Director
Bradley Cooper
Starring
- Bradley Cooper as Jackson Maine
- Lady Gaga as Ally
- Sam Elliott as Bobby Maine
The fourth version of a classic story of two careers in opposite directions, A Star Is Born certainly has pedigree. And though some may have scratched their heads at why another remake should be done, I’m sure they’d agree that this version sits up there with the best of them, thanks to what Bradley Cooper and Lady Gaga do with it.
Jackson Maine is a country rock star who has seen better days. Plagued by tinnitus and an addiction to booze and pills, his life is going through the motions. Drunk and in the middle of touring, Jackson stops in a drag bar. It is here he encounters Ally; a young woman in a dead-end job with dreams of being someone. She’s a talented singer and has a tough personality but is crippled with insecurity over the shallow people in the music industry who have dismissed her appearance in the past. Jackson is immediately struck by her and she is curious too. They grow closer to each other and Jackson helps Ally make a leap for stardom. They fall in love and marry, with Ally being a good influence on Jackson. She eventually becomes famous after Jackson invites her on stage to perform. Despite her initial nerves, she blows everyone away with her voice. Yet as stardom beckons, people want to mould her into something else and as her success soars, Jackson’s falls. Ally tries to retain her individuality, but her pushy manager has her switch her act and lose herself more and more. This causes an immense feeling of jealousy and resentment that has Jackson reaching for the booze and pills again. All of it hurtles towards tragedy for the couple as one career rises and the other inevitably falls.
Bradley Cooper makes a remarkably involving and emotional movie with A Star Is Born. He gets straight to the heart of the material and the themes of celebrity and tragedy with cracking results. It’s hard to believe that this is his directing debut, as he displays a deft understanding of film making and how to bring us close to the story in many ways. This version feels a bit more gritty, raw and stripped back and is all the better for that. That’s not to say it doesn’t have its nice and quiet moments though and many of this scenes stand out for their impact that has darkness but some lighter touches too. But where the film shines brightest is in the performance numbers. With a soundtrack written predominately by the two leads, A Star Is Born is brimming with show stopping tunes with a deeply personal undertone. One of the best is ‘Shallow’, a duet between Cooper and Gaga where both give it their all and Gaga telegraphs Ally’s burgeoning belief in herself. This song that packs the biggest emotional wallop however is ‘I’ll Never Love Again’. Seriously if you aren’t weeping during that sequence, you’ve obviously taken leave over your heart. a restless camera that often has extreme close-ups of faces and actions is employed throughout A Star Is Born. We are put into the action as love blooms for Ally and Jackson, but resentment grows as Ally’s career takes off and Jackson spirals further out of control. The story of A Star Is Born is familiar to most of us, but the new flourishes show it’s a tale that can be very timeless and take on many guises. It’s been told many times but when done right, like it is here, it really soars.a restless camera that often has extreme close-ups of faces and actions. We are put into the action as love blooms but so does resentment and addiction which spiral out of control. Some may find it to up close in the way it’s shot and that time flies a bit too quickly sometimes , but it’s still mightily effective storytelling despite some minor quibbles. The story of A Star Is Born is familiar to most of us, but the new flourishes show it’s a tale that can be very timeless and take on many guises. At the centre is a tragic love story that is strongly told and fraught with melancholy. It’s been told many times but when done right, like it is here, it really goes to new heights.
Bradley Cooper turns in one of his strongest performances in his career. Over the last few years, Cooper has steadily become a very reliable actor and a versatile one. Here, with his usually amiable voiced lowered considerably to a growl( and surprising musical chops), he displays such raw anger, sadness and tiredness that is very believable. Jackson is someone who has success but usually doesn’t see it and instead drowns in pity. Ally may represent the light for his safety, but Cooper finds that Jackson is so wound up and dependent on addiction that the once bright spark will eventually go out. Cooper is nothing short of a knockout here and this is extremely excellent work from him. Any worries that Lady Gaga’s image as a pop star will overshadow her performance are put to rest immediately as we witness her immense talent for acting by drawing on some of her own experiences. We all know she can sing, but here she takes it to another level and rocks us to the core. And her acting is one of the biggest assets of this movie. With personality, strength and vulnerability, she plays Ally tremendously as he feels so real and natural in this film, signifying her skill in this arena. We observe someone growing in confidence but being faced by many trials along the way and it’s played with an authentic and engaging edge. Gaga is at the top of her game with a compelling and sympathetic turn that announces great promise in an acting career. Cooper and Lady Gaga make for an incredible couple as their chemistry is immediate and extremely genuine that we feel the emotional highs and lows of their lives. Sam Elliott, of the moustache and grizzled, deep voice, steals whatever scenes he appears in as Jackson’s aggrieved brother. He’s been there for his brother but has a very fractious relationship with him. Elliott shows him to be the person who says it like it is often bluntly, but ultimately wanting to help his brother in the long run.
An excellent version of a classic story with two amazing central performances and emotional material, A Star Is Born is strong movie making that has an impact on you. And after watching this excellent version, I’m very tempted to see the other interpretations again.
You obviously rate this film, and I have seen many other very positive reviews.It is bringing the story to a new generation, undoubtedly, which is what the previous versions did too. For me, it will probably be difficult to top the Judy Garland version, but I will definitely give this new one a look.
I might wait until it comes on TV though. 🙂
Best wishes, Pete.
LikeLiked by 1 person
I think there is a version for every generation. I’ve only seen this one and the Garland one, which was superb. Wonder what the others are like?
LikeLiked by 1 person
I have seen them all. The Streisand one has some great songs, but the chemistry between her and Kristofferson was lacking for me. The old Janet Gaynor one is showing its age now, and it’s not a musical. Garland still tops the bunch.
https://beetleypete.wordpress.com/2018/08/05/one-film-four-versions-a-star-is-born/
Cheers, Pete.
LikeLiked by 1 person
I remember that post. Was very good. The common consensus is that the Garland one tops them all. Though this version is pretty stellar too.
LikeLiked by 1 person
Haven’t seen this new one, but it looks good. I loved the original. 😃
LikeLiked by 1 person
I recommend this one. I think the central story throughout is compelling and that’s why there has been a few versions of it.
LikeLike
Its on my films to watch list!
LikeLiked by 2 people
Hope you get to see it very soon.
LikeLiked by 1 person
I liked it, though it didn’t scream Oscar for me. I guess the best way for me to sum it up was Gaga out-sang Cooper by a mile and he out-acted her by the same.
LikeLiked by 1 person
I’ve heard a few people say similar things.
LikeLiked by 1 person
I have heard some really great stories about this one, especially for Lady Gaga. I have to be honest that I don’t usually watch these kind of films as they are not my cup of tea. But….I never say never. I don’t think I’ll be seeing it in cinemas, but like Pete I will wait for it to make an appearance on dvd 😊
LikeLiked by 1 person
I think you might be surprised by it, Michel. It’s worthy of the hype.
LikeLike
Cool review V-man, will see it when it comes to the TV.
LikeLiked by 1 person
I’d be interested to see what you think of it.
LikeLike
“And after watching this excellent version, I’m very tempted to see the other interpretations again” That says it all
LikeLiked by 1 person
It’s a story that has been told so many times. Now I want to see them.
LikeLiked by 1 person
I saw it three times! Maybe I’m biased, but Gaga deserves Oscars for this role. Especially for the soundtrack! The film has so much heart, and a breath-takingly devastating ending. I hope it is remembered in years to come!
LikeLiked by 1 person
It’s one hell of a soundtrack that her and Copper sell. I’d love to see her up for awards.
LikeLiked by 1 person
Get the feeling this is currently the film to beat come the Oscar’s, perhaps this will change when Roma and Beale Street hit.
E
LikeLiked by 1 person
This could do well. Have not heard of the other two.
LikeLike
I loved it. Somehow. Nice review.
LikeLiked by 1 person
It really made its mark on me.
LikeLike
My lovely wife had a chance to see this on the weekend and ultimately decided to pass. I’ll tell her to read this post!
LikeLiked by 1 person
Thanks for commenting. Hope your wife likes what I wrote.
LikeLike
Thanks for your review Vinnie, it was a pretty good movie I have to agree.
LikeLiked by 1 person
I was suitably impressed by it.
LikeLike
My husband and I have just left the cinema. We loved it, my OH tried to mask his sobbing.
I just loved Cooper. He was brilliant in this. Such a passionate film!
LikeLiked by 1 person
Oh I was a wreck to when it finished. It’s a very emotional film.
LikeLike
I love this movie so much and the music too
LikeLiked by 1 person
What a fantastic soundtrack this movie had.
LikeLiked by 1 person
so true
LikeLiked by 1 person