Empire Records

Tags

1990's, Allan Moyle, Anthony LaPaglia, Brendan Sexton III, Comedy, Coming-of-Age, Coyote Shivers, Debi Mazar, Drama, Empire Records, Ethan Embry, James 'Kimo' Wills, Johnny Whitworth, Liv Tyler, Maxwell Caulfield, Renée Zellweger, Robin Tunney, Rory Cochrane

The wonderful Gabriela asked me to take part in a blogathon to pay tribute to Maxwell Caulfield.I thought of the perfect film for it and that film is the coming of age comedy/drama Empire Records. My entry is a day early but I don’t think anyone will mind. 

Set over a day in the lives of the workers at the titular music store, Empire Records is a 90’s movie with plenty of good music and filled with many stars on the brink of making it. Plus, you’ve got offbeat characters and fun antics so it’s a great way to spend an hour and a half. Don’t go in expecting anything revolutionary and you’ll have a good time with this cult classic that’s stature has grown in recent years.

Empire Records is a funky little independent record store in Delaware, that provides a solace for the teenagers who work there under the caring eye of store manager  Joe(Anthony LaPaglia). The store prides itself on being independent and doing its own thing, not complying with corporate pressure to be mainstream, but all that could be in jeopardy. The sarcastic and wisdom dispensing employee Lucas( Rory Cochrane) discovers that there is a plan to sell the store and for it to be changed into a soulless music chain. Determined for this not to happen, Lucas takes the store’s takings and heads to Atlantic City. He plans to increase the money at the casino, yet his luck runs out quickly and the money is gone thanks to his harebrained scheme. The next day, the store opens for the arrival of has been former teen idol Rex Manning(Maxwell Caulfield), whose attempting some form of a comeback. It’s here that the rest of the characters are introduced. We have beautiful over achiever Corey(Liv Tyler) , a good girl who wants to lose her virginity to celebrity crush Rex, sexy and sassy Gina( Renée Zellweger) who goes through men like clothes, artistic A.J( Johnny Whitworth) who is in love with Corey but hasn’t had the courage to tell her, wild eyed stoner Mark(Ethan Embry) and troubled Deb(Robin Tunney), who announces herself by shaving her head within minutes of entering the store. Also appearing later are Deb’s on/off rockstar boyfriend Berko( Coyote Shivers)and Mark’s fellow stoner Eddie(James ‘Kimo’ Wills) .

Once Joe notices that the money is gone, he is furious and waits for Lucas to show his face. After animosity following Lucas resurfacing, Joe attempts to explain a plan that could stop the store becoming mainstream while still nursing anger towards the well meaning but careless Lucas. It seems that the money Lucas lost was going to be used to buy the store outright by Joe. Meanwhile ups and downs within the store flesh out the eventful day before them. A whole host of things take place in the twenty fours like a belligerent thief going by the pseudonym Warren Beatty( Brendan Sexton III) causing havoc, Corey and Gina falling out over their respective reputations, Deb’s feelings of alienation and indifference and the appearance of the washed up Rex who has seen better days and isn’t blessed with the kindest of egos . Above it all, feelings are aired and the misfits begin to band together to stop the takeover in an attempt to sock it to the man. 

Allan Moyle is on director’s duties and he seems to have a good grasp of teen angst and how music is always there for us. Complete with messages of fighting the system and being yourself even when you’ve got problems, Moyle injects Empire Records with a certain nostalgia value and the script sizzles with great one liners and plenty of hip dialogue. Moyle keeps the pace flowing as more crazy events mount up within the store, many of them overlapping and entertaining. Empire Records is far from flawless( parts feel rushed and sometimes there is one music montage too many). It isn’t exactly going for being the most original movie out there, but I think therein lies the appeal of Empire Records. Sure it has foibles and the characters are largely archetypes, but it’s not attempting to be a game changer and is going for showing teenagers and their problems/ antics shared with each other and the audience. It’s got a good nature to it and is hard to resist for its sheer quirkiness and witty nature. You get the feeling that for all the angst and eventfulness in the character’s lives, that there’s some light out there for them at the end when surrounded by friends and music. Fun can be gleaned from seeing certain stars at the beginnings of their careers in this comedy drama( chiefly Renée Zellweger and Liv Tyler) that has earned itself its place as a cult classic. Plus it provides one entertaining capsule into the 90’s complete with the fashions, records, VHS and lingo that dazzle. And you have to love the soundtrack that truly singles it out as a 90’s movie of the highest order.

 A game cast fit into their arguably archetypal parts that are well suited to them in an offbeat and idiosyncratic way. As the main sense of parental authority that isn’t stuffy or condescending is Anthony LaPaglia, who combines both a fatherly charm and a gruff  visage to the craziness around him. He’s a softie at heart though and functions wonderfully as the person who provides a sense of fun and respect towards his workers who all look up to him. Much humour and astute observation comes courtesy of Rory Cochrane as the witty yet unlucky Lucas. His deadpan humour and almost mystical advice to his friends is both in check and makes for most of the movie’s laughs. A luscious Liv Tyler is on hand to present pressured angst and a want to be more than just a goodie two shoes, coupled with notes of humour and sadness. Her blend of winsome appeal and longing is employed excellently here. Renée Zellweger in an early role aces it as her best friend who has a bad reputation but is a lot more than meets the eye. Zellweger savours the sassy one-liners that her part presents and delivers them with a wicked edge. Johnny Whitworth has the right attitude for the part of lovesick A.J, who can produce great art but it seems is unable to fully express his feelings of romance, while the main points of comedy come from the crazy and uninhibited turn by Ethan Embry as the stoner. Robin Tunney rounds out the main group with a decidedly dark yet acerbically funny performance as a girl crying out for help but also letting loose and just holding nothing back. 

And we now come to the man of the hour that is Maxwell Caulfield. He’s splendidly cast as the has been pop star whose attempting a comeback yet is never taken seriously by anyone. Caulfield captures the sleazy and entitled attitude of someone who doesn’t realise that their heyday is in fact over and that he’s an embarrassment full of arrogance and swagger. Complete with bouffant hair and bad spray tan, he’s a funny figure to witness and one that Caulfield plays very well. It’s really evident that Maxwell Caulfield is having a ball with this peach of a part. I enjoyed seeing a young Brendan Sexton III as the surly and amateur thief who begins to feel at home inside the confines of the store. In support there is Debi Mazar as his personal assistant who actually can’t stand him and sides with the store, plus the music stylings of Coyote Shivers and slacker humour from James ‘Kimo’ Wills.

So while it has its moments that detract from the overall product, Empire Records is still an entertaining film to watch, mainly for the performances and of course the music 

The Strangers

Tags

2000's, Bryan Bertino, Gemma Ward, Horror, Liv Tyler, Psychological Horror, Scott Speedman, The Strangers

Film Title

The Strangers

Director

Bryan Bertino

Starring

• Liv Tyler as Kristen McKay
• Scott Speedman as James Hoyt
• Gemma Ward as Dollface

Low on gore yet full of creeping suspense and terror, The Strangers is unnerving and genuinely terrifying psychological horror that will leave you sleepless.

A young couple, Kristen McKay and James Hoyt are staying at remote summer-house for a getaway before heading on a road trip. James proposes to Kristen, but she refuses and doesn’t want to rush things. With a wedge between them, they try to salvage a relationship which is already on shaky ground. Their attempts to rekindle their relationship are however put on hold by a knock at the door. Answering, a young girl whose face is obscured by a broken light, asks if Tamara is there. The couple send her away after telling her that no one of that name lives there. Everything seems fine, until another knock at the door which then escalates into torment from the girl, who is wearing a china doll mask along with two other masked assailants for back up. The trio begins to systematically terrorise Kristen and James with loud banging, violence and methodical ways of emotional torture as they trap them inside the house. Kristen and James are soon caught in a fight to survive the night as the assailants step up their campaign of terror by cutting off all contact or chance of escape. The terrified couple is forced beyond what they thought they were capable of in order to live through this twisted game orchestrated by the intruders for what seems to be their own sick enjoyment.

Bryan Bertino skillfully creates an atmosphere of dread without resorting to showy gore and carnage. Yes there is violence, but where the true scares of The Strangers lies is in the slow-burning build up that turns extremely frightening as events unfold. There may be nothing original or groundbreaking in The Strangers, but it isn’t trying to be something else and that’s why it is very effective. It understands the creeping power of excruciating silences interrupted by jump scares and the power of burnt orange lighting which sets the mood and harks back to the 70’s. The lighting in particular gives the movie extra scares because of the fact that at any moment one of the intruders may just spring from the dimly lit corner of the house to menace Kristen and James. This film exploits the fear of intrusion of where we consider to be safe and does a very good job at winding up suspense as Kristen and James have to evade capture if they have any chance of survival. And yes some people may say that the movie is unrealistic and at times you have to suspend your belief, but you have to admit that there is a plausibility to it that is hard to shake. I admired the way that the pace occasionally comes up for air and lets us sympathise with the two main characters(who are thankfully not two screaming teenagers but adults and well-played ones too) before plunging them, as well as us, into a living nightmare. A minimalist score keeps the piece laced with an unpredictable nature, that rises when the terror hits and then nestles into suspense.

Liv Tyler and Scott Speedman are both well cast as the victims in the twisted taunting game set up by the eponymous strangers. Both of them convincingly convey fear, uncertainty and desperation as they fight to survive ensuing horror. Tyler in particular rivets the attention with her expressive blue eyes and the way she exudes terrified vulnerability is really something. The three strangers sort of blend into together in their terrifying way, Gemma Ward is the only one who speaks and makes the most of the creepy lines she has to deliver.

So what The Strangers lacks in originality it more than makes up for in terrifying horror and effective performances.

More Beautiful Ladies

Tags

Beautiful Ladies, Christina Hendricks, Emma Stone, Eva Mendes, Jackson Rathbone, Liv Tyler, Olivier Giroud

After the success of my other Ladies posts, I thought I’d do another one for all my great followers out there. There is no specific theme today, just beautiful women for all the guys and some handsome men for the women.

Firstly, we have the luscious Liv Tyler. With her full lips and raven hair, she is a beautiful woman who always captivates my attention.

The sensual Christina Hendricks is a stunner in almost every photo I see her in. And I just love those fiery red locks.

Eva Mendes always exudes smoky sex appeal in almost everything she does.

Emma Stone has such a gorgeous demeanor and has one of the best smiles I’ve ever seen.

And now ladies, here are some handsome men to lust after. We have some hipster guy for Reut, Jackson Rathbone for Vampire Placebo and French football star Olivier Giroud for all you sporting ladies.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Lord of the Rings: The Return of the King

Tags

2000's, Andy Serkis, Bernard Hill, Billy Boyd, Cate Blanchett, David Wenham, Dominic Monaghan, Elijah Wood, Epic, Fantasy, Hugo Weaving, Ian McKellen, John Noble, John Rhys-Davies, Karl Urban, Liv Tyler, Miranda Otto, Orlando Bloom, Peter Jackson, Sean Astin, The Lord of the Rings: The Return of the King, Viggo Mortensen

Film Title

The Lord of the Rings: The Return of the King

Director

Peter Jackson

Starring

• Elijah Wood as Frodo Baggins
• Ian McKellen as Gandalf
• Viggo Mortensen as Aragorn
• Sean Astin as Samwise “Sam” Gamgee
• Andy Serkis as Gollum
• John Rhys-Davies as Gimli
• Orlando Bloom as Legolas
• Liv Tyler as Arwen
• Miranda Otto as Éowyn
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Bernard Hill as Théoden
• Cate Blanchett as Galadriel
• Hugo Weaving as Elrond
• David Wenham as Faramir
• John Noble as Denethor
• Karl Urban as Éomer

Rounding out my marathon of the Lord of the Rings trilogy is the grand and unbeatable Return of the King. It has been great reviewing these outstanding films and I hope that the other bloggers have enjoyed it as well. Winner of a staggering 11 Oscars, including Best Picture, Peter Jackson once again creates a film of such beautiful and emotional scope. Focusing on Frodo as he reaches Mount Doom, Aragorn’s taking of kingship and earth shattering battles, Return of the King is a fantasy epic of the highest order that is certain to blow you away.

Frodo continues his quest to destroy the ring with Sam and the ever changeable Gollum, whose desire for the ring is growing more dangerous by the day. Day by day, Gollum conspires to drive the two friends apart in order to gain access to the ring. Meanwhile Aragorn claims the throne of Gondor and begins to raise an army of the dead to fight against the forces of Sauron that are quickly taking control over Middle Earth. Aided by friends, the time has come for Aragorn to fight and Frodo to prosper as he nears the end of his quest. Prepare for the epic spectacle of Return of the King, it will most certainly take your breath away.

If I could describe The Return of the King in one word it would be spellbinding. From absolutely stunning locations to fierce battles and the perils of various creatures, Peter Jackson never loses out attention for a single minute. He deservedly won the Best Director Oscar for his awe-inspiring and deft direction. By the end of the film, you feel so close to these characters and feel as if you’ve been on the epic journey with them right until the end. The smart screenplay is mainly the reason for this as the film nears its end, we get to see the impact the ring has on each of the characters within the narrative. As in the other films, the score is an evocative and dramatic listen that soars with emotional dexterity. While watching the film, I really didn’t want it end as it was just so involving for me. Moments in this film will forever be indelible in my mind. Some of these are Arwen’s vision of the future that persuades her to wait for Aragorn and armies rising just before battle as Aragorn, tears in his eyes utters “For Frodo”. As he says these words you understand the loyalty and friendship that is shared and the power of it.

The ensemble cast is a richly talented who have created indelible characters. Elijah Wood continues to impress as the stout-hearted Frodo, who is nearing the end of the journey whilst overcoming many obstacles. Ian McKellen is another highlight as Gandalf, while Viggo Mortensen gives one of the strongest performances as the returned king Aragorn. Sean Astin is still impressive as the good friend Sam, who has helped bring Frodo this far with his own will and determination. The scene of Frodo and Sam comforting one another, their faces dirty, their eyes red from crying but their spirits still strong, is an undeniably moving moment in a trilogy of memorable scenes. Andy Serkis is amazing as the demented Gollum, now almost completely consumed with the power of the ring and poisoning Frodo against those closest. With the power of CGI and Serkis embodying Gollum’s wiry movements to unnatural fashion, Gollum is a memorable masterwork.

Fleshing out the other members fighting with Aragorn are the reliable John Rhys-Davies and Orlando Bloom as Gimli and Legolas. Liv Tyler is moving as Arwen, who has renounced her immortality as a means of staying with her one true love Aragorn. Miranda Otto has an expanded role as Éowyn, here showing the mental and physical strength to fight in battle. Billy Boyd and Dominic Monaghan are still as plucky as ever as Pippin and Merry. Bernard Hill is very good as the brave King Théoden, while Cate Blanchett radiates ethereal beauty and deep wisdom as the elf Galadriel. Hugo Weaving and David Wenham reappear successfully as Elrond and Faramir. John Noble provides the interesting character of Denethor, a stand in ruler who is weak-willed and snake-like. Karl Urban rounds out the cast as the knight Éomer.

Stunningly mounted, emotionally gripping and all round magical, The Return of the King is all you could ask for in a fantasy movie and more.

The Lord of the Rings: The Two Towers

Tags

2000's, Andy Serkis, Bernard Hill, Billy Boyd, Brad Dourif, Cate Blanchett, Christopher Lee, David Wenham, Dominic Monaghan, Elijah Wood, Epic, Fantasy, Hugo Weaving, Ian McKellen, John Rhys-Davies, Karl Urban, Liv Tyler, Miranda Otto, Orlando Bloom, Peter Jackson, Sean Astin, The Lord of the Rings: The Two Towers, Viggo Mortensen

Film Title

The Lord of the Rings: The Two Towers

Director

Peter Jackson

Starring

• Elijah Wood as Frodo
• Ian McKellen as Gandalf
• Sean Astin as Samwise “Sam” Gamgee
• Viggo Mortensen as Aragorn
• Andy Serkis as Gollum
• Liv Tyler as Arwen
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Miranda Otto as Éowyn
• Orlando Bloom as Legolas
• David Wenham as Faramir
• John Rhys-Davies as Gimli
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Bernard Hill as Théoden
• Cate Blanchett as Galadriel
• Christopher Lee as Saruman
• Hugo Weaving as Elrond
• Karl Urban as Éomer
• Brad Dourif as Gríma Wormtongue

Now for the second entry into my Lord of the Rings marathon. Picking up where Fellowship of the Ring left off, The Two Towers is a superb continuation to this engaging trilogy that balances great characters, mythology and some of the best battle scenes ever put on film. Darker than its predecessor, Two Towers is just as good as the first and introduces us to more engaging characters who populate the lands of Middle Earth. If this doesn’t get you excited for the final concluding entry in the trilogy, I don’t know what will.

With the Fellowship now fractured and Gandalf sacrificing himself in the mines, the various factions that remain continue travelling. In one segment, Frodo and Sam continue the perilous journey to destroy the evil ring and are joined by Gollum, the ring’s former owner whose life was tortured by his desire to the ring and the inability to resist taking it. Gollum knows the way to Mordor, but Sam distrusts him and warns Frodo about what Gollum may do. In another strand; Aragorn, Gimli and Legolas travel to Rohan which is about to come under attack from the forces of Sauron. Along the way, they encounter an old ally. A now reborn and stronger Gandalf who aids them in bringing the king of Rohan,  Théoden out from under the spell cast by Gríma Wormtongue, one of Saruman the dark wizard’s workers. And in the other segment, Merry and Pippin flee after being captured by orcs into the forest where Treebeard, an ent who listens to them and journey’s on. Busting apart the common idea that the middle film of a series is the weakest, The Two Towers contains gorgeous locations, breathtaking scope and the all round magical feeling of a fantasy quest you will never want to leave.

Peter Jackson again fashions a fantasy epic of staggering proportions with this entry. Having three separate story strands could have been a risky move, but in this case it pays off handsomely as we watch not just one journey, but three. This entry also focuses more on Aragorn as a character and his emergence as a skilled warrior who may finally have to reclaim his right to the throne in the future. As is to be expected from an epic like this, the locations are spectacularly captured in long panning shots as mountains, dales and volcanos come into view.You watch scenes like this and really understand the unparalleled power and splendour that Jackson has brought to the screen. Peter Jackson handsomely combines action with an emotionally involving hero’s journey to overcome the forces of evil whilst battling against the many foes along the way. The Battle at Helm’s Deep is in my book one of the best battle sequences recorded on film, the sheer scope and meticulous craft on display is so mesmerizing as Aragorn leads men against the orcs and other forces of darkness.

Once again, the vast ensemble cast delivers, with newer additions adding impact along the way. Elijah Wood successfully continues his role as Frodo, here showing the burden that has been put on him and how he attempts to remain resilient to the dominating force of the ring. Ian McKellen shines as the resurrected Gandalf, who is as wise and powerful as he ever was. The scene when he appears to Aragorn, Gimli and Legolas in a vast array of light is a stunning sight to behold. Sam Astin continues to impress as loyal Sam, in this film it is Sam who really anchors it and functions as the narrative’s heart as we watch his friendship tested but never loses faith in his friend. Viggo Mortensen  is given more of a fleshed out character here, this further adds to the interesting dimensions of his character of Aragorn. He is strong, hopeful and above all a brave character, embodied by Mortensen with outstanding skill.

It is Andy Serkis who makes the biggest impact in the film. His fluid and strange movements combined with amazing CGI create the character of Gollum, the one who once owned the ring that has poisoned his mind forever. Gollum is an interesting character in that sometimes you feel utter revulsion for him, whereas on the other hand he is sympathetic as you see how the powerful ring of the title has shattered his sanity. Liv Tyler continues her luminous portrayal of Arwen, Aragorn’s elf lover who has now left her immortality much to the chagrin of her father. There is a beautiful scene in which Elrond predicts a melancholy for her and Arwen begins to cry. Instead of giving up on her love she replies “There is still hope” in a sincere and emotion filled voice, as the tears run down her pale face. Miranda Otto is beautiful and strong as the king’s niece Éowyn, who falls for Aragorn along the way. David Wenham plays Faramir, brother of the late Boromir, whose path crosses with Frodo’s. Orlando Bloom and John Rhys-Davies are on form as Legolas and Gimli, their characters adding a certain amount of banter to the proceedings.  Billy Boyd and Dominic Monaghan are as good as before as Pippin and Merry, who evade capture by hiding in the woods. Bernard Hill is suitably imperial as Théoden, the king given his life back by Gandalf after being a zombie for Sauron. In a small but memorable role, Cate Blanchett reappears as the wise Galadriel, who predicts what may happen if the war comes into fruition. Christopher Lee is villainy personified as the fallen Saruman, now heading a war against mankind. Hugo Weaving is stately and wise as the elf lord Elrond, while Karl Urban is a success as the exiled heir and Brad Dourif a slimy presence as a force of evil.

A stunningly mounted second entry into an exciting and emotionally involving saga, The Two Towers is not to be missed by anyone.

The Lord of the Rings: The Fellowship of the Ring

Tags

2000's, Billy Boyd, Cate Blanchett, Christopher Lee, Dominic Monaghan, Elijah Wood, Epic, Fantasy, Hugo Weaving, Ian Holm, Ian McKellen, John Rhys-Davies, Liv Tyler, Orlando Bloom, Peter Jackson, Sean Astin, Sean Bean, The Lord of the Rings: The Fellowship of the Ring, Viggo Mortensen

Film Title

The Lord of the Rings: The Fellowship of the Ring

Director

Peter Jackson

Starring

• Elijah Wood as Frodo Baggins
• Ian McKellen as Gandalf
• Sean Astin as Samwise “Sam” Gamgee
• Viggo Mortensen as Aragorn
• Liv Tyler as Arwen
• Cate Blanchett as Galadriel
• John Rhys-Davies as Gimli
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Christopher Lee as Saruman
• Orlando Bloom as Legolas
• Hugo Weaving as Elrond
• Sean Bean as Boromir
• Ian Holm as Bilbo Baggins

The other day, I was rooting through my DVD collection when I came across The Lord of the Rings Trilogy. It has been an age since I last saw the films and so along with my brother I sat down and watched the films in one go. To say the experience was epic is an understatement. To start my reviews of the trilogy is The Fellowship of the Ring.

Many said it was unfilmable but Peter Jackson sure proved them wrong. The Lord of the Rings: The Fellowship of the Rings is the absorbing, stunningly executed and all round epic first entry into the trilogy. Fantasy has rarely looked this amazing and majestic onscreen and I may just run out of adjectives to describe the sheer scope and beauty of the film. Anyway enough of my rambling, onto the review.

Set in the vast lands of Middle Earth, Fellowship follows the tale of Frodo Baggins, a young hobbit living peacefully in the Shire who is entrusted with a dangerous task. His uncle Bilbo is leaving the Shire to live with the elves of Rivendell. He leaves Frodo a ring, yet this is no ordinary ring. It is the ring of power, forged centuries ago by the dark lord Sauron. There were originally other rings forged given to the different races of Middle Earth. Bound in the ring is the power to dominate the other bearers of rings and succumb to the rings dark trappings. Sauron was believed dead but his presence has survived and is now intent on retrieving the ring. Upon hearing of the ring, Bilbo’s old friend, the wise wizard Gandalf instructs Frodo to flee the Shire as the forces of darkness will soon come looking for him. Aiding Frodo is his loyal best friend Sam and two others hobbits named Merry and Pippin. Later he is joined by a mysterious ranger Aragorn who has a claim to a throne, archer and elf Legolas, dwarf Gimli and warrior Boromir. The future of Middle Earth is at peril because of the ring and only by destroying it can the danger it brings be erased. And so Frodo sets off with the others, known as the Fellowship, on a perilous journey to destroy the evil ring before it falls into the wrong hands. Prepare for a handsomely mounted fantasy tale of bravery, kinship and a dangerous quest filled with uncertainty directed with dedication and visual splendour by Peter Jackson.

The first thing to praise in Fellowship is the New Zealand locations that make up the vast lands of Middle Earth. Mountains, woodlands and vast fields appear breathtaking and we as an audience are sucked into the arduous journey that Frodo must take. The intelligent screenplay gives us a thrilling fantasy adventure with characters we can root for and features some amazing fight scenes against the dark forces that terrorise Middle Earth. We become immersed in the various legends that abound and the various people who make up the lands. Also, we get see the friendships of the main characters, embodied by the loyal and sincere Sam who would do anything for his best friend Frodo.

Sonically, Fellowship is a marvel. From the high-pitched screech of the Nazgul, wraith like beings attempting to return the ring to the dark lord to the evocative and splendid score by Howard Shore, it really is amazing to say the least. Special effects are of the highest order, creating menacing beings such as the vicious orcs and a particularly memorable cave troll. The many fight scenes are executed to excellent standards, especially when the Fellowship face the orcs. Fellowship of the Ring is a film of many memorable moments it really is hard to choose just a few to mention. Highlights for me are the chase of Arwen, a beautiful she elf who risks her life to save Frodo from death, by the evil Nazgul through woodlands, the Fellowship battling orcs in a catacomb and the kissing of Frodo’s forehead for good luck by Galadriel, a wise elf of immense power and wisdom.

But the biggest impact on the film is made by the supremely talented cast assembled to flesh out the various beings of this fantasy tale. Heading this is the ideal casting of Elijah Wood as Frodo, the one who the task weighs heavily upon. Wood embodies the initially frightened realisation of his task and later his bravery that will lead him on his way. Ian McKellen is excellent as the wizard Gandalf, showing us the wise man with immense power who is an invaluable ally on the quest. As the loyal, stout-hearted Sam, Sean Astin is perfectly cast as he is one of the driving forces behind Frodo. Without Sam’s wisdom and pluck, Frodo’s journey would not have been as interesting. Viggo Mortensen is suitably heroic as the skilled ranger Aragorn, while Liv Tyler is earnest and beautiful as Arwen, the elf who he has fallen in love with. Their relationship is beautifully observed as we watch the conflicted desires of both as Arwen questions whether to give up her immortality for love, her line ” I would rather share one lifetime with you than face all the Ages of this world alone” is haunting. Cate Blanchett is suitably ethereal and full of intelligence as Galadriel, the presence of her engaging voice in the prologue of the ring’s journey is a stroke of genius.  John Rhys-Davies provides some comic relief as the belligerent dwarf Gimli, further adding to this humour is Billy Boyd and Dominic Monaghan as the mischievous Pippin and Merry.  Christopher Lee is gleefully evil as the wizard who has turned to the dark side. Orlando Bloom makes for a skilled ally of Legolas, an elf with a talent for archery. Hugo Weaving exudes respectability as Elrond, lord of the elves while Sean Bean makes a deep impression as Boromir. In the small but pivotal role of Bilbo, the one who found the ring, Ian Holm shines.

Crafted with meticulous and faithful detail by Peter Jackson, Fellowship of the Ring is a fantasy film to treasure for its engaging storyline, glorious scenery and its ability to transport us into a world of magic, danger and hope.

Cookie’s Fortune

Tags

1990's, Charles S. Dutton, Chris O'Donnell, Comedy, Cookie's Fortune, Drama, Glenn Close, Julianne Moore, Liv Tyler, Ned Beatty, Patricia Neal, Robert Altman

Film Title

Cookie’s Fortune

Director

Robert Altman

Cast

• Glenn Close as Camille Dixon
• Julianne Moore as Cora Duvall
• Liv Tyler as Emma Duvall
• Chris O’Donnell as Jason Brown
• Charles S. Dutton as Willis Richland
• Patricia Neal as Jewel Mae “Cookie” Orcutt
• Ned Beatty as Lester Boyle

Brimming with engaging characters and laced with an eccentric humour, Cookie’s Fortune continues to show Robert Altman’s deft skill with talented ensemble casts. Focusing on the effects of an old woman’s suicide on the many eccentric people in her life, this yarn boasts off-kilter humour and bittersweet drama in equal measure.

Jewel Mae or Cookie as she is often called is the no-nonsense, ageing resident in the quiet town of Holly Springs, Mississippi. For years she has missed her husband and has pined for his presence in her life. She lives in an old but grand house with loyal handyman and best friend Willis Richland. Also living in the town are Cookie’s nieces, Camille and Cora. The sisters are polar opposites; Camille is a domineering, overly dramatic woman and Cora is naive and easily led by everything her sister says. Also arriving in town is Cora’s daughter Emma, a rebellious teenager who genuinely cares for her aunt and is engaged in an on-off relationship with a comically inept cop called Jason. Cookie decides it is time she joined her late husband and plans her own suicide by shooting herself as Easter approaches. After going through with it, she is found by Camille, who is presiding over the Easter performance of Salome. The already highly strung madam destroys the evidence of a suicide attempt and tries to make it look like the old woman was murdered. The reasons for this are Camille’s opinion that it will shame her family’s name and more prominently her desire to inherit the riches of the woman. After convincing Cora to help her, the police begin to investigate. The blame falls upon the kind Willis, but Emma is not so convinced by it and sets out to unearth the truth. As skeletons begin to rattle and secrets rise to the surface, dark humour is found in Camille’s desperate attempts to avoid being found out. Touching moments also appear as we watch Emma try to save her friend from imprisonment. As usual, Robert Altman keeps the story ticking over with an eccentric ensemble cast, bittersweet revelations and a darkly comic undertone.

Although dealing with crime and accusations of murder, there is an almost breezy lightness and playfulness that pervades the film and keeps the drama and humour excellently intertwined and convincing. It may be said that it is one of Altman’s most accessible films, mainly because it focuses on the ensemble cast but doesn’t feature the cross-cutting between too many characters that his other films do very effectively but can also confuse viewers. The cast is the main reason to watch Cookie’s Fortune. Most of the humour comes from moments in Glenn Close’s theatrical and hysterical performance, such as the side-splitting moment in which she elaborately plans the way the “murderer” would have entered the house. Ably Supporting her is Julianne Moore in full on quirky mode as the subservient and odd Cora. Liv Tyler is impressive as the rebellious outcast Emma, capturing her youthful, spunky spirit and sullen disdain for her hypocritical aunt. Chris O’Donnell is a hoot as Jason, the inept and inexperienced cop who woos Emma. Charles S. Dutton has one of the best roles, exuding subtle emotions as the fiercely loyal handyman Willis, who out of most of the people actually cared for the old Cookie. In the small but pivotal role as the eponymous Cookie, Patricia Neal is superbly cast. It is through her character that every event unravels and the various deceit and lies come to the forefront of the plot. Rounding out the impressively assembled cast is Ned Beatty as the head cop who uses fishing as a philosophy for life and what happens in it. Credit must go to the screenplay for injecting the oddball sense of humour that punctuates into the narrative. The simple but well-chosen bluegrass and jazz soundtrack adds to the Southern atmosphere of this crime comedy drama.

In my opinion, Cookie’s Fortune is a neglected gem in Altman’s canon. If it’s an oddball comedy filled with drama and finely drawn characters that you want to see, Cookie’s Fortune is a certain safe bet.