for all that he is worth by the suave crew. As the lone female in the movie, Ellen Barkin is hugely amusing as the perfectionist PA Abigail, who unwittingly helps the crew in their daring plan after being charmed by a disguised and pheromone infused Linus. Sporting ruthless and oily tics, Andy Garcia is deceptive as the former enemy brought in to help, who may or may not be trustworthy. Don Cheadle exudes an over zealous and flamboyant antics, while Elliott Gould puts his heart into Reuben, whose heart attack puts in motion the revenge for Bank. Casey Affleck and Scott Caan are wonderfully comical as the Malloy twins, particularly in their stint undercover at a Mexican plastics facility where they unintentionally cause the workers to rise up against woeful underpayment. Nervous energy comes courtesy of Eddie Jemison, while sophistication is given by veteran Carl Reiner and athletic prowess from the lithe Shaobo Qin. Out of all the cast, Bernie Mac is unfortunately not given a lot to do which is a shame as his character of Frank is usually a comic highlight and the fact that this was one of Mac’s last film roles before his early death.

So while the first Ocean’s is my favourite, Thirteen manages to capture some of the witty and flashy charm of it and more than make up for the debacle of Twelve. If it’s enjoyment you require, Ocean’s Thirteen more than does the job with sizzling sophistication and proves that thirteen isn’t always an unlucky number.

Ocean’s Twelve

Tags

2000's, Andy Garcia, Bernie Mac, Brad Pitt, Caper, Carl Reiner, Casey Affleck, Catherine Zeta-Jones, Comedy, Crime, Don Cheadle, Eddie Jemison, Elliott Gould, George Clooney, Julia Roberts, Matt Damon, Ocean's Twelve, Scott Caan, Shaobo Qin, Steven Soderbergh, Vincent Cassel

Film Title

Ocean’s Twelve

Director

Steven Soderbergh

Starring

• George Clooney as Danny Ocean
• Brad Pitt as Rusty Ryan
• Matt Damon as Linus Caldwell
• Catherine Zeta-Jones as Isabel Lahiri
• Julia Roberts as Tess Ocean
• Andy Garcia as Terry Benedict
• Don Cheadle as Basher Tarr
• Bernie Mac as Frank Catton
• Casey Affleck as Virgil Malloy
• Scott Caan as Turk Malloy
• Vincent Cassel as Francois Toulour/ The Night Fox
• Eddie Jemison as Livingston Dell
• Carl Reiner as Saul  Bloom
• Elliott Gould as Reuben Tishkoff
• Shaobo Qin as Yen

As a follow-up to the successful Ocean’s Eleven, Twelve is still entertaining in its own way. It just happens to fall short by becoming overly complex and not using the ensemble cast as well as it could. It’s not a complete mess, but it could have been better.

Ever since pulling off their audacious major heist on casino owner Terry Benedict, Danny Ocean and the rest of his crew have been living apart and quietly with their takings. Unfortunately, this state of anonymous bliss is broken( which for smooth talking Danny has included reconciling with his wife Tess) when the angry and well-connected Benedict locates all of them and demands that they pay back the large sum they stole from him plus interest. Assembling the group, who are short of paying their halves of the money, they head to Amsterdam where they are told of a potential heist could take place. The crew has two weeks to repay the ruthless Terry or else things could be fatal for all involved. The hitch of the plan is that there is a gifted, arrogant cat burglar known as the Night Fox who beats them to it, forcing the crew to reconsider something else to steal. Striking an uneasy deal with the slimy Night Fox whose real name is Francois Toulour and a very rich man, the group plans to steal a Fabergé egg that should cover their debt to the vengeful Terry. Another obstacle comes in the shapely and sharp form of Isabel Lahiri, an extremely determined Europol detective who is put on the case and discovers that her former lover Rusty is part of the crew, causing various complications with putting the plan in motion and finally executing it. The question is will Danny and his cohorts be able to successfully do this heist and get the money before it is their necks on the chopping block?

A complex and labyrinthine plot is what makes Ocean’s Twelve a step down as it becomes overly clever and twists too much. And while Steven Soderbergh once again contributes his stylish sense of film making to the proceedings, he can’t make it flow together because of how convoluted the script becomes. Saying that, there are still some killer one-liners and hilarity, but in terms of pacing Twelve drags in comparison with its quick-footed predecessor. I have to compliment the visuals in Twelve which can’t be faulted and put the glamorous locales in glorious colours and mood, not to mention some slick costumes. There is something almost tired about Twelve, like because the first one did well they should make it a bit more complicated, yet this idea doesn’t work that well in theory. This is most apparent in the non-linear structure which works in the very beginning as the story is set up, but then descends into over confidence and confusion. And unlike the first movie that had quite a good bit of tension going on as the merry band of thieves were slipping past danger and averting trouble, Twelve is strangely devoid of the suspenseful heist we witnessed first time around. It is still an audacious heist that they must take part in, but the handling of it feels clumsy at best. A suitably cool score, accented with lively jazz and Rat Pack attitude at least gives Ocean’s Twelve hints of classy caper and adventure.

The starry cast is back with some new additions this time and while many are excellent, the way the script is done leaves many on the sidelines and doesn’t give some characters enough time to make an impression. As always, George Clooney is suave and devilish as main man Danny, who knows that the stakes are high in this heist and how the lives of everyone he cares about are on the line. The same goes for Brad Pitt as the lovable Rusty, whose relationship with Isabel begins to complicate matters that are already mounting. Matt Damon is a hoot as the overly eager and slightly naive Linus, who wants a central role this time and does show his skills to everyone when they get in a jam. Among the newer cast members, the beautiful Catherine Zeta-Jones makes the biggest splash as detective Isabel. Somewhat icy and passionate in her dedication, her resolve gets tested by former lover Rusty coming into the case. Jones makes Isabel a really intelligent character who shares many sparks with Pitt’s Rusty as she tries to anticipate what he and the gang are up to. Julia Roberts has a smaller role as Tess this time around, but has some real humour especially when she is drawn in to help by taking on a disguise that is knowing and a funny in-joke. The rest of supporting cast in Twelve, although talented are given less to do in terms of material, which is very unfortunate because they all added something to the past film with their individual idiosyncrasies and tics. It’s only really Vincent Cassel as the supremely arrogant Night Fox that makes any real impression on the story out of the underused supporting cast.

So while there is obvious style and camaraderie with members of the cast, Ocean’s Twelve falls more than a little flat despite potential.

Ocean’s Eleven

Tags

2000's, Andy Garcia, Bernie Mac, Brad Pitt, Caper, Carl Reiner, Casey Affleck, Comedy, Crime, Don Cheadle, Eddie Jemison, Elliott Gould, George Clooney, Julia Roberts, Matt Damon, Ocean's Eleven, Scott Caan, Shaobo Qin, Steven Soderbergh

Film Title

Ocean’s Eleven

Director

Steven Soderbergh

Starring

• George Clooney as Danny Ocean
• Brad Pitt as Rusty Ryan
• Matt Damon as Linus Caldwell
• Andy Garcia as Terry Benedict
• Julia Roberts as Tess Ocean
• Don Cheadle as Basher Tarr
• Bernie Mac as Frank Catton
• Scott Caan as Turk Malloy
• Casey Affleck as Virgil Malloy
• Carl Reiner as Saul Bloom
• Elliott Gould as Reuben Tishkoff
• Eddie Jemison as Livingston Dell
• Shaobo Qin as Yen

A witty, breezy and thoroughly enjoyable caper movie, Ocean’s Eleven is a joy to watch and you’ll be sure as hell smiling by the end of it because of its charm. Loosely based on a 60’s Rat Pack movie, Eleven, as directed by the highly talented Steven Soderbergh mixes an old-fashioned glamour with a contemporary edge to craft a wholly amusing, well-crafted and undeniably slick heist flick.

Cool cat Danny Ocean is released from prison after serving time for theft. Being the suave man of action that he is, he has no desire to becoming a moral citizen. Instead, he has already formulated a crafty plan of his own and soon sets about assembling a team to help him with a heist. But this is no ordinary and simple heist, this is a complex maze that is highly dangerous. Danny wants to hit an underground vault that holds the money from three prominent casinos in Las Vegas, which is heavily guarded and nearly impossible to penetrate. With the help of best friend and card shark Rusty Ryan, the team is recruited for their various skills; Linus Caldwell is a somewhat naive thief who wants to be like his infamous parents, theatrical explosives expert Basher Tarr, inside man Frank Catton, the Malloy twins Turk and Virgil who are expert mechanics, aged but still hanging in there con man Saul Bloom, bankroll Reuben Tishkoff, neurotic technology wizard Livingston Dell and lithe Chinese gymnast Yen. Through careful studying, methodical planning and determination, the plan swings into motion and the stakes are indeed high with $150 million if they can accomplish the audacious heist. Making matters dangerous for the rag-tag group is the casino’s owner Terry Benedict who is a really dangerous guy. There is also the matter of Terry dating Danny’s ex-wife Tess, and Danny still obviously carrying a torch for her that could complicate everything. Can Danny and the rest of the team pull off possibly the most dangerous heist known to man?

Straight off the bat, Steven Soderbergh showcases his talent as a visual director. With stylized cuts as the heist is going on at various parts of the casino and the magic of the bright lights Las Vegas setting, Soderbergh’s direction exudes confidence and slick tactics. He crafts scenes of hilarity that are matched by nail-biting suspense as the plan is executed with danger at every turn for the misfit group. The pacing is stunningly executed and moves along at a briskly which takes you from the opening frame and pulls you into the caper of it all. And while the heist is a huge part of the film, the planning of it is just as much fun to watch, as it is seen from what the group wants to happen and then shown what does actually happen. A whip-smart script brims with amusing one-liners and banter between the characters, particularly Danny and Rusty who make a good double act during parts of Ocean’s Eleven. The script creates such likable characters in the main gang that you want them to succeed in this daring scam of theirs. And as I said earlier, the harking back to old-fashioned capers makes Ocean’s Eleven a cool and witty yarn that is impossible to resist. A smooth score of jazz is the perfect backdrop for the story as motives are planned and hiccups arise, challenging what could be a heist worth millions. To say this movie was enjoyable is to do it a disservice as it is a rollicking good time.

A huge draw for Ocean’s Eleven is the star-studded ensemble cast that have fun with their roles and each shine in their own way, particularly the main team who have superb chemistry with one another. Heading the way is the debonair performance from George Clooney who is the personification of charm and style. With a glint in his eye, suave delivery of lines and a fox-like smile, Clooney is clearly having a blast as the mastermind behind the heist and is perfectly cast in the part. On equally slick form is Brad Pitt, who offers irresistible wit and smarts as card shark Rusty who is the second in command. Matt Damon plays the role of thief Linus very well, constantly capturing his eagerness to prove himself and make the audience relate to him. Andy Garcia nails the part of the slimy and very dangerous Terry, who becomes increasingly angered as he realises that his casino and money is being targeted. Julia Roberts as the main woman in the film shows that it isn’t just the boys having fun, as she plays the suspicious and glamorous Tess, who can’t deny that she is in love with Danny despite the pain he’s caused her. Despite the dodgy attempt at a cockney accent, Don Cheadle is a hoot as the sometimes crazy Basher who specialises in explosive devices and is prone to exaggeration, while Bernie Mac is a blast as the inside man on the case. Scott Caan and Casey Affleck have fun portraying the Malloy twins, who are in almost constant arguments and scrapes with one another. Carl Reiner as the still determined but aging con man and Elliott Gould as the financier of the mission both provide their sterling credentials to Ocean’s Eleven. As computer whiz and panicky guy Livingston, humour comes from Eddie Jemison and then there is the acrobatic frame and grace provided by Shaobo Qin as the flexible Yen.

Executed with wit and vigour, Ocean’s Eleven is engaging from start to finish due to awesome direction, humorous script and cool work from the cast.