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Tag Archives: Kristin Scott Thomas

Four Weddings and a Funeral

26 Friday Apr 2019

Posted by vinnieh in Movie Reviews

≈ 10 Comments

Tags

1990's, Andie MacDowell, Charlotte Coleman, David Bower, Four Weddings and a Funeral, Hugh Grant, James Fleet, John Hannah, Kristin Scott Thomas, Mike Newell, Richard Curtis, Romantic Comedy, Rowan Atkinson, Simon Callow

Director

Mike Newell

Starring

  • Hugh Grant
  • Andie MacDowell
  • Kristin Scott Thomas
  • Simon Callow
  • John Hannah
  • James Fleet
  • Charlotte Coleman
  • David Bower
  • Rowan Atkinson

A most beguiling and funny romance that helped launch the career of Hugh Grant, Four Weddings and a Funeral has lost none of its witty edge, eccentric characters and unexpected pathos.

Charles(Hugh Grant) is someone who can’t seem to keep a relationship. He’s a perennial bachelor, never the groom. With a rag-tag group of friends- cynical Fiona(Kristin Scott Thomas), her not too bright brother Tom(James Fleet), partners Gareth and Matthew(Simon Callow and John Hannah), sassy flat mate Scarlett(Charlotte Coleman) and his deaf brother David(David Bower)- he’s always attending weddings. In most cases, he is late due to clumsiness. Although he’s never seemingly considered marriage or a serious relationship, he finds his world changed when he meets Carrie(Andie MacDowell). She’s an American wedding guest who he meets at the first nuptials. They hit it off and  spend the night together. But timing isn’t on their side and Carrie leaves for the States. The next time they meet(at another wedding) Carrie is engaged to someone else. For the first time in his life, Charles actually falls in love with someone deeply. But even though it’s clear that Carrie has some feeling for Charles, can anything come of the attraction seeing as though their timing is nearly always off?

Director Mike Newell brings polish and pace to proceedings with direction that allows the events to have amusing and fun atmosphere throughout, coupled with moments of sadness and reflection. As the events centre around the what the title says, we know to expect eventfulness, but it’s surprising how well crafted this romantic comedy is. Although it seems we may know where events are going, a few little twists and unexpected moments raise it from just another comedy romance. The Oscar-nominated screenplay from Richard Curtis is a big success at fleshing out the characters as they navigate the sea of love. The script makes us enjoy the company of these people and we grow to love them. They all have wit, charm and purpose in the story and you enjoy feeling like you know them as they encounter all manner of awkwardness at functions. From being seated at a table of exes to improvising when forgetting wedding rings, they all occur in hilarious fashion. Between the skill of Newell and the fun of Curtis, Four Weddings and a Funeral is a good-hearted success. Laughs flow like great wine and the entertainment factor is high.

But Four Weddings and a Funeral also has a bittersweet undercurrent to offset any worries of overly sentimental treacle. I mean if you aren’t crying at the funeral scene where ‘Funeral Blues’ is delivered, you’ve clearly not got much of a heart. This movie can deliver on the serious stuff and isn’t afraid to either. This balances with the buoyant feeling of the overall film that has a laugh at love’s complexities and bad sense of timing. Four Weddings and a Funeral is heartwarming stuff with that added something extra, that lands it in the pantheon of excellent romantic comedies. A lovely and tentative score backs up blossoming romance and all the feelings love brings out in people. And one can’t forget the use of ‘ Love Is All Around ‘by Wet, Wet, Wet to close out the film.

Heading the cast is the irrepressibly charismatic Hugh Grant. Though he’s visited the persona of bumbling and foppish leading man many times in his career, this was where it started and is one of his best. Grant just boasts this lovable rogue and awkward vibe to him that really makes a mark in the film as he finally discovers love may in fact be on the cards for him. Endearing is the perfect word for Hugh Grant’s star making presence here. People occasionally rag on Andie MacDowell by saying she’s not the most expressive actress and sometimes it’s true ,but I think she is quite well cast as the potential love interest. She’s got radiance, vitality and a certain mystery that I love and displays they under good direction MacDowell is really something.  Plus her burgeoning chemistry with Grant is delightful. Kristin Scott Thomas is reliable as ever, turning the role of the sarcastic Fiona into something more by revealing that her behaviour stems from unrequited love. Simon Callow and John Hannah are wonderful scene stealers playing the only happy couple among their group of friends. Callow is brash and full of life, Hannah is more subdued but wise. Both compliment the other in an inspired way that is convincing and involving. James Fleet is a hoot as is Charlotte Coleman as the most off the wall member of the gang and David Bower as Charles’ brother, who comes in handy in a crisis. An amusing small part is filled with great humour by Rowan Atkinson as a completely inept vicar.

A winning romantic comedy with heart and laughs, Four Weddings and a Funeral is hard to resist.

Easy Virtue

08 Saturday Feb 2014

Posted by vinnieh in Movie Reviews

≈ 16 Comments

Tags

2000's, Ben Barnes, Colin Firth, Easy Virtue, Jessica Biel, Kristin Scott Thomas, Period Comedy, Stephan Elliott

Film Title

Easy Virtue

Director

Stephan Elliott

Starring

  • Jessica Biel as Larita Whittaker
  • Ben Barnes as John Whittaker
  • Colin Firth as Major Jim Whittaker
  • Kristin Scott Thomas as Mrs. Veronica Whittaker

Based on the Noël Coward play and boasting a witty screenplay and fine performances, Easy Virtue is a period comedy that examines the clashing of cultures in the 1920’s revolving around a middle-class Englishman’s hasty marriage to a forthright American woman and the subsequent reactions of his stuffy family.

Easy Virtue Jessica Biel as Larita1920’s; John Whittaker is the only boy of a middle class family. Whilst vacationing in Monaco, he falls for the beautiful American racecar driver Larita, who is much older than him. After a brief courtship, they marry and John decides to take his bride back to the English countryside to meet his family who live in a large and grand house. Larita is greeted with an icy reception by John’s imperious mother Veronica; a steely, dragon like woman of order and stability and his two sisters. John’s father Jim, a former major in the war is a shadow of his former self and feels no love for Veronica. He does however come to appreciate the breath of fresh air that Larita brings to the dreary house. Although she attempts to get along with her in-laws and adapt to English culture, the free thinking and feisty Larita finds it difficult because of how different her upbringing is to the high-ranking family’s and the continuing opposition from Veronica. Can her marriage to John last with all the hostility around her? Cue vicious and caustic dialogue and a humorous insight into the machinations of the upper class in the 20’s as Easy Virtue unravels with hilarious and sizzling results.

Praise must to go to the period design which accentuates the glamorous era of the 20’s which is sometimes at odds with Veronica’s attempts at tradition. The manor in which the family lives is designed with a keen eye for period detail and really is a stunning sight to behold. The costume design is gorgeous, especially in the various gowns worn by the glamorous Larita that set pulses racing around the inner circle of the household. The jazzy score helps add to the period atmosphere, including a sultry rendition of “Mad about the boy” sang by Jessica Biel.

The witty screenplay captures the conflicting emotions that run high as a result of Larita’s arrival into the household. It humorously cuts through the facade of civility with a sword like wit that gives the audience room to laugh. Stephen Elliott directs with a brisk pace that keeps the one liners and scenes that mock society values coming thick and fast. Only occasionally does the film feel uneven when it tries to add some serious undertones. The cast of Easy Virtue are ideally chosen to flesh out this story of social disorder and how the life of one family is turned upside down by the eldest son’s marriage. In the role of Larita, Jessica Biel is vivacious, sexy and convincing. I’m not usually the biggest fan of Biel’s acting, but I can’t fault her work here. She conveys the forthright manner of Larita whilst showing us subtle insights into the depths of this woman with charm and sophistication. As the lovestruck John whose impulsive marriage disrupts the order of things, Ben Barnes is effectively wide-eyed and naive as his character begins to question the resentment thrown Larita’s way. Colin Firth is marvellous as the dishevelled father, he really shows us the crushed pride and happiness that were once within this man, which the war took from him. Kristin Scott Thomas flat-out nails the role of the stony Veronica, delivering her lines with mendacious wit and astonishment like a hornet protecting its nest.

A funny period film with style, wit and great performances, Easy Virtue is marvellous viewing for its satire on middle class values.

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