Tags
2000's, Édith Piaf, Based on a true story, Biopic, Emmanuelle Seigner, Foreign Language Film, Gérard Depardieu, Jean-Pierre Martins, La Vie en Rose, Marion Cotillard, Olivier Dahan, Sylvie Testud
Film Title
La Vie en Rose
Director
Olivier Dahan
Starring
- Marion Cotillard as Édith Piaf
- Sylvie Testud as Mômone
- Jean-Pierre Martins as Marcel Cerdan
- Emmanuelle Seigner as Titine
- Gérard Depardieu as Louis Leplée
An unconventional biopic of the hugely talented but deeply troubled French singer Édith Piaf, La Vie en Rose is a largely effective rendering of the tragedy she endured. The pace can be a bit off as can the choice to shoot out-of-order at various intervals, yet the fiercely intense and ward-winning work from Marion Cotillard and the handsome design of the piece, more than compensate for these quibbles and foibles to fashion a theatrical experience.
It is 1918 when Édith is first glimpsed as a girl living in poverty with her mother, who sings in the street for whatever money she can get. Her mother, wanting to be an artist, abandons her daughter with a relative. The little girl’s father returns from the War and takes Édith with him for a very short time. Her father then drops her off at his mother’s place in Normandy, which is a brothel, so he can go back to the circus. Young Édith is a very sickly child who nearly goes blind due to disease, she regains her sight after a long time of being without the use of her eyes. One of the prostitutes there named Titine, becomes something of a maternal figure and nurses her through these hard times. In later years, her absent father returns and forcibly takes her with him to the circus. Yet this doesn’t last and they are left busking on the streets, which is where the young Édith discovers her talent for singing. As she grows into a young woman, she continues to sing on the street, until one day she is discovered by Louis Leplée, who asks her to perform in his nightclub. She is given the last name Piaf( which in French slang means Little Sparrow) owing to her diminutive stature. Her first stab at stardom is cut short when Leplée is murdered, and it is assumed to be the work of men who Édith unintentionally knows, who are in fact nasty criminals on the side.
Temporarily stuck in what to do and besmirched by many, she manages to catch the eye of songwriter , whose rigorous and often brutal training helps her with her perfect what would become her dynamic stage persona. Later with a new manager, Édith eventually hits stardom, though it soon turns out to be something that will lead to her downfall as drug addiction, thwarted love affairs( particularly the one with married boxer Marcel Cerdan) and many moments of tragedy that ruin her already temperamental and brittle mind are inflicted on her. Soon the lively woman is replaced by one that is aged well beyond relatively young years, yet still wanting to project passion. The film is depicted as a reverie of her memories from various parts of her short but eventful life, the structure of the film will be discussed later in this review.
Olivier Dahan directs this biopic on the life of the ‘Little Sparrow’ with some interesting ideas and style. While the script takes a bit of getting used to, Dahan and his flair for drama ensure that there is never a dull moment in what is often a moving and painful film. Now the main point of discussion in La Vie en Rose has to be the aforementioned structure of it. The events in life are depicted as a series of vignettes that at first don’t seem to link, but if you look closely actually match up quite a bit. I must say that the nonlinear execution can get quite confusing on occasion and I could have done with a bit more exposition and order, but I understood that the film was eschewing certain tropes of the biopic to conjure up the feeling of her life flashing before her eyes. The feeling of her reflecting on life when she is near the end is backed up by the expressionistic lighting, that mirrors a candle billowing and creating a deep golden colour that could go out any minute. Overall, the representation of her life is complex and sometimes lacks coherence, but still it gets across that she gave so much in her short life, that by the end she had nothing left in her. The use of Piaf’s music deserves credit as a lot of it bleeds into the next scene in a most theatrical and melancholy manner. The famous songs of hers, including the title song and ‘Non, Je Ne Regrette Rien’ are all here and performed with emotional clarity.
The centre of La Vie en Rose and quote possibly the best thing in the movie is a truly staggering performance from Marion Cotillard, who garnered the Best Actress Oscar for her devastating work playing the iconic Édith Piaf. I can’t think of one thing Cotillard doesn’t put across or express here; there’s the fierce lust for life, tortured frailty, selfish tantrums and deep sadness to be seen throughout. The best way to describe the excellence of Cotillard’s performance is that she doesn’t just play Piaf, she literally lives and breathes this woman with unnerving emotion and realistic conviction. There are moments when you have to pinch yourself that it is Marion Cotillard acting as her work is so convincing and uncanny. Simply put, Marion Cotillard puts in a deep and shattering performance that ensures you won’t ever forget its intensity. Sylvie Testud is pretty good starring as Piaf’s best friend from her youth, who grows distant and resentful of her because of the way she abuses and treats others once she has become a star. I thought Jean-Pierre Martins was well cast as Marcel Cerdan, whose affair with Piaf had a huge impact on her. The scenes he shares with Cotillard are well-played across the board and add to the film. There was a beautiful melancholy and love expressed by Emmanuelle Seigner when portraying the prostitute who became an unlikely figure of motherly love for a very young Édith. Gérard Depardieu appears in the small but important role of the man who discovered Piaf and he does some good work in the limited time he is allotted.
The non chronological narrative may act as more of a hindrance than a help, but as an evocation of the tragic ups and down of life and sensationally played by the wonderful Marion Cotillard, La Vie en Rose shines with moving moments. Despite a few gripes, La Vie en Rose made its mark on me that I don’t believe I’ll forget it in a hurry.
I’d heard of this movie but never knew what it was about. It sounds pretty sad. Your reviews are always excellent, thanks. 😊
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Oh it is very sad and tragic, but a movie well worth your time. In particular to see Marion Cotillard completely transform into Piaf.
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You are right, Vinnieh, about the back-and-forth narrative hindering the overall enjoyment of the film, but it’s so artfully done by Cotillard–wow, what a performance! No one could have played Édith better.
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I thought the approach was a bit distracting, but it at least presented things differently. And Cotillard became Piaf.
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Now you are talking my language, V! As a lifelong fan of Piaf, I was a little concerned how this would play, but I needn’t have worried. One of the best-ever biopics, and a simply amazing performance from Cotillard. The period feel, the clothes, styles, and make up. All flawless. One of my favourite films ever, and no gripes from me about the construction either.
I thought it was refreshing and original. Something we could do with a lot more of, in these days of lame remakes and comic-character franchises. This film gets a 10/10 from me, in every way possible.
Cheers mate, Pete.
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The structure was the only thing that made it a bit distracting and really my only foible. All the rest was superb, the lighting was gorgeous and evocative, mirroring the brimming talent and tragedy of Piaf. And Marion Cotillard turns in an immersive performance that is towering in every way. Was so amazed at her transformation into Piaf, quite simply breathtaking and deserving of the Oscar.
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You got that right mate! rarely has an Oscar been so well deserved.
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She won a slew of awards for her role and all of them were thoroughly merited.
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I adore this movie, it’s a hard one to see through but once you do its worthwhile.
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Yes it was painful and mournful, but well worth the watch. Especially for that spellbinding performance from Marion Cotillard.
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Edith Piaff had quite the life. I love her song La vie en rose with her sultry voice
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She had a roller coaster of a life. Often up and then down in quick succession.
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Yes when she didn’t have money to bury her child she became a prostitute to pay for a funeral and the catholic church would not bury her child. At least that is what I had heard from a friend years ago.
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I hadn’t heard that before. She really had a tragic life.
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I will look it up or call my friend that told me this.
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In February 1933, the 17-year-old Piaf gave birth to her daughter, Marcelle (nicknamed Cécelle) at the Hôpital Tenon. Like her mother, Piaf found it difficult to care for a child while living a life of the streets, as she had little maternal instinct, parenting knowledge, or domestic skills. She rapidly returned to street singing, until the summer of 1933, when she opened at Juan-les-Pins, Rue Pigalle.[14]
Following an intense quarrel over her behavior, Piaf left Louis Dupont (Marcelle’s father) taking Mômone and Marcelle with her. The three stayed at the Hôtel Au Clair de Lune, Rue André-Antoine. During this time, Marcelle was often left alone in the room while Piaf and Mômone were out on the streets or at the club singing. Dupont eventually came and took Marcelle away, saying that if Édith wanted the child, she must come home. Like her own mother, Piaf decided not to come home, though she did pay for childcare. Marcelle died of meningitis at age two. It is rumored that Piaf slept with a man to pay for Marcelle’s funeral.[14][15]
Singing career[edit]
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I was aware that she had a daughter that died, but never about the other things. Man, Piaf really went through the gamut of pain in her life.
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Yes she did.
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still never seen this after all this time. do u think ill like it?
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I think you’d find it interesting, particularly to see the transformative work from Marion Cotillard.
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Cool. Hope to bump it up my list a bit
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I’d like to see what you made of it.
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It’s been a while since I’ve seen the film but it definitely made me aware of who Marion is and then realize she was in Big Fish. Since then, she’s one of my favorites as I’m waiting for her to do an American comedy that will play into her strengths.
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Marion Cotillard has become one of my favourite actresses in recent years. I’d love to see her in a comedy.
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I’ve never been familiar with French films but this one looks interesting. I’ll have to see if it’s available at the library. Good review, buddy! Naked hugs!
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I suggest it highly, especially for Cotillard’s towering performance.
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I haven’t seen this yet but will do.
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It’s well worth your time Fraggle.
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My sis loved her performance. She still raves about it. Nice review dude.
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Your is right to rave about her performance.
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This probably wouldn’t have hit my radar, Vinnie, but I do love Marion. Will see if I can find it…
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If you love Marion, this film is for you. She literally transforms into Piaf majestically.
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Seems in keeping, then, ‘cos she’s damn majestic all the time.
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She really is a powerhouse performer. I love how deeply she invests her characters with emotion. There are four actresses who I believe do this impeccably; Cotillard obviously, Meryl Streep, Cate Blanchett and Julianne Moore.
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Agree with you about the pace and the non chorological narrative- I can’t say I enjoyed this for that reason. That and the gloomy outlook made it pretty hard to watch. Great review though!
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It is a painful and melancholy film, but I believe it captured the essence of Piaf’s tragedies well.
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Ah I get that- it did in many ways
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And Cotillard completely blew me away with her award winning role.
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Yes- very true!!
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She was excellent
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She lived and breathed the part.
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Yes!
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Oh shame on me for not seeing this movie … It’s just the kind of thing I am interested in: the time period, Paris, Marion Cotillard is a favorite and of course the story of Edith Piaf. Another excellent review, Vinnie. I must put this on my list!
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If you like all those things, this is the movie for you Meg. Marion Cotillard is astonishing.
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I can imagine. I think she’s a brilliant actress to begin with!
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Indeed she is, one of the best over the last few years.
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Agree!
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Like Meryl Streep, she disappears into the parts.
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That’s a good way to describe it.
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Exactly, I take it you are a fan of Streep?
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For certain!
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I’m a big fan of her versatility. Though I still have many of her movies to see.
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A good blogging friend of mine had a discussion about her the other day. Check it out. https://cindybruchman.com/2017/01/13/lucky-13-film-club-the-duality-of-meryl-streep/
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I really love this movie. It’s been a while since I’ve seen it. I understand the issues with here and there narrative, but it worked for me.
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Once I understood that the narrative was supposed to be like a flurry of memories, it clicked well. A bit more coherence may have helped, but then it was still an absolutely mesmerising experience. And Marion Cotillard was so immersive.
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That ending, my God the hairs on the back of my neck stood up.
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Same here, I was crying so much too.
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What a tragic story.😞 After reading your review Vinnie I feel both compelled yet reluctant at the same time to watch this. Does that make sense?🤷🏻♀️
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That makes perfect sense Kim. It is a very tragic story, but Marion Cotillard brings it life so completely that’s it’s hard to look away.
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