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Tag Archives: Harry Dean Stanton

Escape from New York

23 Wednesday May 2018

Posted by vinnieh in Movie Reviews

≈ 37 Comments

Tags

1980's, Action, Adrienne Barbeau, Donald Pleasence, Ernest Borgnine, Escape from New York, Harry Dean Stanton, Isaac Hayes, John Carpenter, Kurt Russell, Lee Van Cleef, Science Fiction

The ever wonderful Gill invited me to take part in a blogathon to honour Kurt Russell and I simply couldn’t refuse.

Director

John Carpenter

Starring

  • Kurt Russell as Snake Plissken
  • Lee Van Cleef as Bob Hauk
  • Ernest Borgnine as Cabbie
  • Adrienne Barbeau as Maggie
  • Harry Dean Stanton as Brain
  • Isaac Hayes as The Duke
  • Donald Pleasence as the President

John Carpenter’s science-fiction action film Escape from New York is rightfully held in high regard for its vision and plot. And with atmosphere, imagination and a bad ass lead character to boot, it’s hard to disagree.

The year is a then futuristic 1997. Manhattan Island has been turned into a maximum security prison where once you go in, you never come out. In the main area that was once the central hub, anarchy reigns supreme with violence and destruction. When the President’s plane is hijacked and he crash lands in Manhattan, he is taken hostage by the local crime boss The Duke and his goons. He was supposed to be attending a peace summit with the Soviet Union, but that goes completely out the window with the events that unfurl. Sneaky and manipulative Commissioner Bob Hauk then strong arms the most unlikely person ever to rescue the President from an almost certain death. That person is Snake Plissken, a cynical ex soldier, serving time for theft. Snake is understandably not at all on board with this plan. But after being told that if he rescues the President within 24 hours he could be pardoned, he accepts reluctantly. Though Hauk makes sure he will do it as he has micro explosives implanted in Snake’s neck that will detonate if he doesn’t complete the mission. Hauk knows that Snake would use the opportunity to escape but has him by a tight leash now. With time ticking away, Snake enters the city where he encounters violence from various factions and some assistance by a rag tag group of renegades. They consist of a joking cab driver, hard edged lady and know all.

John Carpenter keeps events imaginative and engaging, with his ingenuity on clear display. I’ve always admired what he brings to a movie and he has the story be one that is very taut and entertaining. Some will say that the film has dated parts, which it does in areas, but the anachronistic touches really add to the oddball personality of the film that it isn’t easy to see why it’s a cult movie. Carpenter plays up the outlandish aspects of the story and the desecration of humanity, mainly in the case of Snake and his no cares attitude towards everything. On the visual front, the practical effects have aged well, with the shots of New York through a futuristic lens being particularly inspired. We get a grimy dystopia to witness and one that has certainly influenced many a film since. Escape from New York is often billed in some quarters as an action movie(which in many cases it is), but for me it’s more about the moody atmosphere than anything else. The cyberpunk echoes and vision of a world in free fall really make sure that Escape from New York is a film to remember. John Carpenter himself provides the pulsing electronic score that compliments the futuristic setting and has just the right notes of darkness there too.

Kurt Russell completely owns the screen as the growling, scowling yet sardonically witty bad ass that is Snake. Russell provides the cynicism and swagger of a man who doesn’t believe in anything and is proud of it. He is ironically the last person you’d think of to rescue a president and that is what ultimately drives the plot. Seriously, Snake ranks as one of the most charismatic and bad ass anti heroes there is. Lee Van Cleef is on nasty form as the scheming and controlling Comissioner who uses Snake to his own advantage. Ernest Borgnine, Adrienne Barbeau and Harry Dean Stanton flesh out the crew that Snake falls in with excellently.With some serious style, Isaac Hayes rocks it portraying the crime boss who stands in the way of Snake succeeding. And there’s Donald Pleasence appearing as the President, who it is revealed is not as squeaky clean as he seemed.

Exciting, inventive and engrossing, Escape from New York is John Carpenter at his imaginative and full blooded best, aided by a fine performance from Kurt Russell as one of cinema’s best anti-heroes.

R.I.P Harry Dean Stanton

16 Saturday Sep 2017

Posted by vinnieh in Rest In Peace

≈ 41 Comments

Tags

Harry Dean Stanton, Rest In Peace

I woke up this morning go the news of Harry Dean Stanton’s death at the age of 91. A perennial scene stealer whose  weathered face and sunken eyes were hard to miss, he appeared in too many movies to count. I loved his reliability and ability to imbue oddball characters with charm and memorability, I can’t say I ever saw him make a misstep as an actor. So while it’s a sad loss to the industry, this fine actor has left us with a fine catalogue of performances to revisit time and time again and ensure that his talents live on.

Alien

17 Tuesday Mar 2015

Posted by vinnieh in Movie Reviews

≈ 46 Comments

Tags

1970's, Alien, Harry Dean Stanton, Horror, Ian Holm, John Hurt, Ridley Scott, Science Fiction, Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Yaphet Kotto

Film Title

Alien

Director

Ridley Scott

Starring

  • Tom Skerritt as Captain Dallas
  • Sigourney Weaver as Ellen Ripley
  • Veronica Cartwright as Lambert
  • Harry Dean Stanton as Brett
  • Ian Holm as Ash
  • Yaphett Kotto as Parker
  • John Hurt as Kane

Alien is a classic hybrid of science fiction and horror that brought a lot to the table upon its release. The claustrophobic and horrifying influence of this chilling film can be felt on many a horror flick, but I don’t think anything has ever matched its shocking and frightening power. With the talented Ridley Scott at the helm and Sigourney Weaver entering cinematic history with her performance as Ripley, Alien still holds up as one of the most effective horror films I’ve ever seen.

Set in the future, the commercial spacecraft Nostromo is returning to Earth. The ship is controlled by a sophisticated system code-named Mother. The crew comprises of Captain Dallas, Warrant Officer Ripley, navigator Lambert, engineer Brett, Science Officer Ash, second engineer Parker and Executive Officer Kane. Alien PosterThe crew of seven are in hyper sleep but Mother picks up what seems to be a distress signal coming from a nearby planet. Although many of the crew are doubtful of what to do, according to the laws of the company, they must answer the signal. Upon landing on the planet, the ship is temporarily broken and in need of repair. Dallas, Lambert and Kane set foot on the planet in an attempt to find the cause of the distress signal. What they find is a strange ship apparently abandoned, but filled with multitudes of egg like objects. Unfortunately for Kane, one of the eggs hatches and a strange creature attaches itself to his face. Fearing for him Dallas and Lambert bring him back to the ship where Ash lets them in. Ripley is infuriated by this as it could jeopardize their safety or bring harm to any of them. After a while the creature seems to vanish and Kane appears to be fine. But during breakfast after the ship has been fixed and is in orbit, the real horror of the situation arrives. Kane convulses violently before dying as the creature emerges from his chest and flees into the bowels of the ship. With the beast on the loose and safety in danger, the crew attempt to kill it. But as bodies hit the floor and the alien grows rapidly into a terrifying creature, it all comes down to Ripley to survive the carnage and kill the alien.

The first thing to praise about Alien is the direction. Ridley Scott balances the interesting characters and the encroaching carnage with certainty and skill. AlienThe pace of Alien is magnificent as suspense builds and builds before erupting into terror and horror. The visual design of the Nostromo is second to none as well as the Alien itself, a horrifying creature that bleeds acid, has a double jaw that can pierce skulls and the ability to blend into its surroundings. A tense atmosphere of ghoulish uncertainty gives Alien a slow-building but effective backbone that brings many fears to light in disturbing fashion. We have the fear of bodily intrusion as the Alien lives inside a host before hatching, the fear of the unknown thing stalking the members of the crew and we have the fear of entrapment as the layers of the spaceship become a prison for the crew as they do battle with the creature. Jerry Goldsmith’s ambient score is a terrific asset in Alien’s already impressive arsenal, bringing that humming menace and gradually building terror to the forefront as the alien turns the ship into its personal hunting ground.

The effective cast brings a refreshingly adult sensibility to the film and it’s really refreshing to see grown ups instead of screaming teenagers running around. Tom Skerritt brings weariness to Captain Dallas, as he realizes that bringing Kane back onto the ship was a bad idea. The real revelation of Alien is Sigourney Weaver as the tough Ripley. Ripley AlienWeaver brings inner vulnerability, grave authority and determined strength to the character as she gets in touch with the warrior inside in order to eliminate the threat posed to her. Ripley would go on to become an iconic character in the science fiction genre and rightfully so because of Weaver’s talent and power in the part. Veronica Cartwright is suitably wide-eyed and scared out of her wits as Lambert, while Harry Dean Stanton is sarcastic as Brett, a blue-collar worker complaining about company procedure. Ian Holm brings a quiet sort of uneasiness to Ash, who is concealing many secrets beneath his humane demeanor. Yaphett Kotto is great as Parker, Brett’s sparring partner and fellow mechanic, while John Hurt brings something devastating to the part of the tragic Kane and enters cinematic history as a result.

Haunting and horrifying, Alien is one of the best science fiction/ horror films out there and its impact can not be underestimated.

 

Wild At Heart

13 Saturday Apr 2013

Posted by vinnieh in Movie Reviews

≈ 12 Comments

Tags

1990's, David Lynch, Diane Ladd, Drama, Grace Zabriskie, Harry Dean Stanton, Isabella Rossellini, Laura Dern, Nicolas Cage, Road Movie, Surreal, Wild At Heart, Willem Dafoe

Film Title

Wild At Heart

Director

David Lynch

Cast

  • Nicolas Cage as Sailor Ripley
  • Laura Dern as Lula Fortune
  • Diane Ladd as Marietta Fortune
  • Willem Dafoe as Bobby Peru
  • Harry Dean Stanton as Johnnie Farragut
  • J.E. Freeman as Marcellus Santos
  • Isabella Rossellini as Perdita Durango
  • Grace Zabriskie as Juana Durango

Wild At Heart is a surreal, dark and strange road movie directed by David Lynch. Focusing on the intense courtship between a former prisoSailor Ripley and Lula Fortunener and his girlfriend on a deeply weird road trip across America, it is essential viewing for fans of the surreal and Lynch in general.

Sailor Ripley is a rebellious, Elvis loving guy, who is sent down for brutally killing a man with his own bare hands. He is in a raw relationship with the sensual Lula Fortune, who is constantly bombarded by her scary and needy mother, Marietta to end the romance. Disobeying her mother’s orders, Lula picks Sailor up after he is released and together they embark upon a sex-fueled, sinister road trip across many states. All the while, the manipulative and unhinged Marietta has sent a private detective to find them, but also cunningly enlisted the services of a gangster friend as she wants Sailor dead. This signals the cue for the usual Lynchian staples of dreams and surrealism, and also many homages to Elvis and The Wizard of Oz as Sailor and Lula travel down their own sinister yellow brick road and meet many creepy and deranged characters along the way.

Though it is a film that will undeniably divide viewer opinion, the performances from the cast are excellent. Nicolas Cage, clad in a seriously cool snake-skin jacket, embodies the violent, unpredictable lifestyle of Sailor. Laura Dern shows a complex young girl who is confused and sexy, sometimes at the same time. The two actors keep the audience engaged as we watch the strange events unravel around them as they travel. Heading the supporting cast is Dern’s real-life mother Diane Ladd, who creates an Marietta Fortuneunforgettably unstable and resentful  matriarch who surely ranks as one of the mothers from hell in the cinematic archives. Whether calmly plotting Sailor’s demise, painting lipstick all over her face or completely flying off the handle at her daughter’s defiance, she is certainly a startlingly original character. The always interesting Harry Dean Stanton is on scene stealing form as a most unlucky private investigator, drawn into this twisted mess Willem Dafoe also contributes creepiness to the narrative as a scary criminal, who has the strangest teeth I’ve ever seen on film. They are used perfectly to show a sinister side when he smiles with a snake-like glee. Also watch out for a sultry cameo from Isabella Rossellini as the bleach blonde getaway driver for criminals and a creepy performance by Lynch regular Grace Zabriskie as her crazed, murdering sister Juana.

Music plays an integral part to the film, cutting it to old school rock that the two lovers are often seen listening to or discussing. The use of the song Wicked Game is effective as the lovers drive at night and see eerie visions as the melancholy tune plays. Although the numerous references to Oz, especially in terms of visual style, may put off viewers, they contribute an almost darkly, childlike undercurrent showing how supernatural and creepy the road trip has become for the fleeing duo.

All in all, Wild At Heart is not a film for everyone’s taste, mainly because of graphic violence and macabre atmosphere. But if you relish strange, symbol-laden films populated by weird characters and striking visuals, Wild At Heart may just be the film for you.

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