V for Vendetta

Tags

2000's, Action, Hugo Weaving, James McTeigue, John Hurt, Natalie Portman, Political Thriller, Stephen Fry, Stephen Rea, Thriller, V for Vendetta

Film Title

V for Vendetta

Director

James McTeigue

Starring

• Hugo Weaving as V
• Natalie Portman as Evey Hammond
• Stephen Rea as Eric Finch
• Stephen Fry as Gordon Deitrich
• John Hurt as Adam Sutler

A provocative and very arresting political/action thriller based on a comic, V for Vendetta is a confronting movie that tackles a lot of controversial topics and ideas with a sense of style and a brain that is sometimes lacking from films usually on this nature.

In a futuristic version of London, chaos has blighted everything along with an oppressive government. Being not dutiful to the ruling power results in imprisonment and death. Activists, homosexuals, and people of different races are frequently targeted just for being different. A virus has claimed many lives in the United Kingdom and Europe. Most prominently is the government in power, run by Adam Sutler; who exercises cruel control over nearly every aspect of the population’s lives. Evey Hammond is a meek young woman who works in a broadcasting company( that churns out propaganda to the people to keep them in line) is caught one night out after enforced curfew. The secret police threaten her and attempt to attack her, but someone comes to her rescue. That someone is V, a masked vigilante in a Guy Fawkes mask, who is skilled in swordplay and fighting. After saving Evey, he demonstrates his real purpose of spurning the population into revolution by blowing up the Old Bailey. The fascist like government doesn’t take very kindly to V’s actions, particularly when he later uses the broadcasting company that Evey works at to display his message of rising up. Every is caught in the middle of all of this and must decide where her loyalties lie. Meanwhile, Chief of Police Eric Finch investigates any leads he can into V, yet finds that his loyalty to the government may very well have been misplaced and manipulated over the years. V’s plans gather a quickening pace as he takes on the corrupt powers that be, with Evey becoming something of an unlikely ally and then ultimately a strong supporter of his cause.

The director, James McTeigue does an inspired and button-pushing job with his directions. He allows the political nature of V for Vendetta to take the centre stage and all the questions that go with it, while never sacrificing action in the process. The film is very much a thinking person’s film and while there are fight scenes and action, it never becomes repetitive because the essence of the story is kept intact. V for Vendetta presents an uncomfortable and shocking possibility of a future that is ruled with an iron fist and with extreme prejudice. Racism, homophobia, the accountability of the powerful and the manipulative agendas of government all come under the spotlight and are never shied away from. This film raises many terrifying what if scenarios that tap into our fears of what the world could become, which isn’t outside the realm of possibility when you think about the countless changes that this world has endured. There is something even timely about the film as it deciphers how fear and panic can be spread and lead people to be threatened by those more powerful than them. Now there are those that will view V for Vendetta as a film that is propaganda or in some cases a dangerous film that advocates terrorism( which I have heard a number of people imply), but I wouldn’t say that the film goes really far with those things. Yes, the main character is someone who uses violence and devastation to make his point, but I think it is up to the individual person to form their own opinion on what the film is presenting and what message it puts across. That’s the way I view V for Vendetta, it can be read on a number of significant levels. Some won’t agree with what it has to say and others may take note, but in the end, isn’t a film supposed to get you thinking? Granted, it may bang the political drum a little too loudly at fleeting points, but the topics it brings up are definitely thought-provoking and stay with you for a long time afterwards. On the visual side, the colour scheme that largely features red, black and white is memorably hard-hitting yet oddly resplendent in execution; showing a world at its knees and the potential of change emerging with the presence of V from the shadows. And there is quite a lot of action going on in V for Vendetta, as the masked title character does brutal battle with other forces in strikingly shot fight scenes. A steady score rises in levels along with events, forming a somewhat rousing musical accompaniment to both V’s aims and Evey’s journey.

As the eponymous V and with only movement and voice to use, Hugo Weaving is masterful. His deep voice is utilized to maximum impact, investing the role of the masked V with an elegance and intelligence. He may be a character capable of lethal and fatal action, but there is something so immersive about him that you can’t help but watch. His graceful movements almost mirror those of a proficient dancer, as he glides with purpose and something deadly too. The part wouldn’t have been the same without someone of Hugo Weaving’s calibre in the role, he just completely embodies it. Natalie Portman is just as good in the role of Evey; whose encounters with V and the aftermath provide a lot of thrust of the narrative with Portman giving a range of feeling to the part that grows stronger and more pronounced as the film progresses. If you’re expecting the part of Evey to be someone who kicks ass and physically fights, you aren’t going to get that. And to think that misses the point that she is an ordinary woman thrust into difficult circumstances and forced to make a stand. Portman plays the journey of her subtly yet expressively, ensuring that there is a natural progression that is believable from scared girl to fearless woman ready to do something. Although her accent is a little shaky, that’s the only foible in the work from Natalie Portman( who memorably shaved her head for the part), who emerges with a strong performance of gathering gumption and depth. The excellent Stephen Rea is well-chosen for the role of the police chief, slowly peeling the layers of deceit back and going between being frightened of V and inspired by him. Solid support comes courtesy of Stephen Fry as a television host having to hide who he truly is and the late, great John Hurt as the imposing dictator with a whole lot of power.

A movie with a lot to say and the balls to go forth with it, V for Vendetta is a film that elicits discussion from many, due to the things it addresses and the ultimate message. For me, it is an engrossing film that while it has required action, puts the story first and packs a punch with its refusal to lessen the blow of what it covers.

The Hobbit: The Battle of the Five Armies

Tags

2010's, Aidan Turner, Benedict Cumberbatch, Billy Connolly, Cate Blanchett, Christopher Lee, Dean O'Gorman, Evangeline Lilly, Fantasy, Hugo Weaving, Ian Holm, Ian McKellen, Ken Stott, Lee Pace, Luke Evans, Martin Freeman, Orlando Bloom, Peter Jackson, Richard Armitage, The Hobbit: The Battle of the Five Armies

Film Title

The Hobbit: The Battle of the Five Armies

Director

Peter Jackson

Starring

• Martin Freeman as Bilbo Baggins
• Richard Armitage as Thorin Oakenshield
• Ian McKellen as Gandalf
• Orlando Bloom as Legolas
• Evangeline Lilly as Tauriel
• Lee Pace as Thranduil
• Luke Evans as Bard
• Aidan Turner as Kíli
• Dean O’Gorman as Fíli
• Ken Stott as Balin
• Benedict Cumberbatch as Smaug
• Billy Connolly as Dáin
• Hugo Weaving as Elrond
• Christopher Lee as Saruman
• Ian Holm as Old Bilbo
• Cate Blanchett as Galadriel

As the concluding part of The Hobbit trilogy, The Battle of the Five Armies is a successful last chapter and in my view the best of the Hobbit movies. Exciting, tense yet human in many ways, it’s a rousing finale that definitely captures the attention.

We begin this final slice of Middle Earth adventure were the last one left off. Having reaching the Lonely Mountain, Bilbo and the dwarf crew accidentally woke the vicious dragon Smaug from slumber. The fire-breathing creature leafs the confines of the kingdom and angrily heads to the adjoining Laketown, which he sets about destroying. What is left of the people flee the desolated town, but Bard sets about ridding the place of Smaug and succeeds by firing a makeshift arrow that ultimately kills the dragon. Yet even though Smaug is gone, there is still unrest and panic as the people look to the dwarves for help because of a promise made by Thorin to share in some of the gold within the mountain. The Woodland Elves, lead by the ruthless Thranduil, also have business with the dwarves as there is a collection of jewels he wishes to acquire. But Thorin is in no mind to listen Ashe slowly succumbs to dragon sickness, which clouds his judgement and eats himself up with greed. Bilbo begins to see how this is going to be a tough time as Thranduil declares war along with men on the dwarves for going back on their promise. Plans for war among them are quickly questioned when Gandalf returns after discovering that the spirit of the dark lord Sauron has returned and that an Orc army is heading their way. It is then left to the elves, dwarves and men to decide whether to unite or be divided. They’ll have to make a choice soon as word, thanks to elves Legolas and Tauriel filters through that it isn’t just one army of orcs, but two that are heading to spread darkness across Middle Earth. For Bilbo and the others, it is time to face the ultimate battle of their lives.

What is immediately striking about The Battle of the Five Armies is the efficient running time. Often with last parts of trilogies or Film series, there is a temptation to make things very long-winded and drawn out. Thankfully, Peter Jackson and his stunning direction keep events ticking over nicely and wrap things up with style, not allowing any loose ends or flab to drag the movie down into boredom. On a visual level and an excitement one, The Battle of the Five Armies is the best of the Hobbit movies. The battles are orchestrated with such precision and depth that gives it something else that the other two movies lack, which is a heart. Emotions run very high and the movie alternates between fun, tense and tragic in the space of mere minutes, which is excellent. And thank goodness for the decision to use CGI wisely and not overindulge in it. Set pieces are of a particularly high standard, with special mention to Smaug destroying Laketown and the two battles that form the backbone of the movie. It’s fantasy with a sense of emotion and passion that comes off remarkably well thanks to the wonderful direction and imagery. I liked how the films wrapped up the saga of Middle Earth and helped events come full circle in the end. A thundering Howard Shore score is the perfect sonic companion to the film, peaking with epic scope and emotional heights.

Martin Freeman has really grown into the role of Bilbo and is once again excellent in an understated way. He never overplays his scenes, instead relying on subtlety to show us the brave heart and occasional wrestling with conscience that he must endure. As good as Freeman is, this movie belongs to Richard Armitage. Portraying Thorin as blinded by his sickness and full of tragic greed, he brings out the fact that he is a good king underneath it all and it is really good when he snaps out of his sickness and leads his crew into battle with inspiration. Ian McKellen is reliably wonderful as the powerful and sagacious Gandalf, who knows of the dark tide beginning to turn. Orlando Bloom imbues Legolas with a gracefulness that belies his capacity for battle and stands him in good stead when he takes part. Evangeline Lilly is tough yet very luminous Tauriel, whose heart belongs to Kíli and who can more than handle herself when confronted with the violence unleashed on Middle Earth. I liked how Lee Pace as Thranduil, remote king of the elves expanded upon his character to show why he is so cold and unfeeling towards others. Luke Evans has that every man quality about him that makes him the voice of the people portraying the proud Bard, while Aidan Turner is touching as the stout-hearted dwarf Kíli. Dean O’Gorman and Ken Stott flesh out the parts of two of the more prominent members of Thorin’s company. Benedict Cumberbatch utilizes his commanding voice to give life to the fierce and very dangerous Smaug, whose opening attack on Laketown is a killer set piece. Some comic relief comes from Billy Connolly as Dáin,Thorin’s irascible cousin who comes to his aid in the epic battle sweeping the lands. Cameos come from Hugo Weaving, Christopher Lee, Ian Holm and Cate Blanchett and suffice to say, they’re all very good as characters we are familiar with within the landscapes of the movies. Plus they all take part in an exhilarating conflict with the forces of Sauron which is a very good part of the movie.

With emotional heft and magical prowess, The Battle of the Five Armies is a well crafted last entry to the saga that is wholly satisfying from beginning to end.

The Hobbit: An Unexpected Journey

Tags

2010's, Aidan Turner, Andy Serkis, Cate Blanchett, Christopher Lee, Dean O'Gorman, Elijah Wood, Fantasy, Hugo Weaving, Ian Holm, Ian McKellen, James Nesbitt, Ken Stott, Martin Freeman, Peter Jackson, Richard Armitage, Sylvester McCoy, The Hobbit: An Unexpected Journey

Film Title

The Hobbit: An Unexpected Journey

Director

Peter Jackson

Starring

• Martin Freeman as Bilbo Baggins
• Ian McKellen as Gandalf
• Richard Armitage as Thorin Oakenshield
• James Nesbitt as Bofur
• Ken Stott as Balin
• Aidan Turner as Kíli
• Dean O’Gorman as Fíli
• Sylvester McCoy as Radagast
• Cate Blanchett as Galadriel
• Hugo Weaving as Elrond
• Andy Serkis as Gollum
• Christopher Lee as Saruman
• Ian Holm as Older Bilbo
• Elijah Wood as Frodo

Peter Jackson takes us back to Middle Earth after directing the hugely successful and critically praised Lord of the Rings trilogy for another adventure. And while it doesn’t quite live up to the sheer majesty of the Lord of the Rings, An Unexpected Journey is still a welcome return to the magical world of fantasy and adventure that takes us back to the beginning to bring the other stories full circle.

Returning to the bucolic Shire region of the vast lands of Middle Earth, we are introduced to a young Bilbo Baggins. He is an organised Hobbit who never wants any trouble to speak of and goes about his life as peacefully as he can. This doesn’t go exactly to plan when the wise wizard Gandalf turns up on his doorstep with an offer of adventure and peril. Gandalf tries to convince Bilbo to help Thorin Oakenshield, a king of the dwarves whose homeland, mainly the Lonely Mountain is inhabited by the fierce dragon Smaug, that closely guards their gold. Along with twelve dwarves for company as well as Gandalf, Thorin plans to reclaim what is his by birth. Bilbo is very reluctant to join this dangerous quest even though Gandalf believes in him, but ultimately changes his mind and travels with the company over Middle Earth. Yet this journey is going to be far from easy with the likes of orcs, wargs, goblins, shadowy figures and the creature Gollum haunting every step of the way as caves, dales and kingdoms come into view. As the journey continues and the band of heroes are further aided by elves(much to the chagrin of Thorin, who resents them for leaving his kingdom to fall when he believes they could have been of aid), Bilbo begins to discover a courage and strength within himself that he never knew was there as the group travels through peril and turmoil.

I’ll start this analysis of the movie with what didn’t work for me as it was in some parts a flawed movie. I’ll be sure to move on to the numerous positives once I’ve spoken of the negatives. Firstly, I found the pace of the film to be an issue, especially with the first half that really took a while to get going. I get that it is an epic film, but for the beginning it felt like a long slog. Thankfully, once the quest was underway, the pace picked up and it started to flow smoothly again. I think this issue of the movie taking a while to get going stems from the decision to split one book into three adaptations and this one being the first. Hopefully, with the next two the story can run smoother. As much as I don’t mind CGI(I mean it’s a fantasy film so it’s got to have some in it), An Unexpected Journey overuses it and it sometimes takes you out of the film, unlike with Lord of the Rings which did use CGI, but made it seamless and not excessive. That’s not to say some of the effects aren’t good,it just feels a bit too much for my liking. And the final negative is that while the ensemble cast is great, when it comes to the dwarves their personalities seem to merge because there is so many of them. Only Thorin and a few others are really given distinct characteristics and things to do.

Moving on, we have the positives of An Unexpected Journey of which there are many. Peter Jackson is back and knows exactly how to capture the attention with his eye for stunning detail. Once more, the locations are out of this world in their glorious splendour, capturing a sense of adventure and expansive mythology that is hard to shake. There’s something very thrilling and comforting about returning to some of the locations and also reinstating many well-known characters that Rings fans will be familiar with, as well as introducing other ones that take on significance as the story goes on. And when An Unexpected Journey hits its stride in terms of the pace, the results are stunning to behold as Bilbo joins the band of dwarves on their dangerous quest. Some astounding set pieces are shown throughout this movie, from the cave of Goblins to the chase from the wargs which are both highlights. Howard Shore, who is one of my favourite composers, contributes a wonderfully exciting and dynamic score that brings a brimming sense of fun and danger.

As the hobbit of the title, Martin Freeman is a joy to watch as Bilbo. Starting out as rigid and not in the least bit interested in adventure, he amusingly and professionally charts Bilbo’s transformation into a spirited member of the team and one with depths he didn’t know were there. The ever impressive Ian McKellen is also on fine form as the extremely wise and mighty wizard Gandalf, returning to the Middle Earth movies. Exuding sagacious behaviour, inspiring confidence and a little twinkle in his eye, McKellen is nothing short of wonderful. I was really pleased with the performance from Richard Armitage as the vengeful dwarf king Thorin. He plays him exceedingly well with the right mix of stubborn pride, anger and ferocity all needed for the character. From the many dwarves involved in the film, James Nesbitt, Ken Stott, Aidan Turner and Dean O’Gorman stand out with their quirky idiosyncrasies and abundance of charm. Sylvester McCoy plays the part of the unusual wizard Radagast, who is at one with nature and takes care of it whenever it is under threat. McCoy imbues the part with a strange sense of humour and eccentric tics that allow him to steal many scenes along the way. Returning once more are Cate Blanchett and Hugo Weaving as the elves Galadriel and Elrond. These two once again bring effortless poise, grace and stunning wisdom to these ethereal beings. The highly talented Andy Serkis also returns as the demented and suffering creature Gollum. With the right blend of believable CGI and the unusual delivery from Serkis, Gollum comes alive once more with frightening intensity and a sense of sheer torment that everyone knows the cause of. Christopher Lee is imperious as ever playing Saruman, who feels that the journey could well be in vain and that it is a foolish undertaking. The two cameos from Ian Holm as older Bilbo and Elijah Wood as Frodo are a very nice touch.

There are flaws along the way, mainly from the slow beginning that stretches the plot a bit thin and an overload of CGI, but The Hobbit: An Unexpected Journey is a more the welcome return back to a world of magic and wonder. I mean any journey back to the immersive lands of Middle Earth is better than no journey at all, isn’t it?

The Lord of the Rings: The Return of the King

Tags

2000's, Andy Serkis, Bernard Hill, Billy Boyd, Cate Blanchett, David Wenham, Dominic Monaghan, Elijah Wood, Epic, Fantasy, Hugo Weaving, Ian McKellen, John Noble, John Rhys-Davies, Karl Urban, Liv Tyler, Miranda Otto, Orlando Bloom, Peter Jackson, Sean Astin, The Lord of the Rings: The Return of the King, Viggo Mortensen

Film Title

The Lord of the Rings: The Return of the King

Director

Peter Jackson

Starring

• Elijah Wood as Frodo Baggins
• Ian McKellen as Gandalf
• Viggo Mortensen as Aragorn
• Sean Astin as Samwise “Sam” Gamgee
• Andy Serkis as Gollum
• John Rhys-Davies as Gimli
• Orlando Bloom as Legolas
• Liv Tyler as Arwen
• Miranda Otto as Éowyn
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Bernard Hill as Théoden
• Cate Blanchett as Galadriel
• Hugo Weaving as Elrond
• David Wenham as Faramir
• John Noble as Denethor
• Karl Urban as Éomer

Rounding out my marathon of the Lord of the Rings trilogy is the grand and unbeatable Return of the King. It has been great reviewing these outstanding films and I hope that the other bloggers have enjoyed it as well. Winner of a staggering 11 Oscars, including Best Picture, Peter Jackson once again creates a film of such beautiful and emotional scope. Focusing on Frodo as he reaches Mount Doom, Aragorn’s taking of kingship and earth shattering battles, Return of the King is a fantasy epic of the highest order that is certain to blow you away.

Frodo continues his quest to destroy the ring with Sam and the ever changeable Gollum, whose desire for the ring is growing more dangerous by the day. Day by day, Gollum conspires to drive the two friends apart in order to gain access to the ring. Meanwhile Aragorn claims the throne of Gondor and begins to raise an army of the dead to fight against the forces of Sauron that are quickly taking control over Middle Earth. Aided by friends, the time has come for Aragorn to fight and Frodo to prosper as he nears the end of his quest. Prepare for the epic spectacle of Return of the King, it will most certainly take your breath away.

If I could describe The Return of the King in one word it would be spellbinding. From absolutely stunning locations to fierce battles and the perils of various creatures, Peter Jackson never loses out attention for a single minute. He deservedly won the Best Director Oscar for his awe-inspiring and deft direction. By the end of the film, you feel so close to these characters and feel as if you’ve been on the epic journey with them right until the end. The smart screenplay is mainly the reason for this as the film nears its end, we get to see the impact the ring has on each of the characters within the narrative. As in the other films, the score is an evocative and dramatic listen that soars with emotional dexterity. While watching the film, I really didn’t want it end as it was just so involving for me. Moments in this film will forever be indelible in my mind. Some of these are Arwen’s vision of the future that persuades her to wait for Aragorn and armies rising just before battle as Aragorn, tears in his eyes utters “For Frodo”. As he says these words you understand the loyalty and friendship that is shared and the power of it.

The ensemble cast is a richly talented who have created indelible characters. Elijah Wood continues to impress as the stout-hearted Frodo, who is nearing the end of the journey whilst overcoming many obstacles. Ian McKellen is another highlight as Gandalf, while Viggo Mortensen gives one of the strongest performances as the returned king Aragorn. Sean Astin is still impressive as the good friend Sam, who has helped bring Frodo this far with his own will and determination. The scene of Frodo and Sam comforting one another, their faces dirty, their eyes red from crying but their spirits still strong, is an undeniably moving moment in a trilogy of memorable scenes. Andy Serkis is amazing as the demented Gollum, now almost completely consumed with the power of the ring and poisoning Frodo against those closest. With the power of CGI and Serkis embodying Gollum’s wiry movements to unnatural fashion, Gollum is a memorable masterwork.

Fleshing out the other members fighting with Aragorn are the reliable John Rhys-Davies and Orlando Bloom as Gimli and Legolas. Liv Tyler is moving as Arwen, who has renounced her immortality as a means of staying with her one true love Aragorn. Miranda Otto has an expanded role as Éowyn, here showing the mental and physical strength to fight in battle. Billy Boyd and Dominic Monaghan are still as plucky as ever as Pippin and Merry. Bernard Hill is very good as the brave King Théoden, while Cate Blanchett radiates ethereal beauty and deep wisdom as the elf Galadriel. Hugo Weaving and David Wenham reappear successfully as Elrond and Faramir. John Noble provides the interesting character of Denethor, a stand in ruler who is weak-willed and snake-like. Karl Urban rounds out the cast as the knight Éomer.

Stunningly mounted, emotionally gripping and all round magical, The Return of the King is all you could ask for in a fantasy movie and more.

The Lord of the Rings: The Two Towers

Tags

2000's, Andy Serkis, Bernard Hill, Billy Boyd, Brad Dourif, Cate Blanchett, Christopher Lee, David Wenham, Dominic Monaghan, Elijah Wood, Epic, Fantasy, Hugo Weaving, Ian McKellen, John Rhys-Davies, Karl Urban, Liv Tyler, Miranda Otto, Orlando Bloom, Peter Jackson, Sean Astin, The Lord of the Rings: The Two Towers, Viggo Mortensen

Film Title

The Lord of the Rings: The Two Towers

Director

Peter Jackson

Starring

• Elijah Wood as Frodo
• Ian McKellen as Gandalf
• Sean Astin as Samwise “Sam” Gamgee
• Viggo Mortensen as Aragorn
• Andy Serkis as Gollum
• Liv Tyler as Arwen
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Miranda Otto as Éowyn
• Orlando Bloom as Legolas
• David Wenham as Faramir
• John Rhys-Davies as Gimli
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Bernard Hill as Théoden
• Cate Blanchett as Galadriel
• Christopher Lee as Saruman
• Hugo Weaving as Elrond
• Karl Urban as Éomer
• Brad Dourif as Gríma Wormtongue

Now for the second entry into my Lord of the Rings marathon. Picking up where Fellowship of the Ring left off, The Two Towers is a superb continuation to this engaging trilogy that balances great characters, mythology and some of the best battle scenes ever put on film. Darker than its predecessor, Two Towers is just as good as the first and introduces us to more engaging characters who populate the lands of Middle Earth. If this doesn’t get you excited for the final concluding entry in the trilogy, I don’t know what will.

With the Fellowship now fractured and Gandalf sacrificing himself in the mines, the various factions that remain continue travelling. In one segment, Frodo and Sam continue the perilous journey to destroy the evil ring and are joined by Gollum, the ring’s former owner whose life was tortured by his desire to the ring and the inability to resist taking it. Gollum knows the way to Mordor, but Sam distrusts him and warns Frodo about what Gollum may do. In another strand; Aragorn, Gimli and Legolas travel to Rohan which is about to come under attack from the forces of Sauron. Along the way, they encounter an old ally. A now reborn and stronger Gandalf who aids them in bringing the king of Rohan,  Théoden out from under the spell cast by Gríma Wormtongue, one of Saruman the dark wizard’s workers. And in the other segment, Merry and Pippin flee after being captured by orcs into the forest where Treebeard, an ent who listens to them and journey’s on. Busting apart the common idea that the middle film of a series is the weakest, The Two Towers contains gorgeous locations, breathtaking scope and the all round magical feeling of a fantasy quest you will never want to leave.

Peter Jackson again fashions a fantasy epic of staggering proportions with this entry. Having three separate story strands could have been a risky move, but in this case it pays off handsomely as we watch not just one journey, but three. This entry also focuses more on Aragorn as a character and his emergence as a skilled warrior who may finally have to reclaim his right to the throne in the future. As is to be expected from an epic like this, the locations are spectacularly captured in long panning shots as mountains, dales and volcanos come into view.You watch scenes like this and really understand the unparalleled power and splendour that Jackson has brought to the screen. Peter Jackson handsomely combines action with an emotionally involving hero’s journey to overcome the forces of evil whilst battling against the many foes along the way. The Battle at Helm’s Deep is in my book one of the best battle sequences recorded on film, the sheer scope and meticulous craft on display is so mesmerizing as Aragorn leads men against the orcs and other forces of darkness.

Once again, the vast ensemble cast delivers, with newer additions adding impact along the way. Elijah Wood successfully continues his role as Frodo, here showing the burden that has been put on him and how he attempts to remain resilient to the dominating force of the ring. Ian McKellen shines as the resurrected Gandalf, who is as wise and powerful as he ever was. The scene when he appears to Aragorn, Gimli and Legolas in a vast array of light is a stunning sight to behold. Sam Astin continues to impress as loyal Sam, in this film it is Sam who really anchors it and functions as the narrative’s heart as we watch his friendship tested but never loses faith in his friend. Viggo Mortensen  is given more of a fleshed out character here, this further adds to the interesting dimensions of his character of Aragorn. He is strong, hopeful and above all a brave character, embodied by Mortensen with outstanding skill.

It is Andy Serkis who makes the biggest impact in the film. His fluid and strange movements combined with amazing CGI create the character of Gollum, the one who once owned the ring that has poisoned his mind forever. Gollum is an interesting character in that sometimes you feel utter revulsion for him, whereas on the other hand he is sympathetic as you see how the powerful ring of the title has shattered his sanity. Liv Tyler continues her luminous portrayal of Arwen, Aragorn’s elf lover who has now left her immortality much to the chagrin of her father. There is a beautiful scene in which Elrond predicts a melancholy for her and Arwen begins to cry. Instead of giving up on her love she replies “There is still hope” in a sincere and emotion filled voice, as the tears run down her pale face. Miranda Otto is beautiful and strong as the king’s niece Éowyn, who falls for Aragorn along the way. David Wenham plays Faramir, brother of the late Boromir, whose path crosses with Frodo’s. Orlando Bloom and John Rhys-Davies are on form as Legolas and Gimli, their characters adding a certain amount of banter to the proceedings.  Billy Boyd and Dominic Monaghan are as good as before as Pippin and Merry, who evade capture by hiding in the woods. Bernard Hill is suitably imperial as Théoden, the king given his life back by Gandalf after being a zombie for Sauron. In a small but memorable role, Cate Blanchett reappears as the wise Galadriel, who predicts what may happen if the war comes into fruition. Christopher Lee is villainy personified as the fallen Saruman, now heading a war against mankind. Hugo Weaving is stately and wise as the elf lord Elrond, while Karl Urban is a success as the exiled heir and Brad Dourif a slimy presence as a force of evil.

A stunningly mounted second entry into an exciting and emotionally involving saga, The Two Towers is not to be missed by anyone.

The Lord of the Rings: The Fellowship of the Ring

Tags

2000's, Billy Boyd, Cate Blanchett, Christopher Lee, Dominic Monaghan, Elijah Wood, Epic, Fantasy, Hugo Weaving, Ian Holm, Ian McKellen, John Rhys-Davies, Liv Tyler, Orlando Bloom, Peter Jackson, Sean Astin, Sean Bean, The Lord of the Rings: The Fellowship of the Ring, Viggo Mortensen

Film Title

The Lord of the Rings: The Fellowship of the Ring

Director

Peter Jackson

Starring

• Elijah Wood as Frodo Baggins
• Ian McKellen as Gandalf
• Sean Astin as Samwise “Sam” Gamgee
• Viggo Mortensen as Aragorn
• Liv Tyler as Arwen
• Cate Blanchett as Galadriel
• John Rhys-Davies as Gimli
• Billy Boyd as Pippin
• Dominic Monaghan as Merry
• Christopher Lee as Saruman
• Orlando Bloom as Legolas
• Hugo Weaving as Elrond
• Sean Bean as Boromir
• Ian Holm as Bilbo Baggins

The other day, I was rooting through my DVD collection when I came across The Lord of the Rings Trilogy. It has been an age since I last saw the films and so along with my brother I sat down and watched the films in one go. To say the experience was epic is an understatement. To start my reviews of the trilogy is The Fellowship of the Ring.

Many said it was unfilmable but Peter Jackson sure proved them wrong. The Lord of the Rings: The Fellowship of the Rings is the absorbing, stunningly executed and all round epic first entry into the trilogy. Fantasy has rarely looked this amazing and majestic onscreen and I may just run out of adjectives to describe the sheer scope and beauty of the film. Anyway enough of my rambling, onto the review.

Set in the vast lands of Middle Earth, Fellowship follows the tale of Frodo Baggins, a young hobbit living peacefully in the Shire who is entrusted with a dangerous task. His uncle Bilbo is leaving the Shire to live with the elves of Rivendell. He leaves Frodo a ring, yet this is no ordinary ring. It is the ring of power, forged centuries ago by the dark lord Sauron. There were originally other rings forged given to the different races of Middle Earth. Bound in the ring is the power to dominate the other bearers of rings and succumb to the rings dark trappings. Sauron was believed dead but his presence has survived and is now intent on retrieving the ring. Upon hearing of the ring, Bilbo’s old friend, the wise wizard Gandalf instructs Frodo to flee the Shire as the forces of darkness will soon come looking for him. Aiding Frodo is his loyal best friend Sam and two others hobbits named Merry and Pippin. Later he is joined by a mysterious ranger Aragorn who has a claim to a throne, archer and elf Legolas, dwarf Gimli and warrior Boromir. The future of Middle Earth is at peril because of the ring and only by destroying it can the danger it brings be erased. And so Frodo sets off with the others, known as the Fellowship, on a perilous journey to destroy the evil ring before it falls into the wrong hands. Prepare for a handsomely mounted fantasy tale of bravery, kinship and a dangerous quest filled with uncertainty directed with dedication and visual splendour by Peter Jackson.

The first thing to praise in Fellowship is the New Zealand locations that make up the vast lands of Middle Earth. Mountains, woodlands and vast fields appear breathtaking and we as an audience are sucked into the arduous journey that Frodo must take. The intelligent screenplay gives us a thrilling fantasy adventure with characters we can root for and features some amazing fight scenes against the dark forces that terrorise Middle Earth. We become immersed in the various legends that abound and the various people who make up the lands. Also, we get see the friendships of the main characters, embodied by the loyal and sincere Sam who would do anything for his best friend Frodo.

Sonically, Fellowship is a marvel. From the high-pitched screech of the Nazgul, wraith like beings attempting to return the ring to the dark lord to the evocative and splendid score by Howard Shore, it really is amazing to say the least. Special effects are of the highest order, creating menacing beings such as the vicious orcs and a particularly memorable cave troll. The many fight scenes are executed to excellent standards, especially when the Fellowship face the orcs. Fellowship of the Ring is a film of many memorable moments it really is hard to choose just a few to mention. Highlights for me are the chase of Arwen, a beautiful she elf who risks her life to save Frodo from death, by the evil Nazgul through woodlands, the Fellowship battling orcs in a catacomb and the kissing of Frodo’s forehead for good luck by Galadriel, a wise elf of immense power and wisdom.

But the biggest impact on the film is made by the supremely talented cast assembled to flesh out the various beings of this fantasy tale. Heading this is the ideal casting of Elijah Wood as Frodo, the one who the task weighs heavily upon. Wood embodies the initially frightened realisation of his task and later his bravery that will lead him on his way. Ian McKellen is excellent as the wizard Gandalf, showing us the wise man with immense power who is an invaluable ally on the quest. As the loyal, stout-hearted Sam, Sean Astin is perfectly cast as he is one of the driving forces behind Frodo. Without Sam’s wisdom and pluck, Frodo’s journey would not have been as interesting. Viggo Mortensen is suitably heroic as the skilled ranger Aragorn, while Liv Tyler is earnest and beautiful as Arwen, the elf who he has fallen in love with. Their relationship is beautifully observed as we watch the conflicted desires of both as Arwen questions whether to give up her immortality for love, her line ” I would rather share one lifetime with you than face all the Ages of this world alone” is haunting. Cate Blanchett is suitably ethereal and full of intelligence as Galadriel, the presence of her engaging voice in the prologue of the ring’s journey is a stroke of genius.  John Rhys-Davies provides some comic relief as the belligerent dwarf Gimli, further adding to this humour is Billy Boyd and Dominic Monaghan as the mischievous Pippin and Merry.  Christopher Lee is gleefully evil as the wizard who has turned to the dark side. Orlando Bloom makes for a skilled ally of Legolas, an elf with a talent for archery. Hugo Weaving exudes respectability as Elrond, lord of the elves while Sean Bean makes a deep impression as Boromir. In the small but pivotal role of Bilbo, the one who found the ring, Ian Holm shines.

Crafted with meticulous and faithful detail by Peter Jackson, Fellowship of the Ring is a fantasy film to treasure for its engaging storyline, glorious scenery and its ability to transport us into a world of magic, danger and hope.