The Black Stallion

Tags

1970's, Adventure, Carroll Ballard, Hoyt Axton, Kelly Reno, Mickey Rooney, Teri Garr, The Black Stallion

A captivating story of a boy and his horse, The Black Stallion is a delight for the whole family. Blessed with a sublime cinematography, love for nature and understated performance, it’s simply irresistible to all the family.

It’s 1946 and young Alec Ramsey(Kelly Reno) is sailing with his father on a boat off the East Coast of Africa. While onboard, Alec discovers an black Arabian Stallion that he becomes intrigued by. Though warned to stay away by the fearsome owner, Alec refuses to. Later that night, a violent storm hits the ship, throwing Alec and the horse overboard. They are the only survivors from the storm as Alec manages to pull on the ropes around the horse. When he awakens, he is on a deserted island. Armed with the penknife his later father gave him and resourcefulness, he learns to survive. The horse also made it to the island at first, both keep a distance from each other. Over time, however Alec wins the horse over gives the horse the name The Black. They become inseparable from that moment on as a bond is solidified. Eventually, Alec is rescued and makes sure The Black comes with him. Back home, Alec’s mother( Teri Garr) is overjoyed to see him but doesn’t quite understand the bond between her son and his horse. Alec comes across old horse trainer Henry Dailey( Mickey Rooney) accidentally when The Black runs away. Henry hasn’t raced in years but you can sense he feels a bit of regret and nostalgia creeping his way once he finds The Black. Following a bit of hostility between them, Alec and Henry become friends and Henry rekindles his love of horses with a dream of racing The Black. After a few mishaps and hurdles,  Alec and Henry enter to the horse into the race and hope for success with what they truly believe is not just a horse, but a supremely special one.

Director Carroll Ballard is the perfect choice to direct this heartwarming adventure. His love for nature and the relationships humans share with the animal kingdom are splendidly evoked. Some could write the movie off as as sickly as too much sugar, yet Ballard knows how to keep us invested without resorting to overt sentimentality. Aided by the arresting cinematography of Caleb Deschanel and vivid camerawork, the friendship at the core of The Black Stallion comes to life. The main sections on the island are largely wordless and though that might sound boring to some viewers, it certainly isn’t the case. The unspoken bond between Alec and the horse is observed with nuance and eventual trust; much like a friendship between humans. We watch as Alec wins the horse over and the horse comes to respect him and it’s very beautifully portrayed. The childlike sense of wonder and excitement is imbued within the DNA of The Black Stallion and it definitely pleases the crowd with this touch. And though many may see where the story is heading when he returns to land, they will no doubt be impressed by the eventual outcome and how things play out to a rousing and joyous finale. It’s a movie with a heart that’s sole goal is to be inspiring and for the whole family, and on that score alone it’s a winner. Carmine Coppola contributes an eclectic score that mixes Middle Eastern percussion and a soaring orchestral feel that is truly a thing of beauty. It imprints itself on your mind and is just beautifully orchestrated with obvious craftsmanship and phenomenal skill at arousing emotion.

Young Kelly Reno is full of life and wonder as the freckle-faced Alec. He’s ideal casting for the role and a genuinely convincing child actor that isn’t cloying or prone to overly annoying child acting. Mickey Rooney has fun as the slightly grouchy but brought back to life horse trainer, discovering what he’s missed for so long. Rooney is subtle yet sparkling with revived energy; both are exactly the notes he needs to star here. Just like the horse, he splendidly compliments Reno as the two things that mean the most to him. Teri Garr makes the most of her small part as Alec’s mother who doesn’t quite understand his link to the horse but comes around to the idea in a way only a mother could. Hoyt Axton is here in a brief role of father and given that he’s not on screen for long, he nails the part of adventurous dad that we miss when he’s gone. The two biggest stars however are Kelly Reno and the horse; they form the beating heart of The Black Stallion.

An outstanding, life-affirming and gentle film that knows how to touch the heart with its story, acting and cinematography, The Black Stallion is a champion.

Gremlins

Tags

1980's, Dark Comedy, Frances Lee McCain, Gremlins, Horror, Hoyt Axton, Joe Dante, Phoebe Cates, Polly Holliday, Zach Galligan

Film Title

Gremlins

Director

Joe Dante

Starring

• Zach Galligan as Billy Peltzer
• Phoebe Cates as Kate Beringer
• Hoyt Axton as Rand Peltzer
• Frances Lee McCain as Lynn Peltzer
• Polly Holliday as Mrs. Deagle

A comic horror set at Christmas, Gremlins makes for deliriously entertaining and twisted viewing after all these years. Time has not diminished both the dark humour and shocks of this Yuletide movie that has a deliciously morbid way of subverting things. This movie is perfect for Christmas viewing with an edge and has lost none of the strange charm it had upon release.

Billy Peltzer is a young man working at a bank in his hometown of Kingston Falls. It’s a largely uneventful, suburban town that is about to become anything but peaceful as Christmas approaches. His inventor and travelling salesman father Rand returns from a trip bearing an unusual gift; a fluffy creature known as a Mogwai. Billy is entranced by this present that he names Gizmo and is very grateful, yet his father warns him that he must obey three rules to do with the new pet. He shouldn’t expose it to bright light, he mustn’t get it into contact with water and most important, don’t feed it after midnight. Billy is understandably thrilled with Gizmo and spends a lot of time with the guy. But through accidental carelessness, Billy violates the rules and after getting Gizmo wet, he spawns creatures that resemble him. At first these creatures appear to be just like the furry Gizmo, but they trick Billy into  feeding them after midnight which has dire consequences. The creatures go from cute and cuddly into scaly, greedy beasts known as Gremlins, whose only goal is full on chaos. Once more of the creatures have spawned, they lay siege to the town with murderous glee and maniacal destruction in mind. With the Gremlins running wild and terrorizing the sleepy town, it’s up to Billy and his girlfriend Kate(whose quick thinking comes in handy) to stop the maniacal creatures once and for all.

Joe Dante behind everything with his excellent direction of the shocking but wholly engrossing material. One can tell he is relishing the destruction of suburbia with unusual and twisted ways being employed by the title creatures. Dante has his tongue firmly in cheek for this outing and I’d all the better for it. Shots of black humour colour so much of Gremlins that you can’t imagine the movie without it there. Irony and juxtaposition play a significant role in making Gremlins so wildly watchable and full of mayhem. For instance, the fact that such nasty little critters spawn from one of the cutest things put on screen is deliciously arch. And the various filmic references( Snow White makes an appearance as the Gremlins take a break from their carnage to sing along with it) are very much in keeping with Dante’s pop culture nods that regularly appear in his movies. Plus, while the town of Kingston Falls looks lovely, some of the residents are far from pleasant. Billy’s neighbour is a xenophobic man, but worst of the bunch is the penny-pinching old bag Mrs. Deagle. These two people are ones that are targeted first by the Gremlins, in a sort of grim poetic justice. I mean who can forget what happens to Mrs. Deagle? It’s a movie I’ve seen a million times and yet I never tire of it. A lot of that is down to the tightrope being walked between tongue in cheek humour and outright shocking carnage being depicted. Not many movies can get both camps right, but Gremlins is a success on blending these two disparate things into a sinister yet hard to resist ride. A great example of both the humour and horror is the scene in the kitchen, where Billy’s mother demolishes a bunch of hungry Gremlins. Now until this point, we’ve seen Billy’s mother as mainly just a supportive homemaker. But when the attack starts, she goes to town on the beasts with ferocity that is hilarious and alarming. And it can’t be stated enough how memorable and iconic the move and especially Gizmo and the crazy Gremlins have become in film history. The effects used for Gizmo and the Gremlins is still excellent, ensuring that all of them have a semblance of personality in the grand scope of things. Jerry Goldsmith’s score is an extremely lively and creepy one, that gets across the maniacal mischief of the Gremlins and the shocking spectacle of a picturesque town under seasonal attack.

Zach Galligan makes for a likable hero as he is a regular guy who is trying to undo what he accidentally set in motion. He is relatable and the very ordinariness of him is a gift that Galligan uses to his advantage. Phoebe Cates is similarly excellent as his girlfriend, possessing a certain girl next door charm and smarts that is endearing. Both actors are ones that make you immediately like them, because they seem like regular people who you want to succeed in stopping the eponymous creatures from even more destruction than they’ve already caused. Hoyt Axton is delightfully sly and oblivious as the inventor father whose gadgets are not quite the best, while Frances Lee McCain comes into her own as the avenging mother who protects her house fiercely. Polly Holliday is nastiness incarnate as the horrible neighbour who ends up at the mercy of the Gremlins in a very satisfying sequence that is as shocking as it is grimly amusing.

Devilishly sinister and darkly hilarious in parts, Gremlins is Christmas movie making with a difference that is sure to entertain audiences the world over. If it’s one outrageous ride into scares and chuckles you need, Gremlins is the required cure. After watching and reviewing Gremlins, I think this is the time to wish everyone a very Merry Christmas.