Last Chance Harvey

Tags

2000's, Drama, Dustin Hoffman, Eileen Atkins, Emma Thompson, James Brolin, Joel Hopkins, Kathy Baker, Last Chance Harvey, Romance

Film Title

Last Chance Harvey

Director

Joel Hopkins

Starring

• Dustin Hoffman as Harvey Shine
• Emma Thompson as Kate Walker
• Eileen Atkins as Maggie Walker
• James Brolin as Brian
• Kathy Baker as Jean

An undemanding but still mostly successful and at times moving romantic drama, Last Chance Harvey gets by on the lovely rapport shared between stars Dustin Hoffman and Emma Thompson who breathe a layer of maturity and emotion to the piece.

Harvey Shine is a jingle writer who has seen better days. Lately, his job has become numbing but he still slaves away as it is his way of income. Yet his output of late has caused his employment to hang by a thread and his boss warns him that he has only once chance left to prove himself. Travelling to London for the wedding of his daughter, Harvey feels further alienated when he finds out his daughter wants her stepfather to give her away. Granted, Harvey’s relationship with his daughter has been strained since his separation from her mother, but he still feels devastated by this information. Leaving the ceremony to avoid any further embarrassment, he rushes to the airport to catch a plane home. He misses the flight home and is subsequently informed that he has been fired from his job. He meets airport worker Kate while drowning his sorrows in the bar. She is a woman who has all but given up on love, and is unwilling to try it again. Kate pours her energies into supporting her elderly mother, who is paranoid and always pestering Kate over why she doesn’t have a man in her life. Bonding over their respective lives and what they want out of it, Harvey and Kate develop a mutual and unexpected attraction that they believed wouldn’t touch them at this time and can promise them another chance at companionship.

Joel Hopkins does a decent job directing, though he doesn’t quite have a real style or calling card to stamp his name. It’s in his screenplay that warmth and pathos come, despite the sidestep into mawkish territory on occasion. Often, Last Chance Harvey can lurch between humour and comedy without much of a pay off, which could have been rectified with more substance. And while that stuck out at times, there was a level of sincerity and honesty to the screenplay that compensated for the flaws. I think my biggest niggle with the film was that it could have had a lot more going for it story wise. I mean, I did enjoy the wistful and soul-searching parts of the friendship that blossomed into romance but I felt there should have been a little bit more drama to buttress things. I’m a guy who enjoys gentle and autumnal like the best of them, and I really found myself enjoying quite a bit of the chemistry between the great actors present. Just a tad more life and a bit of something else sprinkled on would have made the film really excellent. As it stands, Last Chance Harvey loses some points for flagging interest yet gains just as many by finding pathos in the ideas of two middle-aged people discovering a love they thought had left them long ago. It’s refreshing to see a movie deal with attraction between people in middle age, most romances seem to favour the youth formula. The depth of the film comes from the fact that these two characters are older and wiser, but still relatable and looking for something more. When the humour and drama hit, they hit very well and raise Last Chance Harvey to a better level that while still flawed, has its heart in the right place. The movie is the equivalent of an old blanket, it has its wrinkles and though this is the case, you find it reassuring and stirring.

Last Chance Harvey’s biggest impact comes courtesy of two stunning performances from Dustin Hoffman and Emma Thompson. As the worn out and awkward man who feels a deep void of loneliness, Dustin Hoffman is quietly nuanced and touching, while bringing some bumbling humour to it too. Emma Thompson gorgeously plays the woman who makes an impact on him unexpectedly, with a natural and lovingly observed sense of cautious longing and warmth. It’s pleasing to see them act opposite each other and bring out the respective best each has. These two professionals share a beautifully unaffected chemistry that overcomes any clichés the script offers up, and succeed at saying more with just a glance or a smile than most actors can with tons of dialogue. Eileen Atkins offers up some really good humour as the dotty mother, convinced that something fishy is going on around her when it’s actually quite the opposite. While Atkins has a good time in the supporting role, James Brolin and Kathy Baker are handed one-note characters who don’t particularly contribute to the story is any real way.

It is not a film that has much in the way of fresh ideas or a clear-cut idea of where it’s going which is often too it’s detriment. But the moving and natural work from the main actors and a sometimes bittersweet look at people discovering possible love in middle age, Last Chance Harvey is gentle and has clout that makes it a sweet and heartfelt ride. See it for Hoffman and Thompson.

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An Education

Tags

2000's, Alfred Molina, An Education, Cara Seymour, Carey Mulligan, Coming-of-Age, Dominic Cooper, Drama, Emma Thompson, Lone Scherfig, Olivia Williams, Peter Sarsgaard, Rosamund Pike

Film Title

An Education

Director

Lone Scherfig

Starring

• Carey Mulligan as Jenny Mellor
• Peter Sarsgaard as David Goldman
• Dominic Cooper as Danny
• Rosamund Pike as Helen
• Alfred Molina as Jack Mellor
• Cara Seymour as Marjorie Mellor
• Olivia Williams as Miss Stubbs
• Emma Thompson as Miss Walters

A delightfully rendered coming-of-age story based on a memoir by Lynn Barber, that captures its setting excellently and has both humour and seriousness in it, An Education encompasses something very charming and bittersweet.

It is 1961; Jenny Mellor is a bright, pretty and sheltered 16-year-old girl living in Twickenham, London. Her parents, mainly her pushy father Jack, are pressuring her to study hard so she can go to Oxford. Yet Jenny is restless with this and wants to experience something fun and exciting in a world that she sees as very boring. Into her life in a shiny car comes the much older David Goldman. He is a charming and cultured man who despite being almost twice her age, gives Jenny a lift home when she is caught in rain. Jenny is completely bowled over by the handsome stranger and becomes dreamy about him. As he begins to show an interest in her, Jenny’s plans for Oxford are put on hold and slide away as she immerses herself in the glamorous world that David offers, where she meets his friends partner in crime Danny and his oblivious girlfriend Helen. Yet David, while able to please everyone around him including Jenny’s parents, is clearly up to something that puzzles Jenny. It seems the journey for her is going to leave her with two choices. Is the cosmopolitan lifestyle that Jenny has become immersed in, thanks to David, really worth sacrificing a place at Oxford for? And just what will come from the relationship with David, who is clearly not all he seems?

Danish director Lone Scherfig’s largely unfussy but very personal direction explores the social mores of the time, when you can just about feel that big changes in the world are literally just around the corner. She places us in the story and we witness like Jenny, the chance of escape into something that looks so thrilling, but could very well be the opposite. The script by Nick Hornby combines humour with the burgeoning drama, in an effortless an understated manner. And while most of the exercise is very charming and apparently light, underneath it and emerging is the seriousness that rightfully connects with us as the glamorous world that we see may not be all it is cracked up to be for Jenny. Because of this, a bittersweet harmony between the fun and the moving is crafted with adroit skill and An Education soars in its evocation of this young girl’s journey that brings her both happiness and sorrow. An Education wisely sidesteps becoming overly nostalgic and mawkish, thanks to the greatness of everyone involved with the project. It is a credit to the film that the central part of Jenny falling in love with David and being taken in by him is not viewed as creepy or seedy. Sure the character of David is a little sleazy, but the relationship shared for the most part stays on the right side of curious and a little poignant, without the need to become tawdry. The representation and recreation of the early 60’s before it was swinging is beautiful in construction and really shows a glamour that is to Jenny what she has been searching for. Some of the action sags in the middle part, but is quickly redeemed by the moving examination of Jenny’s journey that captures your attention with its naturalness and believability.

The glowing and beating heart at the core of An Education is the stunning work from Carey Mulligan. She boasts something akin to Audrey Hepburn with the playfulness and innocence she projects in the part which is simply magnificent. But Mulligan also displays that Jenny is smart(sometimes a little too smart for her own good) and clearly no fool, she just craves a sense of something extraordinary which I’m sure even now is something that a lot of teenagers can relate to. Jenny just wants some fun and adventure in her life so it isn’t really surprising that she is so taken in by David and the glamorous life he leads her into. Carey Mulligan sells everything about the character so subtly and beautifully that even when the character of Jenny is making decisions that in the long run may be bad, we can see why she is doing it and the reasoning. This was a star making performance from Carey Mulligan, who since this film has become one of my favourite and most reliable actresses. Surrounding Mulligan is an outstandingly assembled cast of greats who contribute something to each of their respective parts. Peter Sarsgaard strikes the right balance of smooth talking sophistication and a lingering sense of darkness, though like Jenny the effectiveness of the performance lies in how he takes people over, not least the audience. Dominic Cooper plays David’s right hand man, who while still a charmer offers Jenny support and foreshadows what David may truly be like. Rosamund Pike is a hoot as the fashion plate bimbo with all the eye rolling and hysterical lines to match. Case in point after hearing that Jenny scored a B on her Latin exam, she exclaims ” Someone told me that in about 50 years, no one will speak Latin, probably. Not even Latin people.” It is amusing comic gold to watch. The always good Alfred Molina turns in a finely tuned performance as Jenny’s domineering, penny-pinching father, who is actually just looking out for his daughter’s needs. He is both an amusing and melancholy character, who wants to be there for his daughter yet due to his old-fashioned attitudes is puzzled by her at the same time. Cara Seymour ably supports Molina as his wife, who is always trying to quell disagreements in her household. Olivia Williams is on hand for a moving delivery as the inspiring schoolteacher who gives Jenny some very strong advice in helping decide her future. Emma Thompson has a ball with her small role as the disapproving headmistress, who doesn’t take too kindly to Jenny’s plans to leave school for an older man.

A charming but very observant picture of teenage curiosity and the heart versus the head, An Education provides a well mounted picture of a certain time and a beautiful performance from Carey Mulligan.

Love Actually

Tags

2000's, Alan Rickman, Andrew Lincoln, Bill Nighy, Billy Bob Thornton, Colin Firth, Emma Thompson, Hugh Grant, Joanna Page, Keira Knightley, Kris Marshall, Laura Linney, Liam Neeson, Love Actually, Martin Freeman, Martine McCutcheon, Richard Curtis, Romantic Comedy, Rowan Atkinson, Thomas Sangster

Film Title

Love Actually

Director

Richard Curtis

Starring

• Alan Rickman as Harry
• Bill Nighy as Billy Mack
• Colin Firth as Jamie
• Emma Thompson as Karen
• Hugh Grant as David
• Martine McCutcheon as Natalie
• Laura Linney as Sarah
• Liam Neeson as Daniel
• Thomas Sangster as Sam
• Keira Knightley as Juliet
• Andrew Lincoln as Mark
• Martin Freeman as John
• Joanna Page as Judy
• Kris Marshall as Colin
• Rowan Atkinson as Rufus
• Billy Bob Thornton as US President

Over the Christmas period, I only got chance to see a couple of movies. Love Actually happened to be one of them. I’m not the biggest fan of romantic comedies but decided to watch it because of the all-star cast. I must say I was pleasantly surprised. Sure there were parts that were clunky and lagged in terms of pacing, but for the most part, I enjoyed it for its cosy look at romance.

Love Actually focuses on various people in the run up to Christmas in London and how love affects them in different ways. We have Billy Mack, an ageing rock star trying to make a comeback with the help of his put upon manager. Harry, the manager of a designing agency who has his head turned by his provocative secretary  and whose wife Karen begins to suspect something. Jamie, a writer who vacations in a French cottage after catching his wife cheating on him. He begins to fall for his Portuguese housekeeper Aurélia, although he can’t profess his feelings as he doesn’t speak Portuguese. David, the newly elected Prime Minister begins to develop feelings for Natalie, a junior member of staff in 10 Downing Street. Sarah, a worker at Harry’s agency is left with the difficult decision as to whether she make a move on an enigmatic worker or care for her mentally ill brother. Daniel is grieving for his late wife while finding out about his stepson Sam’s crush on a girl in school. Mark records the wedding of his best friend to the stunning Juliet, who he has always adored but has never spoke. And the stories just keep on coming as love changes the lives of the characters in the seasonal time of year.

Writer and director Richard Curtis creates a film that is unabashedly sentimental but this does add some charm to it. With so many stories, Curtis manages to keep most of them interesting. Although some fall flat and don’t engage as much as the others. The whole segment with the character Colin, who travels to America in the hopes of attracting woman, could have been cut as it is funny in parts but a little needless in comparison to the rest of the tales on show. Also, some of the actors are not really used in effective ways to make them interesting to the audience. Martin Freeman and Joanna Page are both talented but their story of two body doubles falling in love never really goes anywhere.

Now, on to the positives of Love Actually. Despite being saccharine, it does have a bittersweet tone to various chapters. Mark’s pining for Juliet, who finds out when she watches the wedding video he recorded and finds it is composed of footage solely of her, is a bittersweet tale . This story may have its limitations in terms of character development, but is still an enjoyable segment none the less.  Out of the star-studded cast, Bill Nighy, Emma Thompson and Laura Linney are the standout performers. Bill Nighy is absolutely hysterical as the washed up rocker attempting to reach Christmas number one. Emma Thompson is natural and moving as Karen, the wife of Harry who feels sadness for the fact her husband is attracted to his secretary. The scene in which she stands in her room, tears falling from her eyes after expecting to get a necklace as a present ( it is in fact for the secretary) , but instead receiving a CD is touching and melancholy to say the least. Laura Linney is luminous as the conflicted Sarah, caught between her caring side that wants to help her ill brother and her lonely side that wants love from someone. That isn’t to say the rest of the cast isn’t good, but these three stars are the ones you will most remember. Colin Firth is excellently suited to the role of Jamie, who is enchanted by his housekeeper. Liam Neeson managed to be warm and caring as the grieving father, helping his son as he feels the neglect love can inflict and he tries to impress his crush at school. Thomas Sangster excels as the pining Sam, head over heels for the most popular girl in school. Andrew Lincoln and Keira Knightley rise above the limitations of their tale to give us the now memorable scene of him professing his love for her through cue cards. Hugh Grant and Martine McCutcheon are good as the lovestruck PM and the junior member of staff who are drawn to each other in a reversal of the Notting Hill formula. Fun cameos are provided by Rowan Atkinson and Billy Bob Thornton.

It may be sentimental and cloying, but Love Actually does manage to warm the heart and doesn’t fall into the same old convention of everyone ending up happy. The fact that some of the relationships in the film don’t work makes it more interesting and not as clichéd as many a romantic comedy. Not for everyone, but cosy and festive viewing for romantics.