19 Friday Jun 2020
Posted in Rest In Peace
Tags
I just saw the news that Ian Holm has died aged 88. This is sad news as I always welcomed his appearance in movies and he boasts an enviable resume. He leaves behind a wonderful filmography that will keep his memory alive.
24 Thursday Dec 2015
Posted in Movie Reviews
Tags
2010's, Aidan Turner, Benedict Cumberbatch, Billy Connolly, Cate Blanchett, Christopher Lee, Dean O'Gorman, Evangeline Lilly, Fantasy, Hugo Weaving, Ian Holm, Ian McKellen, Ken Stott, Lee Pace, Luke Evans, Martin Freeman, Orlando Bloom, Peter Jackson, Richard Armitage, The Hobbit: The Battle of the Five Armies
Film Title
The Hobbit: The Battle of the Five Armies
Director
Peter Jackson
Starring
As the concluding part of The Hobbit trilogy, The Battle of the Five Armies is a successful last chapter and in my view the best of the Hobbit movies. Exciting, tense yet human in many ways, it’s a rousing finale that definitely captures the attention.
We begin this final slice of Middle Earth adventure were the last one left off. Having reaching the Lonely Mountain, Bilbo and the dwarf crew accidentally woke the vicious dragon Smaug from slumber. 
The fire-breathing creature leafs the confines of the kingdom and angrily heads to the adjoining Laketown, which he sets about destroying. What is left of the people flee the desolated town, but Bard sets about ridding the place of Smaug and succeeds by firing a makeshift arrow that ultimately kills the dragon. Yet even though Smaug is gone, there is still unrest and panic as the people look to the dwarves for help because of a promise made by Thorin to share in some of the gold within the mountain. The Woodland Elves, lead by the ruthless Thranduil, also have business with the dwarves as there is a collection of jewels he wishes to acquire. But Thorin is in no mind to listen Ashe slowly succumbs to dragon sickness, which clouds his judgement and eats himself up with greed. 
Bilbo begins to see how this is going to be a tough time as Thranduil declares war along with men on the dwarves for going back on their promise. Plans for war among them are quickly questioned when Gandalf returns after discovering that the spirit of the dark lord Sauron has returned and that an Orc army is heading their way. It is then left to the elves, dwarves and men to decide whether to unite or be divided. They’ll have to make a choice soon as word, thanks to elves Legolas and Tauriel filters through that it isn’t just one army of orcs, but two that are heading to spread darkness across Middle Earth. For Bilbo and the others, it is time to face the ultimate battle of their lives.
What is immediately striking about The Battle of the Five Armies is the efficient running time. Often with last parts of trilogies or Film series, there is a temptation to make things very long-winded and drawn out. Thankfully, Peter Jackson and his stunning direction keep events ticking over nicely and wrap things up with style, not allowing any loose ends or flab to drag the movie down into boredom. On a visual level and an excitement one, The Battle of the Five Armies is the best of the Hobbit movies. 
The battles are orchestrated with such precision and depth that gives it something else that the other two movies lack, which is a heart. Emotions run very high and the movie alternates between fun, tense and tragic in the space of mere minutes, which is excellent. And thank goodness for the decision to use CGI wisely and not overindulge in it. Set pieces are of a particularly high standard, with special mention to Smaug destroying Laketown and the two battles that form the backbone of the movie. It’s fantasy with a sense of emotion and passion that comes off remarkably well thanks to the wonderful direction and imagery. I liked how the films wrapped up the saga of Middle Earth and helped events come full circle in the end. A thundering Howard Shore score is the perfect sonic companion to the film, peaking with epic scope and emotional heights.
Martin Freeman has really grown into the role of Bilbo and is once again excellent in an understated way. He never overplays his scenes, instead relying on subtlety to show us the brave heart and occasional wrestling with conscience that he must endure. As good as Freeman is, this movie belongs to Richard Armitage. 
Portraying Thorin as blinded by his sickness and full of tragic greed, he brings out the fact that he is a good king underneath it all and it is really good when he snaps out of his sickness and leads his crew into battle with inspiration. Ian McKellen is reliably wonderful as the powerful and sagacious Gandalf, who knows of the dark tide beginning to turn. Orlando Bloom imbues Legolas with a gracefulness that belies his capacity for battle and stands him in good stead when he takes part. 
Evangeline Lilly is tough yet very luminous Tauriel, whose heart belongs to Kíli and who can more than handle herself when confronted with the violence unleashed on Middle Earth. I liked how Lee Pace as Thranduil, remote king of the elves expanded upon his character to show why he is so cold and unfeeling towards others. Luke Evans has that every man quality about him that makes him the voice of the people portraying the proud Bard, while Aidan Turner is touching as the stout-hearted dwarf Kíli. Dean O’Gorman and Ken Stott flesh out the parts of two of the more prominent members of Thorin’s company. Benedict Cumberbatch utilizes his commanding voice to give life to the fierce and very dangerous Smaug, whose opening attack on Laketown is a killer set piece. Some comic relief comes from Billy Connolly as Dáin,Thorin’s irascible cousin who comes to his aid in the epic battle sweeping the lands. Cameos come from Hugo Weaving, Christopher Lee, Ian Holm and Cate Blanchett and suffice to say, they’re all very good as characters we are familiar with within the landscapes of the movies. Plus they all take part in an exhilarating conflict with the forces of Sauron which is a very good part of the movie.
With emotional heft and magical prowess, The Battle of the Five Armies is a well crafted last entry to the saga that is wholly satisfying from beginning to end.
20 Sunday Dec 2015
Posted in Movie Reviews
Tags
2010's, Aidan Turner, Andy Serkis, Cate Blanchett, Christopher Lee, Dean O'Gorman, Elijah Wood, Fantasy, Hugo Weaving, Ian Holm, Ian McKellen, James Nesbitt, Ken Stott, Martin Freeman, Peter Jackson, Richard Armitage, Sylvester McCoy, The Hobbit: An Unexpected Journey
Film Title
The Hobbit: An Unexpected Journey
Director
Peter Jackson
Starring
Peter Jackson takes us back to Middle Earth after directing the hugely successful and critically praised Lord of the Rings trilogy for another adventure. And while it doesn’t quite live up to the sheer majesty of the Lord of the Rings, An Unexpected Journey is still a welcome return to the magical world of fantasy and adventure that takes us back to the beginning to bring the other stories full circle.
Returning to the bucolic Shire region of the vast lands of Middle Earth, we are introduced to a young Bilbo Baggins. 
He is an organised Hobbit who never wants any trouble to speak of and goes about his life as peacefully as he can. This doesn’t go exactly to plan when the wise wizard Gandalf turns up on his doorstep with an offer of adventure and peril. Gandalf tries to convince Bilbo to help Thorin Oakenshield, a king of the dwarves whose homeland, mainly the Lonely Mountain is inhabited by the fierce dragon Smaug, that closely guards their gold. Along with twelve dwarves for company as well as Gandalf, Thorin plans to reclaim what is his by birth. Bilbo is very reluctant to join this dangerous quest even though Gandalf believes in him, but ultimately changes his mind and travels with the company over Middle Earth. 
Yet this journey is going to be far from easy with the likes of orcs, wargs, goblins, shadowy figures and the creature Gollum haunting every step of the way as caves, dales and kingdoms come into view. As the journey continues and the band of heroes are further aided by elves(much to the chagrin of Thorin, who resents them for leaving his kingdom to fall when he believes they could have been of aid), Bilbo begins to discover a courage and strength within himself that he never knew was there as the group travels through peril and turmoil.
I’ll start this analysis of the movie with what didn’t work for me as it was in some parts a flawed movie. I’ll be sure to move on to the numerous positives once I’ve spoken of the negatives. Firstly, I found the pace of the film to be an issue, especially with the first half that really took a while to get going. I get that it is an epic film, but for the beginning it felt like a long slog. Thankfully, once the quest was underway, the pace picked up and it started to flow smoothly again. I think this issue of the movie taking a while to get going stems from the decision to split one book into three adaptations and this one being the first. Hopefully, with the next two the story can run smoother. 
As much as I don’t mind CGI(I mean it’s a fantasy film so it’s got to have some in it), An Unexpected Journey overuses it and it sometimes takes you out of the film, unlike with Lord of the Rings which did use CGI, but made it seamless and not excessive. That’s not to say some of the effects aren’t good,it just feels a bit too much for my liking. And the final negative is that while the ensemble cast is great, when it comes to the dwarves their personalities seem to merge because there is so many of them. Only Thorin and a few others are really given distinct characteristics and things to do.
Moving on, we have the positives of An Unexpected Journey of which there are many. Peter Jackson is back and knows exactly how to capture the attention with his eye for stunning detail. Once more, the locations are out of this world in their glorious splendour, capturing a sense of adventure and expansive mythology that is hard to shake. 
There’s something very thrilling and comforting about returning to some of the locations and also reinstating many well-known characters that Rings fans will be familiar with, as well as introducing other ones that take on significance as the story goes on. And when An Unexpected Journey hits its stride in terms of the pace, the results are stunning to behold as Bilbo joins the band of dwarves on their dangerous quest. Some astounding set pieces are shown throughout this movie, from the cave of Goblins to the chase from the wargs which are both highlights. Howard Shore, who is one of my favourite composers, contributes a wonderfully exciting and dynamic score that brings a brimming sense of fun and danger.
As the hobbit of the title, Martin Freeman is a joy to watch as Bilbo. Starting out as rigid and not in the least bit interested in adventure, he amusingly and professionally charts Bilbo’s transformation into a spirited member of the team and one with depths he didn’t know were there. 
The ever impressive Ian McKellen is also on fine form as the extremely wise and mighty wizard Gandalf, returning to the Middle Earth movies. Exuding sagacious behaviour, inspiring confidence and a little twinkle in his eye, McKellen is nothing short of wonderful. I was really pleased with the performance from Richard Armitage as the vengeful dwarf king Thorin. He plays him exceedingly well with the right mix of stubborn pride, anger and ferocity all needed for the character. 
From the many dwarves involved in the film, James Nesbitt, Ken Stott, Aidan Turner and Dean O’Gorman stand out with their quirky idiosyncrasies and abundance of charm. Sylvester McCoy plays the part of the unusual wizard Radagast, who is at one with nature and takes care of it whenever it is under threat. McCoy imbues the part with a strange sense of humour and eccentric tics that allow him to steal many scenes along the way. Returning once more are Cate Blanchett and Hugo Weaving as the elves Galadriel and Elrond. These two once again bring effortless poise, grace and stunning wisdom to these ethereal beings. The highly talented Andy Serkis also returns as the demented and suffering creature Gollum. With the right blend of believable CGI and the unusual delivery from Serkis, Gollum comes alive once more with frightening intensity and a sense of sheer torment that everyone knows the cause of. Christopher Lee is imperious as ever playing Saruman, who feels that the journey could well be in vain and that it is a foolish undertaking. The two cameos from Ian Holm as older Bilbo and Elijah Wood as Frodo are a very nice touch.
There are flaws along the way, mainly from the slow beginning that stretches the plot a bit thin and an overload of CGI, but The Hobbit: An Unexpected Journey is a more the welcome return back to a world of magic and wonder. I mean any journey back to the immersive lands of Middle Earth is better than no journey at all, isn’t it?
17 Tuesday Mar 2015
Posted in Movie Reviews
Tags
1970's, Alien, Harry Dean Stanton, Horror, Ian Holm, John Hurt, Ridley Scott, Science Fiction, Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Yaphet Kotto
Film Title
Alien
Director
Ridley Scott
Starring
Alien is a classic hybrid of science fiction and horror that brought a lot to the table upon its release. The claustrophobic and horrifying influence of this chilling film can be felt on many a horror flick, but I don’t think anything has ever matched its shocking and frightening power. With the talented Ridley Scott at the helm and Sigourney Weaver entering cinematic history with her performance as Ripley, Alien still holds up as one of the most effective horror films I’ve ever seen.
Set in the future, the commercial spacecraft Nostromo is returning to Earth. The ship is controlled by a sophisticated system code-named Mother. The crew comprises of Captain Dallas, Warrant Officer Ripley, navigator Lambert, engineer Brett, Science Officer Ash, second engineer Parker and Executive Officer Kane. 
The crew of seven are in hyper sleep but Mother picks up what seems to be a distress signal coming from a nearby planet. Although many of the crew are doubtful of what to do, according to the laws of the company, they must answer the signal. Upon landing on the planet, the ship is temporarily broken and in need of repair. Dallas, Lambert and Kane set foot on the planet in an attempt to find the cause of the distress signal. What they find is a strange ship apparently abandoned, but filled with multitudes of egg like objects. Unfortunately for Kane, one of the eggs hatches and a strange creature attaches itself to his face. Fearing for him Dallas and Lambert bring him back to the ship where Ash lets them in. Ripley is infuriated by this as it could jeopardize their safety or bring harm to any of them. After a while the creature seems to vanish and Kane appears to be fine. But during breakfast after the ship has been fixed and is in orbit, the real horror of the situation arrives. Kane convulses violently before dying as the creature emerges from his chest and flees into the bowels of the ship. With the beast on the loose and safety in danger, the crew attempt to kill it. But as bodies hit the floor and the alien grows rapidly into a terrifying creature, it all comes down to Ripley to survive the carnage and kill the alien.
The first thing to praise about Alien is the direction. Ridley Scott balances the interesting characters and the encroaching carnage with certainty and skill. 
The pace of Alien is magnificent as suspense builds and builds before erupting into terror and horror. The visual design of the Nostromo is second to none as well as the Alien itself, a horrifying creature that bleeds acid, has a double jaw that can pierce skulls and the ability to blend into its surroundings. A tense atmosphere of ghoulish uncertainty gives Alien a slow-building but effective backbone that brings many fears to light in disturbing fashion. We have the fear of bodily intrusion as the Alien lives inside a host before hatching, the fear of the unknown thing stalking the members of the crew and we have the fear of entrapment as the layers of the spaceship become a prison for the crew as they do battle with the creature. Jerry Goldsmith’s ambient score is a terrific asset in Alien’s already impressive arsenal, bringing that humming menace and gradually building terror to the forefront as the alien turns the ship into its personal hunting ground.
The effective cast brings a refreshingly adult sensibility to the film and it’s really refreshing to see grown ups instead of screaming teenagers running around. Tom Skerritt brings weariness to Captain Dallas, as he realizes that bringing Kane back onto the ship was a bad idea. The real revelation of Alien is Sigourney Weaver as the tough Ripley. 
Weaver brings inner vulnerability, grave authority and determined strength to the character as she gets in touch with the warrior inside in order to eliminate the threat posed to her. Ripley would go on to become an iconic character in the science fiction genre and rightfully so because of Weaver’s talent and power in the part. Veronica Cartwright is suitably wide-eyed and scared out of her wits as Lambert, while Harry Dean Stanton is sarcastic as Brett, a blue-collar worker complaining about company procedure. Ian Holm brings a quiet sort of uneasiness to Ash, who is concealing many secrets beneath his humane demeanor. Yaphett Kotto is great as Parker, Brett’s sparring partner and fellow mechanic, while John Hurt brings something devastating to the part of the tragic Kane and enters cinematic history as a result.
Haunting and horrifying, Alien is one of the best science fiction/ horror films out there and its impact can not be underestimated.
19 Friday Sep 2014
Posted in Movie Reviews
Tags
1990's, Alan Bates, Franco Zeffirelli, Glenn Close, Hamlet, Helena Bonham Carter, Ian Holm, Mel Gibson, Nathaniel Parker, Paul Scofield, Stephen Dillane, Tragedy, William Shakespeare
Film Title
Hamlet
Director
Franco Zeffirelli
Starring
In this adaptation of the classic William Shakespeare tragedy, Franco Zeffirelli assembles an unexpected but engaging cast and directs with vigour and atmospheric skill in an attempt to show an individuality from other versions of the play. And he certainly does a good job of it.
The film begins with the funeral of Hamlet’s father, the King of Denmark. Hamlet’s mother Gertrude is saddened but seems a little too close to her late husband’s brother Claudius. Surely enough, the two marry soon after and Claudius becomes king. 
The young Prince Hamlet is puzzled by this courtship at first, but information regarding the sudden remarriage soon comes his way in eerie fashion. One night after hearing from his trusted friend Horatio that an apparition has been wandering around the castle at night, he is visited by the ghost of his father, who informs him that he was murdered by Claudius so he could take the throne. Hamlet swears revenge on his uncle and descends into madness as he attempts to complete the murderous task.
The first thing to note in Hamlet is the visual style. Dark and hushed shades of blue over the castle, which are juxtaposed with glaring images of sun capture the themes of life and death and the complementary nature of each. The camerawork is stunning as it glides around the surroundings and quite often nestles close to a character, this technique is especially useful and full of impact when Hamlet delivers monologues. Ennio Morricone provides the atmospheric and melancholy music, giving Hamlet a gloomy and suspenseful edge. What many purists will take issue with is the removal of certain parts of dialogue and the transference of certain pieces into different scenes. Yet, with this the film has a strong pace and in some ways makes it more accessible to those unfamiliar with the play. Only at certain times does the removal of parts of dialogue cause Hamlet to lose its way.
Heading the cast is Mel Gibson as Hamlet. At first I wasn’t sure that Gibson would fit the role of Hamlet, but surprisingly he makes the role his own. He contributes vigor, sadness and madness to the part as Hamlet becomes more vengeful and his delivery of dialogue is excellent. Unlike many who portray Hamlet as constantly brooding, Gibson has more fun with the role by adding intelligence and a playful smile which eventually gives way to sinister grins . Glenn Close is effectively cast as Gertrude who changes from grieving widow into a sexually liberated woman after marrying Claudius. The scenes between Close and Gibson are interesting to watch because of the ambiguous nature of their relationship. This unusual examination of mother-son relations adds dimension to the story and adds an edge to the classic piece by giving it more dramatic prominence. Alan Bates makes for a quietly villainous Claudius, whose scheming is masked by a courteous exterior. Helena Bonham Carter brings deep sadness to the role of the tragic Ophelia, whose treatment at the hands of Hamlet sends her spiralling out of control. The sight of her bare foot, chanting old love songs with wild eyes and mournful voice whilst wandering around the castle is a chilling sight to behold. Ian Holm makes for an intelligent Polonius, while Paul Scofield gives wisdom to the part of the King’s ghost. In supporting roles, Stephen Dillane and Nathaniel Parker are wonderfully effective in the parts of Horatio and Laertes.
Liberties taken with the text aside, Zeffirelli makes a vigorous movie of Hamlet that adds another spin to the classic tragedy.
21 Saturday Dec 2013
Posted in Movie Reviews
Tags
2000's, Billy Boyd, Cate Blanchett, Christopher Lee, Dominic Monaghan, Elijah Wood, Epic, Fantasy, Hugo Weaving, Ian Holm, Ian McKellen, John Rhys-Davies, Liv Tyler, Orlando Bloom, Peter Jackson, Sean Astin, Sean Bean, The Lord of the Rings: The Fellowship of the Ring, Viggo Mortensen
Film Title
The Lord of the Rings: The Fellowship of the Ring
Director
Peter Jackson
Starring
The other day, I was rooting through my DVD collection when I came across The Lord of the Rings Trilogy. It has been an age since I last saw the films and so along with my brother I sat down and watched the films in one go. To say the experience was epic is an understatement. To start my reviews of the trilogy is The Fellowship of the Ring.
Many said it was unfilmable but Peter Jackson sure proved them wrong. The Lord of the Rings: The Fellowship of the Rings is the absorbing, stunningly executed and all round epic first entry into the trilogy. Fantasy has rarely looked this amazing and majestic onscreen and I may just run out of adjectives to describe the sheer scope and beauty of the film. Anyway enough of my rambling, onto the review.
Set in the vast lands of Middle Earth, Fellowship follows the tale of Frodo Baggins, a young hobbit living peacefully in the Shire who is entrusted with a dangerous task. His uncle Bilbo is leaving the Shire to live with the elves of Rivendell. He leaves Frodo a ring, yet this is no ordinary ring. It is the ring of power, forged centuries ago by the dark lord Sauron. There were originally other rings forged given to the different races of Middle Earth. Bound in the ring is the power to dominate the other bearers of rings and succumb to the rings dark trappings. Sauron was believed dead but his presence has survived and is now intent on retrieving the ring. Upon hearing of the ring, Bilbo’s old friend, the wise wizard Gandalf instructs Frodo to flee the Shire as the forces of darkness will soon come looking for him. Aiding Frodo is his loyal best friend Sam and two others hobbits named Merry and Pippin. Later he is joined by a mysterious ranger Aragorn who has a claim to a throne, archer and elf Legolas, dwarf Gimli and warrior Boromir. The future of Middle Earth is at peril because of the ring and only by destroying it can the danger it brings be erased. And so Frodo sets off with the others, known as the Fellowship, on a perilous journey to destroy the evil ring before it falls into the wrong hands. Prepare for a handsomely mounted fantasy tale of bravery, kinship and a dangerous quest filled with uncertainty directed with dedication and visual splendour by Peter Jackson.
The first thing to praise in Fellowship is the New Zealand locations that make up the vast lands of Middle Earth. Mountains, woodlands and vast fields appear breathtaking and we as an audience are sucked into the arduous journey that Frodo must take. The intelligent screenplay gives us a thrilling fantasy adventure with characters we can root for and features some amazing fight scenes against the dark forces that terrorise Middle Earth. We become immersed in the various legends that abound and the various people who make up the lands. Also, we get see the friendships of the main characters, embodied by the loyal and sincere Sam who would do anything for his best friend Frodo.
Sonically, Fellowship is a marvel. From the high-pitched screech of the Nazgul, wraith like beings attempting to return the ring to the dark lord to the evocative and splendid score by Howard Shore, it really is amazing to say the least. Special effects are of the highest order, creating menacing beings such as the vicious orcs and a particularly memorable cave troll. The many fight scenes are executed to excellent standards, especially when the Fellowship face the orcs. Fellowship of the Ring is a film of many memorable moments it really is hard to choose just a few to mention. Highlights for me are the chase of Arwen, a beautiful she elf who risks her life to save Frodo from death, by the evil Nazgul through woodlands, the Fellowship battling orcs in a catacomb and the kissing of Frodo’s forehead for good luck by Galadriel, a wise elf of immense power and wisdom.
But the biggest impact on the film is made by the supremely talented cast assembled to flesh out the various beings of this fantasy tale. Heading this is the ideal casting of Elijah Wood as Frodo, the one who the task weighs heavily upon. Wood embodies the initially frightened realisation of his task and later his bravery that will lead him on his way. Ian McKellen is excellent as the wizard Gandalf, showing us the wise man with immense power who is an invaluable ally on the quest. As the loyal, stout-hearted Sam, Sean Astin is perfectly cast as he is one of the driving forces behind Frodo. Without Sam’s wisdom and pluck, Frodo’s journey would not have been as interesting. Viggo Mortensen is suitably heroic as the skilled ranger Aragorn, while Liv Tyler is earnest and beautiful as Arwen, the elf who he has fallen in love with. Their relationship is beautifully observed as we watch the conflicted desires of both as Arwen questions whether to give up her immortality for love, her line ” I would rather share one lifetime with you than face all the Ages of this world alone” is haunting. Cate Blanchett is suitably ethereal and full of intelligence as Galadriel, the presence of her engaging voice in the prologue of the ring’s journey is a stroke of genius. John Rhys-Davies provides some comic relief as the belligerent dwarf Gimli, further adding to this humour is Billy Boyd and Dominic Monaghan as the mischievous Pippin and Merry. Christopher Lee is gleefully evil as the wizard who has turned to the dark side. Orlando Bloom makes for a skilled ally of Legolas, an elf with a talent for archery. Hugo Weaving exudes respectability as Elrond, lord of the elves while Sean Bean makes a deep impression as Boromir. In the small but pivotal role of Bilbo, the one who found the ring, Ian Holm shines.
Crafted with meticulous and faithful detail by Peter Jackson, Fellowship of the Ring is a fantasy film to treasure for its engaging storyline, glorious scenery and its ability to transport us into a world of magic, danger and hope.
