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Tag Archives: Billy Magnussen

No Time to Die

10 Sunday Oct 2021

Posted by vinnieh in 007 thoughts and reviews, Movie Reviews

≈ 6 Comments

Tags

007, 2020’s, Ana de Armas, Ben Whishaw, Billy Magnussen, Cary Joji Fukunaga, Christoph Waltz, Dali Benssalah, Daniel Craig, James Bond, Jeffrey Wright, Lashana Lynch, Léa Seydoux, Naomie Harris, No Time to Die, Ralph Fiennes, Rami Malek, Spy

James Bond finally returns to our screens after many setbacks and pushbacks on release date owing to the pandemic. In No Time to Die, we say goodbye to Daniel Craig as 007 and he signs off with a fantastic, bold and unexpectedly emotional movie.

James Bond(Daniel Craig) has left MI6 and is travelling with his lover Madeleine Swann ( Léa Seydoux )in Matera . Yet his past as a spy comes back again as he is ambushed and attacked by Spectre goons. It becomes apparent that Madeleine is hiding something that could be deadly and Bond feels betrayed by her secrecy, making him part ways with her as he suspects her of leading Spectre to him . Five years later, Bond is in Jamaica attempting retirement when old friend and C.I.A Felix Leiter(Jeffrey Wright) turns up wanting help. It appears Valdo Obruchev( David Dencik) , a scientist working on something very important and deadly has been kidnapped from a covert MI6 base. Bond is reluctant to get involved but does so anyway out of a sense of loyalty to Felix who has helped him out many a time. Along the way Bond encounters the confident agent Nomi( Lashana Lynch)who has taken up his mantle of 007 in his absence. It appears both the C.I.A and MI6 want something from the mysterious Orbruchev and both are working seemingly against each other to get it. The thing in question turns out to be a biological weapon that was secretly being developed off books with clandestine input from MI6. Eventually, following leads in Jamaica and Cuba, Bond returns to MI6 as the case leads back to Blofeld( Christoph Waltz)who he captured in Spectre . The project Obruchev was working on was powerful if harnessed by could prove deadly on a global scale. Aided by a regretful M(Ralph Fiennes), who was the one who started the questionable biological weapon project , computer/tech wizard Q(Ben Whishaw) and the ever loyal Moneypenny (Naomie Harris) Bond attempts to figure out what is happening . But it appears the real enemy actually has a bone to pick with Blofeld . This enemy by the name of Safin (Rami Malek) has his own agenda for kidnapping the scientist, who himself is rather shady in the long run .Things turn extremely personal when Bond once more encounters Madeleine, who has some link to the evil Safin and definite secrets that are waiting to be revealed with far reaching consequences . The stakes are truly raised higher as Bond hunts down this sharp enemy intent on a warped idea of world domination and destruction

Cary Joji Fukunaga provides us with a Bond movie with a difference, while retaining in his artistic vision, the things we all love about this iconic franchise . No Time to Die is extremely stylish and props must go to the gorgeous cinematography that’s by turns beautifully bright or moodily dark in accordance with the shifting settings and unravelling of story . Fukunaga’s direction is also on point in this regard and how it backs up the story of twists and turns with a human heart at its core. He’s a fantastic choice of director and his self-assured stamp is all over No Time to Die. As a huge Bond fan, I appreciate various nods to previous adventures and also how daring and how it’s one of the more emotional of the films, akin to On Her Majesty’s Secret Service and Casino Royale in that regard. This is a film that might polarise fans as it does some things in a manner not expected in a Bond film and boy is there a lot to unpack throughout. But in a way I think that adds more to the film and makes it stand out quite boldly. Time will tell what the fandom truly makes of No Time to Die, but my thoughts are that it’s a strong movie indeed . And as I’m a kind reviewer, I will not delve into major spoilers here and I’ll let movie goers go in with nothing to ruin the film. No Time to Die is also a rather haunting film with many a creepy moment . But then it also has dashes of humour and thrills you always need in a Bond flick  . It has all the ingredients you’d want from a Bond film and tinged then with moments of unexpected horror and tension, such as a spooky opening of Madeleine’s past, grisly death via biological warfare and a nail biting scene in the misty woods of Norway . And the action is still at a high level of enjoyment with the intense ambush scene involving leaping motorbikes and a well armoured car in Matera and Bond and Felix attempting to escape a sinking boat being standouts. Sometimes the exposition gets a bit full on in some stretches and lags a bit, but for a film that runs nearly three hours, it goes by relatively quickly and smoothly . A strongly stirring, thrilling and emotive score by the reliable Hans Zimmer further adds to the excellence of this film as it charts the action of the piece while keeping something personal too. We are also treated to a moody and unusually title sequence that takes us on a journey through the history of the series and features prescient imagery of time, DNA and destruction. It’s all done in artistic fashion and set to the brooding title song by the talented Billie Eilish .

In his last outing as James Bond , Daniel Craig gives a truly complete performance that has many layers. He’s still got the magnetic aggression and killer instinct that we know, but he is also extremely good at the one liners and the beating heart of emotions at the centre of Bond. He’s really owned this part and his last performance doesn’t disappoint as it’s full of feeling and delivered with commitment. Léa Seydoux provides enigmatic presence and tangible sadness as Bond’s love interest, who has her hands tied in a way that throws everything into a tailspin. Her reserved manner and chemistry with Craig are fine assets to No Time to Die and form the main backbone of it. Rami Malek, though I don’t know if I’d rank him as the best Bond villain ever, still has his moments and he does nail the creepy and insidious nature of Safin. He at least has a slithering presence about him which is saying something whenever he appears. Swagger and confidence in action and ability come in the form of Lashana Lynch as the new 00 agent on the block. Whip smart, sassy and always wanting to succeed, Lynch is a fine addition to the film and her witty banter plus prowess in combat are very much on show. The regulars of MI6 in Ralph Fiennes, Naomie Harris and Ben Whishaw are all stalwart and contribute well to the proceedings. Ralph Fiennes in particular stands out as M who is coming to rue his actions.

Making the most of small screen time but lighting it up with cheeky humour and coltish physicality is the stunning Ana de Armas . Portraying a fledgling agent who is eager to please and both funny and lethal in equal measure, she’s a delightful addition to the film and has a ball with her standout sequence in Cuba . It’s also good to see Jeffrey Wright again as who boasts a contribution of humour and realisation that bounces well of Daniel Craig. We’ve not seen them on screen together since  Casino Royale and Quantum of Solace , but the relationship established there is present once more here. David Dencik and Billy Magnussen make for a slimy duo of turncoat agent with a cheesy smile and slippery scientist  who provide a collective thorn in Bond’s side. Christoph Waltz is also used well in a brief reprisal of Blofeld; his alert eyes and calm yet eerie demeanour wonderfully used to chilling effect. And on henchman duty we have the intense Dali Benssalah, complete with a newly fitted scanning eye who isn’t afraid of a vicious dust up with Bond.

A Bond film where there is a lot to unpack and with a feeling of something different, bold and creative , No Time to Dis makes sure that Daniel Craig signs off in style as 007. I shall miss him as everyone’s favourite super spy but I’m happy that No Time to Die provides him with a fantastically eventful and daring final outing.

Into the Woods

16 Saturday May 2015

Posted by vinnieh in Movie Reviews

≈ 28 Comments

Tags

2010's, Anna Kendrick, Billy Magnussen, Chris Pine, Daniel Huttlestone, Disney, Emily Blunt, Fantasy, Into the Woods, James Corden, Johnny Depp, Lilla Crawford, MacKenzie Mauzy, Meryl Streep, Musical, Rob Marshall

Film Title

Into the Woods

Director

Rob Marshall

Starring

  • James Corden as The Baker
  • Emily Blunt as The Baker’s Wife
  • Meryl Streep as The Witch
  • Anna Kendrick as Cinderella
  • Daniel Huttlestone as Jack
  • Chris Pine as Cinderella’s Prince
  • Lilla Crawford as Little Red Riding Hood
  • Billy Magnussen as Rapunzel’s Prince
  • MacKenzie Mauzy as Rapunzel
  • Johnny Depp as The Big Bad Wolf

Something of a re imagining of classic fairy tales bound together with a newer story and put into a musical/fantasy hybrid from Disney, Into the Woods is also a mixed bag of sorts.

In classic fairy tale fashion, the movie opens with the words ‘Once Upon a Time’. The main story is of a Baker and his Wife who more than anything in the world want a child, yet somehow for them it has proved impossible. Into the Woods PosterThe source of this comes literally spinning into their home like a whirlwind in the form of an evil and very powerful Witch. The evil being explains that due to the Baker’s father stealing beans of magical properties from her precious garden, she placed a curse upon his family so that future generations would be unable to have children. The devious hag also took the Baker’s baby daughter and raised her as her own. The girl eventually became the long-haired Rapunzel, imprisoned in a tower from the outside world, singing lilting lullabies to pass the time. She is later discovered thanks to her lovely voice by a handsome prince, who falls deeply in love with her. Meanwhile, desperate to break the curse upon their family, the Baker and his Wife accept the terms of the Witch’s hard bargain. If they can procure four specific items from classic fantasy stories within the days before the third full moon, the curse will be forever lifted. Into the Woods WitchThis in turns means they must both journey deep into the mist enshrouded woods where magical mayhem and mystical mischief awaits them. We also have the stories running alongside this one, that include the items needed to break the curse. These consist of a young boy named Jack selling his beloved cow for magical beans that grow the famous beanstalk, a greedy girl in a red cape visiting her Grandmother as well as being stalked by a hungry wolf and a downtrodden Cinderella transformed from rags to riches so she can attend the nearby ball held by another dashing royal prince.

As aforementioned, Into the Woods is something of a mixed film of both excellence and parts that could have been improved upon. Rob Marshall does infuse the piece with visual style and theatricality, which is very befitting of the musical genre. And boy does the visual style deliver with the Gothic woods being a particular highlight of production design. The costumes are also very well crafted with technique and effortless skill. Into the Woods Baker and his WifeI must say I enjoyed Corden’s narration, he brought a wry delivery to it as magical events continued to mount. Where Into the Woods falters is in its length and lack of memorable musical numbers. Although the pacing in the beginning of the movie, in the second half it tends to drag and become a little boring. As for the musical numbers, the stream of consciousness approach is actually rather good for a while. Yet it can become very monotonous and though some numbers bristle with energy, there isn’t really a killer song to be remembered once the movie ends. The same can be said about the altering of classic fairy tales. In some cases it provides interesting and often dark viewing, but in others it should really have been left to the classic version. Saying all this, Into the Woods is definitely a more enjoyable movie that Marshall’s last musical Nine, but it still has many flaws.

James Corden and Emily Blunt are really good in the central roles and have humorous yet loving chemistry with one another. Blunt is especially excellent at portraying the good-hearted Wife with warmth and shows off considerable skills in the vocal department. Meryl Streep takes what is essentially a pantomime villain role as the crone and breathes life into it. You can really see that Streep is having a ball here portraying the evil and cunning Witch and she plays it with such delicious glee. As always when Streep is in a movie, she gives it calibre with her engaging and highly talented presence. Cinderella Into the WoodsAnna Kendrick combines a beautiful voice and sympathetic delivery to give a modern interpretation of Cinderella; as we watch her wrestle with indecision over a union with her Prince. Daniel Huttlestone plays Jack with wide-eyed charm and youthful energy as he inadvertently gets himself tangled up in this magical quest. Chris Pine is used too little to be really memorable. Though it must be said that his musical number where he argues that the pain caused by love is greatest of all is particularly funny. Lilla Crawford brings a bratty and not so sweet disposition to a successful revamp of Little Red Riding Hood. And it’s quite good to see another take on a character that is so often portrayed as winsome and lamb like. Billy Magnussen doesn’t have much to work with as Rapunzel’s Prince, just like MacKenzie Mauzy as the imprisoned maiden. Johnny Depp contributes a creepy cameo as the predatory Wolf looking to make Red Riding Hood his next meal.

So all in all, Into the Woods has its share of excellent moments partly because of some stylish direction and fine performances. It’s a shame that it couldn’t be more memorable considering all the attributes it had.

 

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