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Tag Archives: Kevin Kline

The Big Chill

22 Wednesday Mar 2017

Posted by vinnieh in Movie Reviews

≈ 78 Comments

Tags

1980's, Comedy, Drama, Glenn Close, Jeff Goldblum, JoBeth Williams, Kevin Kline, Lawrence Kasdan, Mary Kay Place, Meg Tilly, The Big Chill, Tom Berenger, William Hurt

Film Title

The Big Chill

Director

Lawrence Kasdan

Starring

  • Kevin Kline as Harold Cooper
  • Glenn Close as Sarah Cooper
  • Jeff Goldblum as Michael
  • Tom Berenger as Sam Weber
  • William Hurt as Nick
  • Mary Kay Place as Meg
  • JoBeth Williams as Karen
  • Meg Tilly as Chloe

A seriocomic drama about reflection on the past, the difference in generations and loss, The Big Chill is a highly resonant and extremely well written film from Lawrence Kasdan. He is aided by a fine cast that do wonderful work in this look at how times change and we can feel adrift in the world that doesn’t hold the promise it did when you were younger.

A group of former friends from college in the 60’s are reunited unexpectedly years later when one of them, the much talked about and promising Alex, commits suicide. The group is made up of married couple Harold and Sarah Cooper, disillusioned television star Sam Weber, unfulfilled attorney Meg, slightly lecherous journalist Michael, Vietnam Vet and pill-popping Nick and unhappy housewife Karen. They haven’t seen each other since their heady days in college and the funeral of Alex brings them back together under dark circumstances. The wake is held at Harold and Sarah’s vacation house in South Carolina. The main people of the group, who don’t know how to deal with the suicide of Alex, stay over the weekend along with Chloe, the much younger girlfriend of the deceased. During the course of the days, the one time close-knit faction are found to be laying bare their secrets, reminiscing on the past and attempting to fathom why Alex killed himself. The big thing that hovers over them all is that lingering sensation that the best years of their lives have passed them by and their vibrant dreams of youth have gone up in smoke. Various little dramas come to light again, like Meg wanting to desperately have a child as she feels her biological clock is ticking and Karen dealing with her unresolved feelings for Sam. Throughout the time together, thrashing out their differences and opening old wounds, they are left to ponder and work out just what to do with their lives, along with whether they can rectify what eludes them and unearth how much Alex’s death has impacted on them.

Lawrence Kasdan fashions a heartfelt yet perceptive evocation of people dealing with responsibilities and thinking back on how much they changed since college. The script that he wrote, along with Barbara Benedek, invests The Big Chill with a quick wit and revealing nature, that benefits the struggles and issues the group go through. They all feel at sea in the materialistic 80’s, when all they crave is the feeling of life and hope that the 60’s gave them being baby boomers. The plot largely revolves around the group discussing their problems, reminiscing of the good old days, smoking pot and wondering where the time has gone. Some may find that idea more than a little boring, but The Big Chill is the total opposite because of the amount of personal feeling injects do into it. You really get to relate to the characters and what they’re going through, even if they don’t know how best to deal with grief and a sense of something missing. It’s one of those things that is universal for everyone; the knowledge that life is different from how you expected and hasn’t taken the path you wanted. Thankfully as tinged with melancholy as The Big Chill is, there is a balance it strikes with quick humour long the way. The film, like the characters goes between laughs and tears, with an unexpected clarity and wisdom that shines through. Even if some of it feels a tad simplistic, the warmth and depth of the piece are always in evidence. The soundtrack is one of the best parts of the movie, recalling the youth of the characters with Motown hits and 60’s grooves. Music plays a very integral role for all of the group and also the audience, as music holds a special place undoubtedly for all of us with the wistful memories it can evoke. The opening sequence is a masterful example of combining music with telling a story. In it, each of the group receives the news and we catch glimpses of how they react, as the sound of Marvin Gaye’s ‘I Heard it Through the Grapevine’ plays in the background.

The Big Chill boasts a simply star-studded cast that are given a moving and frequently funny script to work with and deliver natural, unaffected performances in the process. This is a beautiful ensemble of acting that allows everyone a chance to shine. Kevin Kline is very good as the amiable joker Harold, who has his own deliberations to deal with along the way. Glenn Close beautifully supplies a nuanced turn as the earth mother and good listener, who attempts to keep everyone and herself together and not fall apart. The typically sardonic personality of Jeff Goldblum covers the seedy journalist character, while Tom Berenger sells the feeling of alienation that fame has brought him over the years. William Hurt is on lugubrious form as an overly cynical and morbid man whose life is like an empty shell and needs some lightness to brighten it. Mary Kay Place has the right amount of humour and pathos to bring Meg’s need for a child to life, complimented by some wily observations. Rounding out the main group of reunited friends is JoBeth Williams. She quietly but noticeably gets across the aching want for some love that her character finds has missed her, and there is a real tenderness to her pining for Sam. Meg Tilly, as the youngest member of the cast and most youthful character, has a boundless and quirky energy of a girl who doesn’t react to death the way you’d think. Her character is mainly a symbol of the exuberance and wistfulness of being young and idealistic, that the group is wrestling with the knowledge that they aren’t anymore. The whole cast works convincingly together, selling the fact that their friendship despite the years remains quite intact and there to be rediscovered over the weekend of rumination.

A nostalgic as well as very honest depiction of bittersweet grappling with all sorts of change and facing up to the different ways that life affects us, The Big Chill still has a large impact of being moving and amusing. This is largely thanks to the splendid direction, script and cast that make the experience really something.

No Strings Attached

24 Sunday Jul 2016

Posted by vinnieh in Movie Reviews

≈ 27 Comments

Tags

2010's, Ashton Kutcher, Comedy, Greta Gerwig, Ivan Reitman, Jake Johnson, Kevin Kline, Lake Bell, Ludacris, Natalie Portman, No Strings Attached, Romantic Comedy

Film Title

No Strings Attached

Director

Ivan Reitman

Starring

  • Natalie Portman as Emma Kurtzman
  • Ashton Kutcher as Adam Franklin
  • Kevin Kline as Alvin Franklin
  • Greta Gerwig as Patrice
  • Jake Johnson as Eli
  • Ludacris as Wallace
  • Lake Bell as Lucy

A somewhat spicy romantic comedy, No Strings Attached is a film that surprised me as I didn’t expect to enjoy it as much as I did. It’s thoroughly predictable, but a bit of added naughtiness than most films of the genre and good chemistry from the leads marks it as an entertaining and raunchy comedy.

Emma Kurtzman and Adam Franklin have known each other since they met at summer camp as teenagers and struck up something of a friendship. No Strings Attached PosterOver the following years, they encounter each other a few times but each is busy. Emma becomes a busy doctor and Adam a production assistant for a TV show. They finally run into each other again under amusing circumstances when Adam gets very drunk(after discovering his seedy dad has been bedding his ex-girlfriend) and passes out in Emma’s apartment. After helping him get himself together, Emma sees that there is a spark between them and the two have sex. Although they felt a spark, Emma is reluctant to pursue any relationship as she is not good at getting close to others, her work keeps her almost always busy and she has a fear of becoming deeply involved with someone else. Emma then comes up with an idea that could work out for the both of them; they will have a purely sexual relationship that doesn’t have the intrusion of emotions. No Strings AttachedThey can each see other people without feeling jealous or expecting anything deeper from the pact. It starts out well enough, with the promise of lusty encounters with no guilt thrilling. But inevitably, both Emma and Adam begin to develop romantic inclinations towards each other, which causes all manner of confusion as it goes against their initial agreement to not have emotional intimacy.

Ivan Reitman contributes unfussy and observant direction that takes a funny examination of love and sex and doesn’t feel the need to pander to a  cloying demographic by sugar-coating any of the naughtiness that is featured. Ashton Kutcher and Natalie PortmanA winning script is an excellent inclusion to No Strings Attached as it delves into sex and romance with a frankness that is different to most romantic comedies that are overly cute and saccharine. Some of it doesn’t escape the predictable formula of the genre and it can try to be a bit overly lewd, but for the majority it stays on the right side of ribald. I must say that there were so many parts of the film that had me laughing out loud due to the awkwardness and ensuing complications of Emma and Adam realising that there is more to their union than just sex. All manner of hilarity presents itself in No Strings Attached as their relationship deepens unexpectedly, culminating in quite a few rib-tickling sequences.

Natalie Portman further cements her versatility as an actress by showing off some excellent comic timing. She plays Emma as brittle, self-assured yet with a guarded quality that shows quite a lot of depth as the character must confront love for possibly the first time. Natalie Portman No Strings AttachedThe depth, humour and honesty Portman brings adds a refreshing dimension to the film as she isn’t just the typical girl who is usually found in a romantic comedy. Ashton Kutcher has the part of Adam, and he has the necessary goofiness and decency to play the part and make the character likable. The two stars have very believable chemistry that retains a slightly awkward but delightfully endearing heart to it and leads to all sorts of naughty mischief and unexpected consequences. An amusing array of supporting characters are played well by the rest of the cast. Kevin Kline had me howling laughing as the irresponsible dad, trying to be young again by working out and doing drugs so he can be a cool dude. A sassy Greta Gerwig is good as Emma’s roommate who can see that the arrangement between the two principal characters will not work out well. Ludacris and Jake JohnsonSide-splitting humour is provided by Jake Johnson and Ludacris as Adam’s mates, whose advice on love and sex are both ribald and hysterical. Lake Bell is quite funny as a co-worker of Adam’s who obviously likes him, but is prone to incessant chatter that over analyzes things too much. The part is funny, though slightly grating in the scheme of things.

You’ll probably the guess the outcome of the film long before it ends and some of the vulgarity can be a bit overused, yet No Strings Attached presents an amusing look at the complexities of trying to separate sexual relations from those of the heart. Honestly, this movie genuinely did a number on me and exceeded my expectations I had going into it.

A Midsummer Night’s Dream

26 Sunday Jun 2016

Posted by vinnieh in Movie Reviews

≈ 32 Comments

Tags

1990's, A Midsummer Night's Dream, Anna Friel, Bernard Hill, Calista Flockhart, Christian Bale, Comedy, David Strathairn, Dominic West, Fantasy, Kevin Kline, Michael Hoffman, Michelle Pfeiffer, Romance, Rupert Everett, Sam Rockwell, Sophie Marceau, Stanley Tucci, William Shakespeare

Film Title

A Midsummer Night’s Dream

Director

Michael Hoffman

Starring

  • Kevin Kline as Nick Bottom
  • Michelle Pfeiffer as Titania
  • Rupert Everett as Oberon
  • Calista Flockhart as Helena
  • Anna Friel as Hermia
  • Dominic West as Lysander
  • Christian Bale as Demetrius
  • Stanley Tucci as Puck
  • David Strathairn as Theseus
  • Sophie Marceau as Hippolyta
  • Bernard Hill as Egeus
  • Sam Rockwell as Francis Flute

A well cast and amusing adaptation of the classic Shakespeare comedy, A Midsummer Night’s Dream gets points for direction, writing and acting. Yes it isn’t the best Shakespeare adaptation there is and there are a few flaws, but by and large it’s a success of love’s complications, romantic entanglements and mischievous magic.

The setting is Italy near the beginning of the twentieth century( in the play the setting is Greece). The Duke Theseus is preparing for his upcoming marriage to Hippolyta. He is a respected man and is asked near the beginning to help Egeus with his problem. A Midsummer Nights Dream posterThe problem in question is his daughter Hermia, who he has betrothed to Demetrius. Hermia is actually enamored with Lysander, but their love is forbidden. With Hermia being forced to marry Demetrius, the young lady and her lover Lysander secretly plan to elope. Meanwhile, Hermia’s friend Helena pines for the moody Demetrius, but to no avail as he loves Hermia. The downtrodden Helena seizes the opportunity to make an impression on Demetrius by informing him of Hermia and Lysander’s plans to run away one night through the nearby forest. Demetrius follows the two star-crossed lovers deep into the forest, with the desperate Helena behind him. Yet what none of the four realise is that the forest is inhabited by fairies, and most importantly the fairy King Oberon and his wife Queen Titania. The couple is going through trouble and their differences begin to hold sway on the fates of the four young lovers in the forest. The scheming Oberon, to get back at Titania, devises an amusing plan and enlists the help of loyal but mischief-loving sprite Puck to help. By obtaining a magical flower and applying the nectar of it to the eyelids of Titania, when she awakens she will fall in love with the first person she sees. Into this game unintentionally comes the talkative actor Nick Bottom and his company, who are rehearsing a play to perform at the upcoming wedding. Bottom and TitaniaUsing the flower on Titania and then turning the unsuspecting Bottom into a donkey, a funny beginning of events flourishes as Titania becomes smitten with the transformed Bottom, much to the actor’s surprise and delight. Oberon also asks Puck to help out Helena so that Demetrius falls in love with her. But naughty Puck accidentally mistakes Lysander for Demetrius and soon enough chaos ensues as the romances interlink and much squabbling occurs thanks to Puck’s devilish intervention.

Michael Hoffman successfully translates the enjoyable and funny qualities of the play to the screen with both imagination and inventiveness. He updates the setting to pre-twentieth century and it actually works very well, though I’m sure purists may quibble and take issue with it. The update allows for some beautiful scenery and gorgeous cinematography that is marvellous. A few parts of his direction are flawed, such as letting some scenes in the middle to lumber on longer than necessary, yet his overall control and skill is evidence throughout as he retains the riotous humour of the piece. OberonHoffman also is adept at being scriptwriter, bringing the fantasy and romantic switch ups into full fruition with humour and style and sticking to Shakespeare’s poetic verve. A vibe of sexiness is ever-present through this film; found in the double entendres and the presence of Cupid gone awry, causing humorous and unexpected matches. A modernity also pervades many parts of this adaptation, with the literal mud-slinging style catfight between Hermia and Helena a highlight. Set design, particularly in the enchanted forest and Titania’s otherworldly domain, has a definite theatrical quality that feels right for something like A Midsummer Night’s Dream, yet is embellished by the beauty of cinematic eyes and the gorgeousness that celluloid can provide. A light and twinkling score, also infused with some grand operatic arias, sets the pace of the film and what will follow with playful glee.

A handsomely star-studded cast fleshes out the roles of this romantic comic fantasy and are skilled with speaking Shakespeare’s words. The biggest standout is Kevin Kline, who is in his element as the buffoonish but strangely touching Bottom. By balancing the two aspects of comedy and pathos, Kline rules the roost and gives his all to the comic yet poignant character whose garrulous ways and thespian dreams are turned on their head by the adventure in the forest. An effervescent Michelle Pfeiffer is ideally cast as Titania; radiating imperious mannerisms and sweet love especially when funnily bewitched by a transformed Bottom. Not only does Pfeiffer look the part, she plays it extremely well and with ethereal poise. Rupert Everett, with his smooth voice and rakish demeanor, makes for an appropriately louche Oberon, whose schemes are both amusingly wicked and benevolent yet flawed. A Midsummer Nights Dream Hermia Helena Lysander and DemetriusCalista Flockhart is an inspired choice for the part of Helena, emerging both as earnestly passionate but unlucky and wittily sharp. Flockhart’s performance which takes on a tragicomic nature is up there with Kline as one of the standouts within A Midsummer Night’s Dream. An appealing performance of spirit and vivacity is given by the gorgeous Anna Friel, who gets some very good lines as the star-crossed Hermia. Both Dominic West and Christian Bale have fun as Lysander and Demetrius, who more often than not are sparring partners battling for the affections of Helena and Hermia thanks to the magical mix up. Lending impish relish, sprightly naughtiness and hilarious moments is the ever reliable Stanley Tucci portraying Puck, whose attempts at bringing lovers together go rather awry. Now in supporting roles we have David Strathairn, Sophie Marceau, Bernard Hill and Sam Rockwell, who are all actors I very much admire. The trouble is they aren’t utilized  well enough here and the film could have benefited from showing them a bit more.

Purists may balk at the change of setting and it must be said that a few parts of the film could have been trimmed, yet A Midsummer Night’s Dream is a warmly funny and sexy interpretation of the play from the Bard.

The Hunchback of Notre Dame

16 Thursday Jan 2014

Posted by vinnieh in Movie Reviews

≈ 22 Comments

Tags

1990's, Animated, Demi Moore, Disney, Kevin Kline, The Hunchback of Notre Dame, Tom Hulce, Tony Jay

Film Title

The Hunchback of Notre Dame

Directors

Gary Trousdale and Kirk Wise

Voice Cast

  • Tom Hulce as Quasimodo
  • Demi Moore as Esmeralda
  • Tony Jay as Judge Claude Frollo
  • Kevin Kline as Phoebus

One of Disney’s darkest and most mature animated films, The Hunchback of Notre Dame emerges as an excellently crafted drama on faith, acceptance and prejudice inspired by the Victor Hugo novel of the same name. It may not be as cute and cuddly as other Disney films, but it boasts a mature and important  message about not judging people simply because they are different.

The Hunchback of Notre Dame 19961482 Paris. Quasimodo is the kind and gentle deformed bell-ringer in Notre Dame. He is watched by Judge Claude Frollo, a cruel minister who hides behind the cloak of religion and who has a deep loathing of gypsies. Unbeknownst to Quasimodo, Frollo had a part in the death of his mother who was a gypsy on the steps of Notre Dame. He tells Quasimodo that he must never leave the bell tower as he is a deformed creature. Yet Quasimodo yearns for a taste of freedom and urged by his only friends, the trio of gargoyles known as Victor, Hugo and Laverne, defying his master sneaks off to the annual Festival of Fools. Quasimodo is crowned the King of Fools and appears to be enjoying himself. That is until the crowd begin to turn on him and viciously torment him. As he struggles for help, Frollo lets the cruelty continue to teach Quasimodo a lesson even though the kind Captain Phoebus wants to end the humiliation. Quasimodo is saved by another outcast, the beautiful and selfless gypsy dancer Esmeralda who voices her views on Frollo’s intolerance towards those who are different. This encounter between Quasimodo and Esmeralda forever changes both of them in this tale of prejudice, bravery and how although we are all different, we still have the right to be treated fairly.

I’ve always found The Hunchback of Notre Dame to be an underrated entry into the Disney collection of films. The animation is second to none in recreating the bustling streets of Paris and the gloomy splendour of Notre Dame in which Quasimodo resides. For a Disney film, it does deal with some deep themes such as prejudice, religious hypocrisy and also lust. The theme of prejudice is handled in a sophisticated manner, we as an audience grow to like Quasimodo and see the kindness of him rather than just his outward appearance that others judge him on. Religious hypocrisy is embodied by the evil Frollo, who often conceals his hatred of those behind the veil of faith.  He truly is a frightening villain because of the cruelty he inflicts on those, especially Quasimodo. It is interesting to watch Frollo because he says he hates gypsies, yet he finds himself lusting after Esmeralda. The scene in which he sings the song “Hellfire” and the fireplace displays visions of Esmeralda dancing is a strange, sinister moment indeed.

The songs in the movie are not as memorable as other Disney tunes, but there is a haunting level of maturity to them. “Out There” sung by Quasimodo is a yearning number about his longing to be free from being trapped in the bell tower. The previously mentioned “Hellfire” is a Gothic song of uncertainty as the pious Frollo wrestles with his passion for Esmeralda. But the song that is most beautiful and memorable is “God help the outcasts”, an earnest ballad sung by Esmeralda inside the eponymous cathedral as she asks God to look over those around her who suffer prejudice and ridicule on a daily basis. One of the biggest highlights of this startling mature Disney venture is the voice cast assembled. Tom Hulce provides pathos and wonder as the downtrodden Quasimodo, a character who is a victim of cruelty because of his appearance. Demi Moore combines passionate selflessness and feisty attitude as the dancing gypsy Esmeralda, who is the first person to show Quasimodo kindness and understand his plight.  Tony Jay is villainy personified as Frollo, his deep angered voice and all-consuming power quite scary to behold. Rounding out the deeply poignant voices is Kevin Kline as Phoebus, the captain who comes to resist Frollo’s persecution of others and begins to see life differently after meeting both Quasimodo and Esmeralda. The gargoyles provide some side-splitting comic relief throughout the story and act as humourous advisors to Quasimodo in his journey.

Dark yet hopeful and important, The Hunchback of Notre Dame is an underrated Disney gem that shows  a level of maturity and awareness than isn’t often seen in other pieces.

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