The Edge

Tags

1990's, Action, Adventure, Alec Baldwin, Anthony Hopkins, Elle MacPherson, Harold Perrineau, Lee Tamahori, The Edge, Thriller

Film Title

The Edge

Director

Lee Tamahori

Starring

• Anthony Hopkins as Charles Morse
• Alec Baldwin as Bob Green
• Harold Perrineau as Stephen
• Elle MacPherson as Mickey Morse

An exciting adventure thriller that wisely eschews the desire to be just about non-stop action, The Edge keeps interest throughout thanks to a cool script and good acting from the leads of Anthony Hopkins and Alec Baldwin. It isn’t the kind of film that is going to garner awards, but it is still entertaining and has some welcome changes to what we have come to expect.

Billionaire Charles Morse accompanies his much younger model wife Mickey on a photo expedition to Alaska. Also along for the shoot is fashion photographer Bob Green. Charles is a quiet and introspective man who reads a lot and has a very good memory. Lately, he has come to believe that his beautiful wife may be straying with the slightly arrogant Bob. He can’t prove this, but it does bother him. So when Bob wants to employ the services of a local man and persuades Charles to come with him and his assistant Stephen, it seems strange that he should go. Though edgy as he suspects Bob of coveting his wife, Charles goes along anyway, if anything it seems to confirm suspicion. Yet when they can’t find the man, they search around for him among the huge wilderness. This is cut short as the plane crashes into the wilderness, killing the pilot. Stranded in the middle of nowhere, the three men make a stab at returning to safety, which is thwarted by death traps and power of nature. Soon enough, unprepared Stephen is killed by an enormous bear that is stalking them. Left now are Charles and Bob, whose differences are vast and opinions of the other are far from glowing. Thankfully, Charles has an excellent memory and having read about the wild, puts his knowledge to good use as he and Bob journey for what could be safety. Over time and worn down by the surroundings, Bob warms to Charles a lot more and the two begin to share a slow but slightly uneasy kinship. Yet the seeds of doubt are still present and could break apart the fight for survival and return to civilisation. And there is also the rather large and savage bear on their tail that refuses to rest until the two men become its next meal. Hacking through dangerous terrain and braving the extreme elements, Charles and Bob must find a way to finally overcome animosity to work together. Yet can their differences and grudges thaw in order for them to pursue survival in a dangerous climate?

I’m not the biggest fan of director Lee Tamahori. His later efforts following this film, mainly Along Came a Spider and Die Another Day, leave a lot to be desired. But I have to say that his direction here was actually atypically skillful and took me by complete surprise. If only he continued to direct like he does here, he could be a credible director. Stunning and accomplished camerawork makes the wilderness locations eye-catching in beauty and amount of scope it conjures up. It also successfully suggests the enormity of the two men’s plight as they are often shown small a against the trees and mountains they journey through. One of the best areas within The Edge is the screenplay from David Mamet, that is punchy and fresh. It takes a rather simple set up and embellishes it with wit and depth, both of which are rather lacking in many other adventure action films. It is most successful in the characters of Charles and Bob, who while they seem to develop something of a respect for each other, still have an underlying feeling of tension to them. And The Edge while witty and dramatic, doesn’t leave the action by the wayside. Far from that, it has some amazing action scenes, particularly the bear attack sequences, that act in accordance with character development and for the most part hold up in a taut way. I was very impressed and surprised by how well the film came together. Though The Edge is far from flawless; the main issue is that it’s rather overlong and stretches things a bit too much. Though with that being my only niggle, it is safe to say that The Edge is a film I genuinely found myself thrilled by. A mood enhancing score does wonders, while offering glimmers of hope for the stranded men.

It is the cast of The Edge that elevates what could have been a routine exercise. Anthony Hopkins is his intelligent and memorable best here, peppering his role with an unassuming demeanor and splashes of humour. The role of Charles is one where knowledge provides power and endurance is something he gains from his harrowing experiences. And it must be stated that Anthony Hopkins, being the professional he is, contributes a very good performance to The Edge that provides it with substance. Alec Baldwin similarly impressed me with an unexpectedly vulnerable turn as the shallow but cracking Bob. Vulnerability is not normally a word I would associate with Alex Baldwin, but he pulls it off admirably and his chemistry with Anthony Hopkins is what keeps the film ticking over. Because the main basis of the film surrounds Hopkins and Baldwin, the supporting players are not given much to do that is memorable. Harold Perrineau is good in his relatively small part of the doomed Stephen, but his character is merely a plot device. The same goes for Elle MacPherson who plays the model wife of Anthony Hopkins. She is beautiful that is true, but her part is pretty thankless.

An unexpectedly well done action thriller that has refreshing character development and some fantastic dialogue, The Edge is definitely underrated stuff that while far from perfect, knows the balance between action and drama and can supply both effectively.

Along Came a Spider

Tags

2000's, Along Came a Spider, Dylan Baker, Lee Tamahori, Michael Wincott, Monica Potter, Morgan Freeman, Thriller

Film Title

Along Came a Spider

Director

Lee Tamahori

Starring

• Morgan Freeman as Alex Cross
• Monica Potter as Jezzie Flanagan
• Michael Wincott as Gary Soneji
• Dylan Baker as Ollie McArthur

Alex Cross returns to the cinema screen, following his appearance in Kiss the Girls. Yet Along Came a Spider is not the best film as a thriller due to the way it slowly plays out and overload of twists that do it harm. Some shining moments are there, mainly an excellent Morgan Freeman and some good suspense. But sadly these traits are not enough to cover this leaky film that slowly falls apart.

Washington, D.C. Detective and forensic psychologist Alex Cross retires from the force after heading a sting operation that goes terribly wrong when his partner is killed. Feeling guilty for it despite it not being his fault, Alex retreats into himself while trying to come to terms with his emotions. Meanwhile, there is something in the works that will bring Alex back into the police work once more. It all begins with the kidnapping of Megan Rose, the daughter of a senator, from her prestigious school. The man who has kidnapped her is her teacher Gary Soneji, who has complex motives that he slowly teases out. He is the one who brings Alex back into the fold by contacting him and taunting him. Special Agent Jezzie Flanagan is held accountable for the breach in security as she was the one who was keeping watch over young Megan, and she is determined to find Megan out of guilt. Brought on to the case albeit with some reluctance, Alex partnered with Jezzie and with the aid of Detective Ollie McArthur, plunges into the complex case that shows that the kidnapping of Megan was just the tip of the iceberg for Soneji. Alex deduces that wants to be notorious for his crimes, but there are many other unanswered questions at play. A complex game is afoot now and Alex is determined to break it. Along with Jezzie , Alex sets out to uncover the motives and reasons before it is too late. But how can you catch a criminal who seemingly wants to be known but is effortless at being elusive?

The direction is the first part of the film that makes problematic probably the best word befitting of Along Came a Spider. Lee Tamahori doesn’t seem to know a thing about pacing a thriller, although he starts strong he can’t keep any momentum up. The film slowly descends into run of the mill shenanigans and even when it does have good parts, they are sadly overshadowed by the weaknesses of the plot. Like I said, there are some good moments of suspense generated. These consist of the opening in which the partner of Cross is killed after the operation goes awry and a rain-soaked set piece where Alex and Jezzie are confronted with Gary Soneji. These provide two highlights of a picture, that sadly lacks a punch. And with the script, I’m all for a few twists but Along Came a Spider tangles itself into oblivion with its attempts to be clever. I must say that I enjoyed Kiss the Girls better because its story kept you involved, whereas with this film it drifts away and becomes mundane. A score from Jerry Goldsmith, who is one of my favourite film composers, is appropriately suspenseful and imaginative, injecting the film with good helpings of both which the mixed movie requires.

As flawed and up and down as Along Came a Spider proves to be, Morgan Freeman portraying Alex Cross is simply brilliant. Freeman once more plays his part with a great deal of respect and shrewd intellect, as Alex is reluctantly drawn back into his job as detective by the quite baffling and twisting case presented to him. His gravity, quietly unassuming personality and keen insight of the character is what really keeps this movie going, even when it slips into contrivance and ridiculousness. Although I’ve seen Monica Potter in other good parts, her role as Jezzie Flanagan here is not one of them. The character is meant to be conflicted and guilt ridden, but she comes off as emotionless. Now I don’t know whether this is the fault of the script of Potter or the script, but the role just is not a good one. Even when later on they expand on her character, it’s too little too late. Michael Wincott is a lot more successful in his portrayal of the kidnapper Gary Soneji, who has motives that are hard to figure out. He isn’t an over the top villain, instead a quietly intelligent and often pitiful man with a warped world view. All of that is made clear and interesting due to Michael Wincott and his good work. In the main supporting part of the detective assigned to the case, Dylan Baker is given scant to do but remains quite memorable.

While the music, some tension and a reliable Morgan Freeman performance can be gleaned from Along Came a Spider, it is not enough to create something that will linger in the mind.

Die Another Day

Tags

007, 2000's, Colin Salmon, Die Another Day, Halle Berry, James Bond, John Cleese, Judi Dench, Lee Tamahori, Pierce Brosnan, Rick Yune, Rosamund Pike, Samantha Bond, Spy, Toby Stephens

Film Title

Die Another Day

Director

Lee Tamahori

Starring

• Pierce Brosnan as James Bond
• Halle Berry as Jinx
• Toby Stephens as Gustav Graves
• Rosamund Pike as Miranda Frost
• Rick Yune as Zao
• Judi Dench as M
• John Cleese as Q
• Samantha Bond as Moneypenny
• Colin Salmon as Robinson

Just like Roger Moore did in A View to a Kill, Pierce Brosnan signed off as 007 in a film that wasn’t his best. That film is Die Another Day, which ranks as my least favourite Bond film. It is a shame that Brosnan should sign off in such a bad way, especially after the brilliance of GoldenEye and his other ventures as Bond. People may say that Tomorrow Never Dies and The World Is Not Enough are nothing special, but in comparison to the barely tolerable Die Another Day, they’re masterpieces. Anyway, back to my eventful review.

We start out with Bond in North Korea, infiltrating a military base run by the renegade Colonel Moon and his loyal friend Zao, who has been trading mass arms for conflict diamonds. Unfortunately for Bond, his cover is blown by someone in the West and he has to engage in an explosive battle with Colonel Moon, which presumably leads to his death. Bond is then captured and tortured for fourteen months. After his time in captivity, Bond is eventually swapped in a prison exchange for Zao. Bond knows that someone within his government betrayed him and is determined to find out. M, on the other hand, revokes his licence to kill for fear of political ramifications and that Bond has cracked and given away potentially dangerous information. 007 has different ideas and escapes from MI6 custody on a mission to track down the enemy and Zao, who has also escaped his imprisonment. Travelling to Cuba, he meets the seductive Jinx, an American agent who can ably handle herself and is also after the escaped Zao. Their trail leads to a nefarious gene therapy clinic, that can alter a person’s entire DNA. Bond surmises that Colonel Moon is in fact not dead and has taken on a new identity. That identity is one Gustav Graves, a playboy, entrepreneur and philanthropist. Supposedly a respectable businessman, his real plans are far from good as Bond soon discovers. Always with Graves is his aloof publicist Miranda Frost, who is an undercover British agent. From sunny Cuba to the cold of Iceland, Bond uncovers the full extent of Graves and his plan. With a specially designed satellite, he will cut through the border between North and South Korea, so that the North can invade. Yet Graves isn’t alone in his plan as the mysterious Miranda is in fact on his side and double-crossing Bond at every turn. With the sultry Jinx in toe, Bond must derail this plan before full on war erupts.

Now the main problem with Die Another Day is that it is far too focused on the action and not enough on the story. The opening is promising, but the rest of the film descends into mindless chaos and shoot them up action that is really out-of-place within the Bond formula. Yes, some of the action is good, with a fencing duel that soon turns nasty quite thrilling, but non-stop becomes too much and just not that enjoyable in the end. Lee Tamahori in the directing seat doesn’t help as he can’t bring anything new to the film and give the story anything of worth. He relies on too much slow motion and rapid cuts that start out as alright, but become monotonous in the long run. There is not sense of balance to the story and no amount of endless action can make up for that. Also, I don’t mind it when Bond films have references to the older films of the series, but Die Another Day goes overboard with this tactic and the end result is needless. There are some positives, albeit only some that give Die Another Day some value. The locations are pretty spectacular, with the Ice Palace owned by Graves a particular highlight of production design. David Arnold once again provides a classy score that gives Die Another Day some sophistication, interspersed with the non-stop action and some dodgy CGI( need I mention that wretched invisible car)? The less said about Madonna’s title song the better. Anyone who follows this blog will know I’m a fan of Madonna, but her contribution the series is one of the worst. It detracts from the brutal title sequence of fire and ice girls inter cut with Bond’s torture in North Korea and for that alone it is unforgivable.

It is such a shame that Pierce Brosnan signed off from the franchise with Die Another Day as his swan song. He really brought something good to the role and managed to balance the physical challenge and the wit. His performance here may not be his best, but we still buy him as Bond and still watch as he attempts to save the world again during his mission. Halle Berry is sexy and feisty as fellow agent Jinx, who is nifty in a fight and more than a match for Bond in terms of the innuendo stakes. She has great chemistry with Brosnan and their passionate as well as thrillingly dangerous encounters are well-executed to say the least. Toby Stephens may nail the smarmy and power-crazed personality of Gustav Graves, but as a villain he just isn’t that interesting to watch and he doesn’t join the gallery of iconic foes for 007. Thankfully the talented and stunning Rosamund Pike is on hand to give the role of the icy Miranda some dimension, as we watch her play Bond effortlessly because of her glacial beauty, icy demeanor and taciturn deception. Rick Yune is not used well enough as henchman Zao, who has diamonds embedded in his face after the opening encounter with Bond. He may have an interesting look as Zao, but he just doesn’t cut it because of the poor development of his character. At least we have Judi Dench who magnificently portrays M with authority, grave knowledge and a hint of pride for her top agent. John Cleese on the other hand is not that convincing as gadget master Q. No one was ever going to replicate the success of the late Desmond Llewelyn, but I just can’t take Cleese seriously in the role of Q. Samantha Bond and Colin Salmon are seen too infrequently to really register this time around as Moneypenny and Robinson.

Too much action and not enough plot scupper Die Another Day and this makes it one of the worst movies in the Bond series, my least favourite as well as a poor final outing for Pierce Brosnan after the potential of his previous movies.