Tags
007, 1990's, Colin Salmon, Denise Richards, Desmond Llewelyn, James Bond, Judi Dench, Michael Apted, Pierce Brosnan, Robbie Coltrane, Robert Carlyle, Samantha Bond, Sophie Marceau, Spy, The World Is Not Enough
Film Title
The World Is Not Enough
Director
Michael Apted
Starring
- Pierce Brosnan as James Bond
- Sophie Marceau as Elektra King
- Robert Carlyle as Renard
- Denise Richards as Christmas Jones
- Robbie Coltrane as Valentin Zukovsky
- Judi Dench as M
- Desmond Llewelyn as Q
- Samantha Bond as Moneypenny
- Colin Salmon as Robinson
Pierce Brosnan’s third outing as 007 after previously playing the spy in GoldenEye and Tomorrow Never Dies comes in the form of The World Is Not Enough. Occasionally muddled and a little uneven, it does boast some great sequences, serious drama and interesting characters to keep the interest of the audience for its run time and have some fun with. I mean it’s definitely better than the movie that followed.
In the beginning of the film, Bond manages to retrieve money stolen from Sir Robert King, an oil tycoon and old friend of his superior M. Upon returning the money to MI6 headquarters, disaster strikes as King is killed by money that has been dipped in an explosive. Bond then gives chase along the Thames after a sexy assassin who tries to kill him and then proceeds to commit suicide rather than inform Bond of who her boss is. The attack is traced to Renard, a prominent terrorist and former KGB agent who had previously kidnapped King’s daughter Elektra. Renard has a bullet lodged in his skull, that will eventually kill him but has now rendered him unable to feel physical pain and will allow him to grow stronger until his life expires. Bond believes that with the death of King that Elektra will be the next target for the terrorist. Worried about this and for Elektra, M reveals that she advised King not to pay his daughter’s ransom for fear of negotiating with a terrorist. Feeling a sense of guilt, she sends her best man to watch over the oil heiress who is overseeing the building of an oil pipeline in Azerbaijan. Bond feels immediately protective over Elektra, who appears to be traumatized and vulnerable by her kidnapping ordeal. Yet while investigating Renard and his activities, Bond’s suspicions are aroused by Elektra, as he senses she is concealing something sinister behind her vulnerable appearance.
His suspicions are proved right as Elektra is indeed in league with Renard and plans on creating a nuclear disaster in the waters of Istanbul by exploding a stolen nuclear bomb which will benefit her oil supplies and business personally and powerfully. Crisscrossing from Baku to Kazakhstan and eventually Turkey, and with the help of buxom nuclear scientist Christmas Jones and former mob boss turned valuable ally Valentin Zukovsky must battle his way through danger to stop Elektra and Renard’s revenge.
The first thing to notice about The World Is Not Enough is an emphasis on drama that hasn’t really been seen in the Bond movies before. There is something developed about many of the characters and it is interesting to see them as two-dimensional people in a dangerous world. Admittedly, some of the drama does come off as more than a little muddled and underdeveloped. But director Michael Apted manages to bring a fresh dynamic to the series and stamps his own style on the movies with assurance. Apted also brings in his typical fashion the powerful and layered women to the forefront of the story, especially in the form of Elektra and an expanded role for M. Even though the mix of drama and action in The World Is Not Enough can be a little jarring, when both camps score, they score very highly to create some excellent Bond worthy moments. The boat chase on the Thames blasts the film into exciting motion and really stands as a definite action highlight, alongside a thrilling ski chase and a dangerous encounter with a bomb speeding along a pipeline. Having the bullet in Renard’s head slowly kill of his pain receptors but increase his strength is an intriguing idea but to be honest it doesn’t really add as much to the plot as it thinks it does and comes off as a rather wasted opportunity. The locations used are sublime with the heat of Kazakhstan and the nighttime glamour of Istanbul exceptionally realized. David Arnold returns for his second Bond score and delivers a stunning piece of work that accentuates the themes of distrust and betrayal. Alternative rock band Garbage provide the eerie yet sensual title track that is an exemplary sonic accompaniment to the languid title sequence of lovelies formed from slithering oil and fields of pumping oil derricks.
Pierce Brosnan brings his charm and smarts to this outing as 007, and he is allowed to show a lot more seriousness than before which proves highly effective given the drama in the story. We manage to see the more ruthless side to Bond in this adventure which is always interesting to watch. Sophie Marceau is on fine form as the duplicitous Elektra and fully embodies the capricious nature of the character. Elektra can be vulnerable and weak one minute and then ruthless and crazed the next, all of this is down to the successful performance of the intriguing Marceau. Because the character of Elektra is so well written, the part of the other villain Renard suffers. Robert Carlyle does bring an intensity to the part that is most befitting, but the underwritten nature of the character sadly short changes him. Denise Richards may be one gorgeous woman but her acting in The World Is Not Enough as a Bond girl is poor. She plays Christmas Jones, a nuclear scientist who helps Bond after Renard steals a nuclear bomb. But to be perfectly honest about her, the character is just so ridiculous and superfluous. I mean she looks curvaceous, athletic and sexy as hell in her Tomb Raider style get up of revealing tank top and hot pants, but when she starts talking about the dangers of nuclear weapons and scientific properties, it is really hard to take her seriously at all. Returning after his role in GoldenEye, Robbie Coltrane brings humour and assurance to the role of Valentin Zukovsky, who has supposedly become a legit businessman but still occasionally dabbles with crime. Judi Dench gets a more expanded role as M this time around and gives the extended part deep emotion and heart as she wrestles with a sense of personal guilt over her handling of Elektra’s kidnapping ordeal. Desmond Llewelyn appears for the final time as beloved gadget master Q. In a sad footnote, Llewelyn died after the premiere of this film and although his last scene with Bond wasn’t planned, when he says goodbye to Bond it is filled with a very deep poignancy that is hard to shake off. Llewelyn was truly part of the Bond fabric and his contribution to the series is a testament to his excellent talent. Samantha Bond and Colin Salmon are once again on hand for the parts of Moneypenny and fellow agent Robinson.
Muddled and sometimes jarring, The World Is Not Enough may not be perfect. But with cool action, beautiful locations and many of the actors performing excellently, it is a pulse-pounding spy yarn to say the very least.
I just watched this one again the other day. It’s better than it gets credit for, but I do agree about Denise Richards. She’s a bombshell but can’t act a lick (at least in this film).
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Thanks for the comment. It is a very good movie but as you say Richards is hot, but on the acting front not so good.
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Sounds good : )
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It really is, to be honest all the Bond movies have something good about them.
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Dead on. Electra may be one of the greatest Bond women, while Denise’s Christmas Jones is awful. Quite the dichotomy. Good review
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Definitely is quite a dichotomy, with Elektra being such a strong character and Christmas Jones quite superfluous.
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Really enjoyed this one and you’re comments are spot on. It’s all about the boat chase at the beginning though. Brilliant with a great ending that falls straight into the opening credits. Good review.
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You can’t beat that boat chase, so exciting and explosive.
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I’m not a big James Bond aficionado so my opinion matters little on this. But I have to say I thought this one was pretty fun. I know some people dismiss it but I enjoyed myself. As you mentioned it’s not perfect but I’ve seen a lot worse.
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I’ve definitely seen a lot worse than this thrill ride of a Bond movie.
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I don’t know why so many people were all over Denise Richards as Sophie Marceau is far more beautiful woman – and talented too. Also – it was a pretty good movie. I thought it was a lot of fun and I think Brosnan did a good job as Bond.
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Sophie Marceau has that classic beauty about her, whereas Denise Richards is the buxom bomshell
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Sophie Marceau is the personification of what every Bond Girl should strive for; sophisticated, exotic and gorgeous. Denise Richards is like a black hole that sucks the life out of the film every time she’s on screen!
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Thanks for commenting man, Marceau is definitely a memorable addition to the Bond girl legacy.
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lol
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I found myself nodding cockatoo like during your review. I agreed so much with your comments on Denise Richards I almost hurt my neck 😉 That Thames sequence was a highlight for me. Really inspired.
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Thanks, glad to hear you agree with me.
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Connery, Moore and Brosnan are my three Bond faves. The first for his ‘cool-deadly’ look, the second for his humor and likeable character, and the last for his agility and ‘just fitting in’.
The World is not Enough sure is entertaining.
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You have excellent taste in the Bond movies.
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I think some people tend to overlook this one, almost like it gets lost between the brilliance of GoldenEye and the hatred for Die Another Day. I think it’s a good one though. As you say, the emphasis on drama makes a nice change of pace for the series, but it doesn’t shortchange the action. All of the cast are excellent… except Denise Richards, yes, who is ridiculous.
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Definitely agree, it gets overlooked way too often.
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This is actually one of my fave Bond flicks – though I haven’t seen anything post Brosnan, I guess I sorta went away from Bond as I got older. Dunno why though, as like you said this one was filled with a lot of drama. and while Goldeneye is obviously the most reconisable Bond videogame, this title had a pretty damned fun PS1 equivilant!!
I’m with you on those rapid-fire cuts/editing for action scenes. It is so disorientating you don’t know who is kicking who, until someone dies… yet it seems to be almost the standard way to shoot big action set-pieces.
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Really appreciate you commenting.
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no worries mate, thanks to you also! 🙂
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Pingback: My Personal Ranking of the James Bond Movies – vinnieh
I loved the opening of this film, it really opened with a bang! It was almost like having two openings really. The banker scene in Spain and then the chase down the Thames that followed, pity the rest of the film didn’t follow suit. Because after that it kind of hit a lull. I found your comments on Desmond Llewelyn and the departure of Q spot on as well. And I was equally sorry to see Robbie Coltrane’s character leave the series, too. But Brosnan’s 007 was superb here, cold and ruthless.
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It was like a double opening. That boat chase was action packed and thrilling for every minute. I miss Llewelyn, and his departure here is tinged with sadness.
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That it is.
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I personally find this to be an under appreciated Bond movie that too many people do down.
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I agree to some extent as there are some fine moments in it. I do feel a bit of angst, though, since Brosnan was forced out. I thought Daniel Craig got off to a fabulous start with Casino Royale, but then I think the series—in my opinion, sorry to say—has slid off the rails a bit since. I guess time will tell whether or not the 007 franchise returns to entertaining over the top—the volcano hideout in You Only Live Twice—but not TOO over the top—oh that awful hang-gliding off the glacier bit—like in Tomorrow Never Dies stuff. Bond used to be all about cutting edge technology (the jet pack in Thunderball, ring camera in A View to A Kill, and of course the Goldfinger car), with spectacle and lots of huge set pieces (again, the You Only Live Twice volcano, The Spy Who Loved Me sea tanker fight, and Fort Knox battle in Goldfinger), and the traditional (gun barrel opening, and expected (“The name is Bond…James Bond” or “Vodka martini… shaken, not stirred”) lines. Or the smile and a wink Bond humor (like in Thunderball when Largo asks Bond if he would like to have a look around and Connery say’s (almost with a wink) “Oh I’d LOVE that!” These day’s it all seems way too series, when all Bond initially promised us was this grand entertaining escape from reality, with 007 coming out on top in the end, all the while giving us a really good time. That I do miss.
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I do love basking in the old school glory of the early. Hoping they bring some of that back to the series. That would be sensational to watch. I still love the Bond movies to death as nothing beats them for excitement.
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Me too. ;O)
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I’m a lover of retro things.
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