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Tag Archives: Javier Bardem

Mother!

30 Saturday Dec 2017

Posted by vinnieh in Movie Reviews

≈ 25 Comments

Tags

2010's, Brian Gleeson, Darren Aronofsky, Domhnall Gleeson, Drama, Ed Harris, Horror, Javier Bardem, Jennifer Lawrence, Kristen Wiig, Michelle Pfeiffer, Mother!

Film Title

Mother!

Director

Darren Aronofsky

Starring

  • Jennifer Lawrence as Mother
  • Javier Bardem as Him
  • Michelle Pfeiffer as Woman
  • Ed Harris as Man
  • Domhnall Gleeson as Oldest Son
  • Brian Gleeson as Younger Brother
  • Kristen Wiig as Herald

A delirious and disturbing horror/drama movie that both enthralls and annoys, Darren Aronofsky’s Mother! is the definition of a divisive movie. I remember hearing all the buzz about the movie being one of the riskiest studio releases in a long time, and I won’t argue there. But the film squarely falls into a mixed category as to its value and what it is trying to say to us.

An unnamed couple( referred to in the credits as Mother and Him) live in a large, isolated house somewhere in the country. Mother is a domestic goddess who is refurbishing the home, as we learn there was once a fire many years before that ruined the place. She is supportive of her much older husband, a poet with a severe case of writer’s block, but a lot of the time the love seems one-sided. She seems to always praise him and be there, while he isn’t the most forthcoming in approval or thanks to his wife. Their relatively tranquil existence is disturbed by a late-night knock at the door. There is an ageing doctor who says he has mistaken their house for a bed and breakfast. Mother is against letting him stay as he is a stranger, but Him is adamant that they cater to the man. The next day his wife appears and almost immediately begins to stir trouble for Mother. However, Him seems to revel in the company of these intruders, much to the annoyance and pain suffered by Mother. Gradually, everything begins spinning out of control for Mother as yet more people descend on the house and all manner of shocking events take hold, completed by Him basking in a new batch of inspiration.

Darren Aronofsky is the man behind the camera and script. He’s always been a director who knows how to shock and disturb cinema goers with his content, from Requiem for a Dream to Black Swan. I will say that Aronofsky builds up tension rather nicely with Mother! before unleashing an abundance of sheer craziness that will have you considering what you just saw. Credit where it’s due, Aronofsky crafts something extremely polarizing and material that is bound to get people talking. But there are certain areas that don’t quite add up and make the film feel bloated as a result. Aronofsky is clearly trying to say a lot of things, but at its heart, Mother! gets extremely esoteric. That’s not to say that any thematic material is gone( there is clear biblical parallels in the story and notions on inspiration), but it feels like an overload and that he is biting off more than he can chew in a good few ways. Plus, you can’t help but feel that Aronofsky is trying to be too clever and too self-indulgent with this movie. Mother! is a film that is hard to forget for sure, especially in the latter half. With the house being bombarded by intruders, everything including the kitchen sink is thrown at the viewer as all manner of hellish act is realised and put on us. Adding to this is the burnt gold of the cinematography and frequent closeness of the camera to Lawrence, exuding a claustrophobic air to everything. There is a distinct lack of a musical score here; Mother! utilises sound effects and unusual noises to bring out the eeriness of the piece in a rather successful manner.

One part of Mother! that cannot be faulted is the acting from the relatively small cast. Jennifer Lawrence ideally plays the lead, whose existence and sanity come under severe threat as the movie progresses. Starting out quiet, subtle and demure, before her mind unravels and she goes into alarming intensity and harrowing confusion, Lawrence gives the part her all and succeeds greatly with what she brings to the screen. On screen in almost every frame, Jennifer Lawrence sells the intense nature of Mother! brilliantly. Javier Bardem at his most lupine is effectively creepy and selfish as the husband whose inspiration seems to arise from the chaos surrounding him and his young wife. Michelle Pfeiffer is a wicked delight in a keen supporting part. Playing the intrusive, forthright and ever so feline woman who begins making her presence felt in Mother’s life, she’s devilishly toxic and strangely seductive to watch. Her and Ed Harris( whose enigmatic and equally as good) don’t have a lot of time on screen, but boy do they make the most of what they have! The same can be said of the Gleeson brothers who star as brawling siblings whose violence leads us into the second act of the movie. And appearing in a startling but entertaining cameo is Kristen Wiig.

Mother! as a movie is an extremely shocking experience, that is both hard to tear yourself away from and equally as repellent. I seem to fall into the middle ground of the consensus on this movie. While I will say that the direction is stylish and provocative and the acting is of a high standard, I must also bring forward that it’s a movie that often has too much going on, leading it to be hollow in the grand scheme of things. A movie that splits opinion is the best way to describe what Mother! is.

Vicky Cristina Barcelona

19 Saturday Mar 2016

Posted by vinnieh in Movie Reviews

≈ 92 Comments

Tags

2000's, Chris Messina, Christopher Evan Welch, Comedy, Drama, Javier Bardem, Patricia Clarkson, Penélope Cruz, Rebecca Hall, Romance, Scarlett Johansson, Vicky Cristina Barcelona, Woody Allen

Film Title

Vicky Cristina Barcelona

Director

Woody Allen

Starring

  • Rebecca Hall as Vicky
  • Scarlett Johansson as Cristina
  • Javier Bardem as Juan Antonio
  • Penélope Cruz as Maria Elena
  • Patricia Clarkson as Judy
  • Chris Messina as Doug
  • Christopher Evan Welch as Narrator

Witty, sexy yet tinged with a longing and pervading melancholy, Woody Allen’s Vicky Cristina Barcelona is an ambivalent examination of love, sex and discovery that is dappled in sun and filled with engaging work from the cast.

Best friends Vicky and Cristina decide to vacation for the summer in Barcelona and stay her distant relative Judy, who has agreed to put them up. Vicky Cristina Barcelona PosterFor the straight-laced and cautious Vicky, who is engaged to be married to dull Doug, it is a trip to conduct her research on Catalan culture. Yet for the restless and searching Cristina, it is somewhere to explore and find a way to express herself and love, which so far she has found hard to do so. The two young ladies soon catch the eye of handsome artist Juan Antonio when at a party. The seductive painter was once in a stormy relationship with a fiery woman that ended in near death. The seductive painter approaches both ladies with a brazen request to spend the weekend with him, where he hopes they will enjoy dinner, see the sights and eventually fall into bed with each other. The spontaneous Cristina is immediately won over as the hint of a little naughtiness entices her, while Vicky is skeptical but tags along to keep tabs on Cristina. Rebecca Hall and Scarlett JohanssonAs the weekend progresses both women become attracted to Juan Antonio, culminating in the engaged Vicky surrendering to a highly charged encounter with him. Although Vicky attempts to forget her night of passion, she simply can’t deny being enamoured with Juan Antonio and attempts to stifle her guilt at cheating on her fiancée. Meanwhile Cristina grows closer to the artist and vice versa, leading her to quickly move in with him. Yet trouble and upheaval is just around the corner as Maria Elena, Juan Antonio’s ex-wife arrives back on the scene setting in motion a conflicting love triangle. Or should that be love quadrangle?

As both writer and director, Woody Allen’s witty dialogue and confidentially fluid direction makes Vicky Cristina Barcelona go along at a lively place, much like the electricity that sparks between the four characters. Juan Antonio and CristinaAllen has a lot to say about modern relationships and the complexities of the heart and he adroitly examines these subjects with both a passion, longing and wit. I liked how for a move that on the surface seems warm and breezy, there are touches of darkness and unearthed desires looming large over it. I thought this added another layer of engaging quality to the story blending laughs with some pathos. Visually, Vicky Cristina Barcelona is sublime and gorgeous. Wrapped in gold hues that invite you in and paint a sexy atmosphere, the cinematography is breathtakingly lovely and at times look downright delectable with its honeyed tint. Vicky Cristina Barcelona stillNow there is one point of contention that lies within Vicky Cristina Barcelona and that is the narration. Not that it isn’t good, it is just something of a double-edged sword. It does well in setting up and closing the story, but for most of the time it is a little superfluous. That being said the voice of Christopher Evan Welch is engaging enough, it is just overused. Still this shouldn’t put you off because the movie is witty and engaging nonetheless. A sizzling soundtrack of Spanish guitars, quick drums and passion filled voices is an excellent companion to the various switches of romance and the clash of the heart and head when sensuality enters the picture.

Woody Allen assembles a very impressive cast who fill his words and characters with verve and talent. Rebecca Hall makes quite an impression playing Vicky, who is the more traditional and serious of the two best friends. We glimpse through her movements and facial expressions the suppression of desires and how it rises within Vicky as something she can’t keep control of as the vacation goes on. Scarlett Johansson is natural and footloose as the free spirit that is Cristina, who also has her own conflicts over her opinion of herself and wants to find her meaning. There is a real vibrancy and playfulness to the performance from Johansson that is hard to ignore and a real subtle beauty too. Then we have Javier Bardem who has all the necessary charm and seductive presence to burn as Juan Antonio. Yet what is really good about his performance is the way he injects it with a humour and soulfulness that in the hands of any other actor wouldn’t have worked. It is however Penélope Cruz that makes the largest impact in a role that garnered her a deserved Best Supporting Actress Oscar. Playing the unstable spitfire Maria Elena as a whirling dervish of emotion, Cruz captures the mercurial temperament, sensuality and all-consuming passion of this woman. Maria ElenaFrom the moment she appears on screen, you just know that Penélope Cruz is going to own the role with her talent and unique way You simply can’t take your eyes of Cruz as she completely steals the show with a performance of both tragic and comic dimensions that threatens to ignite the screen with its fiery presence. Patricia Clarkson has a neat supporting role as the philandering wife who pushes Vicky to act with her heart and Chris Messina has the distracted dullness that makes you see why Vicky would consider a dalliance with another.

A fine romantic comedy/drama from Woody Allen, Vicky Cristina Barcelona is a movie that is as lush and as sumptuous as the scenery, but unpredictable and stormy as the heart itself.

Skyfall

17 Saturday Nov 2012

Posted by vinnieh in 007 thoughts and reviews, Movie Reviews

≈ 67 Comments

Tags

007, 2010's, 50th Anniversary, Action, Adele, Adventure, Albert Finney, Ben Whishaw, Berenice Marlohe, Daniel Craig, James Bond, Javier Bardem, Judi Dench, Naomie Harris, Ola Rapace, Ralph Fiennes, Roger Deakins, Sam Mendes, Skyfall, Spy

Film Title

Skyfall

Director

Sam Mendes

Cast

  • Daniel Craig as James Bond
  • Javier Bardem as Raoul Silva
  • Judi Dench as M
  • Ralph Fiennes as Gareth Mallory
  • Naomie Harris as Eve
  • Berenice Marlohe as Severine
  • Ben Whishaw as Q
  • Ola Rapace as Patrice
  • Albert Finney as Kincade

Skyfall is the 23rd entry into the James Bond series and this year celebrates the 50 years 007 has been on our screens. As many of my followers will know I’m a huge fan of the James Bond series, but I promise I’ll try to make this review as objective as possible. But even if you are not a fan, you can’t ignore the staggering success that the series has attained over it’s 50 year run. Over these years the films have showcased many exciting missions, amazingly beautiful women and maniacal villains, many of which have become a part of popular culture. If there was any doubt that the series couldn’t recover after the underwhelming Quantum Of Solace, then look no further than Skyfall that makes a spectacular return to form on the 50th Anniversary. Anyway, back to my review of the film.

The film starts with Bond and a sexy field agent named Eve, pursuing a mercenary in Istanbul who has a device that contains the identity of NATO agents. Right from the start, the atmosphere is thrilling and gripping, as the chase moves from cars to foot and eventually the top of a train. It is the perfect way to start the film. On the command of M, Eve armed with a sniper shoots intending to hit the target who is grappling with Bond. Instead she hits 007, who in turn falls into the river and is presumed dead. The scene is rounded of as Bond falls into an atmospheric title sequence accompanied by the sound of Adele’s title song, which harks back to the early Bond songs.

As a result of her judgment and command, M is pressured to resign by Government chairman Mallory. Then, MI6 is hacked and a bomb is set off at the headquarters, killing many of the workers. Meanwhile, Bond is “enjoying death” in some corner of the globe, a shadow of his old self. When he hears of the attack, he returns to duty to uncover the source of terror on M. It appears that M made an enemy of a former agent, Raoul Silva, who in turn wants personal and sadistic revenge on his former boss. What ensures is a thrilling, action packed and character driven film that firmly establishes Bond as a force that is here to stay.

What is great upon viewing the film is its neat balance of action and character development. Sam Mendes, best known for directing American Beauty, makes an assured entry into the Bond canon. All of the leading players involved in the film deserve some credit. Daniel Craig’s third movie features a great performance that shows both the vulnerable and tough sides to James Bond.As the flamboyant, sadistic and utterly menacing Silva, Javier Bardem is outstanding in a role that fits him like a glove. In my book, he is sure to go down as a memorable adversary for Bond. Judi Dench gives a commanding performance as M, as she is pivotal to the story and Dench rises to the challenge of having a larger role with ease. We finally get an insight into this commanding woman, both as a person and as the boss. No Bond film would be complete without the women. Naomie Harris provides a sexy presence as a field agent who playfully spars with Bond. Die hard fans should watch for a neat twist involving her character. The other girl, Berenice Marlohe has the smaller role but is equally as sexy and adds mystery to her character of Severine. My only quibble with her character is that it would have been better if her role had been expanded a little more. Sterling support is provided by Ralph Fiennes and Ben Whishaw, who makes an amusing and geeky young Q for this generation of fans. Albert Finney also appears as someone from Bond’s past and steals the scenes that he has.

The cinematography by Roger Deakins is exemplary in the way it captures the mood of the film and accentuates emotions with his use of colour. The locations and set pieces used are also amazing to the eye, such as the scene of Bond grappling with an enemy against a back drop of electric blue jellyfish and an exotic casino equipped with deadly Komodo dragons.

All that I have left to say is this, Skyfall is an exciting, gripping and action packed film with all the right ingredients and references to the early Bond movies. Even if you are not a fan of the series, see it as soon as you can as you won’t regret it.

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