Tags
2000's, Benicio Del Toro, Catherine Zeta-Jones, Crime, Don Cheadle, Drama, Michael Douglas, Steven Soderbergh, Traffic
Film Title
Traffic
Director
Steven Soderbergh
Starring:
- Michael Douglas as Robert Wakefield
- Don Cheadle as Montel Gordon
- Benicio Del Toro as Javier Rodriguez
- Catherine Zeta-Jones as Helena Ayala
- Luis Guzman as Ray Castro
- Steven Bauer as Carlos Ayala
- Erika Christensen as Caroline Wakefield
- Miguel Ferrer as Eduardo Ruiz
Traffic is Steven Soderergh’s gritty, up close and personal look at drugs from various perspectives. Boasting an excellent cast and kinetic camerawork that gives it a feeling of a documentary, it is a kaleidoscopic look at the effects of the drug trade on different people and the consequences and situations that occur because of them.
Robert Wakefield is a judge who is appointed the high-ranking job of drugs czar, in an effort to combat the drug war that is raging. As he begins to question his new job, he becomes aware of his daughter Caroline’s serious drug problem and finds that drugs lie closer to home than he thinks. He tries everything he can to convince his daughter to give up, but the situation becomes harder and harder the more he tries and his daughter refuses help. Meanwhile in Mexico, a cop named Javier is trying also to counteract the ever-growing drug trade and supply, whilst trying to remain honest in a world where everything around him is corrupted. A further story set in San Diego concerns Montel and Ray, two undercover DEA agents attempting to bring down drug baron Carlos Ayala. After pressuring one of his friends who is on Carlos’ illegal activities, Carlos is arrested and brought to trial. His pregnant socialite wife Helena, who is at first oblivious to her husband’s job, finds out for herself. Rather than live without him and desperate, she takes matters into her own hands and goes to extreme measures as a way to free her husband.
The first thing that struck me about Traffic was the exceptional camerawork and lighting used. In order to distinguish each story, a certain colour or filter plays a pivotal part. In Robert’s story, blue is heavily used to symbolise his desperation at his daughter’s habits. Javier’s story is filmed with a blinding glow, counteracting with the corruption he witnesses on a daily basis. Helena’s story is filmed with a gold hue to show how naive she has been towards he husband’s dealings. All of this gives the audience a subtle insight into the character’s minds and how they respond to the presence of drugs in their lives. The use of a handheld camera further reiterates the struggles and conflict each character experiences, catching them off guard and examining with an almost forensic detail the various ways drugs have infiltrated their lifestyles.
The acting in the film from the ensemble cast is outstanding, especially from Douglas, Zeta-Jones and an Oscar-winning Del Toro. Michael Douglas shows the confusion of whether to concentrate on his job or help his addicted daughter from slipping any further. Catherine Zeta-Jones excels at showing Helena’s naivety in the beginning and then her gradual emergence as a scheming woman, galvanized into desperate action to clear her spouse’s name whatever the cost. Benicio Del Toro is the standout performer in Traffic, subtly portraying a man trying to remain honest but struggling when in the face of danger. In this way, he becomes the film’s heart, exuding a quiet intensity as we watch him being torn between his morals and the temptation to commit violent acts.
Steven Soderbergh has created an exceptional look at a difficult subject, without becoming preachy or cliché. Traffic is a haunting, intense and personal look at the connections of drugs and society. If you haven’t viewed Traffic, I would definitely recommend it to you.
Del Toro was outstanding. I loved him in Sin City, too. Didn’t Cheadle win an academy award for his performance in Traffic? I loved your analysis regarding the camera work and lighting…spot on!
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Thanks for the comment, I loved the use of camerawork, so unique and highly effective.
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It’s strange… you’re right, the camera work, the lighting, the acting, the exceptional look at a different subject… but for some reason, as a whole this film didn’t do it for me quite as much as a lot of other people. Having said that, it’s still better than 90% of the rubbish that gets made. Great review.
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Thanks for the comment, it certainly is better than some films that get made.
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Good review Vinnie. I liked Soderbergh’s stance and his messages, but I didn’t love it like so many others did. Well-acted though.
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Thanks for the comment man.
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Great post Vinnieh – I like the film a lot and do think that Soderbergh’s experiments with colours and flters do work well. Have you seen the original British miniseries it is based on? Well worth tracking down – many prefer it (including me in fact).
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Thanks, I’ll have to check out the miniseries. Thanks for the reminder.
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I was just about to write that and then found your reply, Sergio. I heartily second the motion! Fine write-up, vinnie.
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Thank you for your kind words.
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Nice review man. Not seen this yet but think I’ve got it lying around at home somewhere!
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Thanks, I hope you get to see it. Let me know your thoughts on it.
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Nice review. I’m not a Soderbergh fan but I’ve been recommended this a couple of times before. Looks like I’ll have to check it out.
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Thanks, I highly recommend it.
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Michael Douglas’s last great film?
I loved it on so many levels…fantastic write up.
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Thanks for the comment man.
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Nice write up buddy, great film 🙂
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Thanks for the positive comment, glad you liked it.
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Good stuff here.
I’ve seen a lot of love for Traffic over the years, but it never quite did it for me. It’s one of those movies, now, that I remember having watched it, bored. I don’t know why, I don’t remember anything about it. I’ve heard a lot of praise for it, even recently, and that makes me want to revisit it on one hand…
But on the other, larger hand… if I don’t remember anything about it… I really don’t think a re-watch can help improve my opinion of it.
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Thanks for the comment, Sorry to hear it didn’t do it for you.
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I’ve only seen bits of this one. I need to add it to my list.
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Thanks, let me know what you think of it if you do see it.
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Great review, really glad you enjoy this film… it’s one of my Top 10 of all time.
I’m happy that you pointed out the film’s exceptional camerawork. There’s a funny story that Soderbergh wanted the first credit of the film to say “Directed and Photographed by Steven Soderbergh,” but Writer’s Guild stipulations wouldn’t let him. So he changed his cinematography name to Peter Andrews and has been rolling with that ever since.
Sorry, I just LOVE the look of this film.
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Thanks for the comment and information.
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Very nice review! I liked the part where you discussed the use of particular colors as being representative of the different characters.
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Thanks glad you enjoyed that part.
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That sounds like a great movie. Thank you for the review. Great job, my friend! 🙂 You make me want to buy the DVD.
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Glad you enjoyed the review, thanks man.
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You are a good reviewer. Perhaps you could start sending your review to NYT? 🙂
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