Tags
2010's, David Thewlis, Jack Reynor, Justin Kurzel, Macbeth, Marion Cotillard, Michael Fassbender, Paddy Considine, Sean Harris, Tragedy, William Shakespeare
Film Title
Macbeth
Director
Justin Kurzel
Starring
- Michael Fassbender as Macbeth
- Marion Cotillard as Lady Macbeth
- Paddy Considine as Banquo
- Sean Harris as Macduff
- Jack Reynor as Malcolm
- David Thewlis as King Duncan
Shakespeare’s classic play Macbeth is one that is often committed to film many a time, but this version of the tragedy has enough clout and striking atmosphere to distinguish it from the crowd.
The film begins on a Scottish battlefield as civil war is raging. Lord Macbeth is fighting for the cause of King Duncan against the opposition. The battle is a bloody one and following events will also change for Macbeth. After the battle, Macbeth encounters a group of witches who tell him of a prophecy that he will be king. The other part of the foreshadowing is that his friend and fellow fighter Banquo’s descendants will also be kings in the future, as Macbeth’s child has died. This prophecy, in particular the fact that he will become king, haunts and consumes Macbeth, who is unsure of how to react to it. Yet spurred on by the deep ambitions of his manipulative wife Lady Macbeth, he goes through with the deed and kills King Duncan. The King’s son Malcolm sees what has happened yet flees, leaving the throne wide open to Macbeth, who already holds a significant title. Macbeth, thanks to the murder he committed with the help of his wife, is crowned King just like the prophecy of the witches said. But the grips of paranoia seize Macbeth and he is haunted by his actions. People grow suspicious of Macbeth and his ways, in particular Banquo and Macduff. This brings out the depraved cruelty within him that begins to wipe out anyone who stands in the way of his tyrannical rule. Soon Macbeth is spiraling into full-on delusional behaviour and outright savagery, as what was once good inside him shatters in the wake of his viciousness and ambition.
Adapting anything from Shakespeare must be a challenge, as you want to stamp your own impression on the material and not just follow suit of everyone else, though keeping the feeling of the play is crucial to. No one need worry though with Justin Kurzel in the director’s seat. He makes this Macbeth bold, uncompromising and daring in style and content. I’ve always seen Macbeth as something of a cinematic work, and Kurzel holds control over events like a maestro conductor with a dazzling repertoire of celluloid techniques that thrust the story into visceral and dark life. Mist and oppressive setting of the film gives grandiose and spooky ambience to Macbeth, that ensures that the coldness and savagery we witness practically seeps off the screen into our conscience. Gothic splendour exudes from almost every frame before we get an orange-red climax that is an exhilarating spectacle of overflowing anguish and corrupting darkness in which Macbeth faces off with Macduff. Macbeth should also be praised for adhering to the text in a largely faithful manner. It doesn’t try to bring anything up to date and has the verse intact, allowing the actors to savour the lines they are given. A Celtic influenced score matches the events beat for beat as treachery and murder ultimately take hold of almost every character.
At the heart of the film there is Michael Fassbender, who is searing as the eponymous character. Displaying a an engulfing ferocity that becomes more impossible to contain, Fassbender truly draws out the menace and cruelty of Macbeth. Yet in quite a few instances he humanizes the character a little bit, so you can practically feel the anguish and growing paranoia from the moment he stabs Duncan and begins his downward spiral. Fassbender is truly on fine form as Macbeth, wrapping his voice around every syllable with a commanding performance of intensity and suffering. Matching him move for move is Marion Cotillard as the driving force which is Lady Macbeth. She’s a calculating woman of dark ambition that Cotillard plays to the hilt with a sometimes mask like detachment that serves the character well and gets the audience to puzzle over what is going on in her head. With the added sub-plot of her losing a child, Cotillard works wonders in unfurling that maybe Lady Macbeth has filled the devastating void left my her loss with a ruthless and cruel plots of which she has control over. It’s a different interpretation of the character that is all the better for the uniqueness that Cotillard provides, especially in the later scenes of a guilt-ridden woman knowing that a lot of her husband’s descent is by her own hand. The excellent supporting cast is strong and includes David Thewlis, Paddy Considine , Sean Harris and Jack Reynor. Each of these respective actors is fine in their roles, though the film ultimately belongs to Michael Fassbender and Marion Cotillard.
A visceral, violent and bold retelling of the play, Macbeth brings the action to the cinematic heights yet never sacrifices the intimacy or verse of the source material. Shakespeare never looked so brutal and entrancing as it does here.
fragglerocking said:
Great review V~man, another on I want to see!
LikeLiked by 1 person
vinnieh said:
It’s a very good retelling of the play. Very dark and visually spectacular, and benefiting from two central performances that are outstanding.
LikeLiked by 1 person
By Hook Or By Book ~ Book Reviews, News, & Other Stuff said:
Phenomenal review as always Vinnie! I’m so glad you did this because I forgot I haven’t seen this yet. Thankfully I think my library has it. I love the cast and MacEth has always been one of my favorite Shakespearian tragedies. Have you seen 2010’s version with Sir Patrick Stewart?
LikeLiked by 1 person
vinnieh said:
Macbeth has always been one of my favourite Shakespeare plays. Something about the darkness gets my attentions. This version was a very visceral and visual experience. I haven’t see that 2010 version.
LikeLiked by 1 person
By Hook Or By Book ~ Book Reviews, News, & Other Stuff said:
Same here Vinnie. I think you’d like Stewart as Macbeth.
LikeLiked by 1 person
vinnieh said:
He’s a commendable and very reliable actor.
LikeLiked by 1 person
By Hook Or By Book ~ Book Reviews, News, & Other Stuff said:
And he’s Shakespearean trained!😊
LikeLiked by 1 person
vinnieh said:
He does have the commanding voice and gravitas.
LikeLiked by 1 person
thoughtsallsorts said:
Macbeth, the play, is fantastic. I’ve been meaning to watch this version of the story for a while now – just not getting to it but with your great post I’m definitely going to get to it sooner rather than later. Besides, I just can’t resist Michael Fassbender. 😉
LikeLiked by 1 person
vinnieh said:
Glad the review could be a push to watch it. And who can resist Fassbender?
LikeLiked by 1 person
Richard said:
When I first saw a poster of this I imagined it would be a darker and gritty version of Macbeth. After reading that it is so, I will try and watch this next year. Great review!
LikeLiked by 1 person
vinnieh said:
The poster definitely sets the mood there, it really is as dark as the poster suggests.
LikeLiked by 1 person
beetleypete said:
Looks like a good version, V. Cotillard is generally excellent in most of her roles. I had to do Macbeth for exams at school, so got quite involved in the play. We saw the 1948 version by Orson Welles at the time, but there have been many since. My personal favourite is Kurosawa’s 1957 version, set in feudal Japan and called ‘Throne of Blood’.
http://www.imdb.com/title/tt0050613/
Cheers, Pete.
LikeLiked by 1 person
vinnieh said:
It has a really impressive approach that remains faithful but peppers things with its own touches to make it something else. Cotillard is an exemplary actress in almost everything she does and it shows here. Thanks for the link to Throne of Blood.
LikeLike
raistlin0903 said:
Thanks for this great review. As mentioned a few times above, I forgot this one had even been released. Fassbender is just simply an amazing actor, and most of his roles are just pure gold 😀
LikeLiked by 1 person
vinnieh said:
I missed this upon cinematic release so decided to play catch up. Fassbender is a very committed actor, you can see how deep he gets into his roles.
LikeLiked by 1 person
Meg Sorick said:
Without a doubt this is my favorite of Shakespeare’s plays. I saw an amazing Broadway production two years ago – get this: Alan Cumming in a one man show! The premise is he’s in a mental institution and his neurosis is to recite and play all the parts of Macbeth. Which he does!!! It was incredible. And the stage set is creepy cool! Anyway, I digress… An excellent review, Vinnie. I will certainly check out this film – I love Marion Cotillard and Michael Fassbender.
LikeLiked by 1 person
vinnieh said:
A one man show, very fascinating and Alan Cumming is always a dynamic performer. I’ve never seen Macbeth on stage, but it would be a good experience, of that I’m certain!
LikeLiked by 1 person
Meg Sorick said:
It really was! Have a great evening Vinnie!
LikeLiked by 1 person
vinnieh said:
My everything went very well Meg. I had a very good relax.
LikeLiked by 1 person
SpeedySailor said:
Nice review. I’m not usually one for going out of my way to watch or read anything Shakespeare, but I might watch this one, especially considering we own it in the house and it’s still shrink-wrapped.
Reuben
LikeLiked by 1 person
vinnieh said:
Better get the shrink wrap off as you’re in for a good cinematic experience.
LikeLiked by 1 person
SpeedySailor said:
Yea boi! Will do soon.
LikeLiked by 1 person
Eddy Winko said:
Like the sound of this one V
LikeLiked by 1 person
vinnieh said:
It’s what I’d call a bracing adaptation of the play.
LikeLike
keepsmealive said:
Holy crap I did not know this existed. I MUST SEE IT! Also, I am a simple man, I see Marion Cotillard, I say yes please!
LikeLiked by 1 person
vinnieh said:
Marion Cotillard is sensational in this film. A true testament to her talents as an actress.
LikeLike
judiththereader said:
I really enjoyed this adaptation of Macbeth – I think it’s definitely my favourite adaptation so far, and Macbeth is one of my favourite Shakespeare plays. I wrote a mini-review of the BBC adaptation of Richard II, if you’re interested in reading it: https://readandreview2016.wordpress.com/2016/11/23/what-i-watched-wednesday-richard-ii/ 🙂
LikeLiked by 1 person
vinnieh said:
The robustness of vision and darkness really shone for me with this film version. I just read your review, you have an excellent way with words.
LikeLiked by 1 person
judiththereader said:
Thank you so much! 🙂
LikeLiked by 1 person
vinnieh said:
I’ll have to check out Richard III now.
LikeLike
Jason said:
I missed seeing this movie. Might have to check it out. Excellent review!
LikeLiked by 1 person
vinnieh said:
I too missed this one when it was playing in the cinema but I’m happy I got to see it now. It really is worth the viewing.
LikeLiked by 1 person
ninvoid99 said:
I wanted to see this but it disappeared from my local arthouse theater too quickly as I was hoping to write something and compare to 3 other adaptations of Macbeth by other noted filmmakers in Orson Welles, Roman Polanski, and Akira Kurosawa.
LikeLiked by 1 person
vinnieh said:
I really want to give other versions a viewing. In particular Throne of Blood, which another follower also recommended.
LikeLike
KittNoir said:
It’s on my watch list!
LikeLiked by 1 person
vinnieh said:
It truly brings the play to life in vivid style. Very well directed and acted.
LikeLiked by 1 person
dbmoviesblog said:
I want to see this film for so long now, but my main interest here is Fassbender and Cotillard’s chemistry 🙂 It should be good, and I didn’t even though that David Thewlis was in it!
LikeLiked by 1 person
vinnieh said:
I’m happy to report that Fassbender and Cotillard have very good chemistry here and work well together.
LikeLiked by 1 person
Chris said:
Yeah, adding loss of a child in the opening scene was an interesting addition and could partly explain lady Macbeth’s behavior. Did you see CNN interview with Fassbinder? He says he and the director interpreted Macbeth as having PTSD. Worth checking out:
http://edition.cnn.com/videos/tv/2015/11/30/shakespeares-new-twist-on-macbeth-foster-intv.cnn
LikeLiked by 1 person
vinnieh said:
I am throughly intrigued.mappreciate the link. Chris.
LikeLike
Urspo said:
Every decade gets the MacBeth it needs/deserves.
My favorite rendition remains “Throne of Blood”.
LikeLiked by 1 person
vinnieh said:
You’re the third person to mention Throne of Blood, it must be something special.
LikeLike
timneath said:
Another film I caught a while back. I found that the liberties taken to mark the new impression added another layer to the text. The parental element gave it more emotion, a daring choice which once you accept this version really pays off. Thanks for sharing.
LikeLiked by 1 person
vinnieh said:
It added another layer and level to the often told story, marking it as something different.
LikeLiked by 1 person
rhi2589 said:
Right I’ll be honest I don’t get Macbeth at all, and I’m doing it as a GCSE so is there any key points you think that I need to know? It would really help! And also please check out some of my posts x
LikeLiked by 1 person
vinnieh said:
Well I’m no expect but I would say keep in mind the concept of power and what it drives us to do. That seems to be the prevailing theme throughout.
LikeLiked by 1 person
rhi2589 said:
Okay Thankyou I will keep that in mind
LikeLiked by 1 person
vinnieh said:
Hope what I say helps.
LikeLiked by 1 person